“I’m making progress. I’ve summoned Elinor back from Wales, so she’s here with us—and probably glad to be back. Half her family are miners, and life is bleak for them.” There was a brief pause. “Oh. I seem to have found the perfect London house, and I may have settled the question of my sons’ education.”
“Will they board?”
“No. The boys will become day pupils at a London lycée where they teach in both French and English. It’s popular with diplomats from the far reaches of the empire who want their sons to have a solid British education, so everyone’s different. And when they come home at the end of the day, I will have Elinor to keep them on the straight and narrow if I need a moment to myself.”
“Where’s the property?”
“You will never guess. Margaret has decided to vacate the London house for now and live permanently in Grantchester—you remember, where they had Simon’s party?”
“Of course.” How could I forget? ’thought Maisie.
“We discussed the lease when she telephoned with details of the service tomorrow. And speaking of the service, it’s not quite what we may have expected.”
“What do you mean?” Maisie rubbed her hand across condensation forming on the kiosk’s windowpanes and peered out to see if there were passersby.
“Hold your breath, Maisie.” Priscilla paused. Maisie drew away from the window and looked up into the small mirror behind the telephone. “Simon’s being cremated.”
“Cremated?” She saw her eyes redden in the rust-spotted mirror.
“Yes. Margaret is being terribly modern—and it’s not as if cremation has been seen as quite the devil’s work ever since the Duchess of Connaught was cremated in 1917—first member of the royal family into the fire.”
“Oh, Priscilla, how could you?”
Priscilla drew breath but did not apologize. “Maisie, do try to be less sensitive. I know this is a terribly difficult time, but one has to keep some perspective. The Simon I knew would have been first to laugh at such a quip.” She sighed. “Margaret thought—rightly, I have to say—that it’s what Simon would have wanted, having lingered for so long. She said there can be a proper goodbye before his ashes are sprinkled across the fields close to his home where he played as a boy, and she won’t have to fret about who might look after his grave when she’s gone.”
“But—”
“No, you can’t, Maisie. You can’t commit to grave visiting, I won’t allow it. When he’s laid to rest—or whatever they call it when you’re cremated—it will be a rest for those close to him as well. I agree with her wholeheartedly that it represents a release, a letting-go for all concerned.”
Maisie said nothing.
“Hello? Hello? Can you hear me?”
“I’m here, Pris. And I think she’s right too, though it came as rather a shock at first.”
“Yes, of course it did. Now then, I am going to lounge in a deep bath this evening, seeing as Elinor has the boys back under her thumb once more and all is well in my world. My darling Douglas will be here soon, along with my motor car, and my cup will runneth over.”
Maisie nodded, though there was no one to see her. “Good night, Priscilla. See you at half-past nine tomorrow.”
“Sleep tight, dear Maisie. And don’t fret, it will soon be over.”
Maisie walked slowly back, glad to return to the flat that she now saw as a cocoon. She thought about what Billy had said, about throwing on the clod of dirt, of releasing something of the memory into the earth. What did one release with a cremation? Where was the ritual, the ending of the story, when there was no grave to visit, no place to set down a posy of primroses or an armful of fresh daffodils? She sat for a while, and though the evening was not cold, she placed a florin in the gas meter and ignited the fire. She felt chilled to the bone, yet when she considered Margaret Lynch’s decision, she could not help but feel it was a good one, and wondered if she had settled upon it, in part for her sake.
MAISIE STOOD TALL when the final hymn was announced, feeling the numbness in her feet, which had been cold since she went to bed last night. It was no ordinary cold but a deep seeping dampness that could not easily be countered by exterior warmth. It was bitter and clammy and, in truth, it had been with her since France, since the war, and there were days when she thought it would freeze up through her body and turn it to stone.
