But she is old.
The plaits that lie along her pillow
Are not gold,
But threaded with filigree,
And uncanny cold.
She looks like a young maiden, since her brow
Is smooth and fair,
Her cheeks are very smooth, her eyes are closed,
She sleeps a rare
Still winsome sleep, so still, and so composed.
Nay, but she sleeps like a bride, and dreams her
dreams
Of perfect things.
She lies at last, the darling, in the shape of her dream,
And her dead mouth sings
By its shape, like the thrushes in clear evenings.
THE VIRGIN MOTHER
MY little love, my darling,
You were a doorway to me;
You let me out of the confines
Into this strange countrie,
Where people are crowded like thistles,
Yet are shapely and comely to see.
My little love, my dearest
Twice have you issued me,
Once from your womb, sweet mother,
Once from myself, to be
Free of all hearts, my darling,
Of each heart's home-life free.
And so, my love, my mother,
I shall always be true to you;
Twice I am born, my dearest,
To life, and to death, in you;
And this is the life hereafter
Wherein I am true.
I kiss you good-bye, my darling,
Our ways are different now;
You are a seed in the night-time,
I am a man, to plough
The difficult glebe of the future
For God to endow.
I kiss you good-bye, my dearest,
It is finished between us here.
Oh, if I were calm as you are,
Sweet and still on your bier!
God, if I had not to leave you
Alone, my dear!
Let the last word be uttered,
Oh grant the farewell is said!
Spare me the strength to leave you
Now you are dead.
I must go, but my soul lies helpless
Beside your bed.
AT THE WINDOW
THE pine-trees bend to listen to the autumn wind
as it mutters
Something which sets the black poplars ashake with
hysterical laughter;
While slowly the house of day is closing its eastern
shutters.
Further down the valley the clustered tombstones
recede,
Winding about their dimness the mist's grey
cerements, after
The street lamps in the darkness have suddenly
started to bleed.
The leaves fly over the window and utter a word as
they pass
To the face that leans from the darkness, intent, with
two dark-filled eyes
That watch for ever earnestly from behind the window
glass.
DRUNK
Too far away, oh love, I know,
To save me from this haunted road,
Whose lofty roses break and blow
On a night-sky bent with a load
Of lights: each solitary rose,
Each arc-lamp golden does expose
Ghost beyond ghost of a blossom, shows
Night blenched with a thousand snows.
Of hawthorn and of lilac trees,
White lilac; shows discoloured night
Dripping with all the golden lees
Laburnum gives back to light
And shows the red of hawthorn set
On high to the purple heaven of night,
Like flags in blenched blood newly wet,
Blood shed in the noiseless fight.
Of life for love and love for life,
Of hunger for a little food,
Of kissing, lost for want of a wife
Long ago, long ago wooed.
. . . . . .
Too far away you are, my love,
To steady my brain in this phantom show
That passes the nightly road above
And returns again below.
The enormous cliff of horse-chestnut trees
Has poised on each of its ledges
An erect small girl looking down at me;
White-night-gowned little chits I see,
And they peep at me over the edges
Of the leaves as though they would leap, should
I call
Them down to my arms;
"But, child, you're too small for me, too small
Your little charms."
White little sheaves of night-gowned maids,
Some other will thresh you out!
And I see leaning from the shades
A lilac like a lady there, who braids
Her white mantilla about
Her face, and forward leans to catch the sight
Of a man's face,
Gracefully sighing through the white
Flowery mantilla of lace.
And another lilac in purple veiled
Discreetly, all recklessly calls
In a low, shocking perfume, to know who has hailed
Her forth from the night: my strength has failed
In her voice, my weak heart falls:
Oh, and see the laburnum shimmering
Her draperies down,
As if she would slip the gold, and glimmering
White, stand naked of gown.
. . . . . .
The pageant of flowery trees above
The street pale-passionate goes,
And back again down the pavement, Love
In a lesser pageant flows.
Two and two are the folk that walk,
They pass in a half embrace
Of linked bodies, and they talk
With dark face leaning to face.
Come then, my love, come as you will
Along this haunted road,
Be whom you will, my darling, I shall
Keep with you the troth I trowed.
SORROW
WHY does the thin grey strand
Floating up from the forgotten
Cigarette between my fingers,
Why does it trouble me?
Ah, you will understand;
When I carried my mother downstairs,
A few times only, at the beginning
Of her soft-foot malady,
I should find, for a reprimand
To my gaiety, a few long grey hairs
On the breast of my coat; and one by one
I let them float up the dark chimney.
