"The child I mean is Sir Roger de Coverley, Knight and Baronet. What made ye kill him, ye savage Mohock? The whole town is in tears about the good knight; all the ladies at Church this afternoon were in mourning; all the booksellers are wild; and Lintot says not a third of the copies of the Spectator are sold since the death of the brave old gentleman." And the Dean of St. Patrick's pulled out the Spectator newspaper, containing the well-known passage regarding Sir Roger's death. "I bought it but now in 'Wellington Street,'" he said; "the newsboys were howling all down the Strand."
"What a miracle is Genius—Genius, the Divine and Beautiful," said a gentleman leaning against the same fireplace with the deformed cavalier in iron-gray, and addressing that individual, who was in fact Mr. Alexander Pope. "What a marvellous gift is this, and royal privilege of Art! To make the Ideal more credible than the Actual: to enchain our hearts, to command our hopes, our regrets, our tears, for a mere brain-born Emanation: to invest with life the Incorporeal, and to glamour the cloudy into substance,—these are the lofty privileges of the Poet, if I have read poesy aright; and I am as familiar with the sounds that rang from Homer's lyre, as with the strains which celebrate the loss of Belinda's lovely locks"—(Mr. Pope blushed and bowed, highly delighted)—"these, I say, sir, are the privileges of the Poet—the Poietes—the Maker—he moves the world, and asks no lever; if he cannot charm death into life, as Orpheus feigned to do, he can create Beauty out of Nought, and defy Death by rendering Thought Eternal. Ho! Jemmy, another flask of Nantz."
And the boy—for he who addressed the most brilliant company of wits in Europe was little more—emptied the contents of the brandy-flask into a silver flagon, and quaffed it gayly to the health of the company assembled. 'Twas the third he had taken during the sitting. Presently, and with a graceful salute to the Society, he quitted the coffee-house, and was seen cantering on a magnificent Arab past the National Gallery.
"Who is yon spark in blue and silver? He beats Joe Addison himself, in drinking, and pious Joe is the greatest toper in the three kingdoms," Dick Steele said, good-naturedly.
"His paper in the Spectator beats thy best, Dick, thou sluggard," the Right Honorable Mr. Addison exclaimed. "He is the author of that famous No. 996, for which you have all been giving me the credit."
"The rascal foiled me at capping verses," Dean Swift said, "and won a tenpenny piece of me, plague take him!"
"He has suggested an emendation in my 'Homer,' which proves him a delicate scholar," Mr. Pope exclaimed.
"He knows more of the French king than any man I have met with; and we must have an eye upon him," said Lord Bolingbroke, then Secretary of State for Foreign Affairs, and beckoning a suspicious-looking person who was drinking at a side-table, whispered to him something.
Meantime who was he? where was he, this youth who had struck all the wits of London with admiration? His galloping charger had returned to the City; his splendid court-suit was doffed for the citizen's gabardine and grocer's humble apron.
George de Barnwell was in Chepe—in Chepe, at the feet of Martha Millwood.
VOL III.
THE CONDEMNED CELL.
"Quid me mollibus implicas lacertis, my Elinor? Nay," George added, a faint smile illumining his wan but noble features, "why speak to thee in the accents of the Roman poet, which thou comprehendest not? Bright One, there be other things in Life, in Nature, in this Inscrutable Labyrinth, this Heart on which thou leanest, which are equally unintelligible to thee! Yes, my pretty one, what is the Unintelligible but the Ideal? what is the Ideal but the Beautiful? what the Beautiful but the Eternal? And the Spirit of Man that would commune with these is like Him who wanders by the thina poluphloisboio thalasses, and shrinks awe-struck before that Azure Mystery."
Emily's eyes filled with fresh-gushing dew. "Speak on, speak ever thus, my George," she exclaimed. Barnwell's chains rattled as the confiding girl clung to him. Even Snoggin, the turnkey appointed to sit with the Prisoner, was affected by his noble and appropriate language, and also burst into tears.
