Its title was Burn This Book.
Laura took the book down. Mark Treggs, the holdover hippie. No author's photo. Mountain top Press, Chattanooga, Tennessee. A post office box. She skimmed through the book, searching for the part where Treggs had talked about the Weather Underground and the Storm Front. On page 72, she found it: "The Love Generation, bleeding from a thousand wounds inflicted by the militant counterculture, may well have expired on the night of July 1, 1972, when police in Linden, New Jersey, cornered the terrorist Storm Fronters in a suburban tract house. Four Storm Fronters died in the firefight, one was captured alive but wounded, and four more escaped, including their main man 'Lord Jack' Gardiner. The pigs searched, but they could not find. Some say Canada, that saint of America's political fugitives, took them into her forests. You can hear it still today if you put your ear to the right track: the Storm Front's out there somewhere. Maybe still licking their wounds, like old bears in a cave. Maybe muttering and dreaming, aging longhairs huddled over candles with their stashes of pot and acid. I knew one of the Storm Fronters, a long time ago before the flames destroyed the flowers. She was a nice kid from Cedar Falls, Iowa. A farmer's daughter, can you dig it? To her I send a message: keep the faith, and love the one you're with."
Laura's gaze flickered back up the page. I knew one of the Storm Fronters.
Not Mary Terrell. She was born in Richmond. Who, then?
Somebody who might help the FBI find her baby?
Laura took the book to the telephone. She dialed Kastle's number in such a hurry that she messed up and had to redial. His secretary, the lemony bitch, answered after the second ring. No, Mrs. Clayborne, Mr. Kastle isn't in yet. I told you before, he won't be back until after three. No, I'm sorry, I don't have a number where he can be reached. Mrs. Clayborne, it's not doing anybody any good for you to keep calling. I'm terribly sorry about your situation, but everything possible is being done to find your —
Bullshit. Laura hung up.
She paced the kitchen, her heart pounding. Whom could she tell about this? Who could help her? She stopped at the telephone again, and this time she dialed Directory Assistance in Chattanooga.
The operator had no number for Mountaintop Press. There were two Treggses: Phillip andM.K. She scribbled down the latter number and called it, her stomach doing slow flip-flops.
Four rings. "Hello?" A woman's voice.
"Mark Treggs, please?"
"Mark's at work. Can I take a message?"
Laura swallowed, her throat dry. "Is this… the Mark Treggs who wrote the book?"
A pause. Then, cautiously: "Yes."
Thank God! she thought. Her hand was clenched around the receiver. "Are you his wife?"
"Who is this, please?"
"My name is Laura Clayborne. I'm calling from Atlanta. Is there a number where I can reach Mr. Treggs?"
Another pause. "No, I'm sorry."
"Please!" It came out too fast, too charged with emotion. "I've got to talk to him! Please tell me how I can find him!"
"There's no number," the woman said. "Laura Clayborne. I think I know that name. Are you a friend of Mark's?"
"I've never met him, but it's vitally important that I reach him. Please! Can't you help me?"
"He'll be home after five. Can I give him a message?"
Five o'clock seemed an eternity. In frustration, Laura said, "Thank you so much!" and this time she did slam the receiver down. She stood for a moment with her hands pressed against her face, trying to decide what to do. The image of David in the weeds came to her again, and she shook it off before it latched in her mind.
Chattanooga was about a two-hour drive from Atlanta, northwest along I-75. Laura looked at the clock. If she left now, she could be there around one. I knew one of the Storm Fronters. Treggs might know more about the Storm Front than he'd written in the book. A two-hour drive. She could make it in an hour and forty-five minutes.
Laura went into the bedroom, put on a pair of bluejeans that fit snugly around the puffiness she was still carrying, and she shrugged into a white blouse and a beige cable-knit sweater. It occurred to her that she might have to stay in Chattanooga overnight. She began to pack a suitcase, another pair of jeans and a crimson sweater, extra underwear and socks. She loaded up her toothpaste and toothbrush, decided to take her shampoo and her hair dryer. Money, she thought. Have to go by the bank and get a check cashed. Got my Visa, MasterCard, and American Express. Have to get the BMW's tank filled. Leave a note for Doug; no, forget that. Get the tires checked, too. It wouldn't be good to have a blowout, a woman alone in this hard old world.
