Praise for Starfish (A New York Times Notable Book)
“Fizzing with ideas, and glued together with dark psychological tensions: an exciting debut.”
—Kirkus
“Watts makes a brilliant debut with a novel that is part undersea adventure, part psychological thriller, and wholly original.”
—Booklist
“No one has taken this premise to such pitiless lengths—and depths— as Watts.”
—New York Times
Praise for Blindsight
“Intellectually challenging....”
—Publishers Weekly, starred review
“Watts continues to challenge readers with his imaginative plots and superb storytelling.”
—Library Journal
“A brilliant piece of work, one that will delight fans of hard science fiction, but will also demonstrate to literary fans that contemporary science fiction is dynamic and fascinating literature that demands to be read.”
—The Edmonton Journal
Also by Peter Watts
Novels
The Rifters Trilogy Starfish (1999)
Maelstrom (2001)
βehemoth (2004)
(Published in two volumes as βehemoth: β-Max and βehemoth: Seppuku)
Blindsight (2006)
Crysis: Legion (2011)
Echopraxia (forthcoming 2014)
Collections
Ten Monkeys, Ten Minutes (2002)
PETER WATTS
BEYOND THE RIFT
TACHYON / SAN FRANCISCO
Beyond the Rift
Copyright © 2013 by Peter Watts
This is a work of collected fiction. All events portrayed in this book are fictitious and any resemblance to real people or events is purely coincidental. All rights reserved, including the right to reproduce this book or portions thereof in any form without the express permission of the author and the publisher.
“Outtro: En Route to Dystopia with the Angry Optimist” copyright © 2013 by Peter Watts
Cover art “Undersea” copyright © 2013 by Hugh Sicotte
Cover and interior design by Elizabeth Story
Tachyon Publications
1459 18th Street #139
San Francisco, CA 94107
(415) 285-5615
www.tachyonpublications.com
[email protected] Series Editor: Jacob Weisman
Project Editor: Jill Roberts
BOOK ISBN 13: 978-1-61696-125-1
Printed in the United States of America by Worzalla
First Edition: 2013
9 8 7 6 5 4 3 2 1
“The Things” copyright © 2010 by Peter Watts. First appeared in Clarkesworld #40, January 2010.
“The Island” copyright © 2009 by Peter Watts. First appeared in The New Space Opera 2, edited by Gardner Dozois and Jonathan Strahan (HarperCollins: New York).
“The Second Coming of Jasmine Fitzgerald” copyright © 1998 by Peter Watts. First appeared in Divine Realms: Canadian Science Fiction and Fantasy, edited by Susan MacGregor (Turnstone Press: Winnipeg, Canada).
“A Word for Heathens” copyright © 2004 by Peter Watts. First appeared in ReVisions, edited by Julie E. Czerneda and Isaac Szpindel (DAW: New York).
“Home” copyright © 2000 by Peter Watts. First appeared in On Spec #36, Spring 1999, Vol. 11 No. 1.
“The Eyes of God” copyright © 2008 by Peter Watts. First appeared in The Solaris Book of New Science Fiction, Volume 2, edited by George Mann (Solaris: Nottingham, England).
“Flesh Made Word” copyright © 1994 by Peter Watts. First appeared in Prairie Fire Magazine Vol. 15, #2.
“Nimbus” copyright © 1994 by Peter Watts. First appeared in On Spec #17, Summer 1994, Vol. 6 No. 2.
“Mayfly” copyright © 2005 by Peter Watts and Derryl Murphy. First appeared in Tesseracts Nine: New Canadian Science Fiction, edited by Nalo Hopkinson and Geoff Ryman (EDGE Science Fiction and Fantasy: Calgary, Canada).
“Ambassador” copyright © 2002 by Peter Watts. First appeared in Ten Monkeys, Ten Minutes (EDGE Science Fiction and Fantasy Publishing: Calgary, Canada).
“Hillcrest v. Velikovsky” copyright © 2008 by Peter Watts. First appeared in Nature #454, 550, July 23, 2008.
“Repeating the Past” copyright © 2007 by Peter Watts. First appeared in Nature #450, 760, November 28, 2007.
“A Niche” copyright © 1990 by Peter Watts. First appeared in Tesseracts 3, edited by Candas Jane Dorsey and Gerry Truscott (Porcépic Books: Victoria, British Columbia).
CONTENTS
The Things
The Island
The Second Coming of Jasmine Fitzgerald
A Word for Heathens
Home
The Eyes of God
Flesh Made Word
Nimbus
Mayfly (with Derryl Murphy)
Ambassador
Hillcrest v. Velikovsky
Repeating the Past
A Niche
Outtro: En Route to Dystopia with The Angry Optimist
THE THINGS
I am being Blair. I escape out the back as the world comes in through the front.
I am being Copper. I am rising from the dead.
I am being Childs. I am guarding the main entrance.
The names don’t matter. They are placeholders, nothing more; all biomass is interchangeable. What matters is that these are all that is left of me. The world has burned everything else.
