Still, despite their vast differences in opinion about the changes, the sisters lived as a harmonious family. They were protected from the vicissitudes of the outside world in ways that seculars were not. The St. Rose land and buildings had been bought outright in the late nineteenth century, and despite the temptation to modernize their quarters, they did not borrow on the property. They produced fruits and vegetables on the grounds, their henhouse gave four dozen eggs a day, and their pantries were filled with preserves. The convent was so secure, so abundantly stocked with food and medicine, so well equipped for their intellectual and spiritual needs, that the sisters sometimes joked that if a second Flood were to encompass the Hudson River Valley, it would be possible for the women of St. Rose Convent simply to bolt the heavy iron doors at the front and back entrances, seal the windows tight, and pray on as usual for many years to come in their own self-sustaining ark.
Sister Philomena took Evangeline by the arm and led her to her office, where, stooping over her work area, the dolman sleeves of her habit brushing the keys of the typewriter, she searched through the papers for something. Such hunting about her office was not unusual. Philomena was nearly blind, with thick glasses that occupied a disproportionate portion of her face, and Evangeline often helped her to locate objects that were hidden in plain sight. “Perhaps you can help me,” Sister Philomena said at last.
“I am happy to assist,” Evangeline said, “if you tell me what to look for.”
“I believe we received a letter regarding our angelic collection. Mother Perpetua had a telephone call from a young man in New York City—a researcher or consultant or something of that nature. He claims to have written a letter. Has such a letter come across your desk? I know I would not have missed it had I found such an inquiry. Mother Perpetua wants to be sure we are consistent with St. Rose policy. She would very much like a response sent at once.”
“The letter came today,” Evangeline said.
Sister Philomena peered through the lenses of her glasses, her eyes large and watery as she strained to see Evangeline. “You have read it, then?”
“Of course,” Evangeline said. “I open all mail the instant it arrives.”
“It was a request for information?”
Evangeline was not used to being questioned so directly about her work. “Actually,” she said, “it was a request to visit our archives in search of specific information about Mother Innocenta.”
A dark look passed over Philomena’s face. “You’ve replied to the letter?”
“With our standard response,” Evangeline said, leaving out the fact that she had destroyed the letter before mailing it, an act of duplicity that felt deeply foreign. It was unsettling—her ability to lie to Philomena with such ease. Nevertheless, Evangeline continued, “I am aware that we do not allow amateur research in the archives,” she said. “I wrote that it is our standard policy to refuse such requests. Of course, I was polite.”
“Fine,” Philomena said, examining Evangeline with particular interest. “We must be very careful when we open our home to outsiders. Mother Perpetua gave specific orders to block all inquiries.”
Evangeline was not at all surprised that Mother Perpetua took such a personal interest in their collection. She was a gruff and distant figure at the convent, one whom Evangeline did not see often, a woman with strong opinions and a heady management style whom the Elder Sisters admired for frugality and faulted for modern vision. Indeed, Mother Perpetua had pushed for the Elder Sisters to implement the more benign Vatican II changes, urging them to discard their cumbersome woolen habits for those of lighter fabrics, a suggestion they did not take.
As Evangeline turned to leave the office, Sister Philomena cleared her throat, a sign that she had not finished quite yet and that Evangeline should stay just a moment longer. Philomena said, “I have worked in the archives for many years, my child, and have weighed each request with great care. I have turned away many pesky researchers and writers and pseudo religious. It is a great responsibility to be the guardian at the gate. I would like you to report all unusual correspondence to me.”
“Of course,” Evangeline said, confused by the zeal in Philomena’s voice. Her curiosity getting the better of her, Evangeline added, “There is one thing I was wondering, Sister.”
“Yes?” Philomena responded.
“Was there anything unusual about Mother Innocenta?”
“Unusual?”
“Something that would inspire interest in a private research consultant whose specialty is art history?”
“I haven’t the slightest notion what might interest such people, my dear,” Sister Philomena said, clucking her tongue as she walked to the door. “I would hope that the history of art is filled with enough paintings and sculptures to occupy an art historian indefinitely. Yet, apparently, our collection of angelic images is irresistible. One can never be too careful, child. You will inform me if there are any new requests?”
“Of course,” Evangeline said, feeling her heart beat unnaturally fast.
Sister Philomena must have taken note of her young assistant’s distress and, stepping closer, so that Evangeline could smell something vaguely mineral about her—talcum powder, perhaps, or arthritis cream—she took Evangeline’s hands, warming them between her chubby palms. “Now, there is no reason for worry. We won’t let them in. Try as they might, we will hold the door closed.”
“I’m sure you’re right, Sister,” Evangeline said, smiling despite her bewilderment. “Thank you for your concern.”
“You’re welcome, child,” Philomena said, yawning. “If something more should come up, I’ll be on the fourth floor the remainder of the afternoon. It is nearly time for my nap.”