Margaret Lynch stood between Maisie and Priscilla, and as they opened their hymnbooks to the correct page, she felt Simon’s mother lean against her. Maisie closed her eyes for a moment and rooted her feet to the ground, so that Margaret might share her strength, and then, though it might be considered presumptuous, she linked her arm through the older woman’s to offer greater support. Margaret Lynch patted Maisie’s hand and nodded, and as air gushed from the organ’s bellows, the introduction began and voices rose up in unison.
I vow to thee, my country, all earthly things above,
Entire and whole and perfect, the service of my love;
The love that asks no question, the love that stands the test,
That lays upon the altar the dearest and the best;
The love that never falters, the love that pays the price,
The love that makes undaunted the final sacrifice.
As the second verse began, the coffin was moved back through a divided curtain toward the incinerator. When the curtain closed again, Simon was gone from them forever. Maisie felt his mother increase the pressure on her hand, and she in turn drew her closer.
Later, following an early luncheon at the Lynch house in Holland Park, Maisie and Priscilla waited until the other guests had departed before taking their leave.
“Are you sure you’ll be alright, Margaret?”
“Yes, of course, Priscilla. I am in need of rest, so I will go to my room and put my feet up.” She reached out toward Maisie and Priscilla. “I am so glad you were both here.”
Priscilla kissed the air next to Margaret’s left cheek, while Maisie stepped back. Then, just as Maisie was about to hold out her hand to bid the bereaved woman goodbye, Margaret took her by the shoulders and looked directly into her eyes.
“Please come to visit me, Maisie. I shall be here in Holland Park for a week or two while my belongings are packed up and sent to Grantchester. So, please come.”
“Of course. I would be delighted.”
“Thank you.” She held Maisie’s hands in both her own. “Thank you. For all that you were to him.”
HAVING DEPOSITED PRISCILLA at the Dorchester once more, Maisie pulled her watch from the black document case and checked the time: two o’clock. She had to be at the repository at half past three; in the interim, she would go straight to Denmark Street, a mecca for London’s musicians.
Andersen & Sons, Luthiers, was halfway along the narrow street, just off Charing Cross Road. A brown awning kept the sun’s rays from the window, in which a gentleman mannequin, garbed in evening dress, was seated on a chair with a cello positioned ready to play. The bow had been tied to his hand to hold it in place, and it looked as if he might come alive and draw it across the strings at any moment.
A bell rang above the door as Maisie entered the shop. All manner of stringed instruments were positioned around the four walls. Guitars were hung from hooks, as were lutes, balalaikas, ukuleles, violas and violins. Two harps were set on the floor, along with a cello and a double bass. Mahogany counters flanked either side of the shop, displaying strings, clamps, an assortment of plectra, and other tools of the string musician’s trade. Just inside the door, a stand held a selection of sheet music that had become dusty and curled. And at the back of the shop, through a velvet curtain tied to one side, she saw two men working at facing benches. Each surface was illuminated by two electric desk lamps, though the shop itself was dimly lit, probably to save money and to protect the instruments. The older of the two men also used a substantial magnifying glass, which had been bolted to his workbench.
As the door closed, the younger man rubb
ed his hands with a cloth and came out to greet Maisie.
“Can I help you, madam?” He executed a shallow bow as he spoke.
“I wanted to speak to Mr. Andersen, if I may?”
“Which one? There are three, with only two of us here today.”
“Then it would be Mr. Andersen, Senior.”
The man, who was about thirty, went back to the workshop, calling “Dad, lady to see you,” and pushing the curtain aside as he returned to his work. The older gentleman, his shoulders hunched from years of leaning across the workbench, came to greet her.
“May I help you?” He spoke with an accent, which Maisie identified as being Danish or Swedish.
“I have come to see you about a violin you repaired, some years ago.”
The man smiled, his gray-blue eyes kind, while the white woolly curls on his head made him seem endearing, like a favorite uncle in a child’s fairy tale. “I keep perfect records, and I remember my customers, though I am more likely to remember their instruments.”