I see myself through the window, loping through the storm, wearing Blair. MacReady has told me to burn Blair if he comes back alone, but MacReady still thinks I am one of him. I am not: I am being Blair, and I am at the door. I am being Childs, and I let myself in. I take brief communion, tendrils writhing forth from my faces, intertwining: I am BlairChilds, exchanging news of the world.
The world has found me out. It has discovered my burrow beneath the tool shed, the half-finished lifeboat cannibalized from the viscera of dead helicopters. The world is busy destroying my means of escape. Then it will come back for me.
There is only one option left. I disintegrate. Being Blair, I go to share the plan with Copper and to feed on the rotting biomass once called Clarke; so many changes in so short a time have dangerously depleted my reserves. Being Childs, I have already consumed what was left of Fuchs and am replenished for the next phase. I sling the flamethrower onto my back and head outside, into the long Antarctic night.
I will go into the storm, and never come back.
I was so much more, before the crash. I was an explorer, an ambassador, a missionary. I spread across the cosmos, met countless worlds, took communion: the fit reshaped the unfit and the whole universe bootstrapped upwards in joyful, infinitesimal increments. I was a soldier, at war with entropy. I was the very hand by which Creation perfects itself.
So much wisdom I had. So much experience. Now I cannot remember all the things I knew. I can only remember that I once knew them.
I remember the crash, though. It killed most of this offshoot outright, but a little crawled from the wreckage: a few trillion cells, a soul too weak to keep them in check. Mutinous biomass sloughed off despite my most desperate attempts to hold myself together: panic-stricken little clots of meat, instinctively growing whatever limbs they could remember and fleeing across the burning ice. By the time I’d regained control of what was left the fires had died and the cold was closing back in. I barely managed to grow enough antifreeze to keep my cells from bursting before the ice took me.
I remember my reawakening, too: dull stirrings of sensation in real time, the first embers of cognition, the slow blooming warmth of awareness as my cells thawed, as body and soul embraced after their long sleep. I remember the biped offshoots that surrounded me, the stran
ge chittering sounds they made, the odd uniformity of their body plans. How ill-adapted they looked! How inefficient their morphology! Even disabled, I could see so many things to fix. So I reached out. I took communion. I tasted the flesh of the world—
—and the world attacked me. It attacked me.
I left that place in ruins. It was on the other side of the mountains—the Norwegian camp, it is called here—and I could never have crossed that distance in a biped skin. Fortunately there was another shape to choose from, smaller than the biped but better adapted to the local climate. I hid within it while the rest of me fought off the attack. I fled into the night on four legs, and let the rising flames cover my escape.
I did not stop running until I arrived here. I walked among these new offshoots wearing the skin of a quadruped; and because they had not seen me take any other shape, they did not attack.
And when I assimilated them in turn—when my biomass changed and flowed into shapes unfamiliar to local eyes—I took that communion in solitude, having learned that the world does not like what it doesn’t know.
I am alone in the storm. I am a bottom-dweller on the floor of some murky alien sea. The snow blows past in horizontal streaks; caught against gullies or outcroppings, it spins into blinding little whirlwinds. But I am not nearly far enough, not yet. Looking back I still see the camp crouching brightly in the gloom, a squat angular jumble of light and shadow, a bubble of warmth in the howling abyss.
It plunges into darkness as I watch. I’ve blown the generator. Now there’s no light but for the beacons along the guide ropes: strings of dim blue stars whipping back and forth in the wind, emergency constellations to guide lost biomass back home.
I am not going home. I am not lost enough. I forge on into darkness until even the stars disappear. The faint shouts of angry frightened men carry behind me on the wind.
Somewhere behind me my disconnected biomass regroups into vaster, more powerful shapes for the final confrontation. I could have joined myself, all in one: chosen unity over fragmentation, resorbed and taken comfort in the greater whole. I could have added my strength to the coming battle. But I have chosen a different path. I am saving Childs’s reserves for the future. The present holds nothing but annihilation.
Best not to think on the past.
I’ve spent so very long in the ice already. I didn’t know how long until the world put the clues together, deciphered the notes and the tapes from the Norwegian camp, pinpointed the crash site. I was being Palmer, then; unsuspected, I went along for the ride.
I even allowed myself the smallest ration of hope.
But it wasn’t a ship any more. It wasn’t even a derelict. It was a fossil, embedded in the floor of a great pit blown from the glacier. Twenty of these skins could have stood one atop another, and barely reached the lip of that crater. The timescale settled down on me like the weight of a world: How long for all that ice to accumulate? How many eons had the universe iterated on without me?
And in all that time, a million years perhaps, there’d been no rescue. I never found myself. I wonder what that means. I wonder if I even exist any more, anywhere but here.
Back at camp I will erase the trail. I will give them their final battle, their monster to vanquish. Let them win. Let them stop looking.
Here in the storm, I will return to the ice. I’ve barely even been away, after all; alive for only a few days out of all these endless ages. But I’ve learned enough in that time. I learned from the wreck that there will be no repairs. I learned from the ice that there will be no rescue. And I learned from the world that there will be no reconciliation. The only hope of escape, now, is into the future; to outlast all this hostile, twisted biomass, to let time and the cosmos change the rules. Perhaps the next time I awaken, this will be a different world.