DOLOR OF AUTUMN
THE acrid scents of autumn,
Reminiscent of slinking beasts, make me fear
Everything, tear-trembling stars of autumn
And the snore of the night in my ear.
For suddenly, flush-fallen,
All my life, in a rush
Of shedding away, has left me
Naked, exposed on the bush.
I, on the bush of the globe,
Like a newly-naked berry, shrink
Disclosed: but I also am prowling
As well in the scents that slink
Abroad: I in this naked berry
Of flesh that stands dismayed on the bush;
And I in the stealthy, brindled odours
Prowling about the lush
And acrid night of autumn;
My soul, along with the rout,
Rank and treacherous, prowling,
Disseminated out.
For the night, with a great breath intaken,
Has taken my spirit outside
M
e, till I reel with disseminated consciousness,
Like a man who has died.
At the same time I stand exposed
Here on the bush of the globe,
A newly-naked berry of flesh
For the stars to probe.
THE INHERITANCE
SINCE you did depart
Out of my reach, my darling,
Into the hidden,
I see each shadow start
With recognition, and I
Am wonder-ridden.
I am dazed with the farewell,
But I scarcely feel your loss.
You left me a gift
Of tongues, so the shadows tell
Me things, and silences toss
Me their drift.
You sent me a cloven fire
Out of death, and it burns in the draught
Of the breathing hosts,
Kindles the darkening pyre
For the sorrowful, till strange brands waft
Like candid ghosts.
Form after form, in the streets
Waves like a ghost along,
Kindled to me;
The star above the house-top greets
Me every eve with a long
Song fierily.
All day long, the town
Glimmers with subtle ghosts
Going up and down
In a common, prison-like dress;
But their daunted looking flickers
To me, and I answer, Yes!
So I am not lonely nor sad
Although bereaved of you,
My little love.
I move among a kinsfolk clad
With words, but the dream shows through
As they move.
SILENCE
SINCE I lost you I am silence-haunted,
Sounds wave their little wings
A moment, then in weariness settle
On the flood that soundless swings.
Whether the people in the street
Like pattering ripples go by,
Or whether the theatre sighs and sighs
With a loud, hoarse sigh:
Or the wind shakes a ravel of light
Over the dead-black river,
Or night's last echoing
Makes the daybreak shiver:
I feel the silence waiting
To take them all up again
In its vast completeness, enfolding
The sound of men.
LISTENING
I LISTEN to the stillness of you,
My dear, among it all;
I feel your silence touch my words as I talk,
And take them in thrall.
My words fly off a forge
The length of a spark;
I see the night-sky easily sip them
Up in the dark.
The lark sings loud and glad,
Yet I am not loth
That silence should take the song and the bird
And lose them both.
A train goes roaring south,
The steam-flag flying;
I see the stealthy shadow of silence
Alongside going.
And off the forge of the world,
Whirling in the draught of life,
Go sparks of myriad people, filling
The night with strife.
Yet they never change the darkness
Or blench it with noise;
Alone on the perfect silence
The stars are buoys.
BROODING GRIEF
A YELLOW leaf from the darkness
Hops like a frog before me.
Why should I start and stand still?
I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.
LOTUS HURT BY THE COLD
How many times, like lotus lilies risen
Upon the surface of a river, there
Have risen floating on my blood the rare
Soft glimmers of my hope escaped from prison.
So I am clothed all over with the light
And sensitive beautiful blossoming of passion;
Till naked for her in the finest fashion
The flowers of all my mud swim into sight.
And then I offer all myself unto
This woman who likes to love me: but she turns
A look of hate upon the flower that burns
To break and pour her out its precious dew.
And slowly all the blossom shuts in pain,
And all the lotus buds of love sink over
To die unopened: when my moon-faced lover,
Kind on the weight of suffering, smiles again.
MALADE
THE sick grapes on the chair by the bed lie prone;
at the window
The tassel of the blind swings gently, tapping the
pane,
As a little wind comes in.
The room is the hollow rind of a fruit, a gourd
Scooped out and dry, where a spider,
Folded in its legs as in a bed,
Lies on the dust, watching where is nothing to see
but twilight and walls.
And if the day outside were mine! What is the day
But a grey cave, with great grey spider-cloths
hanging
Low from the roof, and the wet dust falling softly
from them
Over the wet dark rocks, the houses, and over
The spiders with white faces, that scuttle on the
floor of the cave!
I am choking with creeping, grey confinedness.
