Copyright © 2015 Sarah Winman
The right of Sarah Winman to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
Excerpt from ‘Little Gidding’ from FOUR QUARTETS by T.S. Eliot. Copyright 1942 by T.S. Eliot; Copyright © renewed 1970 by Esme Valerie Eliot. Reprinted by permission of Faber and Faber and Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.
First published as an Ebook in 2015 by Tinder Press
An imprint of Headline Publishing Group
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
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eISBN: 978 0 7553 9094 6
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Contents
Title Page
Copyright Page
About the Author
Praise
Also By Sarah Winman
About the Book
Dedication
Epigraph
Part I
Chapter 1
Chapter 2
Chapter 3
Part II
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Part III
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Part IV
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Part V
Chapter 54
Chapter 55
Acknowledgements
About the Author
Sarah Winman grew up in Essex and now lives in London. She attended the Webber Douglas Academy of Dramatic Art and went on to act in theatre, film and television. She has written two novels, WHEN GOD WAS A RABBIT and A YEAR OF MARVELLOUS WAYS.
Praise for A YEAR OF MARVELLOUS WAYS
‘A Year of Marvellous Ways is like Dylan Thomas given a sexy rewrite by Angela Carter’ Patrick Gale, author of A PLACE CALLED WINTER
‘A glorious poem of a novel – a story to read slowly and to marvel at the beauty of it’ Rosamund Lupton, author of SISTER
‘Folkloric, poetic, gorgeous. All I needed was a campfire and a bottle of moonshine’ Emylia Hall, author of THE BOOK OF SUMMERS
‘The sense of magic infused through the novel casts a spell over the reader that makes you not want to put the book down until you’ve turned the final page’ Hannah Beckerman, author of THE DEAD WIFE’S HANDBOOK
‘A book to savour, to read in wonderful, rich little bits like dark chocolate. Winman’s prose is poetry, with a rhythm, a heartbeat, that carries you through like music’ Emma Hooper, author of ETTA AND OTTO AND RUSSELL AND JAMES
‘Yet again Sarah Winman has written a beautiful, beautiful novel. A Year of Marvellous Ways will hypnotise, seduce, until you can do nothing but pick it up and read it again’ Tiffany Murray, author of DIAMOND STAR HALO and SUGAR HALL
By Sarah Winman and available from Tinder Press
When God Was a Rabbit
A Year of Marvellous Ways
About the Book
Marvellous Ways is eighty-nine years old and has lived alone in a remote Cornish creek for nearly all her life. Lately she’s taken to spending her days sitting on a mooring stone by the river with a telescope. She’s waiting for something – she’s not sure what, but she’ll know it when she sees it.
Drake is a young soldier left reeling by the Second World War. When his promise to fulfil a dying man’s last wish sees him wash up in Marvellous’ creek, broken in body and spirit, the old woman comes to his aid.
A Year of Marvellous Ways is a glorious, life-affirming story about the magic in everyday life and the pull of the sea, the healing powers of storytelling and sloe gin, love and death and how we carry on when grief comes snapping at our heels.
For Patsy
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
T. S. Eliot, ‘Little Gidding’
I
1
So here she was, old now, standing by the roadside waiting.
Ever since she had entered her ninetieth year Marvellous Ways spent a good part of her day waiting, and not for death, as you might assume, given her age. She wasn’t sure what she was waiting for because the image was incomplete. It was a sense, that’s all, something that had come to her on the tail feather of a dream – one of Paper Jack’s dreams, God rest his soul – and it had flown over the landscape of sleep just before light and she hadn’t been able to grasp that tail feather and pull it back before it disappeared over the horizon and disintegrated in the heat of a rising sun. But she had known its message: Wait, for it’s coming.
She adjusted the elastic on her large glasses and fitted them close to her face. The thick lenses magnified her eyes tenfold and showed them to be as blue and as fickle as the sea. She looked up and down the stretch of road once grandly known as the High Road, which was now used as a cut-through by heavy farm vehicles on their way to Truro. The familiar granite cottages – ten in all – built a century ago to house men for the farms and gardens of large estates, were boarded up and derelict, visited only by ghostly skeins of gorse and bramble that had blown in like rumour from afar.
They called it a village, but St Ophere was, technically, a hamlet, since the church that had given its name to the cluster of dwellings was situated in the tidal creek below where old Marvellous
lived. There wasn’t a schoolhouse either, for that was situated two miles west in the coastal hamlet of Washaway, a place that had lived up to its name earlier that year when the great drifts of snow had turned effortlessly into floods. But what the village did have, however, was a bakehouse.
