Read 310 to Yuma and Other Stories (1953) Page 11


  Minutes later a door at the back end of the hallway opened and Boynton came toward the cell. A deputy with a shotgun, his day man, followed him.

  "What's the matter?"

  Ward nodded. "The boy's sick."

  "He ought to be," Boynton said.

  Ward shrugged. "Don't matter to me, but I got to listen to him moaning."

  Boynton looked toward Given's bunk. "A man that don't know how to drink has got to expect that." He turned abruptly. Their steps moved down the hall and the door slammed closed.

  "No sympathy," Ward said. He made another cigarette, and when he had lit it he walked over to Given's bunk. "He'll come back in about two hours with our dinner. You'll still be in bed, and this time you'll be moaning like you got belly cramps. You got that?"

  Staring up at him, Given nodded his head stiffly.

  At a quarter to twelve Boynton came up again. This time he ordered Ward to lie down flat on his bunk. He unlocked the door then and remained in the hall as the day man came in with the dinner tray and placed it in the middle of the floor.

  "He still sick?" Boynton stood in the doorway holding a sawed-off shotgun.

  Ward turned his head on the mattress. "Can't you hear him?"

  "He'll get over it."

  "I think it's something else," Ward said. "I never saw whiskey hold on like that."

  "You a doctor?"

  "As much a one as you are."

  Boynton looked toward the boy again. Given's eyes were closed and he was moaning faintly. "Tell him to eat something," Boynton said. "Maybe then he'll feel better."

  "I'll do that," Ward said. He was smiling as Boynton and his deputy moved off down the hall.

  Lying on his back, his head turned on the mattress, Given watched Ward take a plate from the tray. It looked like stew.

  "Can I have some?" Given said.

  Chewing, Ward shook his head.

  "Why not?"

  Ward swallowed. "You're too sick."

  "Can I ask you a question?"

  "Go ahead."

  "How come I'm sick?"

  "You haven't figured it?"

  "No."

  "I'll give you a hint. We'll get our supper about six. Watch the two that bring it up."

  "I don't see what they'd have to do with me."

  "You don't have to see."

  Given was silent for some time. He said then, "It's got to do with you busting out."

  Obie Ward grinned. "You got a head on your shoulders."

  Boynton came up a half hour later. He stood in the hall and when his deputy brought out the tray, his eyes went from it to Pete Given's bunk. "The boy didn't eat a bite," Boynton observed.

  Ward raised up on his elbow. "Said he couldn't stand the smell of it." He watched Boynton look toward the boy, then sank down on the bunk again as Boynton walked away. When the door down the hall closed, Ward said, "Now he believes it."

  It was quiet in the cell after that. Ward rolled over to face the wall and Pete Given, lying on his back, remained motionless, though his eyes were open and he was studying the ceiling.

  He tried to understand Obie Ward's plan. He tried to see how his being sick could have anything to do with Ward's breaking out. And he thought: He means what he says, doesn't he? You can be sure of that much. He's going to bust out and you got a part in it and there ain't a damn thing you can do about it. It's that simple, isn't it?

  OBIE WARD WAS RIGHT. At what seemed close to six o'clock they heard the door open at the end of the hall and a moment later Stan Cass and Hanley Miller were standing in front of the cell. Hanley opened the door and stood holding a sawed-off shotgun as Cass came in with the tray.

  Cass half turned to face Ward sitting on his bunk, then went down to one knee, lowering the tray to the floor, and he did not take his eyes from Ward. He rose then and turned as he heard groans from the other bunk.

  "What's his trouble?"

  Ward looked up. "Didn't your boss tell you?"

  "He told me," Cass said, "but I believe what I see."

  "Help yourself, then."

  Cass turned sharply. "You shut your mouth till I want to hear from you!"

  "Yes, sir," Ward said. His dark face was expressionless.

  Cass stared at him, his thumbs hooked in his gun belt. "You think you're somethin', don't you?"

  Ward's head moved from side to side. "Not me."

  "I'd like to see you pull somethin'," Cass said. His right hand opened and closed, moving closer to his hip. "I'd just like to see you get off that bunk and pull somethin'."

