‘I do hope the Morelands enjoyed themselves,’ said Mrs Foxe. ‘It was so sad Matilda should have had a headache and had to go home. I am sure she was right to slip away. She is such a wonderful wife for someone like him. As soon as he heard she had gone, he said he must go too. Such a strain for a musician to have a new work performed. Like a first night – and Norman tells me first nights are agony.’
Mrs Foxe spoke the last word with all the feeling Chandler had put into it when he told her that. Robert joined us in taking leave.
‘It was rather sweet of Charles to look in, wasn’t it?’ said Mrs Foxe. ‘I would have asked him, of course, if I hadn’t known parties were bad for him. I saw you talking to him. How did you think he was?’
‘I hadn’t seen him for ages. He seemed just the same. We had a long talk.’
‘And you were glad to see him again?’
‘Yes, of course.’
‘I think he was right to go back with Tuffy. He can be rather difficult sometimes, you know.’
‘Well, yes.’
‘I do hope everyone enjoyed themselves,’ said Mrs Foxe. ‘There was a Mr Maclintick who had had rather a lot to drink by the time he left. I think he is a music critic. He was so sweet when he came to say goodbye to me. He said: “Thank you very much for asking me, Mrs Foxe. I don’t like grand parties like this one and I am not coming to another, but I appreciate your kindness in supporting Moreland as a composer.” I said I so much agreed with him about grand parties – which I simply hate – but I couldn’t imagine why he should think this was one. All the same, I said, I should arrange it quite differently if I ever gave another, and I hoped he would change his mind and come. “Well, I shan’t come,” he said. I told him I knew he would because I should ask him so nicely. He said: “I suppose you are right, and I shall.” Then he slipped down two or three steps. I do hope he gets home all right. Such a relief when people speak their minds.’
‘What’s happened to Priscilla?’ Isobel asked Robert.
‘Somebody gave her a lift.’
At that moment Lord Huntercombe broke in between us. Carrying a piece of china in his hand, he was delighted by some discovery he had just made. Mrs Foxe turned towards him.
‘Amy,’ he said, ‘are you aware that this quatrefoil cup is a forgery?’
4
IF SO TORTUOUS a comparison of mediocre talent could ever be resolved, St John Clarke was probably to be judged a ‘better’ writer than Isbister was painter. However, when St John Clarke died in the early spring, he was less well served than his contemporary in respect of obituaries. Only a few years before, Isbister had managed to capture, perhaps helped finally to expend, what was left of an older, more sententious tradition of newspaper panegyric. There were more reasons for this than the inevitably changing taste in mediocrity. The world was moving into a harassed era. At the time of St John Clarke’s last illness, the National Socialist Party of Danzig was in the headlines; foreign news more and more often causing domestic events to be passed over almost unnoticed. St John Clarke was one of these casualties. If Mark Members was to be believed, St John Clarke himself would have seen this unfair distribution of success, even posthumous success, as something in the nature of things. In what Members called ‘one of St J.’s breakfast table agonies of self-pity’, the novelist had quite openly expressed the mortification he felt in contrasting his old friend’s lot with his own.
‘Isbister was beloved of the gods, Mark,’ he had cried aloud, looking up with a haggard face from The Times of New Year’s Day and its list of awards, ‘R.A. before he was forty-five – Gold Medallist of the Paris Salon – Diploma of Honour at the International Exhibition at Amsterdam – Commander of the Papal Order of Pius IX – refused a knighthood. Think of it, Mark, a man the King would have delighted to honour. What recognition have I had compared with these?’
‘Why did Isbister refuse a knighthood?’ Members had asked.
‘To spite his wife.’
‘That was it, was it?’
‘Those photographs the Press resurrected of Morwenna standing beside him looking out to sea,’ said St John Clarke, ‘they were antediluvian – diluvian possibly. It was the Flood they were looking at, I expect. They’d been living apart for years when he died. Of course Isbister himself said he had decided worldly honours were unbefitting an artist. That didn’t prevent him from telling everyone of the offer. Absolutely everyone. He had it both ways.’
