The grouse breasts were tender white meat and they tasted faintly of pine nuts. Joe ate one grouse with his hands and split the remaining down the middle, giving half to Stewie. In the firelight, Joe could see Stewie's lips, fingers, and chin shine with grease. Joe sat back and finished off a drumstick.
"This," Stewie declared loudly each word rising in volume, "is the best fucking meal I've ever had!"
Joe Pickett and Stewie Woods sat across from each other on the damp earth, the fire between them, and grinned goofily at each other like schoolboys who had just pulled off the greatest practical joke in the history of fifth grade.
Joe looked at his watch. It was three-thirty in the morning.
"Let's go," Joe said, scrambling to his feet. "We can't afford any more breaks."
"Even if we find more of those birds?" Stewie asked.
***
IF I HAD KNOWN THEN what I know now, I never would have structured One Globe the way I did," Stewie was saying. "I formed the organization the traditional way, with me as the president and a board of directors, with bylaws, newsletters, the whole works. I was told I needed to do it that way for effective fund-raising, and we did raise some good money But I fucked up when I let the board talk me into moving our headquarters to Washington, D.C. I was best at monkey wrenching and public relations, as we all know. But the fund raisers started taking over. That was the beginning of the end for me and they booted me out.
"One thing that discourages me about One Globe and most of the other environmental groups is that we need crises to raise funds. There've always got to be new demons and new bad guys in order to raise awareness. That means we can never be happy Even when we win, which is often, we're never really happy about it. I'm inherently a happy guy so this started to be a drag.
"And when we do win, we're out of business. Headlines are only headlines for a day, and then they're old news. So we constantly need new headlines. That gets pretty old, and it's hard not to get cynical when we start thinking of our cause as a fund-raising business.
"If I had it to do over again, and I still might, I'd organize differently I'd do it like the Earth Liberation Front and the Animal Liberation Front, with no centralized hierarchy They can operate cheaply without all the fund-raising crap. They're effective, too. Where do you think the Unabomber, Ted Kaczynski, got his Eco-Fucker Hit List? The future of our movement is in small, mobile, hard-to-find groups like Minnesota's Bolt Weevils, Hawaii's Menehune, Wisconsin's Seeds of Resistance, or Genetix Alert. If we were set up that way it would be harder for a group of bastards like the Stockman's Trust to find us."
"What do you think about that, Joe?" Stewie asked.
"About what?" Joe answered, although he had heard every word. Deep into the night, Stewie declared that much of his life had been wasted. He turned morose, blaming his own egomania for the death of his wife of three days, Britney, and the others.
"When I was crawling across these mountains I had a thought that haunts me still," Stewie said, his voice dropping to a whisper. "I wondered if I would have done more good if I had spent all my time and energy raising money to buy land, then planting trees on it, and turning the whole shiteree over to the Nature Conservancy or some other white bread outfit At least then I'd have something to show for my life. What I've got now, is this .. ." He gestured toward the sky and the treetops, but what he meant was nothing. "That thought just won't go away" He told Joe that his new mission in life, though, was to be an avenger. An ugly avenger.
"It's a bummer looking like a monster." Stewie lamented.
***
IT WAS an hour before dawn, the coldest time of the day The ground was spongy from the ram and the long grass was bent double as raindrops still clung to the blade tips. Mist began to rise from the meadows. Joe pushed through a thick stand of aspen and emerged in an opening. He stopped suddenly and Stewie walked into him.
"Sorry," Stewie apologized. "Do you see it?" Joe asked, his attention focused on the sight before them. Fifteen miles away on the dark flats below, a tiny yellow light crossed slowly from right to left. "It's the high way," Joe said.
36
THE IRRIGATED HAYEIELD had recently undergone its first cutting of the season and it still smelled sharply of alfalfa. Mist rose from the still wet ground and blunted the outline of the cottonwood trees in the dawn horizon. Joe and Stewie slogged through the wet field, their boots making slurping sounds in the mud.