“The violin belonged to a man named Jacob Martin, but seeing as he was Dutch, it may have been Maarten.” Maisie emphasized ten, her tongue touching her teeth as she spoke.
Andersen frowned. “I remember Jacob well. His surname was originally van Maarten.”
“Van Maarten?”
“Yes. He changed it when his daughter, Anna, was born. Jacob was born and bred here, and he wanted his family to be assimilated.” His pronunciation of the word was deliberate, syllable by syllable. “He came into the shop often, as his bakery was close to Covent Garden, so he would stroll up after the market folk had come for their pastries in the morning, the traders for their coffee and sausage rolls. We had a shared love, you see, of the instruments.” He paused. “But why do you ask of him?”
“Before he died, Mr. van Maarten brought a violin to you for repair, and it was collected by the vicar of the parish, I believe, on the day he was killed, in a Zeppelin raid.”
Andersen frowned. “Let me get my order book, and I will be able to tell you exactly.”
Maisie waited while the man went back into the workshop. Standing alongside a harp, she stretched out her hand and ran her fingers across the strings, the tumble of notes reminding her of a shower on a bright day, of primrose petals bending to the weight of raindrops. She regretted never having learned to play an instrument.
“Yes,” said Andersen, as he came back through the curtained doorway and into the shop. “He brought the violin to me in August. He liked to bring it in once a year. It was like a child to him.”
“What can you tell me about it? I know very little about musical instruments.”
Andersen looked up at Maisie, smiling as if remembering the features of a much-loved friend. “It was an exceptional violin, a Cuypers—Johannes Cuypers, the father, not one of the sons, who were also luthiers. It was an earlier model with the most exquisite reddish-golden finish, as if candlelight were reflected in the wood. The violin was almost one hundred and fifty years old, and Jacob—” he pronounced the name Yaycob—“inherited it from his father, and his father before him.”
Maisie took a deep breath. “Was he a proficient player?”
The man took off the spectacles he had donned to better read the ledger and pointed a bony finger toward the shop’s entrance. “Let me tell you, when Jacob picked up his violin, people would stand at that door to listen. He was an artist. It was a great loss.” He shook his head and looked down at the ledger once again, then turned it to face Maisie. “It may be my own writing, but my vision has worn with the years, and of course with my work. Your eyes are younger than mine. Look there and you will see when it was collected. I confess, I do not recall the man who collected the violin speaking of the Zeppelin, so it must have been before the tragedy, as you said. I myself received word of it some weeks later, when a mutual friend came in to tell me that he had perished, along with his family. It is best, I believe, that the boy was killed in the war. He was close to his father. It would have destroyed him.”
Maisie nodded and, squinting in the diminished light, made a note of the date of collection on an index card. “Thank you, Mr. Andersen.”
As she made a final note before placing the card in her bag, Andersen continued speaking, his affection for the van Maartens evident in memories shared. “They were a musical family, their own little orchestra. The boy was his father’s son, though given that he was but a child, his violin was a lesser model. I would not be wrong if I said that he would have become the better player, which would have pleased Jacob; mind you, the boy was troubled as he came to the edge of manhood, there were difficulties at school, so Jacob told me. It concerned him, as he had tried to avoid such problems.” He shook his head. “I often wonder what happened to the Cuypers. It was a delight to hold, such balance, such workmanship. And such beauty.”
Maisie held out her hand to Andersen. “And you never changed your name, Mr. Andersen? It seems something of an accepted practice among those from foreign lands.”
“I never needed to. The Vikings were kind enough to leave their names behind centuries ago, so my name is not unusual in this kingdom. Indeed, to me, an Andersen in Denmark Street seemed a perfect match.” He shrugged. “It is surprising, though, to have an acceptable name that originally belonged to marauding and cruel invaders.”
Maisie smiled. “Thank you, Mr. Andersen, you’ve been most helpful.”
The man inclined his head and shuffled back to his workbench.
