“Mardi Gras colors,” he said.
I just smiled and hugged him closer.
It wasn't more than another half hour before Franzz came back. He was alone, but in good spirits. We were treated to "I VASS BORN TO KEEL UND MAKE LOVE!" again, in case we had forgotten, but we felt comfortable enough unwrapping the comforter from our sticky bodies and getting dressed in front of him. He'd been kinder than we could have expected.
“So did you see any planes falling out of the sky?” I asked.
Franzz thought about it. “No ... only a cashier who couldn't ring up my Dr. Pepper because his machine, his register was broken."
Only one thing about this really surprised me. “You drink Dr. Pepper, Franzz?"
He shrugged, and this time his grin wasn't so much wicked as faintly embarrassed. “I had a boyfriend once who came from Texas. My boyfriends all leave, but their bad habits live on in me."
A pang of sadness flashed between me and Trevor. Was Franzz lonely? We had never imagined him so. The idea depressed us, and we responded—not deliberately—by flashing on a scrap of an old Beatles song that stayed stuck in our heads for hours. Can't buy me looo—ove, nonono, NO—
“Oh yes,” said Franzz, “and many of the prostitutes have signs in their windows: No Credit Cards. Tonight Only."
“I don't blame them,” I said.
Mussolini and the Axeman's Jazz
After “Triads,” I decided I liked writing historical fiction and wanted to give it another try. This story plays fast and loose with the facts of World War I, Freemasons, and New Orleans’ only verified serial killer, the Axeman. Two things in it are undeniably real: Detective D'Antonio's statement and the Axeman's letter to the editor, reprinted from the New Orleans States and Times-Picayune, 1918-19.
Mussolini and the Axeman's Jazz
Sarajevo, 1914
Stone turrets and crenelated columns loomed on either side of the Archduke's motorcade. The crowd parted before the open carriages, an indistinct blur of faces. Francis Ferdinand swallowed some of the unease that had been plaguing him all day: a bitter bile, a constant burn at the back of his throat.
It was his fourteenth wedding anniversary. Sophie sat beside him, a bouquet of scarlet roses at her bosom. These Serbs and Croats were a friendly crowd; as the heir apparent of Austria-Hungary, Francis Ferdinand stood to give them an equal voice in his empire. Besides, Sophie was a Slav, the daughter of a noble Czech family. Surely his marriage to a northern Slav had earned him the sympathy of these southern ones.
Yet the Archduke could not divest himself of the notion that there was a menacing edge to the throng. The occasional vivid detail—a sobbing baby, a flower tucked behind the ear of a beautiful woman—was lost before his eyes could fully register it. He glanced at Sophie. In the summer heat he could smell her sweat mingling with the eau de parfum she had dabbed on this morning.
She met his gaze and smiled faintly. Beneath her veil, her sweet face shone with perspiration. Back in Vienna, Sophie was snubbed by his court because she had been a lady-in-waiting when she met the Archduke, little better than a servant in their eyes. Francis Ferdinand's uncle, the old Emperor Francis Joseph, forbade the marriage. When the couple married anyway, Sophie was ostracized in a hundred ways. Francis Ferdinand knew it was sometimes a painful life for her, but she remained a steadfast wife, an exemplary mother.
For this reason he had brought her on the trip to Sarajevo. It was a routine army inspection for him, but for her it was a chance to be treated with the royal honors she deserved. On this anniversary of their blessed union, Sophie would endure no subtle slights, no calculated cruelties.
The Archduke had never loved another human being. His parents were hazy memories, his uncle a shambling old man whose time had come and gone. Even his three children brought him more distraction than joy. The first time he laid eyes on Sophie, he discerned in her an empathy such as he had never seen before. Her features, her mannerisms, her soft ample body—all bespoke a comfort Francis Ferdinand had never formerly craved, but suddenly could not live without.
The four cars approached the Cumuria Bridge. A pall of humidity hung over the water. The Archduke felt his skin steaming inside his heavy uniform, and his uneasiness intensified. He knew how defenseless they must look in the raised carriage, in the Serbian sun, the green feathers on his helmet drooping, Sophie's red roses beginning to wilt.