She knew now that violence could strike from any direction, without warning, and leave tragedy in its wake. She walked to the dresser, opened the top drawer, and lifted up Doug's sweaters. She took the automatic pistol out, along with a box of ammunition. The shooting lessons be damned; if she had to use it, she'd learn fast.
Laura gave her hair a quick brushing. She forced herself to look at her face in the mirror. Her eyes had a glassy shine: either excitement or insanity, she couldn't decide which. But one thing she knew for sure: waiting in this house, day after day, for word about her baby would surely drive her over the edge. Mark Treggs might not know anything about the Storm Front. He might not have any information at all that could help her. But she was going to Chattanooga to find him, and nothing on earth was going to stop her.
She put on her black Reeboks, then deposited the automatic pistol and the box of ammunition in her suitcase, along with her hairbrush.
The pile of cut-up photographs caught her attention.
She swept them into a trash can with the edge of her hand. Then she picked up her suitcase, got her tan overcoat, and walked into the garage. The BMW's engine started, a throaty growl.
Laura drove away from the house on Moore's Mill Road, and she did not look back.
2
The Pennywhistle Player
CHATTANOOGA is A CITY THAT SEEMS STOPPED IN TIME, LIKE A Rebel's rusted pocketwatch. The broad Tennessee River meanders around it, interstates pierce its heart, railroads connect the warehouses and factories with those in other places; the river, interstates, and railroads enter Chattanooga and leave it, but Chattanooga remains like a faded damsel waiting for some suitor long dead and buried. She turns her face away from the modern, and pines for what can never be again.
The huge mass of Lookout Mountain rises over Chattanooga, the faded damsel's dowager hump. It was Lookout Mountain that Laura saw before she saw the city. Its appearance, at first a looming purple shadow on the horizon, made Laura's foot heavier on the BMW's gas pedal. At eighteen minutes after one she pulled off the interstate at Germantown Road, found a pay phone with a phone book, and looked upM. K. Treggs. The address was 904 Hilliard Street. Laura bought a city map at a gas station, pinpointed Hilliard Street on it, and got the gas jockey to tell her the best way to get there. Then she was off again, driving in the bright afternoon sunlight toward the northeastern side of Chattanooga.
The address was a small woodframe house in a nest of similar houses across from a shopping center. It was painted pale blue, and the house's postage-stamp-size lawn had been turned into a rock garden with a pebbled walkway. The mailbox was one of those plastic jobs with redbirds on it. A rope and tire swing hung from a tree branch, and in the driveway was a white Yugo with rust splotches. Laura pulled her car in front of the house and got out. The chill breeze ruffled her hair, and made the six or seven wind chimes that hung from the front porch's rafters clang and bong and jingle and clink.
A dog next door began to bark furiously. Big brown dog behind a chain-link fence, she noted. She walked up onto the porch and rang the doorbell, surrounded by chimes.
The inner door opened, but the screen door stayed closed. A slender, petite woman with braided brown hair peered cautiously out. "Can I help you?"
"I'm Laura Clayborne. I called you from Atlanta."
The woman just stared at her.
"I called you at el
even," Laura went on. "I've come to talk to your husband."
"You're… the lady who called? You came from Atlanta?" She blinked, the information sinking in.
"That's right. I can't tell you how important it is that I see your husband."
"I know who you are." The woman nodded. "You're the one whose baby was taken. Mark and I talked about that. I knew I'd heard your name before!"
Laura stood there, waiting. Then the woman said, "Oh! Come on in!" She unlatched the screen door, and opened it wide to accept Laura.
