The trails, too: a dark stillness of the pine trees and thick underbrush mottled by a strangled light. The memory of being disoriented and lost in a thunderstorm at the age of six, of emerging from that forest not knowing where you were—brought out of you by the cautious quiet way the expedition leader noted looming clouds, as if they presaged something more than a need to find shelter.
After the storm, in the startling revelation of open space and sunlight, you’d encountered a huge alligator blocking the narrow path, with water on both sides. You’d taken a running start and jumped over it. Never told your mother about the exhilaration, the way you had in mid-leap dared a glance down to see that yellow eye, that dark vertical pupil, appraise you, take you in like Area X had taken in the first expedition, and then you were over and past, running for a long time out of sheer joy, sheer adrenaline, like you’d conquered the world.
The running on the screen toward the end is away from something, not toward something, and the screams later not of triumph but of defeat—tired screams, as of weariness at fighting against something that would not properly show itself. In your more cynical moments you thought of them as perfunctory screams: an organism that knows there is no point in fighting back, the body capitulating and the mind letting it. They were not lost as you were lost that day; they had no cottage by the sea to return to, no mother pacing on the deck, worried out of her mind, grateful for your sudden grimy, soaked appearance.
Something on your face must have retained the memory of your joy because she didn’t punish you, just got you in dry clothes and fed you, and asked no questions.
* * *
Bypassing the route to base camp, you head for the topographical anomaly with the urgency of a ticking clock driving you. The knowledge—never discussed with Whitby—that the longer you stay, the longer you seem to linger, the greater the opportunity for disaster. That alligator eye staring up at you, with more awareness behind its piercing gaze than you remember. Someone off-camera on the second day of the first expedition saying, “I want to go home,” and Lowry, goofing around, so confident, saying, “What do ya mean? This is our home now. We’ve got everything here. Everything we need. Right?”
Nowhere is this sense of urgency more intense than while passing through the swampy forest that lies a mile or two from the border, where the woods meet a dank black-water gutter. The place where you most often saw evidence of bears and heard things rustling in the darkness of the tree cover.
Whitby’s often silent, and when he speaks his questions and concerns do nothing to alleviate the pressure of that gloom, the sense of intent eternal and everlasting that occupies this stretch of land, that predates Area X. The still, standing water, the oppressive blackness of a sky in which the blue peers down through the trees at startling intervals, only to be taken away again, and only ever seeming to come to you from a thousand miles off anyway. Is this the clearing where three men died during the fifth expedition? Does that pond hold the bodies of men and women from the first eighth? Sometimes, immersed in these overlays, Whitby’s pale whispering form is a jolting shock to you, inseparable from these echoes of prior last days.
Eventually, though, you cross into a more optimistic landscape, one in which you can adapt, reconcile past and present into one vision. Here, a wider path separates the continuing dank swamp forest from open ground, allows you a horizon of a few tall pines scattered among the wild grass and palmetto circles. The lean of that forest means that the darkness ends at an angle casting half the trail in a slanted shade.
There are other borders within Area X, other gauntlets, and you have passed through one to get to the topographical anomaly.
* * *
Once there, you know immediately the tower isn’t made of stone—and so does Whitby. Does he wish now, his expression unreadable, that you had put him through conditioning, that he’d been given all the training Central could bestow, not your half measures, your shoddy hypnotism?
The tower is breathing. There is no ambiguity about it: The flesh of the circular top of the anomaly rises and falls with the regular rhythm of a person deep in sleep. No one mentioned this aspect in the reports; you aren’t prepared for it, but how easily you acclimate, give yourself up to it, can already imagine descending even as a part of you is floating, ascending to look down on the foolishness of this decision.
Will it wake up while you’re inside it?
The opening leading into darkness resembles a maw more than a passageway, the underbrush around it pushed back, squashed in a rough framing circle, as if some now-absent serpent had once curled around it in a protective mode. The stairs form a curling snarl of crooked teeth, the air expelled smelling of thick rot.
“I can’t go down there,” Whitby says, in such a final way that he must be thinking that in the descent he would no longer be Whitby. The hollows of his face, even in that vibrant, late-summer light, make him look haunted by a memory he hasn’t had yet.
“Then I’ll go,” you offer—down into the gullet of the beast. Others have, if rarely, and come back, so why not you? Wearing a breathing mask, just to be safe.
There is a dazed panic and coiled restraint behind your every movement that will come out later through the flesh, the bone. Months from now you will wake sore and bruised, as if your body cannot forget what happened, and this is the only way it can express the trauma.
* * *
Inside, it’s different than in the fragmentary reports brought back by other expeditions. The living tissue curling down the wall is almost inert, the feeble wanderings of the tendrils that form the words so slow you think for a moment it’s all necrotic tissue. Nor are the words a vibrant green as reported but a searing blue, almost the color of a flame on a stove top. The word dormant comes to mind, and with it a wild hope: that everything beneath you will be inert, normal, even if at the outer boundary of what that word means.
