“It was sad,” said Nick.
But his mind was already racing. Kondo had cut the shit out of someone and Nii had helped. Nii was Kondo’s boy. So if he wanted to find out what Kondo was up to, he had to find out what Nii was up to.
The police records were easy enough to obtain. Nii, Takashi “Joe.” The photo showed a squat face under long Beatle-style hair, the eyes gleamless with a lack of intelligence or purpose. The photo was taken when he was eighteen, old enough to be arrested the first time. Rap sheet: impressive but hardly incredible. Breaking-entering, time in juvie, assault, robbery, carrying a wakizashi, a footloose punk hunting thrills and his own death in the alleyways of Kabukicho. He ran with a street gang called the Diamondbacks. That meant, among other things, he probably had tattoos of diamonds on his back. With his pals, he raised minor hell. Eventually, he did two years hard time for beating a shop owner half to death. He clearly was a guy trying to attract yak attention, and failing. Yet two years ago…he disappeared.
Has Mr. Nii turned a corner and become a model citizen? Is he now selling life insurance, Popeye’s chicken, Nikes, porn? It doesn’t seem likely. Far more likely: he’s made that dream contact, he’s been taken in by somebody, cleaned up, spiffed up, given a haircut, he’s put on a suit and a pair of expensive Italian pointed-toe black shoes, he’s learned how to tie a tie and cut his nails, and now he moves discreetly and invisibly through the world of yak crime, violent when necessary but not spastically violent, pointlessly violent, the violence of sudden rage. No, now it’s controlled and deployed by a much wiser boss.
Nii? You see Nii? Any word of Nii? Where’s Nii hang? Remember Nii? That kid, Nii, always gets in trouble, ran with the Diamondbacks. Funny you should mention the Diamondbacks as I think the new bouncer at the Milk was a Diamondback for a while.
Nii? Oh, yeah, Nii. Okay guy, I guess, don’t know what happened to him. Not that you’d notice him. He was what you call your averagelooking guy, nothing about him stood out. Oh, one thing I remember, yeah, he used to like to go to a bar called Celtic Warrior. He always had a samurai thing. He saw himself as the last of the Toshiro Mifunes. Yeah, Celtic Warrior, it’s in Nishi Azabu.
Which is how come Nick found himself sitting in Celtic Warrior in Nishi Azabu on a Thursday night, alone at the bar, nursing a bourbon and water and a headache, trying to maintain his sanity as a bad multiracial goth band played heavily Japanese-influenced Celtic war melodies, an assault on the ears almost too intense to be described, much less endured. The joint was typical plastic shit, with shields and those ridiculous western knight swords like the old kings used hanging crosswise all over the place, and big mock-metallic triangles everywhere, crap out of Black Shield of Falworth, all Hollywood phony, all plastic. Some mooseheads and deer hung on the walls too, and there was even a stained-glass window behind the bar. It was so Camelot, or a Japanese version of an American version of a story that had never been true in the first place.
And that’s when he saw Nii.
It would have been so easy to miss him. It was only the sullenness in the eyes, their lack of dynamism that clued Nick in. The guy had bulked up considerably, and cleaned up; he now wore a neat crew cut moussed to an inch and a half of vertical, a white shirt, a dark suit, a tie. He could have been any salaryman unless you looked carefully at the fastidious way in which the collar of the jacket fitted the broad neck so perfectly, the way the suit hung with just the faintest dapple to it, picking up a sheen, the razor-vivid line of the trousers crease, their wondrous drape and flow that only the finest silks achieved, and the black shoes that seemed so standard but were actually extremely expensive British oxfords, worn generally by CEOs, ambassadors, and power lawyers. He was $6,000 in wardrobe trying to pass as $400 in wardrobe.
His whole manner was refined, poised, amused, confident. Say, hadn’t he come up in the world? And he wore his kingliness well, as Nick observed how extravagantly he was treated by the waitstaff and how generously—but quietly—he responded. He was a happy man, Nick realized; good job, plenty of dough to spend, the future looking brighter and brighter.
Nick watched the play of the evening. Occasionally a band member would come over and pay homage to Nii, occasionally the staff. Others came and paid honor and were rewarded with a smile or a touch; girls too, he seemed to be catnip to girls, that gangster thing just drives them wild.