  Ward shook his head. "Somebody's been telling you stories."

  "I think they have," Cass said. He hesitated, then walked out, slamming the door shut.

  Ward called to him through the bars, "What about the boy?"

  "You take care of him," Cass said, moving off. Hanley Miller followed, looking back over his shoulder.

  Ward waited until the back door closed, then picked up a plate and began to eat and not until he was almost finished did he notice Given watching him.

  "Did you see anything?"

  Given came up on his elbow slowly. He looked at the tray on the floor, then at Ward. "Like what?"

  "Like the way that deputy acted."

  "He wanted you to try something."

  "What else?"

  Given pictured Cass again in his mind. "He was wearing a gun." Suddenly he seemed to understand and he said, "The marshal wasn't wearing any, but this one was!"

  Ward grinned. "And he knows you're sick. First his boss told him, then he saw it with his own eyes." Ward put down the plate and he made a cigarette as he walked over to Given's bunk. "I'll tell you something else," he said, standing close to the bunk. "I've been here seven days. For seven days I watch. I see the marshal. He knows what he's doing and he don't wear a gun when he comes in here. A man out in the hall with a scattergun's enough. Then this other one they call Cass. He walks like he can feel his gun on his hip. He's not used to it, but it feels good and he'd like an excuse to use it. He even wears it in here, though likely he's been told not to. What does that tell you? He's sure of himself, but he's not smart. He wants to see me try something--and he's sure he can get his gun out if I do. For seven days I see this and there's nothing I can do about it--until this morning."

  Given nodded thoughtfully, but said nothing.

  "This morning I saw you," Ward went on, "and you looked sick. There it was."

  Given nodded again. "I guess I see."

  "We let the marshal know about it. He tells Cass when he comes on duty. Cass comes up and sure enough, you're sick."

  "Yeah?"

  "Then Cass comes up the next time--understand it'll be dark outside by then: he brings supper up at six, but he must go out to eat after that because he doesn't come back for the tray till almost eight--and he's not surprised to see you even sicker."

  "How does he see that?"

  "You scream like your stomach's been pulled out and you roll off the bunk."

  "Then what?"

  "Then you don't have to do anything else."

  Given's eyes held on Ward's face. He swallowed and said, as evenly as he could, "Why should I help you escape?" He saw it coming and he tried to roll away, but it was too late and Ward's fist came down against his face like a mallet.

  He was dazed and there was a stinging throbbing over the entire side of his face, but he was conscious of Ward leaning close to him and he heard the words clearly. "I'll kill you. That reason enough?"

  After that he was not conscious of time. His eyes were closed and for a while he dozed off. Then, when he opened his eyes, momentarily he could remember nothing and he was not even sure where he was, because he was thinking of nothing, only looking at the chipped and peeling adobe wall and feeling a strange numbness over the side of his face.

  His hand was close to his face and his fingers moved to touch his cheekbone. The skin felt swollen hard and tight over the bone, and just touching it was painful. He thought then: Are you afraid for
your own neck? Of course I am!

  But it was more than fear that was making his heart beat faster. There was an anger inside of him. Anger adding excitement to the fear and he realized this, though not coolly, for he was thinking of Ward and Mary Ellen and himself as they came into his mind, not as he called them there.

  Ward had said, Roll off the cot.

  All right.

  He heard the back door open and instantly Ward muttered, "You awake?" He turned his head to see Ward sitting on the edge of the bunk, his hands at his sides gripping the mattress. He heard the footsteps coming up the hall.

  "I'm awake."

  "Soon as he opens the door," Ward said, and his shoulders seemed to relax.

  As soon as he opens the door.

  He heard Cass saying something and a key rattled in the lock. The squeak of the door hinges---

  He groaned, bringing his knees up. His heart was pounding and a heat was over his face and he kept his eyes squeezed closed. He groaned again, louder this time, and doing it he rolled to his side, hesitated at the edge of the mattress, then let himself fall heavily to the floor.

  "What's the matter with him!"

  Four steps on the plank floor vibrated in his ear. A hand took his shoulder and rolled him over. Opening his eyes, he saw Cass leaning over him.