You keep to the middle, do not touch either wall, try to ignore the shuddering breath of the tower. You don’t read the words because you have long seen that as a kind of trap, a way to become distracted … and still the sense that whatever will disorient and destabilize lies below you, deciding whether to be seen or remain unseen—around a corner, beyond the horizon, and with each new empty reveal, each curve of the steps lit by the blue flames of dead words, toward an unknown become shy, you are wound ever tighter, even though there is nothing to be seen. The hell of that, the hell of nothing at all, which feels as if you are reliving every moment of your life at the Southern Reach—descending for no reason, for nothing, to find nothing. No answers, no solution, no end in sight, the words on the wall not getting fresher but darker, seeming to wink out as you come upon them … until, finally, you glimpse a light far, far below—so far below it’s like a glowing flower in a hole at the bottom of the sea, a glimmering, elusive light that through some magician’s trick also hovers right in front of your face, giving you the illusion that you can reach out and touch it if you only can find the courage to extend your hand.
But that’s not what makes your legs ropy, a rush of blood surging through your brain.
A figure sits hunched along the side of the left-hand wall, staring down the steps.
A figure with head bowed, turned away from you.
A prickling engulfs your head under your mask, a kind of smooth, seamless insertion of a million cold, painless needles, ever so subtle, ever so invisible, so that you can pretend it is just a spreading heat against your skin, a taut feeling across the sides of your nose, around your eyes, the quiet soft entry of needles into a pincushion, the return of something always meant to be there.
You tell yourself this is no less or more real than bowling at Chipper’s, than the hippo with the red paint under the skin, than living in Bleakersville, working at the Southern Reach. That this moment is the same as every other moment, that it makes no difference to the atoms, to the air, to the creature whose walls breathe all around you. That you gave up the right to call anything impossible when
you decided to enter Area X.
You come closer, drawn by this impossible thing, sit on the step next to him.
His eyes are shut. His face is illuminated by a dark blue glow that emanates from within, as if his skin has been taken over, and he is as porous as volcanic rock. He’s fused to the wall, or jutting out from it, like an extension of the wall, something that protrudes but might be retracted at any moment.
“Are you real?” you ask, but he says nothing in reply.
Reaching out to him, extending a trembling hand, awestruck by this apparition, wanting to know what that skin feels like, even as you’re afraid your touch will turn him to powder. Your fingers graze his forehead, a rough, moist feel, like touching sandpaper under a thick layer of water.
“Do you remember me?”
“You shouldn’t be here,” Saul Evans says under his breath. His eyes are closed; he cannot see you, and yet you know he sees you. “You need to get off the rocks. The tide’s coming in.”
You don’t know what to say. You won’t know what to say for a long time. Your reply was so many years ago.
Now you can hear the vast, all-consuming hum of some mighty engine from below, the swift revolving of strange orbits, and the light below, that impossible flowering light, is fluctuating, shifting, turning into something else.
His eyes snap open, white against the darkness. He’s no different than when you last saw him, has not aged, and you’re nine again and the light below is coming up toward you, coursing up the steps toward you, fast, and from above you can hear the distant echo of Whitby screaming, from the top of the tower, as if he’s screaming for both of you.
0004: THE LIGHTHOUSE KEEPER
Armadillos ruining the garden, but don’t really want to put out poison. Sea grape bushes must be pruned back. Will make a list of maintenance issues by tomorrow. Fire on Failure Island, but already reported and not major. Sighted: albatross, unidentified terns, bobcat (peering out of the palmetto grove to the east, staring at a hiker who didn’t see him), flycatcher of some kind, pod of dolphins headed east in a frenzy as they chased a school of mullet through the sea grass in the shallows.
Bodies could be beacons, too, Saul knew. A lighthouse was a fixed beacon for a fixed purpose; a person was a moving one. But people still emanated light in their way, still shone across the miles as a warning, an invitation, or even just a static signal. People opened up so they became a brightness, or they went dark. They turned their light inward sometimes, so you couldn’t see it, because they had no other choice.
“That’s bullshit,” Charlie said during the night, when Saul expressed something similar to him, after they’d had sex. “Don’t ever become a poet.” For once, Saul had convinced Charlie to come to the lighthouse, a rare event because Charlie still had a skittish, flighty quality to him. Beaten by his father and kicked out by his family, and in the twenty years since he’d not entirely come out of his shell. So this was a halting step forward—something that made Saul happy, that he could provide a small sense of security.
“An idea in one of my father’s sermons. The best he ever gave.” Flexing his hand, trying to sense any residual discomfort from the incident with the plant. None to be found.
“Ever miss it? Being a preacher?” Charlie asked.
“No, I’m just working out something about the Light Brigade,” he said. They still elicited in him a distant but sharp alarm. What were they projecting that he couldn’t see?
“Oh, them, huh?” Charlie said with a simulated yawn as he turned over on his back. “You can’t leave those Brigaders alone, can you? Bunch of crackpots. You, too.” But said with affection.
Later, when he was drifting off, Charlie murmured, “It’s not stupid. The beacon thing. It’s kind of a nice thought. Maybe.”
Maybe. Saul found it hard to tell when Charlie was sincere about such things. Sometimes their life between the sheets seemed mysterious, to have no relationship to life out in the world.