As they passed over the bridge, he saw an object arc out of the crowd and come hurtling toward him. In an instant his eye marked it as a crude hand bomb.
Francis Ferdinand raised his arm to protect Sophie and felt hot metal graze his flesh.
Gavrilo Princip's pistol left a smell on his palm like greasy coins, metallic and sour. It was a cheap thing from Belgium, as likely to blow his hand off as anything else. Still, it was all Gavrilo had, and he was the only one left to murder the villainous fool whose good intentions would crush Serbia.
He had known the other six would fail him. They were a young and earnest lot, always ready to sing the praises of a greater Serbia, but reluctant to look a man in the face and kill him. They spoke of the sanctity of human life, a short-sighted sentiment in Gavrilo's opinion. Human life was a fleeting thing, an expendable thing. The glory of a nation could endure through the ages. What his comrades failed to fully comprehend was that it must be oiled with human blood.
He raked his dirty hair back from his face and stared along the motorcade route. It looked as if the cars were finally coming. He took a deep breath. As the wet, sooty air entered his lungs, Gavrilo was seized with a racking cough that lasted a full minute. He had no handkerchief, so he cupped his hand over his mouth. When he pulled it away, his fingers were speckled with fresh blood. He and his six comrades were all tubercular, and none of them expected to live past thirty. The fevers, the lassitude, the night sweats, the constant tickling itch deep in the chest—all these made the cyanide capsules they carried in their pockets a source of comfort rather than of dread.
Now the task was left to him. Mohammed and Nedjelko, the first two along the route, were carrying hand bombs. One of them had heaved his bomb—Gavrilo had seen it go flying—but the motorcade had continued toward City Hall with no apparent damage. His comrades between Cumuria Bridge and City Hall—Vasco, Cvijetko, Danilo, Trifko—had done nothing.
The Archduke's carriage moved slowly through the crowd, then braked and came to a standstill less than five feet from Gavrilo. This struck him as nothing short of a miracle, God telling him to murder the villains for the glory of Serbia.
He fired twice. The pistol did not blow his hand off. He saw Countess Sophie sag against her husband, saw blood on the Archduke's neck. The deed was done as well as he could do it. Gavrilo turned the pistol on himself, but before he could fire, it was knocked out of his hand. The crowd surged over him.
Gavrilo got his hand into his pocket, found the cyanide capsule and brought it to his mouth. Hundreds of hands were ripping at him, pummeling him. His teeth cracked the capsule open. The foul taste of bitter almonds flooded his mouth. He retched, swallowed, vomited, convulsed. The crowd would surely pull him to pieces. He felt his guts unmooring, his bones coming loose from their sockets, and still he could not die.
Sophie stood on the steps of City Hall between her husband and Fehim Effendi Curcic, the burgomaster of Sarajevo. Though Sophie and several of her attendants were bleeding from superficial cuts obtained from splinters of the bomb casing, and twelve spectators had been taken to hospital, Curcic obviously had no idea that the motorcade had come close to being blown up. He was surveying the crowd, a pleased look on his fat face. “Our hearts are filled with happiness—” he began.
Francis Ferdinand was white with anger. He grabbed the burgomaster's arm and shouted into his face. “One comes here for a visit and is received with bombs! Mr. Mayor, what do you say?"
Curcic still didn't understand. He smiled blandly at the Archduke and launched into his welcome speech again. The Archduke let him continue thi
s time, looking disgusted. Never once did Curcic mention the bombing attempt.
Sophie gripped her husband's hand. She could see Francis Ferdinand gradually pulling himself together. He was a man of inflexible opinions and sudden rages, painfully thin-skinned, capable of holding a grudge for eternity. He was like a spoiled child, bragging that he had shot five thousand stags, darkly hinting that he had brought down as many political enemies. But Sophie loved him. Not even her children fulfilled her vast need to be needed. This man did.
There was a delay while Francis Ferdinand sent a wire to the Emperor, who would have heard about the bomb. The Army wanted to continue with the day's events, but the Archduke insisted upon first visiting the wounded spectators in the hospital.
He turned to Sophie. “You must not come. The risk is too great; there could be another attack."