  Suddenly then, Cass started to rise, his eyes stretched open wide, and he twisted his body to turn. An arm came from behind hooking his throat, dragging him back, and a hand was jerking the revolver from its holster.

  HANLEY MILLER tried to push away from the bars to bring up the shotgun. It clattered against the bars and on top of the sound came the deafening report of the revolver. Hanley doubled up and went to the floor, clutching his thigh.

  Cass's mouth was open and he was trying to scream as the revolver flashed over his head and came down. The next moment Ward was throwing Cass's limp weight aside. Ward stumbled, clattering over the tray in the middle of the floor, almost tripping.

  Given saw Ward go through the wide-open door. He glanced then at Hanley Miller lying on the floor. Then, looking at Ward's back, the thought stabbed suddenly, unexpectedly, in his mind---

  Get him!

  He hesitated, though the hesitation was in his mind and it was part of a moment. Then he was on his feet, moving quickly, silently, in his stocking feet, stooping to pick up the sawed-off shotgun, turning and seeing Ward near the door. Now Given was running down the hallway, now swinging open the door that had just closed behind Ward.

  Ward was on the back-porch landing, starting down the stairs, and he wheeled, bringing up the revolver as the door opened, as he saw Pete Given on the landing, as he saw the stubby shotgun barrels swinging savagely in the dimness.

  Ward fired hurriedly, wildly, the same moment the double barrels slashed against the side of his head. He screamed as he lost his balance and went down the stairway. At the bottom he tried to rise, groping momentarily, feverishly, for his gun. As he came to his feet, Pete Given was there--and again the shotgun cut viciously against his head. Ward went down, falling forward, and this time he did not move.

  Given sat down on the bottom step, letting the shotgun slip from his fingers. A lantern was coming down the alley.

  Boynton appeared in the circle of lantern light. He looked from Obie Ward to the boy, not speaking, but his eyes remained on Given until he stepped past him and went up the stairs.

  A man stooped next to him, extending an already rolled cigarette. "You look like you want a smoke."

  Given shook his head. "I'd swallow it."

  The man nodded toward Obie Ward. "You took him by yourself?"

  "Yes, sir."

  "That must've been something to see."

  "I don't know--it happened so fast." In the crowd he heard Obie Ward's name over and over--someone asking if he was dead, a man bending over him saying no...someone asking, "Who's that boy?" and someone answering, "I don't know, but he's got enough guts for everybody."

  Boynton appeared on the landing and called for someone to get the doctor. He came down and Given stood up to let him pass. The man who was holding the cigarette said, "John, this boy got Obie all by himself."

  Boynton was looking at Ward. "I see that."

  "More'n I would've done," the man said, shaking his head.

  "More'n most anybody would've done," Boynton answered. He looked at Given then, studying him openly. He said then, "I'll recommend to the judge we drop the charges against you."

  Given nodded. "That'd be fine."

  "Anxious to get home to your wife?"

  "Yes, sir."

  For a moment Boynton was silent. His expression was mild, but his eyes were fastened on Pete Given's face as if he were trying to read something there, some mark of character that would tell him about this boy.

  "On second thought," Boynton said abruptly, "I'll tear your name right out of the record book, if you'll take a deputy job. You won't even have to put a foot in court."

  Given looked up. "You mean that?"

  "I got two jobs open," Boynton said. He hesitated before adding, "Look, it's up to you. Probably I'll tear your name out even if you don't take the job. Seeing the condition of Obie Ward, I wouldn't judge you're a man who's going to be pressured into anything."

  Given's face showed surprise, but it was momentary, his mouth relaxing into a slow grin--almost as if the smile widened as Boynton's words sank into his mind--and he said, "I'll have to go to Dos Cabezas and get my wife."

  Boynton nodded. "Will she be happy about this?"

  Pete Given was still smiling. "Marshal, you and I probably couldn't realize how happy she'll be."

  Chapter 7.

  The Kid.