SHE SAT IN the MG for some moments before moving on to the war records repository. The cards were falling into place. It was one thing to know, in some way, what had happened in a case such as Heronsdene, but another to understand the layers of truth and the web of lies that held a story together. Now she was acquiring a transparency, more able to interpret a chain of events in a manner that made sense. She sighed, checked the flow of traffic, and pulled out into the Charing Cross Road. One thing was clear, and that was that the man of the cloth had told another lie, for the violin was collected two days after the Zeppelin raid, when the Reverend Staples had known that both Jacob van Maarten and his son were dead and there were no descendents to lay claim to the valuable violin.
Maisie had visited the War Office Repository on Arnside Street before and was struck again by how much it reminded her of a library, with its polished dark wood floors and whispered conversations between visitors, who sat at refectory tables while poring over manila folders and onionskin papers. Today there were two couples and a woman on her own. Maisie thought the couples might be parents of soldiers lost to war or taken prisoner, and hope had kept them searching for a sign, perhaps one word, a sentence, a comment by a commanding officer that might give hope that their son was alive somewhere. Then again, it could take years to face up to the truth of a loved one’s loss—how well she knew that herself—and perhaps the lone woman was at last curious, after years of widowhood, to know the circumstances of her husband’s death on a foreign field.
Maisie placed her hand on a bell mounted on the counter. Less than a minute after the chime, a young man appeared, a pile of large envelopes under his arm. Maisie gave him her name, and explained that she had received a clearance to view two records. The man placed the envelopes on the counter and ran his finger down a list of names.
“Ah, yes, there you are.” He pointed to a table by the window. “If you take a seat, madam, I’ll fetch the files for you.”
Maisie thanked him and sat at the table indicated while she waited. There was no view to speak of, simply rows of rooftops extending off into the distance. Sun glinted off skylights, and she watched pigeons swooping back and forth, and sparrows alighting on gutters, and listened to the sounds of the river in the distance. It occurred to her, as she waited, that she would try to see Maurice on the way back to Heronsdene. Of course, she would see her father, but she wanted to talk to her former mentor, as in their days together.
Until now, she had avoided reflecting upon the cremation this mor
ning, busying herself with those aspects of her investigation that must be accomplished before she returned to Heronsdene. Though she had at first been taken aback by Margaret Lynch’s decision not to have Simon laid to rest with a gravestone at his head, she had come to understand both the wisdom and the sacrifice inherent in that choice. And she was filled with admiration, all other feelings having burned away within her as Simon’s mother leaned against her, seeking her support. And she wondered about that movement, and those often elusive events, conversations, or thoughts that rendered the path clear for forgiveness to take root and grow in a wounded soul.
“Here you are, madam, Sandermere and Martin, though as you can see we have two names for the corporal, on account of his being enlisted under one name and then taking another—which, according to the record, was his in the first place.”
“I understand. Thank you. I shan’t be long.”
“Take your time. We close at five o’clock.”
Maisie had handled such records before, had spent time at the repository searching for clues, inconsistencies and truths in the papers of those, alive and deceased, who had served in the war. But when she came to the moment of opening the records of the dead, she undertook the task with a deep respect and reverence because, whatever might have been said about the man by his commanding officer, he had given his life for his country. Whether that gift was given willingly, perhaps with regret, or with anger was not relevant, once that life had been lost.
She discovered that Henry Sandermere had been killed by a sniper in the Somme valley shortly after his return from leave, in early July 1916. The report from his superiors was complimentary, and he would soon have received a promotion to captain had he lived. Nothing about the death was unusual. Officers were, for the most part, drawn from the families of the landed gentry, the aristocracy, families of wealth and privilege. Centuries of advantage, of—at the very least—better nutrition, had resulted in such men being, on average, taller than the rank and file. It was no surprise, then, that the sniper found an officer an easy target. And the regular soldiers were canny, learning quickly to keep their heads away from the parapet.