Fear clutched at her heart: of dying, of losing him. “No, I must go with you,” she told him, and Francis Ferdinand did not argue. When they entered their carriage again, Oskar Potiorek, the military governor, climbed in with them. His presence made Sophie feel a little safer.
The motorcade rolled back through the thronged streets. When they turned a corner, Sophie saw a sign marking Francis Joseph Street. Just as she noticed this, Potiorek sat up straighter and cried, “What's this? We've taken the wrong way!"
The driver braked. The motorcade ground to a halt. Sophie felt something graze the top of her head, a sharp stinging sensation. The Archduke's head snapped to one side. At the same time, Sophie felt something like a white-hot fist punch into her belly.
Through a haze of agony she reached for her husband. He leaned toward her, and a torrent of blood gushed from his mouth. She crumpled into his arms. Attendants swarmed around them, asked Francis Ferdinand if he was suffering. The last thing Sophie heard was her husband replying in a wet whisper, “It is nothing ... it is nothing."
They were both dead before the sun had reached its apex in the blazing sky.
New Orleans, 1918
New Orleans is commonly thought of as a French and Spanish town. “Creole,” a word now used to describe rich food of a certain seasoning and humans of a certain shade, first referred to the inevitable mixture of French and Spanish blood that began appearing several years after the city's founding. The buildings of the Vieux Carré were certainly shaped and adorned by the ancestry of their builders: the Spanish courtyards and ironwork, the French cottages with their carved wooden shutters and pastel paint, the wholly European edifice of St. Louis Cathedral.
But, block by sagging block, the Vieux Carré was abandoned by these upwardly mobile people. By the turn of the century it had become a slum. A wave of Sicilian immigrants moved in. Many of them opened groceries, imported and sold the necessities of life. Some were honest businessmen, some were criminals; most made no such clear distinction. The onorata società offered them a certain amount of protection from the hoodlums who roamed the French Quarter. Naturally they required a payment for this service, and if a man found himself in a position to do them a favor—legal or otherwise—he had no choice but to oblige.
The Italians gradually branched out of the Quarter into every part of the city, and New Orleans became as fully an Italian town as a French or Spanish one.
Joseph D'Antonio, formerly detective of the New Orleans Police Department, had been drinking on the balcony of his second-story hovel since late this afternoon. Bittersweet red wine, one bottle before the sun went down, another two since. His cells soaked it up like bread.
Two weeks in, this hot and sticky May portended a hellish summer. Even late at night, his balcony was the only place he could catch an occasional breath of air, usually tinged with the fetor of the Basin Canal nearby. Most nights, he had to force himself not to pass out here. These days, few things in his life were worse than waking up with a red-wine hangover and the morning sun in his eyes.
D'Antonio was forty-three. The circumstances of his early retirement had been as randomly cruel as the violence that presaged it. A crazed beat cop named Mullen walked into headquarters one afternoon and gunned down Chief Inspector Jimmy Reynolds. In the confusion that followed, an innocent captain also named Mullen was shot dead. Someone had come charging in and asked what happened, and someone else was heard to yell, “Mullen killed Reynolds!"
The yeller was Joe D'Antonio. Unfortunately, the dead Mullen had been widely known to harbor a strong dislike for Italians in general and D'Antonio in particular. No one accused him directly of killing Mullen, but everyone wondered. His life became a hell of suspicious looks and nasty innuendo. Six months later, the new chief persuaded him to take early retirement.
D'Antonio leaned on the rickety railing and stared at the empty street. Until last year he had lived on the fringes of Storyville, the red-light district. In the confusion of wartime patriotism, somebody had decided Storyville was a bad influence on Navy boys, and all the whorehouses were shut down. Now the buildings were dark and shabby, broken windows covered with boards or gaping like hungry mouths, lacework balconies sagging, opulent fixtures sold away or crumbling to dust.
D'Antonio could live without the whores, though some of them had been good enough gals. But he missed the music that had drifted up from Storyville every night, often drawing him out to some smoky little dive where he could drink and jazz away the hours till dawn. Players like Jelly Roll Morton, King Oliver, and some new kid named Armstrong kept him sane throughout the bad months just after he left the force. He got to know some of the musicians, smoked reefer with them from time to time, warned them when undercover presence indicated a bust might be imminent.
