The next seven photographs – twenty, twenty-one, two, three, four, five and six pictured the same circular routine. Sleeping, washing, pissing, meat-watching. Sleeping, washing, pissing -Then twenty-seven.
"See?"
She picks up the meat.
Yes, she picks it up, her face full of horror. The haunch of the beef looks well-ripened now, speckled with flies' eggs. Gross.
"She bites it."
The next photograph, and her face is buried in the meat.
Steve seemed to taste the rotten flesh in the back of his throat. His mind found a stench to imagine, and created a gravy of putrescence to run over his tongue. How could she do it?
Twenty-nine: she is vomiting in the bucket in the corner of the room.
Thirty: she is sitting looking at the table. It is empty. The water-jug has been thrown against the wall. The plate has been smashed. The beef lies on the floor in a slime of degeneration.
Thirty-one: she sleeps. Her head is lost in a tangle of arms.
Thirty-two: she is standing up. She is looking at the meat again, defying it. The hunger she feels is plain on her face. So is the disgust.
Thirty-three. She sleeps.
"How long now?" asked Steve.
"Five days. No, six."
Six days.
Thirty-four. She is a blurred figure, apparently flinging herself against a wall. Perhaps beating her head against it, Steve couldn't be sure. He was past asking. Part of him didn't want to know.
Thirty-five: she is again sleeping, this time beneath the table. The sleeping bag has been torn to pieces, shredded cloth and pieces of stuffing littering the room.
Thirty-six: she speaks to the door, through the door, knowing she will get no answer.
Thirty-seven: she eats the rancid meat.
Calmly she sits under the table, like a primitive in her cave, and pulls at the meat with her incisors. Her face is again expressionless; all her energy is bent to the purpose of the moment. To eat. To eat 'til the hunger disappears, 'til the agony in her belly, and the sickness in her head disappear.
Steve stared at the photograph.
"It startled me," said Quaid, "how suddenly she gave in. One moment she seemed to have as much resistance as ever. The monologue at the door was the same mixture of threats and apologies as she'd delivered day in, day out. Then she broke. Just like that. Squatted under the table and ate the beef down to the bone, as though it were a choice cut."
Thirty-eight: she sleeps. The door is open. Light pours in.
Thirty-nine: the room is empty.
"Where did she go?"
"She wandered downstairs. She came into the kitchen, drank several glasses of water, and sat in a chair for three or four hours without saying a word."
"Did you speak to her?"
"Eventually. When she started to come out of her fugue state. The experiment was over. I didn't want to hurt her." "What did she say?"
"Nothing."
"Nothing?"
"Nothing at all. For a long time I don't believe she was even aware of my presence in the room. Then I cooked some potatoes, which she ate."
"She didn't try and call the police?" "No."
"No violence?"
"No. She knew what I'd done, and why I'd done it. It wasn't pre-planned, but we'd talked about such experiments, in abstract conversations. She hadn't come to any harm, you see. She'd lost a bit of weight perhaps, but that was about all."
"Where is she now?"
"She left the day after. I don't know where she went."
"And what did it all prove?"
"Nothing at all, perhaps. But it made an interesting start to my investigations."
"Start? This was only a start?"
There was plain disgust for Quaid in Steve's voice.
"Stephen -”
"You could have killed her!"
"No."
"She could have lost her mind. Unbalanced her permanently."
"Possibly. But unlikely. She was a strong-willed woman."
"But you broke her."
"Yes. It was a journey she was ready to take. We'd talked of going to face her fear. So here was I, arranging for Cheryl to do just that. Nothing much really."
"You forced her to do it. She wouldn't have gone otherwise."
"True. It was an education for her."
"So now you're a teacher?"
Steve wished he'd been able to keep the sarcasm out of his voice. But it was there. Sarcasm; anger; and a little fear. "Yes, I'm a teacher," Quaid replied, looking at Steve obliquely, his eyes not focused. "I'm teaching people dread." Steve stared at the floor. "Are you satisfied with what you've taught?"