In those days Members was still anxious to soothe his employer.
‘Well, you’ve had a lot of enjoyable parties and country house visits to look back on, St J.,’ he said. ‘Rather a different life from Isbister’s, but a richer one in my eyes.’
‘One week-end at Dogdene twenty years ago,’ St John Clarke had answered bitterly. ‘Forced to play croquet with Lord Lonsdale … Two dinners at the Huntercombes’, both times asked the same night as Sir Horrocks Rusby …’
This was certainly inadequate assessment of St John Clarke’s social triumphs, which, for a man of letters, had been less fruitless than at that moment his despair presented them. Members, knowing what was expected of him, brushed away with a smile such melancholy reminiscences.
‘But it will come …’ he said.
‘It will come, Mark. As I sit here, the Nobel Prize will come.’
‘Alas,’ said Members, concluding the story, ‘it never does.’
As things fell out, the two most alert articles to deal with St John Clarke were written, ironically enough, by Members and Quiggin respectively, both of whom spared a few crumbs of praise for their former master, treating him at no great length as a ‘personality’ rather than a writer: Members, in the weekly of which he was assistant literary editor, referring to ‘an ephemeral, if almost painfully sincere, digression into what was for him the wonderland of jauviste painting’; Quiggin, in a similar, rather less eminent publication to which he contributed when hard up, guardedly emphasising the deceased’s ‘underlying, even when patently bewildered, sympathy with the Workers’ Cause’. No other journal took sufficient interest in the later stages of St John Clarke’s career to keep up to date about these conflicting aspects of his final decade. They spoke only of his deep love for the Peter Pan statue in Kensington Gardens and his contributions to Queen Mary’s Gift Book. Appraisal of his work unhesitatingly placed Fields of Amaranth as the peak of his achievement, with E’en the Longest River or The Heart is Highland – opinion varied – as a poor second. The Times Literary Supplement found ‘the romances of Renaissance Italy and the French Revolution smacked of Wardour Street, the scenes from fashionable life in the other novels tempered with artificiality, the delineations of poverty less realistic than Gissing’s’.
I was surprised by an odd feeling of regret that St John Clarke was gone. Even if an indifferent writer, his removal from the literary scene was like the final crumbling of a well-known landmark; unpleasing perhaps, at the same time possessed of a deserved renown for having withstood demolition for so long. The anecdotes Members and Quiggin put round about him had given St John Clarke a certain solidity in my mind; more, in a way, than his own momentary emergence at Lady Warminster’s. This glimpse of him, then total physical removal, brought home, too, the blunt postscript of death. St John Clarke had merely looked ill at Hyde Park Gardens; now, like John Peel, he had gone far, far away, with his pen and his press-cuttings in the morning; become one of those names to which the date of birth and death may be added in parentheses, as their owners speed to oblivion from out of reference books and ‘literary pages’ of the newspapers.
As an indirect result of Mrs Foxe’s party, relations with the Morelands were complicated by uncertainty and a little embarrassment. No one really knew what was happening between Moreland and Priscilla. They were never seen together, but it was very generally supposed some sort of a love affair was in progress between them. Rather more than usual Priscilla conveyed the impression that she did not want to be bothered with her relations; while an air of discomfor
t, faint but decided, pervaded the Moreland flat, indicating something was amiss there. Moreland himself had plunged into a flood of work. He took the line now that his symphony had fallen flat – to some extent, he said, deservedly – and he must repair the situation by producing something better. For the first time since the early days when I had known him, he seemed interested only in professionally musical affairs. We heard at second-hand that Matilda was to be tried out for the part of Zenocrate in Marlowe’s Tamburlaine. This was confirmed by Moreland himself when I met him by chance somewhere. The extent of the gossip about Moreland and Priscilla was revealed to me one day by running into Chips Lovell travelling by Underground. Lovell had by now achieved his former ambition of getting a job on a newspaper, where he helped to write the gossip column, one of a relatively respectable order. He was in the best of form, dressed with the greatest care, retaining that boyish, innocent look that made him in different ways a success with both sexes.