"You weep, my Snoggin," the Boy said; "and why? Hath Life been so charming to me that I should wish to retain it? hath Pleasure no after-Weariness? Ambition no Deception; Wealth no Care; and Glory no Mockery? Psha! I am sick of Success, palled of Pleasure, weary of Wine and Wit, and—nay, start not, my Adelaide—and Woman. I fling away all these things as the Toys of Boyhood. Life is the Soul's Nursery. I am a Man, and pine for the Illimitable! Mark you me! Has the Morrow any terrors for me, think ye? Did Socrates falter at his poison? Did Seneca blench in his bath? Did Brutus shirk the sword when his great stake was lost? Did even weak Cleopatra shrink from the Serpent's fatal nip? And why should I? My great Hazard hath been played, and I pay my forfeit. Lie sheathed in my heart, thou flashing Blade! Welcome to my Bosom, thou faithful Serpent; I hug thee, peace-bearing Image of the Eternal! Ha, the hemlock cup! Fill high, boy, for my soul is thirsty for the Infinite! Get ready the bath, friends; prepare me for the feast To-morrow—bathe my limbs in odors, and put ointment in my hair."
"Has for a bath," Snoggin interposed, "they're not to be 'ad in this ward of the prison; but I dussay Hemmy will git you a little hoil for your 'air."
The Prisoned One laughed loud and merrily. "My guardian understands me not, pretty one—and thou? what sayest thou? From those dear lips methinks—plura sunt oscula quam sententiae—I kiss away thy tears, dove!—they will flow apace when I am gone, then they will dry, and presently these fair eyes will shine on another, as they have beamed on poor George Barnwell. Yet wilt thou not all forget him, sweet one. He was an honest fellow, and had a kindly heart for all the world said—"
"That, that he had," cried the gaoler and the girl in voices gurgling with emotion. And you who read! you unconvicted Convict—you murderer, though haply you have slain no one—you Felon in posse if not in esse—deal gently with one who has used the Opportunity that has failed thee—and believe that the Truthful and the Beautiful bloom sometimes in the dock and the convict's tawny Gabardine!
* * *
In the matter for which he suffered, George could never be brought to acknowledge that he was at all in the wrong. "It may be an error of judgment," he said to the Venerable Chaplain of the gaol, "but it is no crime. Were it Crime, I should feel Remorse. Where there is no remorse, Crime cannot exist. I am not sorry: therefore, I am innocent. Is the proposition a fair one?"
The excellent Doctor admitted that it was not to be contested.
"And wherefore, sir, should I have sorrow," the Boy resumed, "for ridding the world of a sordid worm;* of a man whose very soul was dross, and who never had a feeling for the Truthful and the Beautiful? When I stood before my uncle in the moonlight, in the gardens of the ancestral halls of the De Barnwells, I felt that it was the Nemesis come to overthrow him. 'Dog,' I said to the trembling slave, 'tell me where thy Gold is. THOU hast no use for it. I can spend it in relieving the Poverty on which thou tramplest; in aiding Science, which thou knowest not; in uplifting Art, to which thou art blind. Give Gold, and thou art free.' But he spake not, and I slew him."
"I would not have this doctrine vulgarly promulgated," said the admirable chaplain, "for its general practice might chance to do harm. Thou, my son, the Refined, the Gentle, the Loving and Beloved, the Poet and Sage, urged by what I cannot but think a grievous error, hast appeared as Avenger. Think what would be the world's condition, were men without any Yearning after the Ideal to attempt to reorganize Society, to redistribute Property, to avenge Wrong."
"A rabble of pigmies scaling Heaven," said the noble though misguided young Prisoner. "Prometheus was a Giant, and he fell."
"Yes, indeed, my brave youth!" the benevolent Dr. Fuzwig exclaimed, clasping the Prisoner's marble and manacled hand; "and the Tragedy of To-morrow will teach the World that Homicide is not to be permitted even to the most amiable Genius, and that the lover of the Ideal and the Beautiful, as thou art, my son, must respect the Real likewise."
"Look! here is supper!" cried Barnwell gayly.
"This is the Real, Doctor; let us respect it and fall to." He partook of the meal as joyously as if it had been one of his early festals; but the worthy chaplain could scarcely eat it for tears.
* This is a gross plagiarism: the above sentiment is expressed much more eloquently in the ingenious romance of Eugene Aram:—"The burning desires I have known—the resplendent visions I have nursed—the sublime aspirings that have lifted me so often from sense and clay: these tell me, that whether for good or ill, I am the thing of an immortality and the creature of a God. . . . I have destroyed a man noxious to the world! with the wealth by which he afflicted society, I have been the means of blessing many."
CODLINGSBY.
BY D. SHREWSBERRY, ESQ.
I.