The instant Sister Philomena had left, Evangeline was thrown into a morass of guilt and speculation over what had just occurred between them. She regretted that she had misled her superior in such a manner, but she also wondered at Philomena’s strange reaction to the letter and the intensity of her desire to keep visitors away from St. Rose’s holdings. Of course Evangeline understood the necessity of protecting the environment of contemplative calm they all worked hard to create. Sister Philomena’s reaction to the letter had seemed excessive, but what had inspired Evangeline to lie in such a bold and unjustifiable fashion? Yet, there it was, a fact: She had lied to an Elder Sister. Even this breach had not assuaged her curiosity. What was the nature of the relationship between Mother Innocenta and Mrs. Rockefeller? What had Sister Philomena meant when she said that they would not “open our home to outsiders”? What harm could possibly come from sharing their beautiful collection of books and images? What did they have to hide? In the years Evangeline had spent at St. Rose—nearly half her life—there had been nothing at all out of the ordinary. The Franciscan Sisters of Perpetual Adoration led exemplary lives.
Evangeline slid her hand into her pocket and pulled out the thin, weathered onionskin letter. The writing was florid and slick—her eyes slid across the arches and dips of the cursive with ease. “Your guidance has helped the progress of the expedition enormously, and I daresay my own contributions have been useful as well. Celestine Clochette will be arriving in New York early February. More news will reach you soon. Until then, I am sincerely yours, A. A. Rockefeller.”
Evangeline reread the letter, trying to understand its meaning. She folded the thin paper carefully, securing it in her pocket, knowing that she could not continue her work until she understood the significance of Abigail Rockefeller’s letter.
Fifth Avenue, Upper East Side, New York City
Percival Grigori tapped the tip of his cane as he waited for the elevator, a rhythm of sharp metallic clicks pounding out the seconds. The oak-paneled lobby of his building—an exclusive prewar with views of Central Park—was so familiar that he hardly noticed it any longer. The Grigori family had occupied the penthouse for over half a century. Once he might have registered the deference of the doorman, the opulent arrangement of orchids in the foyer, t
he polished ebony and mother-of-pearl elevator casement, the fire sending a spray of light and warmth across the marble floor. But Percival Grigori noticed nothing at all except the pain crackling through his joints, the popping of his knees with each step. As the doors of the elevator slid open and he hobbled inside, he regarded his stooped image in the polished brass of the elevator car and looked quickly away.
At the thirteenth floor, he stepped into a marble vestibule and unlocked the door to the Grigori apartment. Instantly the soothing elements of his private life—part antique, part modern, part gleaming wood, part sparkling glass—filled his senses, relaxing the tension in his shoulders. He threw his keys onto a silk pillow at the bottom of a Chinese porcelain bowl, shrugged his heavy cashmere overcoat into the lap of an upholstered banister-back chair, and walked through the travertine gallery. Vast rooms opened before him—a sitting room, a library, a dining hall with a four-tiered Venetian chandelier suspended overhead. An expanse of picture windows staged the chaotic ballet of a snowstorm.
At the far end of the apartment, the curve of a grand staircase led to his mother’s suite of rooms. Peering up, Percival discerned a party of her friends gathered in the formal sitting room. Guests came to the apartment for lunch or dinner nearly every day, impromptu gatherings that allowed his mother to hold court for her favorite friends from the neighborhood. It was a ritual she had grown more and more accustomed to, primarily because of the power it gave her: She selected those people she wished to see, enclosed them in the dark-paneled lair of her private quarters, and let the rest of the world go on with its tedium and misery. For years she had left her suite only on rare occasions, when accompanied by Percival or his sister, and only at night. His mother had grown so comfortable with the arrangement, and her circle had become so regular, that she rarely complained of her confinement.
Quietly, so as not to draw attention to himself, Percival ducked into a bathroom at the end of the hallway, shut the door softly behind him, and locked it. In a succession of quick movements, he discarded a tailored wool jacket and a silk tie, dropping each piece of clothing onto the ceramic tiles. Fingers trembling, he unbuttoned six pearlescent buttons, working upward to his throat. He peeled away his shirt and stood to full height before a large mirror hung upon the wall.
Running his fingers over his chest, he felt a mélange of leather strips weaving one over the other. The device wrapped about him like an elaborate harness, creating a system of stays that, when fully fastened, had the overall appearance of a black corset. The straps were so taut they cut into his skin. Somehow, no matter how he fastened it, the leather cinched too tightly. Struggling for air, Percival loosened one strap, then the next, working the leather through small silver buckles with deliberation until, with a final tug, the device fell to the floor, the leather slapping the tiles.
His bare chest was smooth, without navel or nipples, the skin so white as to appear cut from wax. Swiveling his shoulder blades, he could see the reflection of his body in the mirror—his shoulders, his long thin arms, and the sculpted curve of his torso. Mounted at the center of his spine, matted by sweat, deformed by the severe pressure of the harness, were two tender nubs of bone. With a mixture of wonder and pain, he noted that his wings—once full and strong and bowed like golden scimitars—had all but disintegrated. The remnants of his wings were black with disease, the feathers withered, the bones atrophied. In the middle of his back, two open wounds, blue and raw from chafing, fixed the blackened bones in a gelatinous pool of congealed blood. Bandages, repeated cleanings—no amount of care helped to heal the wounds or relieve his pain. Yet he understood that the true agony would come when there was nothing left of his wings. All that had distinguished him, all that the others had envied, would be gone.