‘How is Priscilla?’ he asked.
‘All right, so far as I know.’
‘I heard something about her and Hugh Moreland.’
‘What sort of thing?’
‘That they were having a walk-out together.’
‘Who said so?’
‘I can’t remember.’
‘I didn’t know you knew Moreland.’
‘I don’t. Only by name.’
‘It doesn’t sound very probable, does it?’
‘I have no idea. People do these things.’
Although I liked Lovell, I saw no reason to offer help so far as his investigation of the situation of Moreland and Priscilla. As a matter of fact I had not much help to offer. In any case, Lovell, inhabiting by vocation a world of garbled rumour, was to be treated with discretion where the passing of information was concerned. I was surprised at the outspokenness with which he had mentioned the matter. His enquiry seemed stimulated by personal interest, rather than love of gossip for its own sake. I supposed he still felt faint dissatisfaction at having failed to make the mark to which he felt his good looks entitled him.
‘I always liked Priscilla,’ he said, using a rather consciously abstracted manner. ‘I must see her again one of these days.’
‘What has been happening to you, Chips?’
‘Do you remember that fellow Widmerpool you used to tell me about when we were at the film studio? His name always stuck in my mind because he managed to stay at Dogdene. I took my hat off to him for getting there. Uncle Geoffrey is by no means keen on handing out invitations. You told me there was some talk of Widmerpool marrying somebody. A Vowchurch, was it? Anyway, I ran into Widmerpool the other day and he talked about you.’
‘What did he say?’
‘Just mentioned that he knew you. Said it was sensible of you to get married. Thought it a pity you couldn’t find a regular job.’
‘But I’ve got a regular job.’
‘Not in his eyes, you haven’t. He said he feared you were a bit of a drifter with the stream.’
‘How was he otherwise?’
‘I never saw a man so put out by the Abdication,’ said Lovell. ‘It might have been Widmerpool himself who’d had to abdicate. My goodness, he had taken it to heart.’
‘What specially upset him?’
‘So far as I could gather, he had cast himself for a brilliant social career if things had worked out differently.’
‘The Beau Brummell of the new reign?’
‘Not far short of that.’
‘Where did you run across him?’
‘Widmerpool came to see me in my office. He wanted me to slip in a paragraph about certain semi-business activities of his. One of those quiet little puffs, you know, which don’t cost the advertising department anything, but warm the heart of the sales manager.’
‘Did you oblige?’
‘Not me,’ said Lovell.
By no means without a healthy touch of malice, Lovell had also a fine appreciation of the power-wielding side of his job.
‘I hear your brother-in-law, Erry Warminster, is on his way home from Spain,’ he said.
‘First I’ve heard of it.’
‘Erry’s own family are always the last to hear about his goings-on.’
‘What’s your source?’
‘The office, as usual.’
‘Is he bored with the Spanish war?’
‘He is ill – also had some sort of row with his own side.’
‘What is wrong with him?’
‘Touch of dysentery, someone said.’
‘Serious?’
‘I don’t think so.’
We parted company after arranging that Lovell should come and have a drink with us at the flat in the near future. The following day, I met Quiggin in Members’s office. He was in a sulky mood. I told him I had enjoyed his piece about St John Clarke. Praise was usually as acceptable to Quiggin as to most people. That day the remark seemed to increase his ill humour. However, he confirmed the news about Erridge.
‘Yes, yes,’ he said impatiently. ‘Of course it is true that Alfred is coming back. Don’t his family take any interest in him? They might at least have discovered that.’
‘Is he bad?’
‘It is a disagreeable complaint to have.’
‘But a whole skin otherwise. That is always something if there is a war on.’