  I REMEMBER LOOKING out the window, hearing the wagon, and saying to Terry McNeil and Delia, "Here comes Repper." And when the wagon came even with the porch, I saw the boy. He was sitting with his legs hanging over the end-gate, but he came forward when Max Repper motioned to him.

  That was the first time any of us laid eyes on the boy, and I'll tell you frankly we weren't positive at first it was a boy, even though Max Repper referred to a "him," saying, "Don't let his long hair fool you," and even though up close we could see the features didn't belong to a girl. Still, with the extent of my travel bounded by the Mogollon Rim country, central Sonora, the Pecos River, and the Kofa Mountains--north, south, east, and west respectively--I wasn't going to confine my judgment to this being either just a boy or a girl. There are many things in the world I haven't seen, and the way Terry McNeil was keeping his mouth closed I suspect he was reserving judgment on the same grounds.

  Terry was in to buy stores for his prospecting site in the Dragoons. He came in usually about every two weeks, but by the little bit he'd buy it was plain he came for Delia more than for flour and salt-meat.

  It was just the three of us in the store when Max Repper came--Terry, taking his time like he was planning to outfit an expedition; Deelie, my girl-child, helping him and hoping he'd take all day; and me. Me being the first line of the sign outside that says PATTERSON GENERAL SUPPLIES. BANDERAS, ARIZONA, TERR.

  Now, this Max Repper was a man who saddle-tamed horses on a little place he had a few miles up the creek. He sold them to anybody who needed a horse; sometimes a few to the Cavalry Station at Dos Fuegos, though most often their remounts were all matched and came down from Whipple Barracks. So Max Repper sold mainly to the one hundred and eighty-odd souls who lived in and around Banderas.

  He also operated a livery here in the settlement, but even Max admitted it wasn't a paying proposition and ordinarily he wasn't one to come right out and say he was holding a bad guess. Max was a hard-nosed individual, like a man had to be to mustang for a living; but he also had a mile-high opinion of himself, and if any living creature sympathized with him it'd have to have been one of his horse string. Though the way Max broke a horse, the possibility of that was even doubtful.

  Repper came in with the boy behind him and he said to me, "Pat, look what the hell I found."
r />
  I asked him, "What is it?"

  And he said, "Don't let the long hair fool you. It's a boy...a white boy."

  We had to take Max's word for it at first, for that boy cut the strangest figure I ever saw. Maybe twelve years old, he was, with long dark hair hanging to his shoulders Apache style, matted and tangled, but he didn't have on a rag headband and that's why you didn't think of Apache when you looked at him, even though his skin was weathered mahogany and the rest of his getup might have been Indian. His shirt was worn-out cotton and open all the way down, no buttons left; his pants were buckskin, homemade by Indian or Mexican, you couldn't tell which, and he wasn't wearing shoes.

  The bare feet made you feel sorry for him even after you looked close and saw something half wild about him. You wondered if the mind was translating what the eyes saw into man-talk or into some kind of gray-shadowed animal understanding.

  TERRY MCNEIL WAS toward the back, leaning on the counter close to Delia. They were just looking. I got up from the desk (it was by the front window and served as "office" for the Hatch & Hodges Line's Banderas station), but I just stood there, not wanting to go up and gawk at the boy like he was P. T. Barnum's ten-cent attraction.

  "The good are rewarded," Max Repper said. He grinned showing his crooked yellow teeth, which always took the humor out of anything funny he ever said. "I was thinking about hiring a boy when I found this one." He looked at the boy standing motionless. "He's going to work for me free."

  I asked now, "Where'd you find him?"

  "Snoopin' around my stores."

  "Where's he from?"

  "Damn' if I know. He don't even talk."

  Max pulled the boy forward by the shoulder right up in front of me and said, "What do you judge his breed to be?" Like the boy was a paint mustang with spots Max hadn't ever seen before.

  I asked him again where he'd found the boy and he told how a few nights ago he'd heard something in the lean-to back of his shack, and had eased out there in his sock feet and jabbed a Henry in the boy's back as he was taking down Max's fresh jerky strings.

  He kept the boy tied up the rest of the night and fed him in the morning, watched him stuff jerked venison into his mouth, asked him where he came from, and got only grunts for answers.