"The whole world is bound by one chain. In every city in the globe there is one quarter that certain travellers know and recognize from its likeness to its brother district in all other places where are congregated the habitations of men. In Tehran, or Pekin, or Stamboul, or New York, or Timbuctoo, or London, there is a certain district where a certain man is not a stranger. Where the idols are fed with incense by the streams of Ching-wang-foo; where the minarets soar sparkling above the cypresses, their reflections quivering in the lucid waters of the Golden Horn; where the yellow Tiber flows under broken bridges and over imperial glories; where the huts are squatted by the Niger, under the palm-trees; where the Northern Babel lies, with its warehouses, and its bridges, its graceful factory-chimneys, and its clumsy fanes—hidden in fog and smoke by the dirtiest river in the world—in all the cities of mankind there is One Home whither men of one family may resort. Over the entire world spreads a vast brotherhood, suffering, silent, scattered, sympathizing, WAITING—an immense Free-Masonry. Once this world-spread band was an Arabian clan—a little nation alone and outlying amongst the mighty monarchies of ancient time, the Megatheria of history. The sails of their rare ships might be seen in the Egyptian waters; the camels of their caravans might thread the sands of Baalbec, or wind through the date-groves of Damascus; their flag was raised, not ingloriously, in many wars, against mighty odds; but 'twas a small people, and on one dark night the Lion of Judah went down before Vespasian's Eagles, and in flame, and death, and struggle, Jerusalem agonized and died. . . . Yes, the Jewish city is lost to Jewish men; but have they not taken the world in exchange?"
Mused thus Godfrey de Bouillon, Marquis of Codlingsby, as he debouched from Wych Street into the Strand. He had been to take a box for Armida at Madame Vestris's theatre. That little Armida was folle of Madame Vestris's theatre; and her little brougham, and her little self, and her enormous eyes, and her prodigious opera-glass, and her miraculous bouquet, which cost Lord Codlingsby twenty guineas every evening at Nathan's in Covent Garden (the children of the gardeners of Sharon have still no rival for flowers), might be seen, three nights in the week at least, in the narrow, charming, comfortable little theatre. Godfrey had the box. He was strolling, listlessly, eastward; and the above thoughts passed through the young noble's mind as he came in sight of Holywell Street.
The occupants of the London Ghetto sat at their porches basking in the evening sunshine. Children were playing on the steps. Fathers were smoking at the lintel. Smiling faces looked out from the various and darkling draperies with which the warehouses were hung. Ringlets glossy, and curly, and jetty—eyes black as night—midsummer night—when it lightens; haughty noses bending like beaks of eagles—eager quivering nostrils—lips curved like the bow of Love—every man or maiden, every babe or matron in that English Jewry bore in his countenance one or more of these characteristics of his peerless Arab race.
"How beautiful they are!" mused Codlingsby, as he surveyed these placid groups calmly taking their pleasure in the sunset.
"D'you vant to look at a nishe coat?" a voice said, which made him start; and then some one behind him began handling a masterpiece of Stultz's with a familiarity which would have made the baron tremble.
"Rafael Mendoza!" exclaimed Godfrey.
"The same, Lord Codlingsby," the individual so apostrophized replied. "I told you we should meet again where you would little expect me. Will it please you to enter? this is Friday, and we close at sunset. It rejoices my heart to welcome you home." So saying Rafael laid his hand on his breast, and bowed, an oriental reverence. All traces of the accent with which he first addressed Lord Codlingsby had vanished: it was disguise; half the Hebrew's life is a disguise. He shields himself in craft, since the Norman boors persecuted him.
They passed under an awning of old clothes, tawdry fripperies, greasy spangles, and battered masks, into a shop as black and hideous as the entrance was foul. "THIS your home, Rafael?" said Lord Codlingsby.
"Why not?" Rafael answered. "I am tired of Schloss Schinkenstein; the Rhine bores me after a while. It is too hot for Florence; besides they have not completed the picture-gallery, and my place smells of putty. You wouldn't have a man, mon cher, bury himself in his chateau in Normandy, out of the hunting season? The Rugantino Palace stupefies me. Those Titians are so gloomy, I shall have my Hobbimas and Tenierses, I think, from my house at the Hague hung over them."
"How many castles, palaces, houses, warehouses, shops, have you, Rafael?" Lord Codlingsby asked, laughing.
"This is one," Rafael answered. "Come in."
II.
The noise in the old town was terrific; Great Tom was booming sullenly over the uproar; the bell of Saint Mary's was clanging with alarm; St. Giles's tocsin chimed furiously; howls, curses, flights of brickbats, stones shivering windows, groans of wounded men, cries of frightened females, cheers of either contending party as it charged the enemy from Carfax to Trumpington Street, proclaimed that the battle was at its height.