But somewhere birds, beside a lake of light, spread
wings
Larger than the largest fans, and rise in a stream
upwards
And upwards on the sunlight that rains invisible,
So that the birds are like one wafted feather,
Small and ecstatic suspended over a vast spread
country.
LIAISON
A BIG bud of moon hangs out of the twilight,
Star-spiders spinning their thread
Hang high suspended, withouten respite
Watching us overhead.
Come then under the trees, where the leaf-cloths
Curtain us in so dark
That here we're safe from even the ermin-moth's
Flitting remark.
Here in this swarthy, secret tent,
Where black boughs flap the ground,
You shall draw the thorn from my discontent,
Surgeon me sound.
This rare, rich night! For in here
Under the yew-tree tent
The darkness is loveliest where I could sear
You like frankincense into scent.
Here not even the stars can spy us,
Not even the white moths write
With their little pale signs on the wall, to try us
And set us affright.
Kiss but then the dust from off my lips,
But draw the turgid pain
From my breast to your bosom, eclipse
My soul again.
Waste me not, I beg you, waste
Not the inner night:
Taste, oh taste and let me taste
The core of delight.
TROTH WITH THE DEAD
THE moon is broken in twain, and half a moon
Before me lies on the still, pale floor of the sky;
The other half of the broken coin of troth
Is buried away in the dark, where the still dead lie.
They buried her half in the grave when they laid her
away;
I had pushed it
gently in among the thick of her hair
Where it gathered towards the plait, on that very
last day;
And like a moon in secret it is shining there.
My half shines in the sky, for a general sign
Of the troth with the dead I pledged myself to keep;
Turning its broken edge to the dark, it shines indeed
Like the sign of a lover who turns to the dark of
sleep.
Against my heart the inviolate sleep breaks still
In darkened waves whose breaking echoes o'er
The wondering world of my wakeful day, till I'm
lost
In the midst of the places I knew so well before.
DISSOLUTE
MANY years have I still to burn, detained
Like a candle flame on this body; but I enshrine
A darkness within me, a presence which sleeps
contained
In my flame of living, her soul enfolded in mine.
And through these years, while I burn on the fuel of
life,
What matter the stuff I lick up in my living flame,
Seeing I keep in the fire-core, inviolate,
A night where she dreams my dreams for me, ever
the same.
SUBMERGENCE
WHEN along the pavement,
Palpitating flames of life,
People flicker round me,
I forget my bereavement,
The gap in the great constellation,
The place where a star used to be.
Nay, though the pole-star
Is blown out like a candle,
And all the heavens are wandering in disarray,
Yet when pleiads of people are
Deployed around me, and I see
The street's long outstretched Milky Way,
When people flicker down the pavement,
I forget my bereavement.
THE ENKINDLED SPRING
THIS spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering
rushes.
I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is
tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.
REPROACH
HAD I but known yesterday,
Helen, you could discharge the ache
Out of the cloud;
Had I known yesterday you could take
The turgid electric ache away,
Drink it up with your proud
White body, as lovely white lightning
Is drunk from an agonised sky by the earth,
I might have hated you, Helen.
But since my limbs gushed full of fire,
Since from out of my blood and bone
Poured a heavy flame
To you, earth of my atmosphere, stone
Of my steel, lovely white flint of desire,
You have no name.
Earth of my swaying atmosphere,
Substance of my inconstant breath,
I cannot but cleave to you.
Since you have drunken up the drear
Painful electric storm, and death
Is washed from the blue
Of my eyes, I see you beautiful.
You are strong and passive and beautiful,
I come like winds that uncertain hover;
But you
Are the earth I hover over.
THE HANDS OF THE BETROTHED
HER tawny eyes are onyx of thoughtlessness,
Hardened they are like gems in ancient modesty;
Yea, and her mouth's prudent and crude caress
Means even less than her many words to me.
Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax
clips
Two wild, dumb paws in anguish on the lonely
Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast
She puts me away, like a saleswoman whose mart is
Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong
hands
Heavier than mine, yet like leverets caught in
steel
When I hold them; my still soul understands
Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift
Like heavy birds from the morning stubble, to
settle
Upon me like sleeping birds, like birds that shift
Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee,
How strangely she tries to disown it, as it sinks
In my flesh and bone and forages into me,
How it stirs like a subtle stoat, whatever she
thinks!
And often I see her clench her fingers tight
And thrust her fists suppressed in the folds of her
skirt;
And sometimes, how she grasps her arms with her
bright
Big hands, as if surely her arms did hurt.