In her college days Laura had been in many dorm rooms and hippie apartments. Her own apartment had been pretty much "hippified," or at least what passed for such at the University of Georgia. The house immediately took her back to those days. It was full of cheap apartment furniture, with crates serving as book and record cases, a big orange beanbag chair with UT emblazoned on it, and a beige sofa that looked as if it had been slept on for quite a number of years. Vases with dried flowers stood about, and on the walls were actual, genuine, real McCoy black light posters, one showing the astrological signs and the other depicting a three-masted ship against a full moon. A wood carving on one wall read LET IT BE. Laura was sure she smelted strawberry incense and lentils cooking. Fat, half-burned candles — those kinds with intricate wax designs and varicolored bands on them — were arranged on a countertop, next to books that included the works of Kahlil Gibran and Rod McKuen. Laura could look through a corridor and see a poster at the end of it: War Is Not Healthy for Children and Other Living Things.
The sensation of stepping back into time might have been complete for Laura except for some GoBots scattered on the floor and a Nintendo atop the television set. The woman with braided hair scooped up the GoBots. "Kids," she said with a toothy smile. "They leave stuff everywhere, don't they?"
Laura spotted a Barbie doll clad in a doll-size shimmery white gown, leaning against a record crate full of battered-looking album jackets. "You have two children?"
"Right on. Mark Junior's ten, and Becca's just turned eight. Sorry the place is a wreck. Getting 'em off to school some mornings's like a tornado passing through. Get you some tea? I've just made some Red Zinger."
It had been years since Laura had tasted Red Zinger tea. "That would be fine," she said, and she followed the woman into the cramped little kitchen. The refrigerator had peace signs painted all over it in vivid colors. The crayon drawings of children were taped up. Love You, Mom was printed on one of them. Laura looked quickly away from it, because a lump had risen into her throat.
"I'm Rose," the woman said. "Pleased to meet you." She offered her hand, and Laura shook it. Then Rose went about her task of getting cups and pouring the tea from a brown clay pot. "We've got raw sugar," she said, and Laura told her that would be fine, too. As Rose got their tea ready, Laura saw the woman had on Birkenstock sandals, staple hippie footwear. Rose Treggs wore faded jeans with patched knees and a bulky seagreen sweater that was a dozen rubs away from giving at the elbows. She was about five feet tall, and she moved with the quick, birdlike energy of petite people. In the kitchen's sunlight, Laura could see the hints of gray in Rose Treggs's hair. The woman had an attractive, open face and freckles across her nose and cheeks, but the lines around her mouth and at the comers of her dark blue eyes told a tale of a hard life. "Here you go," Rose said, giving Laura a rough clay cup with a hippie's long-jawed, bearded face molded into it. "You want lemon?"
"No, thanks." She sipped the tea. Few things in life remained the same, but Red Zinger persevered.
They sat in the living room, amid the relics of a bygone age. Looking around at it all, Laura imagined the voice of Bob Dylan singing "Blowin' in the Wind." She could feel Rose watching her, nervously waiting for her to speak. "I read your husband's book," Laura began.
"Which one? He's written three."
"Burn This Book."
"Oh, right. That's sold the best. Almost four hundred copies."
"I reviewed it for the Constitution. "The review, however, had never been printed. "It was interesting."
"We've got our own publishing company," Rose said. "Mountaintop Press." She smiled and shrugged. "Well, it's just a typeset machine and some stuff in the basement, really. We sell mostly by mail order, to college bookstores. But that's how Benjamin Franklin started, huh?"
Laura leaned forward in her chair. "Rose? I have to talk to your husband. You understand what's happened to me, don't you?"
Rose nodded. "We saw it on the news and read about it, too. Blew our minds. But you don't look like your picture."
"My baby has been stolen from me," Laura said, holding the tears back by sheer willpower. "He was two days old. His name is David, and I… I wanted a child very badly." Careful, she thought. Her eyes were burning. "You know who took my baby, don't you?"
"Yeah. Mary Terror. We thought she was dead by now."
"Mary Terror," Laura repeated, her gaze fixed on Rose's face. "The FBI's looking for her. But they can't find her. It's been twelve days, and she's disappeared with my son. Do you have any idea how long twelve days can be?"
Rose didn't answer. She looked away from Laura because the woman's intense stare made her nervous.