Sometimes, too, other people gave you their light, and could seem to flicker, to be hardly visible at all, if no one took care of them. Because they’d given you too much and had nothing left for themselves.
At the end, with his church, he’d felt like a beacon that had been drained of light, except for some guttering glimmer in the heart of him—the way the words shone out from his mouth, and it almost didn’t matter what light they created, not to his congregation, because they were looking at him, not listening. At best, anyway, his ministry had been an odd assortment, attracting hippies and the straitlaced alike, because he’d pulled from the Old Testament and from deism, and the esoteric books available to him in his father’s house. Something his father hadn’t planned on: the bookshelves leading Saul to places the old man would rather he’d never gone. His father’s library had been more liberal than the man himself.
The shock of going from being the center of attention to being out of it entirely—that still pulled at Saul at unexpected times. But there had been no drama to his collapsed ministry in the north, no shocking revelation, beyond the way he would be preaching one thing and thinking another, mistaking that conflict, for the longest time, as a manifestation of his guilt for sins both real and imagined. And one awful day he’d realized, betrayed by his passion, that he was becoming the message.
By the time Saul woke up, Charlie was gone, without even a note. But, then, a note might have seemed sentimental, and Charlie was the kind of beacon that wouldn’t allow that kind of light.
* * *
In the afternoon, he saw Gloria walking up the beach, waved to her, wasn’t sure she’d seen him until she corrected her course to slowly tack closer. It wouldn’t do to seem too interested in talking to him, he knew. Might violate some girl code.
He was filling in holes from armadillos that had been rooting around in the garden. The holes, which roughly matched the shape of their snouts, amused him. He couldn’t say why. But the work made him happy in a formless, motiveless way. Even better, the twins, Henry and Suzanne, were very late.
It had become a stunning day after a cloudy start. The sea had an aquamarine sheen to it, vibrant against the dull shadows of submerged seaweed. At the very edge of a seamless, ever-deepening blue sky, the contrail of an airplane, showing its disdain for denizens of the forgotten coast. Much closer to home, he tried to ignore rocks slick with the white shit of cormorants.
“Why don’t you do something about those armadillos?” Gloria asked when she’d finally reached the lighthouse grounds. She must have meandered, distracted by the treasures to be found in the seaweed washed up on the beach.
“I like armadillos,” he told her.
“Old Jim says they’re pests.”
Old Jim. Sometimes he thought she made up a reference to Old Jim every time she wanted to get her way. Old Jim lived down one of the dozens of dirt roads, at the end of a maze of them, in a glorified shack near an illegal drop site for barrels of chemical waste. No one knew what he’d done before he’d washed up on the forgotten coast, but now he served as the ad hoc proprietor of the on-again, off-again village bar.
“Is that what Jim says, huh?” Making sure to pack the soil tight, even though he was already feeling strangely tired. Another storm and he’d have eroded divots all over instead.
“They are armored rats.”
“Like seagulls are winged rats?”
“What? You know, you could set traps.”
“They’re much too smart for traps.”
Slowly, staring at him sideways: “I don’t think that’s true, Saul.”
When she called him Saul, he knew he might be in trouble. So why not get in a lot of trouble. Besides, he needed a break, was sweating too much.
“One day,” he said, leaning on the shovel, “they got in through the kitchen window by standing on top of each other and jiggling the latch.”
“Armadillo pyramid!” Then, recovering her youthful caution: “I don’t think that’s true, either.”
Truth was, he did l
ike the armadillos. He found them funny—bumbling yet sincere. He’d read in a nature guide that armadillos “swam” by walking across the bottoms of rivers and holding their breath, a detail that had captivated him.
“They can be a nuisance,” he admitted. “So you’re probably right.” He knew if he didn’t make some small concession, she’d drive the point into the ground.
“Old Jim said you were crazy because you saw a kangaroo around here.”
“Maybe you need to stop hanging out with Old Jim.”
“I wasn’t. He lives in a dump. He came to see my mother.”
Ah—gone to see the doctor. A sense of relief came over him, or maybe it was just the cold sweat of his exertion. Not that there was anything wrong with Jim, but the thought of her roving so widely and boldly bothered him. Even though Charlie had told Saul more than once that Gloria knew the area better than he did.
“So did you see a kangaroo?”
My God, is this what it would’ve been like having kids?
“Not exactly. I saw something that looked like a kangaroo.” The locals still joked about it, but he swore he’d seen it, just a glimpse that first year, exhilarated from the rush of exploring so many new and unfamiliar hiking trails.
“Oh, but I forgot. I came over here for a reason,” she said.
“Yes?”
“Old Jim said he heard on his radio that the island’s on fire, and I wanted to see it better from the top of the lighthouse. The telescope?”
“What?” Dropping his shovel. “What do you mean the island’s on fire?” No one was over there now except members of the Light Brigade, as far as he knew, but part of his job was reporting incidents like fires.
“Not the whole thing,” she said, “just part of it. Let me take a look. There’s smoke and everything.”
* * *
So up they went, Saul insisting she take his hand, her grip strong and clammy, telling her to be careful on the steps, while wondering if he should have called someone about the fire before he confirmed it.