It will be aeons before I see another sunrise.
This is what the world taught me: that adaptation is provocation. Adaptation is incitement to violence.
It feels almost obscene—an offense against Creation itself—to stay stuck in this skin. It’s so ill-suited to its environment that it needs to be wrapped in multiple layers of fabric just to stay warm. There are a myriad ways I could optimize it: shorter limbs, better insulation, a lower surface:volume ratio. All these shapes I still have within me, and I dare not use any of them even to keep out the cold. I dare not adapt; in this place, I can only hide.
What kind of a world rejects communion?
It’s the simplest, most irreducible insight that biomass can have. The more you can change, the more you can adapt. Adaptation is fitness, adaptation is survival. It’s deeper than intelligence, deeper than tissue; it is cellular, it is axiomatic. And more, it is pleasurable. To take communion is to experience the sheer sensual delight of bettering the cosmos.
And yet, even trapped in these maladapted skins, this world doesn’t want to change.
At first I thought it might simply be starving, that these icy wastes didn’t provide enough energy for routine shapeshifting. Or perhaps this was some kind of laboratory: an anomalous corner of the world, pinched off and frozen into these freakish shapes as part of some arcane experiment on monomorphism in extreme environments. After the autopsy I wondered if the world had simply forgotten how to change: unable to touch the tissues the soul could not sculpt them, and time and stress and sheer chronic starvation had erased the memory that it ever could.
But there were too many mysteries, too many contradictions. Why these particular shapes, so badly suited to their environment? If the soul was cut off from the flesh, what held the flesh together?
And how could these skins be so empty when I moved in?
I’m used to finding intelligence everywhere, winding through every part of every offshoot. But there was nothing to grab onto in the mindless biomass of this world: just conduits, carrying orders and input. I took communion, when it wasn’t offered; the skins I chose struggled and succumbed; my fibrils infiltrated the wet electricity of organic systems everywhere. I saw through eyes that weren’t yet quite mine, commandeered motor nerves to move limbs still built of alien protein. I wore these skins as I’ve worn countless others, took the controls and left the assimilation of individual cells to follow at its own pace.
But I could only wear the body. I could find no memories to absorb, no experiences, no comprehension. Survival depended on blending in, and it was not enough to merely look like this world. I had to act like it—and for the first time in living memory I did not know how.
Even more frighteningly, I didn’t have to. The skins I assimilated continued to move, all by themselves. They conversed and went about their appointed rounds. I could not understand it. I threaded further into limbs and viscera with each passing moment, alert for signs of the original owner. I could find no networks but mine.
Of course, it could have been much worse. I could have lost it all, been reduced to a few cells with nothing but instinct and their own plasticity to guide them. I would have grown back eventually, reattained sentience, taken communion and regenerated an intellect vast as a world—but I would have been an orphan, amnesiac, with no sense of who I was. At least I’ve been spared that: I emerged from the crash with my identity intact, the templates of a thousand worlds still resonant in my flesh. I’ve retained not just the brute desire to survive, but the conviction that survival is meaningful. I can still feel joy, should there be sufficient cause.
And yet, how much more there used to be.
The wisdom of so many other worlds, lost. All that remains are fuzzy abstracts, half-memories of theorems and philosophies far too vast to fit into such an impoverished network. I could assimilate all the biomass of this place, rebuild body and soul to a million times the capacity of what crashed here—but as long as I am trapped at the bottom of this well, denied communion with my greater self, I will never recover that knowledge.
I’m such a pitiful fragment of what I was. Each lost cell takes a little of my intellect with it, and I have grown s
o very small. Where once I thought, now I merely react. How much of this could have been avoided, if I had only salvaged a little more biomass from the wreckage? How many options am I not seeing because my soul simply isn’t big enough to contain them?
The world spoke to itself, in the same way I do when my communications are simple enough to convey without somatic fusion. Even as dog I could pick up the basic signature morphemes—this offshoot was Windows, that one was Bennings, the two who’d left in their flying machine for parts unknown were Copper and MacReady—and I marveled that these bits and pieces stayed isolated one from another, held the same shapes for so long, that the labeling of individual aliquots of biomass actually served a useful purpose.
Later I hid within the bipeds themselves, and whatever else lurked in those haunted skins began to talk to me. It said that bipeds were called guys, or men, or assholes. It said that MacReady was sometimes called Mac. It said that this collection of structures was a camp.
It said that it was afraid, but maybe that was just me.
Empathy’s inevitable, of course. One can’t mimic the sparks and chemicals that motivate the flesh without also feeling them to some extent. But this was different. These intuitions flickered within me yet somehow hovered beyond reach. My skins wandered the halls and the cryptic symbols on every surface— Laundry Sched, Welcome to the Clubhouse , This Side Up—almost made a kind of sense. That circular artefact hanging on the wall was a clock; it measured the passage of time. The world’s eyes flitted here and there, and I skimmed piecemeal nomenclature from its—from his —mind.