"Every day can stretch and stretch until you feel as if it's never going to end," Laura continued. "You think the hours are stuck. And at night, when it's so quiet you can hear your heart beat… at night it's the worst. I've got an empty nursery in my house, and Mary Terrell has my son. I read your husband's book. I read about the Storm Front in it. He knows someone who was a member of the Storm Front, doesn't he?"
"That was a long time ago."
"I realize that. But anything he could tell me might help the FBI, Rose. Anything. As it is, they're spinning their wheels. I can't take many more days of waiting for a phone call to tell me if my David is alive or dead. Can you understand that?"
Rose released a long breath and nodded, her face downcast. "Yeah. When we heard about it, we had a long talk. We wondered how we'd feel if somebody took Mark Junior or Becca. It would be a heavy trip, that's for sure." She looked up. "Mark did know a woman who belonged to the Storm Front. But he didn't know Mary Terror. He doesn't know anything that would help you get your baby back."
"How can you be sure about that? Maybe your husband knows something that he doesn't think is important, but it could be of real value. I don't think I have to tell you how desperate I am. You're a mother. You know how you'd feel." She saw Rose frown, the lines deepening. "Please. I need to find your husband and ask him some questions. I won't take much of his time. Will you tell me where I can find him?"
Rose's teeth worked her lower lip. She swirled the Red Zinger around her teacup, and then she said, "Yeah. Okay. There's a phone number, but I didn't give it to you because they don't like to go out and track down the custodians. I mean, it's a big place."
"Where does your husband work?"
Rose told her where, and how to get there. Laura finished her tea, said thank you, and left the house. At the front door Rose wished her peace, and the chimes stirred in the chill breeze.
Rock City was perched atop Lookout Mountain. It was not a suburb of Chattanooga, but rather a tourist attraction of walkways winding between huge, wind-chiseled boulders, a waterfall plummeting from a sheer cliff, and rock gardens with benches for the weary. Signs with bearded elves pointed out the admission gate and the parking lot. On such a cold day, even with the sun shining, the lot was all but empty. Laura paid her money in a building where Indian arrowheads and Confederate caps were on sale, and she was told by the clerk that Mark Treggs was probably out sweeping the path near the Swinging Bridge. She started off, following the walkway over, around, and sometimes even through the center of gargantuan rocks, the denuded bones of Lookout Mountain. She easily got through a crevice called Fatman's Squeeze, and she realized she was losing the weight of pregnancy. The pathway took her up into the sunlight again, out of the freezing shadows of the stones, and she at last saw the Swinging Bridge ahead of her.
There was no one on the path, though. She crossed the bridge, which indeed did creak and swing, a gorge full of rocks about sixty feet below. She continued along the path, her hands thrust into the pockets of her overcoat. She didn't see anyone else anywhere. One thing she noticed, though: the walkways couldn't have been cleaner. And then she came around a curve and she heard it: the high, birdlike notes of a pennywhistle.
Laura followed the music. In another moment she found him. He was sitting cross-legged atop a boulder, his rake and broom leaning against the stone, and he was playing a pennywhistle and staring toward a vast panorama of pine woods and blue sky.
"Mr. Treggs?" she said, standing at the boulder's base.
He kept playing. The music was slow and gentle, and sad in a way. A pennywhistle, Laura thought, was an instrument played in circuses by clowns with tears painted on their cheeks. "Mr. Treggs?" she repeated a little louder.
The music stopped. Mark Treggs took the pennywhistle from his mouth and looked down at her. He had a long dark-brown beard peppered with gray and his hair hung over his shoulders, a blue baseball cap on his head. Under thick, gray-flecked brows, his large, luminous hazel eyes peered at Laura from behind wire-framed granny glasses. "Yes?"
"My name is Laura Clayborne. I've come from Atlanta to find you."
Mark Treggs squinted, as if trying to get her into focus. "I don't… think I know…"
"Laura Clayborne," she said again. "Mary Terrell stole my baby twelve days ago."
His mouth opened, but he didn't say anything.