On the other hand, might she not herself be the spy?
This would explain the date of Mundt’s departure: he left as soon as he had been reassured by Mrs Fennan that I had accepted her ingenious confession. It would explain the entry in Fennan’s diary: Frey was a chance skiing acquaintance and an occasional visitor to Walliston. It would make sense of Fennan’s choice of files—if Fennan deliberately chose unclassified papers at a time when his work was mainly secret there could be only one explanation: he had come to suspect his wife. Hence the invitation to Marlow, following naturally upon our encounter the previous day. Fennan had decided to tell me of his apprehensions and had taken a day’s leave to do so—a fact of which his wife was not apparently aware. This would also explain why Fennan denounced himself in an anonymous letter: he wished to put himself in touch with us as a preliminary to denouncing his wife.
Continuing the supposition it was remarkable that in matters of tradecraft Mrs Fennan alone was efficient and conscientious. The technique used by herself and Mundt recalled that of Frey during the war. The secondary arrangement to post the cloakroom ticket if no meeting took place was typical of his scrupulous planning. Mrs Fennan, it seemed, had acted with a precision scarcely compatible with her claim to be an unwilling party to her husband’s treachery.
While logically Mrs Fennan now came under suspicion as a spy, there was no reason to believe that her account of what happened on the night of Fennan’s murder was necessarily untrue. Had she known of Mundt’s intention to murder her husband she would not have taken the music case to the theatre, and would not have posted the cloakroom ticket.
There seemed no way of proving the case against her unless it was possible to reactivate the relationship between Mrs Fennan and her controller. During the war Frey had devised an ingenious code for emergency communication by the use of snapshots and picture postcards. The actual subject of the photograph contained the message. A religious subject such as a painting of a Madonna or a church conveyed a request for an early meeting. The recipient would send in reply an entirely unrelated letter, making sure to date it. A meeting would take place at a prearranged time and place exactly five days after the date on the letter.
It was just possible that Frey, whose tradecraft had evidently altered so little since the war, might have clung to this system— which, after all, would only seldom be needed. Relying on this I therefore posted to Elsa Fennan a picture postcard depicting a church. The card was posted from Highgate. I hoped somewhat forlornly that she would assume it had come to her through the agency of Frey. She reacted at once by sending to an unknown address abroad a ticket for a London theatre performance five days ahead. Mrs Fennan’s communication reached Frey, who accepted it as an urgent summons. Knowing that Mundt had been compromised by Mrs Fennan’s “confession” he decided to come himself.
They therefore met at the Sheridan Theatre, Hammersmith, on Tuesday, 14 February.
At first each assumed that the other had initiated the meeting, but when Frey realized they had been brought together by a deception he took drastic action. It may be that he suspected Mrs Fennan of luring him into a trap, that he realized he was under surveillance. We shall never know. In any event, he murdered her. His method of doing this is best described in the coroner’s report at the inquest: “a single degree of pressure had been applied on the larynx, in particular to the horns of the thyroid cartilage, causing almost immediate death. It would appear that Mrs Fennan’s assailant was no layman in these matters.”
Frey was pursued to a houseboat moored near Cheyne Walk, and while violently resisting arrest he fell into the river, from which his body has now been recovered.
18
BETWEEN TWO WORLDS
Smiley’s unrespectable club was usually empty on Sundays, but Mrs Sturgeon left the door unlocked in case any of her gentlemen chose to call in. She adopted the same stern, possessive attitude towards her gentlemen as she had done in her landlady days at Oxford, when she had commanded from her fortunate boarders more respect than the entire assembly of dons and proctors. She forgave everything, but somehow managed to suggest on each occasion that her forgiveness was unique, and would never, never happen again. She had once made Steed-Asprey put ten shillings in the poor box for bringing seven guests without warning, and afterwards provided the dinner of a lifetime.
They sat at the same table as before. Mendel looked a shade sallower, a shade older. He scarcely spoke during the meal, handling his knife and fork with the same careful precision which he applied to any task. Guillam supplied most of the conversation, for Smiley, too, was less talkative than usual. They were at ease in their companionship and no one felt unduly the need to speak.
“Why did she do it?” Mendel asked suddenly.
Smiley shook his head slowly: “I think I know, but we can only guess. I think she dreamt of a world without conflict, ordered and preserved by the new doctrine. I once angered her, you see, and she shouted at me: ‘I’m the wandering Jewess,’ she said; ‘the no-man’s land, the battlefield for your toy soldiers.’ As she saw the new Germany rebuilt in the image of the old, saw the plump pride return, as she put it, I think it was just too much for her; I think she looked at the futility of her suffering and the prosperity of her persecutors and rebelled. Five years ago, she told me, they met Dieter on a skiing holiday in Germany. By that time the re-establishment of Germany as a prominent western power was well under way.”
“Was she a communist?”
“I don’t think she liked labels. I think she wanted to help build one society which could live without conflict. Peace is a dirty word now, isn’t it? I think she wanted peace.”
“And Dieter?” asked Guillam.
“God knows what Dieter wanted. Honour, I think, and a socialist world.” Smiley shrugged. “They dreamt of peace and freedom. Now they’re murderers and spies.”
“Christ Almighty,” said Mendel.
Smiley was silent again, looking into his glass. At last he said: “I can’t expect you to understand. You only saw the end of Dieter. I saw the beginning. He went the full circle. I don’t think he ever got over being a traitor in the war. He had to put it right. He was one of those world-builders who seem to do nothing but destroy: that’s all.”
Guillam gracefully intervened: “What about the 8.30 call?”
“I think it’s pretty obvious. Fennan wanted to see me at Marlow and he’d taken a day’s leave. He can’t have told Elsa he was having a day off or she’d have tried to explain it away to me. He staged a phone call to give himself an excuse for going to Marlow. That’s my guess, anyway.”
The fire crackled in the wide hearth.
He caught the midnight plane to Zurich. It was a beautiful night, and through the small window beside him he watched the grey wing, motionless against the starlit sky, a glimpse of eternity between two worlds. The vision soothed him, calmed his fears and his doubts, made him fatalistic towards the inscrutable purpose of the universe. It all seemed to matter so little—the pathetic quest for love, or the return to solitude.
Soon the lights of the French coast came in sight. As he watched, he began to sense vicariously the static life beneath him; the rank smell of Gauloises Bleues, garlic and good food, the raised voices in the bistro. Maston was a million miles off, locked away with his arid paper and his shiny politicians.
Smiley presented an odd figure to his fellow passengers—a little fat man, rather gloomy, suddenly smiling, ordering a drink. The young, fair-haired man beside him examined him closely out of the corner of his eye. He knew the type well—the tired executive out for a bit of fun. He found it rather disgusting.
John le Carré, A Murder of Quality AND Call for the Dead
(Series: # )
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