And after a time luxuriating in the pride of having Made Good, Nii spoke to a young woman—the most childish woman there, Nick noted—and she trotted off to get her coat and tell her friends she wouldn’t be going home with them. The two walked out, holding hands, and Nick let a long minute pass before leaving a generous mound of yen on the bar and following.
He shadowed for a while from across the street, and eventually Nii took the little date into a nice apartment building and upstairs. Quickly enough Nick dashed across the street and sited himself a little to the oblique so he could see two sides of the structure. He prayed that Sir Lancelot Nii’s place was on one of these two sides, and indeed, within a few minutes, a light on the fifteenth floor came on. Nick counted windows, establishing how far from the corner the apartment was, so that he could get into it tomorrow.
Nick got there early. He was wearing a wig, a dark mop, because it occurred to him that it wouldn’t do to let the world on to the fact that a blond-haired man much too old for blond hair was stalking a well-known yakuza killer.
It didn’t take long; a Mercedes pulled up, a black S-Class limo, and Nii, crisply dressed for work, and the girl, looking as if she’d had her brains fucked out and couldn’t even comb her hair, stepped into it and it sped away.
Nick had a little thrill. Was Kondo in that car? It was unlikely Kondo would pick up his own crew. More likely he hired a limo service to round the boys up and bring them where they would do that day’s business.
Nick crossed the road, went to the apartment’s foyer, flashed a credential at the doorman. It was quite an impressive piece of paper, signifying him to be a representative of the Domestic Appropriations committee of the Diet. It was entirely authentic, in its original owner’s name, and a Kabukicho forgery expert had expertly glued Nick’s picture on it.
“I’m taking depositions on the land scandal,” Nick said. “Mr. Ono,” that being the first name he’d cross-referenced with a phone number listed to that address.
“I shall buzz him, sir.”
“Not if you want to keep your job, you won’t.”
“Yes sir.”
“And you won’t tell the houseboy either. I know how these places work. You call the houseboy, tip him, and he gets to Ono before I do, Ono has time to destroy incriminating documents, Ono gives the houseboy a huge tip, and he splits it with you. I’m not stupid.”
“Sir, Joji’s on fourteen; he won’t be involved.”
“You make sure Joji stays on fourteen.”
“Yes sir.”
Nick knew Ono lived on seventeen and so he took the elevator up to that floor, got out, and took the stairway down to fifteen. He quickly established the door that had to lead to Nii’s and went down to fourteen. He found the houseman, a dull-looking Korean, smoking a cigarette in a closet on break.
“Oh, there you are, Joji,” he said. “Dammit, I do this twice a week! I locked myself out of my apartment. Can you let me in?”
Joji looked at him dully, trying to place him.
“It’s me, Nii, fifteen-oh-four, come on, Joji, I’m late.”
If Joji hesitated it was only to secure a bigger tip; Nick slipped him a 5,000-yen note, and they went upstairs. Joji used his house key and headed back to his cigarette.
Nick was alone in the apartment. Very nice. Had Nii gone so far as to hire a decorator? The place was very much your modern yakuza, without frill or kitsch. No books, but one whole wall given over to a sound system and just about every western rock or rap CD ever cut, a shelf or two of Shogun AV’s teacher-blows-Koichi—and oh, say, naughty, naughty, even a few black-market items involving young
girls. Nii, you’ve got some sick bugs in you. There was also, of course, a TV screen big enough to land a jet on.
Skipping through the apartment, Nick counted clichés: the furniture was black leather and chrome with a few modernist gewgaws here and there, crystal sculptures signifying crystal sculpture, a horrible and therefore priceless piece of modern art on the big wall.
Another room was the workout palace, which explained Nii’s new body. The space was half dojo; a wall rack held a batch of swords, some wood, some steel, for cutting. In the corner lay a pile of tatami mats.
The bedroom had its own special sort of cliché: the mirror on the ceiling threw back the image of the devastated bed, sodden and twisted and wrecked. Stains and the smell of sweat were everywhere. Handcuffs, lined with soothing foam, still attached to the bedpost, suggested the way the night had gone. Also a coil of rope lay on the bottom half of the bed, so Nii had probably done some tying too. He must have had that Japanese thing for a well-tied knot. As an aphrodisiac, the form of the beautiful young girl, bound and helpless before him, had done wonders for Nii: three discarded, half-full rubbers lay like squashed snakes on the hardwood floor. Nick thought, Oh, to be twenty-five again!