"And learned, Steve. I've learned too. It's a very exciting prospect: a world of fears to investigate. Especially with intelligent subjects. Even in the face of rationalization -”
Steve stood up. "I don't want to hear any more."
"Oh? OK."
"I've got classes early tomorrow."
"No."
"What?"
A beat, faltering.
"No. Don't go yet."
"Why?" His heart was racing. He feared Quaid, he'd never realized how profoundly.
"I've got some more books to give you."
Steve felt his face flush. Slightly. What had he thought in that moment? That Quaid was going to bring him down with a rugby tackle and start experimenting on his fears?
No. Idiot thoughts.
"I've got a book on Kierkegaard you'll like. Upstairs. I'll be two minutes."
Smiling, Quaid left the room.
Steve squatted on his haunches and began to sheaf through the photographs again. It was the moment when Cheryl first picked up the rotting meat that fascinated him most. Her face wore an expression completely uncharacteristic of the woman he had known. Doubt was written there, and confusion, and deep -Dread.
It was Quaid's word. A dirty word. An obscene word, associated from this night on with Quaid's torture of an innocent girl.
For a moment Steve thought of the expression on his own face, as he stared down at the photograph. Was there not some of the same confusion on his face? And perhaps some of the dread too, waiting for release. He heard a sound behind him, too soft to be Quaid.
Unless he was creeping.
Oh, God, unless he was -A pad of chloroformed cloth was clamped over Steve's mouth and his nostrils. Involuntarily, he inhaled and the vapours stung his sinuses, made his eyes water. A blob of blackness appeared at the corner of the world, just out of sight, and it started to grow, this stain, pulsing to the rhythm of his quickening heart.
In the centre of Steve's head he could see Quaid's voice as a veil. It said his name.
"Stephen."
Again.
"- ephen."
"- phen."
"- hen."
"en."
The stain was the world. The world was dark, gone away. Out of sight, out of mind.
Steve fell clumsily amongst the photographs.
When he woke up he was unaware of his consciousness. There was darkness everywhere, on all sides. He lay awake for an hour with his eyes wide before he realized they were open.
Experimentally, he moved first, his arms and his legs, then his head. He wasn't bound as he'd expected, except by his ankle. There was definitely a chain or something similar around his left ankle. It chafed his skin when he tried to move too far.
The floor beneath him was very uncomfortable, and when he investigated it more closely with the palm of his hand he realized he was lying on a huge grille or grid of some kind. It was metal, and its regular surface spread in every direction as far as his arms would reach. When he poked his arm down through the holes in this lattice he touched nothing. Just empty air falling away beneath him.
The first infra-red photographs Quaid took of Stephen's confinement pictured his exploration. As Quaid had expected the subject was being quite rational about his situation. No hysterics. No curses. No tears. That was the challenge of this particular sub
ject. He knew precisely what was going on; and he would respond logically to his fears. That would surely make a more difficult mind to break than Cheryl's.
But how much more rewarding the results would be when he did crack. Would his soul not open up then, for Quaid to see and touch? There was so much there, in the man's interior, he wanted to study. Gradually Steve's eyes became accustomed to the darkness.
He was imprisoned in what appeared to be some kind of shaft. It was, he estimated, about twenty feet wide, and completely round. Was it some kind of air-shaft, for a tunnel, or an underground factory? Steve's mind mapped the area around Pilgrim Street, trying to pinpoint the most likely place for Quaid to have taken him. He could think of nowhere.
Nowhere.
He was lost in a place he couldn't fix or recognize. The shaft had no corners to focus his eyes on; and the walls offered no crack or hole to hide his consciousness in.
Worse, he was lying spread-eagled on a grid that hung over this shaft. His eyes could make no impression on the darkness beneath him: it seemed that the shaft might be bottomless. And there was only the thin network of the grill, and the fragile chain that shackled his ankle to it, between him and falling.