The first symptoms of the disorder had appeared ten years before, when fine tracks of mildew materialized along the inner shafts and vanes of the feathers, a phosphorescent green fungus that grew like patina on copper. He had thought it a mere infection. He’d had his wings cleaned and groomed, specifying that each feather be brushed with oils, and yet the pestilence remained. Within months his wingspan had decreased by half. The dusty golden shimmer of healthy wings faded. Once, he had been able to compress his wings with ease, folding his majestic plumage smoothly against his back. The airy mass of golden feathers had tucked into the arched grooves along his spine, a maneuver that rendered the wings completely undetectable. Although physical in substance, the structure of healthy wings gave them the visual properties of a hologram. Like the bodies of the angels themselves, his wings had been substantial objects utterly unimpaired by the laws of matter. Percival had been able to lift his wings through thick layers of clothing as easily as if he had moved them through air.
Now he found that he could no longer retract them at all, and so they were a perpetual presence, a reminder of his diminishment. Pain overwhelmed him; he lost all capability for flight. Alarmed, his family had brought in specialists, who confirmed what the Grigori family most feared: Percival had contracted a degenerative disorder that had been spreading through their community. Doctors predicted that his wings would die, then his muscles. He would be confined to a wheelchair, and then, when his wings had withered completely and their roots had melted away, Percival would die. Years of treatments had slowed the progression of the disease but had not stopped it.
Percival turned on the faucet and splashed cool water over his face, trying to dissipate the fever that had overtaken him. The harness helped him to keep his spine erect, an increasingly difficult task as his muscles grew weak. In the months since it had become necessary to wear the harness, the pain had only grown more acute. He never quite got used to the bite of leather on his skin, the buckles as sharp as pins against his body, the burning sensation of ripped flesh. Many of their kind chose to live away from the world when they became ill. This was a fate Percival could not begin to accept.
Percival took Verlaine’s envelope in his hands. Feeling its heft with pleasure, he disemboweled the dossier with the delicacy of a cat feasting upon a trapped bird, tearing open the paper with slow deliberation and placing the pages upon the marble surface of the bathroom sink. He read the report, hoping to find something that might be of use to him. Verlaine’s summary was a detailed and thorough document—forty pages of single-spaced lines forming a black, muscular column of type from beginning to end—but from what he could see there was nothing new.
Putting Verlaine’s documents back in the envelope, Percival took a deep breath and slipped the harness over his body. The tight leather caused much less trouble now that his color had returned and his fingers had grown steady. Once dressed, he saw that he’d ruined all hope of being presentable. His clothes were wrinkled and sweat-stained, his hair fell into his face in a messy blond sweep, his eyes were bloodshot. His mother would be mortified to see him so careworn.
Smoothing his hair, Percival left the bathroom and set out to find her. The sounds of crystal glasses clinking, the hum of a string quartet, and the shrill laughter of her friends became louder as he ascended the grand staircase. Percival paused at the edge of the room to catch his breath—the slightest effort drained his strength.
His mother’s rooms were always filled with flowers and servants and gossip, as if she were a countess holding a nightly salon, but Percival found the gathering under way to be even more elaborate than he had expected, with fifty or more guests. A cantilevered ceiling rose above the party, the skylights’ usual brightness dimmed by a cap of snow. The walls of the upper floor were lined with paintings his family had acquired over the course of five hundred years, most of which the Grigoris had chosen from museums and collectors for their private enjoyment. The majority of the paintings were masterworks, and all were original—they had provided expert copies of the paintings to be circulated through the world at large, taking the originals for themselves. Their art required meticulous care, everything from climate control to a team of professional cleaners, but the collection was well w
orth the trouble. There were a number of Dutch masters, a few from the Renaissance, and a smattering of nineteenth-century engravings. An entire wall at the center of the sitting room held the famous Hieronymus Bosch triptych The Garden of Earthly Delights, a wonderfully gruesome depiction of paradise and hell. Percival had grown up studying its grotesqueries, the large central panel depicting life on earth providing him with early instruction on the ways of humanity. He found it particularly fascinating that Bosch’s depiction of hell contained gruesome musical instruments, lutes and drums in various stages of dissection. A perfect copy of the painting hung at the Museo del Prado in Madrid, a reproduction Percival’s father had personally commissioned.
Gripping the ivory head of his cane, Percival made his way through the crowd. He usually put up with such debauchery but felt now—in his current condition—that it would be difficult to make it across the room. He nodded to the father of a former schoolmate—a member of his family’s circle for many centuries—standing at a remove from the crowd, his immaculate white wings on display. Percival smiled slightly at a model he had once taken to dinner, a lovely creature with pellucid blue eyes who came from an established Swiss family. She was far too young for her wings to have emerged, and so there was no way to glean the full extent of her breeding, but Percival knew her family to be old and influential. Before his illness had struck, his mother had tried to convince him to marry the girl. One day she would be a powerful member of their community.