Next, the closet: ten black silk suits, each with a swanky Italian tailor’s label, three pairs of black oxfords, twenty pairs of almost-new Nikes, and a pile of neatly ironed and folded white silk shirts.
Nick sat at the desk and began to work through it very carefully. One drawer had a collection of sports magazines, another bank statements, which showed the guy was indeed doing very well, and other bills: dry cleaning mainly, rent, and…well, well, well, here we have something very interesting.
It was a series of drawings: three diamonds, crude and amateurish, in the first. In the second, the diamonds had begun to be subsumed by superior imagery, as the new forms obscured the crudity of the original pattern. In the third, the imagery, drawn by a master, had triumphed, and no trace of the diamond remained. The third, a kind of design proposal, had been signed with a name from a tattoo parlor in Shinjuku, Big Ozu. Nick had once done a story for the rag on Big Ozu, favorite skin artist of the yakuza. He was your man for snake scales, imitation Kuniyoshi faces, lions, tigers, and bears, as well as fans, scrolls, bamboo, and kanji, all popular yakuza motifs. He still tattooed the traditional way: not by electric needle, but more slowly, more painfully by bamboo sliver. So now that he was in the bucks, Nii had hired Ozu to craft a design to absorb his no-class street-gang origins, as if obliterating his sordid past.
The big guy owed Nick a favor, for his piece had driven Ozu’s customer list through the roof, including some movie stars and rock singers. And he also knew that men tell their tattooists what they don’t tell their wives, bitches, shrinks, and buddies.
26
KATA
“I am not going to strike a child,” Bob said.
“Probably true. But she strike you, often,” said Doshu. He spoke quickly to the girl, who began to carefully assemble her kendo armor.
“This interesting,” Doshu said. “My pupil Sueko. She will be safe from your blow and armed with a bokken. As she short, bokken long. When she strikes, much pain. You wear no armor. On the other hand, with a shinai, even your strongest blows will not affect her, that is, if you are even able to strike her. Also, as you long, shinai short. Yet you must defeat her.”
“Sir, you don’t understand. I cannot strike a child.”
“Do not look and see form. Look at what is close as if distant and distant as if close.”
Bob dropped the shinai on the floor.
“No, sir. I come from a father whose father beat him terribly when he was a child. He never struck me and he made me understand, one does not strike a child.”
“Then you must go.” Doshu pointed to the door. “You do not know enough yet. Your mind is soft. You will die quickly if you stay. Go back to America, drink and eat and forget. You are not swordsman. You will never be swordsman.”
Bob saw how cleverly Doshu had penetrated him. The man had put him in a situation where his strength and speed were meaningless; he could not use them against a child, even if he had wanted to. Something deep in his fiber would prevent him. On the other hand, he had to win. If he didn’t win, he’d failed. He would not be a swordsman.
So how could he win? He had to find some way to fight soft. He had to anticipate, move, parry at a level higher than he’d ever been, much higher, and when he saw his opening, he’d have to take it but willfully disconnect from those things that made him a man—his strength, his speed. He had to take command of his subconscious and will it to govern him to a smoothness he didn’t have, a quickness no one had. He was trapped.
“I will fight,” he said. “But if I hurt her, I will hurt you. Those are the stakes here, sir. You understand that. You can’t put her in jeopardy without risking your own ass. And don’t think you can go aikido on me. I know that stuff too. I’ve been in a few dustups. Here, look, goddammit.”
Bob yanked down the corner of his little stupid jacket and showed the old man a few places where hot metal had tried to interrupt his life span. They were puckers, frozen stars of raised flesh, long gashes, healed but never quite vanished, relics of a forgotten war.
“I have seen much blood, my own and others’. I can fight, don’t you forget it.”
Doshu was not impressed.
“Maybe then you be good against little girl. But I think she whip ass.”