Now they were gone. There were still jazz clubs in the city, but many of the players D'Antonio knew had moved to Chicago when Storyville closed down. They could record in Chicago, make money. And in Chicago they didn't have to sleep, drink, eat, and piss according to signs posted by white men.
Pissing sounded like a fine idea. He stood, steadied himself on the railing, and walked inside. The place had none of this modern indoor plumbing, and the odor of the slop jar filled the two airless rooms. Still, he'd never stooped so low as to piss off the balcony as some of his neighbors did, at least not that he could remember.
D'Antonio unbuttoned his fly and aimed into the jar. Behind him, the shutters on the French doors slammed shut with a report loud as a double-barreled shotgun in the airless night. His hand jerked. Urine sprayed the dingy wall.
When he'd finished pissing and cursing the freak wind, he wiped the wall with a dirty sock, then went back to the balcony doors. It was too hot in here with the shutters closed, and too dark. D'Antonio pushed them open again.
There was a man standing on the balcony, and the shutters passed right through him.
Francis Ferdinand scowled in annoyance. The first flesh-and-blood creature he'd met since his inglorious exit from this plane, and of course the fellow had to be stinking drunk.
Perhaps his drunkenness would make Francis Ferdinand's job easier. Who could know? When one had to put himself together from whatever stray wisps of ectoplasm he could snatch out of the ether, it became increasingly difficult to fathom the minds of living men and women.
Joseph D'Antonio had a shock of black hair streaked with silver and a pale complexion that had gone florid from the wine. His dark eyes were comically wide, seeming to start from their sockets. “Hell, man, you're a ghost! You're a goddamned ghost, ain'tcha?"
English had never been one of his better languages, but Francis Ferdinand was able to understand D'Antonio perfectly. Even the drunken slur and the slight accent did not hinder him. He winced at the term. “A wraith, sir, if you please."
D'Antonio waved a dismissive hand. The resulting current of air nearly wafted the Archduke off the balcony. “Wraith, ghost, whatever. S'all the same to me. Means I'll be goin’ headfirst offa that balcony if I don't get to bed soon. By accident ... or on purpose? I dunno..."
Francis Ferdinand realized he would have to speak his piece at once, before the man s
lipped into maudlin incoherence. “Mr. D'Antonio, I do not come to you entirely by choice. You might say I have been dispatched. I died in the service of my country. I saw my beloved wife die, and pass into the Beyond. Yet I remain trapped in a sort of half-life. To follow her, I must do one more thing, and I must request your help."
Francis Ferdinand paused, but D'Antonio remained silent. His eyes were alert, his aspect somewhat more sober than before.
“I must kill a man,” the Archduke said at last.
D'Antonio's face twitched. Then he burst into sudden laughter. “That's a good one! You gotta kill somebody, but you can't, ‘cause you're a goddamn ghost!"
“Please, sir, I am a wraith! There are class structures involved here!"
“Sure. Whatever. Well, sorry, Duke. I handed over my gun when I left the force. Can't help you."
“You addressed me as ‘Duke’ just now, Mr. D'Antonio."
“Yeah, so? You're the Archduke, ain'tcha? The one who got shot at the beginning of the war?"
Francis Ferdinand was stunned. He had expected to have to explain everything to the man: his own useless assassination; the ensuing bedlam into which Europe had tumbled, country after country; the dubious relevance of these events to others in New Orleans. He was glad to discover that, at least in one respect, he had underestimated D'Antonio.
“Yeah, I know who you are. I might look like an ignorant wop, but I read the papers. Besides, there's a big old bullet hole in your neck."
Startled, the Archduke quickly patched the wound.
“Then, sir, that is one less thing I must explain to you. You have undoubtedly heard that I was murdered by Serbs. This is the first lie. I was murdered by Sicilians."
“But the men they caught—"
“Were Serbs, yes. They were also dupes. The plot was set in motion by your countrymen; specifically, by a man called Cagliostro. Perhaps you've heard of him."