Joe felt giddy with happiness. The barbed-wire fence they had crossed a half hour before was one of the most beautiful things he had ever seen. Stewie had reluctantly agreed. Struggling across the cut, flat hay field seemed easy compared to the rugged country they had been through. Cottonwoods were a welcome sight, because cottonwoods grew where there was water. Therefore ranch houses and buildings were more likely located near groves of cottonwood. In the rural west of the Northern Rockies, cottonwood trees meant that people would be somewhere nearby Stewie picked up a crumpled Coors beer can in the stubby grass and held it aloft.
"This," he declared, "is a sure sign of civilization."
Joe marveled at Stewie's strength, and wondered how it was possible that Stewie seemed stronger now than when they had begun their trek. Stewie also seemed strangely wistful, and content. He was no longer thundering on about environmental politics or revenge. Stewie Woods was certainly a puzzle, Joe thought.
They crossed another barbed-wire fence and entered a herd of black baldy cattle. The cows shuffled, then mindlessly parted so Joe and Stewie could walk through the herd. Joe noticed the brand on the cows--it was the Vee Bar U. "Damn!" Joe spat. "Of all of the places to end up. This is Jim Finotta's ranch."
"Jim Finotta?"
"Long story" Joe said.
***
AS THEY APPROACHED the thick cottonwoods in the mist, the sharp angles of the gabled roof of the magnificent stone ranch house emerged, as well as the sprawling outbuildings. Between where they were in the mud and the ranch buildings were a series of corrals filled with milling cattle, separated by age and weight. They heard heifers bawling, splitting the silence of the early morning. They climbed over several wood-slat fences, which reminded Joe of how sore and bruised he was. The cattle let them pass. The smell of fresh manure was ripe in the air and hung low in the mist.
After the last fence, Joe walked across the gravel ranch yard toward Finotta's house. He skirted a massive steel barn building on his left. As they passed the windows of the building, Joe glanced in and saw a parked vehicle. He had already taken several steps past the window before what he had seen connected: it was a new model black Ford pickup.
Joe grabbed Stewie, pulling him against the building and out of sight of the ranch house. Silently, Joe pointed at the pickup through the window.
"That looks like the pickup Charlie Tibbs was driving," he whispered. Stewie's eyes widened and he mouthed the words, "Holy fuck!"
They backtracked along the building, going from door to door, finding each one locked. Around the corner was the big garage door. A set of muddy tire tracks crossed the cement threshold pad into the building. Joe leaned against the garage door and tried it. It raised a few inches.
"It's unlocked," Joe whispered to Stewie.
Stewie arched his eyebrows in a let's see what's inside expression.
Joe paused, and looked back at Stewie, who was inches away
"I don't know what to do now," Joe confessed.
"You mean, do we go in?"
Joe nodded yes.
"Or do we leave things be and go to the ranch house and ask to use the phone?"
Joe nodded again. This didn't make sense to him. Could this possibly be Charlie Tibbs's pickup truck?
He decided that he had to find out. Opening the door slowly to make the least possible noise, Joe raised it two feet. If Charlie Tibbs was in the truck or somewhere in the garage, Joe didn't want to startle him. He dropped to his belly and crawled inside the garage and Stewie followed.
Inside, the floor was cold, polish
ed concrete. The room was large. They shut the garage door and stood up. A muddy tractor and the four-wheeler Joe had seen Finotta's ranch hand, Buster, drive were parked under a high ceiling. There was enough room in the building for several more vehicles. The corners of the big room were dark, and the only light came from three small, dirty windows along the outer wall. The black Ford was parked and partially hidden behind the tractor, its muddy tracks still moist on the floor. There was a dull glow in the dark coming from where the black Ford was.
Stewie tapped Joe's shoulder, and Joe turned. Stewie had located a light switch. Joe withdrew his revolver and nodded to Stewie, who flipped on the overhead lights.
To their left, along the wall, was ranch equipment: welding machines, drill presses, benches scattered with hand tools, rolls of fencing, and stacks of posts. There was also a set of wooden steps that led to a second level in the building and a closed door.