He pictured himself poised under an empty black sky, and over an infinite darkness. The air was warm and stale. It dried up the tears that had suddenly sprung to his eyes, leaving them gummy. When he began to shout for help, which he did after the tears had passed, the darkness ate his words easily.
Having yelled himself hoarse, he lay back on the lattice. He couldn't help but imagine that beyond his frail bed, the darkness went on forever. It was absurd, of course. Nothing goes on forever, he said aloud.
Nothing goes on forever.
And yet, he'd never know. If he fell in the absolute blackness beneath him, he'd fall and fall and fall and not see the bottom of the shaft coming. Though he tried to think of brighter, more positive, images, his mind conjured his body cascading down this horrible shaft, with the bottom a foot from his hurtling body and his eyes not seeing it, his brain not predicting it.
Until he hit.
Would he see light as his head was dashed open on impact? Would he understand, in the moment that his body became offal, why he'd lived and died?
Then he thought: Quaid wouldn't dare. "Wouldn't dare!" he screeched. "Wouldn't dare!"
The dark was a glutton for words. As soon as he'd yelled into it, it was as though he'd never made a sound. And then another thought: a real baddie. Suppose Quaid had found this circular hell to put him in because it would never be found, never be investigated? Maybe he wanted to take his experiment to the limits.
To the limits. Death was at the limits. And wouldn't that be the ultimate experiment for Quaid? Watching a man die: watching the fear of death, the mother lode of dread, approach. Sartre had written that no man could ever know his own death. But to know the deaths of others, intimately to watch the acrobatics that the mind would surely perform to avoid the bitter truth – that was a clue to death's nature, wasn't it? That might, in some small way, prepare a man for his own death. To live another's dread vicariously was the safest, cleverest way to touch the beast. Yes, he thought, Quaid might kill me; out of his own tenor.
Steve took a sour satisfaction in that thought. That Quaid, the impartial experimenter, the would-be educator, was obsessed with terrors because his own dread ran deepest.
That was why he had to watch others deal with their fears. He needed a solution, a way out for himself.
Thinking all this through took hours. In the darkness Steve's mind was quick-silver, but uncontrollable. He found it difficult to keep one train of argument for very long. His thoughts were like fish, small, fast fish, wriggling out of his grasp as soon as he took a hold of them.
But underlying every twist of thought was the knowledge that he must out-play Quaid. That was certain. He must be calm; prove himself a useless subject for Quaid's analysis.
The photographs of these hours showed Stephen lying with his eyes closed on the grid, with a slight frown on his face. Occasionally, paradoxically, a smile would flit across his lips. Sometimes it was impossible to know if he was sleeping or waking, thinking or dreaming.
Quaid waited.
Eventually Steve's eyes began to flicker under his lids, the unmistakable sign of dreaming. It was time, while the subject slept, to turn the wheel of the rack -Steve woke with his hands cuffed together. He could see a bowl of water on a plate beside him; and a second bowl, full of luke-warm unsalted porridge, beside it. He ate and drank thankfully.
As he ate, two things registered. First, that the noise of his eating seemed very loud in his head; and second, that he felt a construction, a tightness, around his temples.
The photographs show Stephen clumsily reaching up to his head. A harness is strapped on to him, and locked in place. It clamps plugs deep into his ears, preventing any sound from getting in.
The photographs show puzzlement. Then anger. Then fear.
Steve was deaf.
All he could hear were the noises in his head. The clicking of his teeth. The slush and swallow of his palate. The sounds boomed between his ears like guns.
Tears sprang to his eyes. He kicked at the grid, not hearing the clatter of his heels on the metal bars. He screamed until his throat felt as if it was bleeding. He heard none of his cries.
Panic began in him.
The photographs showed its birth. His face was flushed. His eyes were wide, his teeth and gums exposed in a grimace.
He looked like a frightened monkey.