‘Alfred is too simple a man to embroil himself in practical affairs like fighting an ideological war,’ said Quiggin severely. ‘A typical aristocratic idealist, I’m afraid. Perhaps it is just as well his health has broken down. He has never been strong, of course. He is the first to admit it. In fact he is too fond of talking about his health. As I have said before, Alf is rather like Prince Myshkin in The Idiot.’
I was surprised at Quiggin’s attitude towards Erridge’s illness. I tried to work out who Quiggin himself would be in Dostoevsky’s novel if Erridge was Prince Myshkin and Mona – presumably – Nastasya Filippovna. It was all too complicated. I could not remember the story with sufficient clarity. Quiggin spoke again.
‘I have been hearing something of Alf’s difficulties from one of our own agents just back from Barcelona,’ he said. ‘Alf seems to have shown a good deal of political obtuseness – perhaps I should say childlike innocence. He appears to have treated POUM, FAI, CNT, and UGT, as if they were all the same left-wing extension of the Labour Party. I was not surprised to hear that he was going to be arrested at the time he decided to leave Spain. If you can’t tell the difference between a Trotskyite-Communist, an Anarcho-Syndicalist, and a properly paid-up Party Member, you had better keep away from the barricades.’
‘You had, indeed.’
‘It is not fair on the workers.’
‘Certainly not.’
‘Alfred’s place was to organise in England.’
‘Why doesn’t he go back to his idea of starting a magazine?’
‘I don’t know,’ said Quiggin, in a voice that closed the subject.
Erridge was in Quiggin’s bad books; a friend who had disappointed Quiggin to a degree impossible to conceal; a man who had failed to rise to an historic occasion. I supposed that Quiggin regarded Erridge’s imminent return, however involuntary, from the Spanish war in the light of a betrayal. This seemed unreasonable on Quiggin’s part, since Erridge’s breakdown in health was, after all, occasioned by an attempt to further the cause Quiggin himself had so energetically propagated by word of mouth. Even if Erridge had not fought in the field (where Howard Cragg’s nephew had already been killed), he had taken other risks in putting his principles into practice. If it was true that he was marked down for arrest, he might have been executed behind the lines. Quiggin had staked less on his enthusiasms. However, as things turned out there was probably a different reason that afternoon for Quiggin’s displeasure on Erridge’s account.
Erridge himself arrived in London a day or two later. He was not at all well, and went straight into a nursing home; the nursing home, as it happened, in the passages of which I had
encountered Moreland, Brandreth, and Widmerpool. This accommodation was found for her brother by Frederica, ideologically perhaps the furthest removed from Erridge, in certain other respects the closest of the Tollands to him, both from nearness in age and a shared rigidity of individual opinion. The two of them might disagree; they understood each other’s obstinacies. When Erridge had settled down at the nursing home, his brothers and sisters visited him there. They were given a lukewarm welcome. Erridge was one of those egotists unable effectively to organise to good effect his own egotism, to make a public profit out of it. He had no doubt enjoyed unusual experiences. These he was unable, or unwilling, to share with others. Isobel brought back a description of a ragged beard protruding over the edge of sheets entirely covered by what appeared to be a patchwork quilt of Boggis & Stone publications dealing with different aspects of the Spanish predicament. Norah, who shared to some extent Erridge’s political standpoint, was openly contemptuous.
‘Erry always regards himself as the only person in the world who has ever been ill,’ she said. ‘His time in Spain seems to have been a total flop. He didn’t get up to the front and he never met Hemingway.’
Erridge, as Norah – and Quiggin before her – had remarked, was keenly interested in his own health; in general not good. Now that he was ill enough for his condition to be recognised as more than troublesome, this physical state was not unsympathetic to him. The sickness gave his existence an increased reality, a deeper seriousness, elements
Erridge felt denied him by his family. Certainly he could now claim to have returned from an area of action. Although he might prefer to receive his relations coldly, he was at least assured of being the centre of Tolland attention. However, as it turned out, he enjoyed this position only for a short time, when his status was all at once prejudiced by his brother Hugo’s motor accident.