Bob faced the child. She looked like some tiny druid priestess. Her bokken, stout white oak, looked like Excalibur or Beheader of Kira and when she drove it into him, it would bruise to the bone. Her head was encased in a padded helmet, her face covered by a steel cage; the helmet wore two thick pads that flared laterally to cover her neck and shoulders. Her torso was encased in padding, and both arms and wrists as well; she wore heavy gloves; she looked part goaltender, part catcher, part linebacker, and 100 percent pure samurai.
They moved to the center of the dojo floor, bare feet on bare wood, under the wooden struts that sustained the place, which felt more like temple than gym. Swords hung on the wall, ghosts flitted in the distance.
She bowed.
He bowed.
“Five strikes wins. Also, kendo much head. I have asked Sueko not to hit head unless necessary. Also, war, not kendo. So any killing strike wins, not only kendo targets. Understood?”
He waited a second, permitting no questions, and then said, “Guard position.”
Bob stepped back, to segan-kamae, the standard high guard, his sword before him at 45 degrees, both elbows held but not locked, the tip pointing to her eyes. It was a solid defensive position, but you couldn’t do much with it. She, meanwhile, fell to gendan-kame, with her sword held low, pointed down and to the left. It was an offensive position, quick to lead to stunning blows, less efficient for blocking.
Bob tried to find the rhythm that had sometimes been there for him and sometimes not. He tried not to see “her,” that is, the child; instead he tried to see her bokken, for it was his real enemy.
Doshu stood between them, raised a hand, and then his hand fell.
He stepped in fluidly, she countered a little to the left, and suddenly, like quicksilver, she went low to high—“dragon from water”—and he could not get his shinai into a block fast enough by a hair, and she slipped her blade under his guard, screamed “Hai!” with amazing force, and he felt the bitter bite of the white oak edge, classic yokogiri, against his ribs. God, it hurt.
He realized, I have just been killed by a child. With live blades, she would have cut his guts out.
“One for Sueko. Swagger nothing.”
Rage went through him, red and seething. He had an impulse to revert to bully’s strength, flare and howl and race at her, using his bulk to intimidate, but he knew he wasn’t fast enough or smooth enough and that no answers lay in the land of anger. She would coolly destroy him.
She attacked, he gave ground and parried two of her blows; then, being
limber and flexible, she split almost to ground level and swept at his ankles, but somehow the solution came exactly with the attack itself, and he found himself airborne—he knew that leaving the ground was a big mistake, one of the “three aversions,” to be avoided at all times, but in this case unavoidable—to miss the horizontal cut and, as he came down, he tapped her on the thick pad of the shoulder, near the neck, a somewhat uninspired kesagiri.
“Bad cut, Swagger. But still, you get point. One to one.”
The next two flurries were in hyperspeed. He could not stay with her for more than three strikes and she seemed to gain speed as he lost it, and each time, “Hai!” the bokken struck him hard, once across the wrist, making him drop the shinai, once on his good hip, a phenomenon known in football as a stinger. Oh, hoochie mama, that one hurt like hell.
Sweat flooded his eyes and he blinked them free, but they filled with water and the keenness of his vision went.
He felt fear.
He had to laugh. I’ve been shot at ten thousand times and hurt bad six times and I am scared of a little girl.
Was it the fear or the laughter or both? Somehow something began to come through him. Maybe it was his blurred vision, maybe that thing in sports called “second wind,” maybe a final acceptance of the idea that what came before meant nothing, there was only now, and her next kata seemed to announce itself, he took it on the lower third of the blade, ran her sword to ground, recovered a hair faster, and slashed the shinai across her center chest, kesagiri. She didn’t feel it, given the heavy padding, but Doshu’s educated eyes were quick to make note.
“Hai!” Bob proclaimed.
“Too late. Must deliver blow and shout in one timing. No point.”
Bad call. That was kendo; this was war. But you forget bad calls, as every athlete knows, and when she came, he knew it would be from the left, as all her previous attacks had been right to left; in the split second she drew back to strike, he himself unleashed a cut that seemed to come from nowhere, as he had not willed it or planned it; it was his fastest, best cut of the afternoon, maybe even the whole week, and he got his “Hai” out exactly as he brought the shinai tip as smooth and soft as possible across the left side of her head, and felt the bop as it hit her helmet.