In Berlin they would have said it was a revolution, and the cuirassiers would have been charging, sabre in hand, amidst that infuriate mob. In France they would have brought down artillery, and played on it with twenty-four pounders. In Cambridge nobody heeded the disturbance—it was a Town and Gown row.
The row arose at a boat-race. The Town boat (manned by eight stout Bargees, with the redoubted Rullock for stroke) had bumped the Brazenose light oar, usually at the head of the river. High words arose regarding the dispute. After returning from Granchester, when the boats pulled back to Christchurch meadows, the disturbance between the Townsmen and the University youths—their invariable opponents—grew louder and more violent, until it broke out in open battle. Sparring and skirmishing took place along the pleasant fields that lead from the University gate down to the broad and shining waters of the Cam, and under the walls of Balliol and Sidney Sussex. The Duke of Bellamont (then a dashing young sizar at Exeter) had a couple of rounds with Billy Butt, the bow-oar of the Bargee boat. Vavasour of Brazenose was engaged with a powerful butcher, a well-known champion of the Town party, when, the great University bells ringing to dinner, truce was called between the combatants, and they retired to their several colleges for refection.
During the boat-race, a gentleman pulling in a canoe, and smoking a narghilly, had attracted no ordinary attention. He rowed about a hundred yards ahead of the boats in the race, so that he could have a good view of that curious pastime. If the eight-oars neared him, with a few rapid strokes of his flashing paddles his boat shot a furlong ahead; then he would wait, surveying the race, and sending up volumes of odor from his cool narghilly.
"Who is he?" asked the crowds who panted along the shore, encouraging, according to Cambridge wont, the efforts of the oarsmen in the race. Town and Gown alike asked who it was, who, with an ease so provoking, in a barque so singular, with a form seemingly so slight, but a skill so prodigious, beat their best men. No answer could be given to the query, save that a gentleman in a dark travelling-chariot, preceded by six fourgons and a courier, had arrived the day before at the "Hoop Inn," opposite Brazenose, and that the stranger of the canoe seemed to be the individual in question.
No wonder the boat, that all admired so, could compete with any that ever was wrou
ght by Cambridge artificer or Putney workman. That boat—slim, shining, and shooting through the water like a pike after a small fish—was a caique from Tophana; it had distanced the Sultan's oarsmen and the best crews of the Capitan Pasha in the Bosphorus; it was the workmanship of Togrul-Beg, Caikjee Bashee of his Highness. The Bashee had refused fifty thousand tomauns from Count Boutenieff, the Russian Ambassador, for that little marvel. When his head was taken off, the Father of Believers presented the boat to Rafael Mendoza.
It was Rafael Mendoza that saved the Turkish monarchy after the battle of Nezeeb. By sending three millions of piastres to the Seraskier; by bribing Colonel de St. Cornichon, the French envoy in the camp of the victorious Ibrahim, the march of the Egyptian army was stopped—the menaced empire of the Ottomans was saved from ruin; the Marchioness of Stokepogis, our ambassador's lady, appeared in a suite of diamonds which outblazed even the Romanoff jewels, and Rafael Mendoza obtained the little caique. He never travelled without it. It was scarcely heavier than an arm-chair. Baroni, the courier, had carried it down to the Cam that morning, and Rafael had seen the singular sport which we have mentioned.
The dinner over, the young men rushed from their colleges, flushed, full-fed, and eager for battle. If the Gown was angry, the Town, too, was on the alert. From Iffly and Barnwell, from factory and mill, from wharf and warehouse, the Town poured out to meet the enemy, and their battle was soon general. From the Addenbrook's hospital to the Blenheim turnpike, all Cambridge was in an uproar—the college gates closed—the shops barricaded—the shop-boys away in support of their brother townsmen—the battle raged, and the Gown had the worst of the fight.
A luncheon of many courses had been provided for Rafael Mendoza at his inn; but he smiled at the clumsy efforts of the university cooks to entertain him, and a couple of dates and a glass of water formed his meal. In vain the discomfited landlord pressed him to partake of the slighted banquet. "A breakfast! psha!" said he. "My good man, I have nineteen cooks, at salaries rising from four hundred a year. I can have a dinner at any hour; but a Town and Gown row" (a brickbat here flying through the window crashed the caraffe of water in Mendoza's hand)—"a Town and Gown row is a novelty to me. The Town has the best of it, clearly, though: the men outnumber the lads. Ha, a good blow! How that tall townsman went down before yonder slim young fellow in the scarlet trencher cap."