Back-along, visitors to the area had often called the village ‘Bakehouse’ instead of its saintly name because Mrs Hard, the owner, had painted BAKEHOUSE in pink lettering across the grey slate roof: an elegant contrast to the once-white stone walls.
Every morning, when the oven was hotten ready, Mrs Hard used to ring her bell and her customers stirred, and unbeknownst to her, so did every drowned sailor from The Lizard to The Scillies as that bell had been scavenged from a salvaged wreck. The village women would take down their uncooked pies and pasties and loaves and load them into the burning embers. Mrs Hard use to call her oven ‘Little Hell’, and if you got the position of your pie wrong and took someone else’s, that’s where you would end up. Well, that’s what she told the children when they came to collect their mothers’ cooked offerings. It was the cause of many a disturbed night, as children burned up under their oft-darned sheets fearing what was to come if they ever chose wrong.
It had been a destination village on account of its bread. Now, in 1947, it was nothing more than a desolate reminder of the cruel passing of time.
The breeze stirred and lifted the old woman’s hair. She looked up to the sky. It was lilac-grey and low, rain-packed, but Marvellous doubted that rain would fall. Blow away, she whispered. She crossed the road and stood in front of the bakehouse. She placed her lamp on the step and pressed her palms firmly against the weather-beaten door. Mrs Hard? she whispered softly.
It was Mrs Hard who had once told Marvellous that she was so good at waiting her life would be filled with good things.
Patience, that’s what your father should have called you, she said. Patience.
But I’m not patient, said Marvellous. I’m diligent.
And Mrs Hard had looked down on the barefooted child with fancy words and ragged clothes, and thought how ungodly it was to rear a child in the woods, running wild and free like a Cornish Black pig. The girl needed a mother.
You need a mother, said Mrs Hard.
I had a mother, said Marvellous.
No. You had a something, said Mrs Hard. But I could be your mother.
And she waited for an answer but no answer came from the child’s horrified mouth. Mrs Hard shook her head and said, Just you remember, though, it is patience that is a virtue and patience that is godly.
Mrs Hard liked the word ‘godly’. She liked God, too. When her husband moved out in 1857, lured by the promise of wealth from South African mines, Jesus and the well-loved reverend moved in. The transition was seamless, as was the first gold mine her husband went to, and the poor man was shunted from pit to pit across the Rand until he died scratching in that foreign dark for a glimpse of that golden key: the one that would fit a lock to a better life.
‘Breathe on me, Breath of God, Fill me with life anew’.
That’s what Mrs Hard had written above the bakehouse door when she heard of her husband’s death. Later on, someone – and old Marvellous smiled as she could still make out the faint ochre words that had stained her hands – had changed ‘breath’ to ‘bread’, but Mrs Hard never knew because she rarely looked up.
Salvation, for me, will come from the dirt, she once told Marvellous.
Like a potato? said the young child.
The weather vane creaked overhead. October dusk fell quickly on the hamlet as crows upon the overnight dead. Must be nearly November, thought Marvellous. Lights flickered in the distant villages, a solemn reminder of the passing of this one. She took out a box of matches and lit her oil lamp. She stood in the middle of the road and raised the lamp to the hills beyond. I’m still here, the gesture said.
A shaft of yellow light fell upon the hedgerow where a granite cross grew out of a bank of flattened primroses. Marvellous had always believed the cross to be an after-thought, hastily erected after the First War, as she could call it now. ‘1914–1918’, it read, with the names of long-gone faces underneath. But there was one name, she knew, that was not on the list. The name of Simeon Rundle had been excluded from the list.
Back in 1914 when the tide of war had rolled upon the unsuspecting coast, village life had come to a sudden halt. There were no more fairs, no more dances, no more regattas because the men left and life froze in perpetual wait. A village without men dies, said Marvellous, and the village slowly did. The well-loved reverend was sent to a new parish in the City of London and shortly afterwards Mrs Hard received news that he had been killed in a Zeppelin air raid. She lay down on the shores of Little Jordan, as she referred to the creek, and willed her life to end. It obeyed straight away, such was the force of her will, and the bakehouse oven went out and God beat a retreat. Those left behind prayed constantly for peace but prayers came back with Return to Sender stamped all over them. Only the roll call of the dead grew.