They approached the pickup from the back. It no longer had a horse trailer attached. A large metal toolbox was in the bed of the pickup. Joe noticed the mounts inside the bed for a telescope--or a mounted sniper's rifle. It was parked at an awkward angle and the front door was open, the dome light on. That was what had made the glow.
Inside the cab there was blood on the floor and seat, and spatters of it leading from the open pickup door toward the wooden stairs.
"He's hurt," Stewie said, amazed. "Maybe you hit him after all. Damn!"
Joe was astounded, both sickened and a little proud. While Joe inspected the inside of the cab, Stewie rooted through the toolbox in the back.
"Son of a bitch!" Stewie whispered. "Look at this."
Stewie held a brick-sized package of C4 explosive in one hand and a blue nylon harness in the other. "These are the tools you need to blow up a cow by remote control." Stewie whistled. "Isn't this just a hoot?"
"Do you see a phone anywhere?" Joe asked.
"Nope," Stewie answered, pointing toward the stairs and the closed door. "But if there is one, I bet it's up there. That looks like where the ranch hands live and where our friend Charlie Tibbs went.
"So the question is," Stewie continued, "Do we follow the blood or get the hell out of here?"
Joe paused a beat. He thought of Lizzie and all that he and Stewie had been through. "Follow the blood. That son-of-a-bitch is hurt."
"What if there are more bad guys up there?" Stewie asked.
Joe shook his head. "Finotta only has one ranch hand that I know of."
Stewie grinned maniacally.
***
JOE CREPT UP the wooden stairs--they were handmade of rough-cut two-by-fours but slick on the surface from years of use--as quietly as he could. Stewie was behind him. Joe's eyes were wide and his breath was shallow; he was scared of what might await him on the other side of the door. On the landing he paused with his rope-burned hand on the doorknob. It did not open quietly but with a moan, and he pushed the door open and dropped into a shooter's stance with his revolver pointed ahead of him. A dark hallway led to the right. Nothing moved,
Removing his hat, Joe cautiously peered around the doorway There were four other closed doors along the hallway two on each side. At the end of the hallway there was an L of gray light from a door that was slightly ajar. Staying low and trying to be ready to react if a door opened, Joe moved down the hallway toward the L of light. Stewie stayed back at the landing.
Joe stood with his back to the slightly open door, then swung around, kicking it open and stepping inside. There was a surge of red hot panic in his throat when he realized that the man he had seen damaging the Mercedes near the mountain road--Charlie Tibbs--was splayed out on an old brass bed just a few feet away
Charlie Tibbs lay on his back, fully clothed, on top of a faded, worn quilt. He had not removed his boots; Joe could see their muddy soles cocked in a V before him. Charlie's head, still wearing his Stetson, was turned to the side on a pillow, and his face was the color of mottled cream. His mouth was slightly open, and Joe could see the tip of Tibbs's dry, maroon tongue. His brilliant blue eyes, once piercing, were open, but filmed over and dull. Above the breast pocket of Tibbs's shirt was a pronounced dent and in the middle of the dent was a black hole.
A spider's web of blood had soaked through the fabric of his shirt and dried.
With his heart thumping, Joe cautiously lowered his weapon and stood next to Charlie Tibbs. Tibbs was a big man constructed of hard edges and sharp angles. Both of Tibbs's large hands were open beside his thighs, palms up. Joe held the back of his hand to Tibbs's mouth and nose: no breath. He touched his fingertips to Tibbs's neck: it was clammy, but not yet cold or stiff Charlie Tibbs had died within the hour.
Joe reached down and turned Tibbs over slightly The quilt beneath him was soaked through with dark blood from his back, where the bullet had exited. The exit wound was ragged and massive. The smell of blood in the room was overwhelming, and it reminded Joe of the stench of the badly hit or badly dressed big game carcasses he saw during hunting season. Joe thought it astounding that Tibbs had been able to ride back to his truck, unhitch the horse trailer, and drive all the way to the Finotta ranch to die.
What a lucky shot, joe thought.
"You shot my horse, you son-of-a-bitch," Joe whispered. "If you ever see her where you both are now, I hope she kicks the hell out of you." Then to Stewie out in the hallway: "He's here and he's dead!"