All the familiar, childhood feelings swept over him. He remembered them like the faces of old enemies; the chittering limbs, the sweat, the nausea. In desperation he picked up the bowl of water and upturned it over his face. The shock of the cold water diverted his mind momentarily from the panic-ladder it was climbing. He lay back down on the grid, his body a board, and told himself to breathe deeply and evenly.
Relax, relax, relax, he said aloud.
In his head, he could hear his tongue clicking. He could hear his mucus too, moving sluggishly in the panic constricted passages of his nose, blocking and unblocking in his ears. Now he could detect the low, soft hiss that waited under all the other noises. The sound of his mind -It was like the white noise between stations on the radio, this was the same whine that came to fetch him under anesthetic, the same noise that would sound in his ears on the borders of sleep.
His limbs still twitched nervously, and he was only half-aware of the way he wrestled with his handcuffs, indifferent to their edges scouring the skin at his wrists.
The photographs recorded all these reactions precisely. His war with hysteria: his pathetic attempts to keep the fears from resurfacing. His tears. His bloody wrists.
Eventually, exhaustion won over panic; as it had so often as a child. How many times had he fallen asleep with the salt-taste of tears in his nose and mouth, unable to fight any longer?
The exertion had heightened the pitch of his head-noises. Now, instead of a lullaby, his brain whistled and whooped him to sleep.
Oblivion was good.
Quaid was disappointed. It was clear from the speed of his response that Stephen Grace was going to break very soon indeed. In fact, he was as good as broken, only a few hours into the experiment. And Quaid had been relying on Stephen. After months of preparing the ground, it seemed that this subject was going to lose his mind without giving up a single clue.
One word, one miserable word was all Quaid needed. A little sign as to the nature of the experience. Or better still, something to suggest a solution, a healing totem, a prayer even. Surely some Saviour comes to the lips, as the personality is swept away in madness? There must be something.
Quaid waited like a carrion bird at the site of some atrocity, counting the minutes left to the expiring soul, hoping for a morsel.
Steve woke face down on the grid. The air was much staler now, and the metal bars bit into the flesh of his cheek. He was hot and uncomfortabl
e.
He lay still, letting his eyes become accustomed to his surroundings again. The lines of the grid ran off in perfect perspective to meet the wall of the shaft. The simple network of criss-crossed bars struck him as pretty. Yes, pretty. He traced the lines back and forth 'til he tired of the game. Bored, he rolled over onto his back, feeling the grid vibrate under his body. Was it less stable now? It seemed to rock a little as he moved.
Hot and sweaty, Steve unbuttoned his shirt. There was sleep-spittle on his chin but he didn't care to wipe it off. What if he drooled? Who was to see?
He half pulled off his shirt, and using one foot, kicked his shoe off the other.
Shoe: lattice: fall. Sluggishly, his mind made the connection. He sat up. Oh poor shoe. His shoe would fall. It would slip between the bars and be lost. But no. It was finely balanced across two sides of a lattice-hole; he could still save it if he tried.
He reached for his poor, poor shoe, and his movement shifted the grid.
The shoe began to slip.
"Please," he begged it, “don't fall." He didn't want to lose his nice shoe, his pretty shoe. It mustn't fall. It mustn't fall. As he stretched to snatch it, the shoe tipped, heel down, through the grid and fell into the darkness. He let out a cry of loss that he couldn't hear.
Oh, if only he could listen to the shoe falling; to count the seconds of its descent. To hear it thud home at the bottom of the shaft. At least then he'd know how far he had to fall to his death.
He couldn't endure it any longer. He rolled over on to his stomach and thrust both arms through the grid, screaming: "I'll go too! I'll go too!"
He couldn't bear waiting to fall, in the dark, in the whining silence, he just wanted to follow his shoe down, down, down the dark shaft to extinction, and have the whole game finished once and for all.
"I'll go! I'll go! I'll go!" he shrieked. He pleaded with gravity.
Beneath him, the grid moved.
Something had broken. A pin, a chain, a rope that held the grid in position had snapped. He was no' longer horizontal; already he was sliding across the bars as they tipped him off into the dark.