But then one mild morning in May, Peace did appear, for that was the name given to a child born six months before the fighting stopped. Overdue, the child was, refusing to enter until the guns ceased, until the madness ceased, as if no amount of pushing or urging could force Peace into a broken world. And even then, when she came, it was reluctantly. As if she knew. Feet first and a head not budging, all mixed up, she was, feet and hands and legs and a cord. Like a calf.
A head weighed down by the burden of a name, said Marvellous as she whispered and twisted and pulled that child free.
Peace. It’s just not as simple as that. And of course it wasn’t.
Old ways of life don’t return when the lives themselves have never returned. Only Simeon Rundle returned, came back to his new sister Peace, carrying a whole heap of horror with him. One morning, the villagers found him down by the creek, up to his neck in river mud and his own shit, waving a white handkerchief at a large hermit crab.
With his swollen tongue flapping out of his mouth like a slipper, he shouted, I thurrender, I thurrender, I thurrender, before raising his father’s shotgun and blasting his heart clean from his chest. Or so the story goes.
The villagers gasped – two fainted – as it splattered against the church door like an ornate red knocker. The new lay preacher rushed out proclaiming it was the Devil’s own work. Unfortunately, such a careless declaration flew swiftly on rumour’s eager wings, and it wasn’t long before the village of St Ophere acquired a taint that even the welcome addition of electric light in 1936 couldn’t completely eradicate.
There was nothing actually wrong with the place. It was rightness that was at a tilt. Tides seemed higher, mists gathered there thicker and vegetation grew faster, as if nature was doing its best to correct the error, or if not to correct it then at least to hide it. But the suspicion of ill luck remained, and that’s why the people slowly left: a steady stream of absences like bingo balls pulled from a hat. Migrating to distant villages whose lights still flickered in a low autumn sky.
Marvellous took a last look up and down the High Road, satisfied that whatever she was waiting for hadn’t passed her by. The wind had picked up and the clouds were blowing through. She held the lamp high and crossed the road to the memorial and the standpipe, and made her way through the meadow where she had once kept a cow. The temperature was falling and the grass wet underfoot, and she thought the morning would reveal the first crust of frost. She could see the wood ahead, her ankles braced for the gentle incline and the careful march through the sycamores, the hazels and the sweet chestnuts down towards her creek. The tide was out. She could smell the saltmud, her favourite smell, the smell, she believed, of her blood. She would rake up a pan full of cockles and steam them on a fire that would burn a tiny hole in the night. Her mouth began to water. She stumbled and fell next to a blackthorn bush and made
use of the mishap by picking two pocketfuls of sloes. She saw the light from her caravan up ahead. Felt, strangely, lonely. Never get old, she whispered to herself.
Late. An owl hooted and the dark eyes of night gazed unblinking towards the horizon. Marvellous couldn’t sleep. She stayed awake sitting by the riverbank keeping the moon company, a pile of shucked cockleshells at her feet. She huddled in the warmth of firelight, her yellow oilskin raincoat bright and pungent and hot to touch. The stars looked faint and distant but it may have been her eyes. She once used binoculars, now she used a telescope; soon night would capture day for ever. She felt comforted by the blurred outline of her old crabber rocking gently on the tide; the familiar creak of rope against wood was a good sound in the undulating nocturnal silence.
She had lived in the creek almost her whole life long and had been happy there – almost – her whole life long. Islanded in the middle was the small church that had once been a chapel but was now a ruin. For as long as she could remember the tide had carved around the church until the church had broken away from the people or maybe the people had broken away from the church? It was so long ago now that old Marvellous couldn’t remember what had happened first. But the tide had carved its path until church and headstones and faith had all gone adrift. Sunday services used to be held when the tide was at its lowest point, sometimes at daybreak, sometimes at dusk, and once, she remembered, in the dead of night, a lanterned trail of believers sang their way up the riverbed like pilgrims seeking Galilee.
Yes, we’ll gather at the river,
The beautiful, the beautiful river;
Gather with the saints at the river
That flows by the throne of God.
She swigged from a bottle of sloe gin. Saint’s nectar, it was, flowing by the throne of God. Amen. Light from the altar candle slinked out of the church, dusting the tops of gravestones that the tide had mercifully spared. It was its own star, thought Marvellous. She lit that candle every night and had done so for years. A lighthouse keeper, that was what she really was. That’s what had drawn Whatshisname to her shore during the war years. That, and the music, of course.