"Charlie Tibbs?"
"The same," Joe said, sliding his revolver into his holster. Suddenly, Joe felt very weak and sick to his stomach. He stared at Tibbs's face, trying to find something in it that indicated thoughtfulness, or gentleness, or humility Something redeeming. But Joe could only see a face set by years of bitter resolve.
"Okay" Stewie said from the doorway after studying the scene, "Charlie Tibbs is dead. But why is he here?"
Joe looked up. He had no idea, although one was forming.
***
JOE REMEMBERED PASSING under a telephone in the dark hallway It was an old-fashioned, wall-mounted rotary-dial telephone, probably installed there years before, for the use of ranch hands, who were no longer needed on Finotta's hobby ranch.
As he and Stewie had descended the mountain, Joe had practiced over and over the first words he would say to Marybeth. He would tell her how much he loved her, how much he missed her, how much he loved their girls. How he would never again approach a suspect's location without proper backup. Joe didn't even care if Stewie was standing next to him to overhear; his emotions were heartfelt and boiling within him.
He picked up the receiver and was about to dial when he realized there were voices on the line. It was a party line, presumably connected to the ranch house.
"Who is that?" someone asked. "Did somebody just pick up a phone?"
"I didn't hear it," another voice said.
"I heard a click," another, deeper voice intoned.
"Don't worry, gentlemen." Joe recognized this voice as belonging to Jim Finotta. It was louder and more clear than the others, due to Finotta's proximity "I'm the only one here, so it's not on my end.
These lines are old."
No doubt Finotta had long forgotten about the unused phone in the outbuilding. Stewie was now leaning against Joe, his face in Joe's face so they could both hear. Joe cupped his hand over the mouthpiece and listened. It was a conference call and there were at least six men on the line. There was a meeting going on, and Jim Finotta seemed to be presiding. One of the voices called Finotta "chairman."
"You know what this is?" Stewie hissed, his eyes bulging, "You know what this is?"
Joe shot Stewie a cautionary glance and gripped the mouthpiece harder so they wouldn't be heard.
"This," Stewie said through clenched teeth, "is an emergency meeting of the Stockman's Trust!"
THE DISCUSSION WAS rushed at times, and participants talked over one another. The only voice Joe could clearly discern was Jim Finotta's, who was five hundred feet away in the ranch house.
What Joe heard was f
ascinating, disturbing, and disgusting. He wished he had his small pocket tape recorder with him so he could tape the conversation and use it later as evidence at the murder trial.
Finotta: "He's dead in my bunkhouse right now I don't know what in the hell to do with him. Does anyone want him?"
Laughter
Gruff voice: "What happened to John Coble? Did he say?"
Finotta: "He said Coble turned tail and tried to inform Stewie Woods. Charlie caught him at the cabin and put him down. Coble's remains burned up in the cabin when Charlie torched it."
Gruff voice: "Thank God for that."
Fast voice: "I'm surprised at Coble. I thought he was more solid than that."
Finotta: "You just never know what a guy is going to do under pressure. But we have another matter at hand."
Texas twang: "Soooo, you have a body and you don't know what to do with it. Do you have any hogs, Jim? They'll eat just about anything."
Finotta: "No, this is a cattle ranch."
New voice: "Jim, you've got to come clean with us about this game warden deal. It really disturbs me that a game warden somehow got involved. He had absolutely nothing to do with our effort."
Gruff voice: "I sure as hell agree with that."
Finotta: "Charlie Tibbs said the game warden was at the cabin when he got there. He called me about it and explained the situation, and I told him to proceed. It was just a bad coincidence that the game warden was in the middle of everything when Charlie took action. Besides, I knew the guy He's the local game warden. Name is Pickett, Joe Pickett. He's been a pain in my side recently"
Silence.
New voice: "I still think Charlie went way over the line. You should have let us know about this, Jim."
Gruff voice: "Before now, we mean. Now it's too late."
New voice: "That's why we have an executive board--to agree on these things. No one has the authority to just willy-nilly decide who lives and who dies. Not even you. That's why we made that list in the first place--to clearly define all of the targets."