Table of Contents
Title Page
Copyright Page
Dedication
INTRODUCTION
Church and State, scientific reason and faith, the individual and his ...
Books by Frank Herbert
THE BOOK OF FRANK HERBERT
DESTINATION VOID (revised edition)
DIRECT DESCENT
THE DOSADI EXPERIMENT
EYE
THE EYES OF HEISENBERG
THE GODMAKERS
THE GREEN BRAIN
THE MAKER OF DUNE
THE SANTAROGA BARRIER
SOUL CATCHER
WHIPPING STAR
THE WHITE PLAGUE
THE WORLDS OF FRANK HERBERT
MAN OF TWO WORLDS
(with Brian Herbert)
The Dune Chronicles
DUNE
DUNE MESSIAH
CHILDREN OF DUNE
GOD EMPEROR OF DUNE
HERETICS OF DUNE
CHAPTERHOUSE: DUNE
Books by Frank Herbert and Bill Ransom
THE JESUS INCIDENT
THE LAZARUS EFFECT
THE ASCENSION FACTOR
Books edited by Brian Herbert
THE NOTEBOOKS OF FRANK HERBERT'S DUNE
SONGS OF MUAD'DIB
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
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South Africa Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Published by arrangement with Herbert Properties LLC.
Copyright (c) 1976 by Frank Herbert.
All rights reserved.
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eISBN: 9781101384749
1. Dune (Imaginary place)--Fiction. I. Title.
PS3558.E63C49 2008
813'.54--dc22 2008009348
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FOR BEV: Out of the wonderful commitment of our love and to share her beauty and her wisdom for she truly inspired this book.
INTRODUCTION
by Brian Herbert
Frank Herbert had a remarkably inventive and original mind. In his first novel, The Dragon in the Sea (1956), he came up with the concept of containerized shipping, an idea that the Japanese later commercialized to enormous success. Dune, only his second novel, was published in 1965. A complex, revolutionary work, it featured layers of ecology, philosophy, history, religion, and politics beneath the epic tale of the heroic Paul Atreides.
By 1968, five more of Frank Herbert's novels had been published: Destination: Void, The Eyes of Heisenberg, The Green Brain, The Heaven Makers, and The Santaroga Barrier. All the while, the popularity of Dune was growing, particularly among university intellectuals who were impressed by the complex messages interwoven into the great adventure story. The novel became a textbook for many classes. The Whole Earth Catalog extolled it as an environmental handbook.
As his eldest son, I didn't even know what my father had created. In 1966, I was hitchhiking near Carmel, California, and a young hippie couple gave me a ride in their Volkswagen Beetle. I was sitting in the back of the small car as it puttered along, and we were chatting. I told them that my dad was a newspaperman for the San Francisco Examiner and that he had written a couple of books.
"Oh?" the young man said. "What did he write?"
"Uh, Dune," I said.
"Dune!" He was so excited that he pulled the car off to the side of the road. "Your dad is Frank Herbert?"
Hesitantly I replied, "Yeah."
"Dune! I love that book! One of my friends at college turned me on to it. Wow! I can't believe it!"
I was dumbfounded. As I wrote in Dreamer of Dune, my biography of Frank Herbert, my bearded father and I did not get along well in those years. I was a rebellious teenager, and we had one shouting argument after another. The relationship seemed hopeless. But Dad had apparently written something remarkable. Even so, he was not making much money from his writing or from his newspaper job. As a family, we were on the poor side of average, and some of our relatives considered my father something of a black sheep. He was eccentric, they said, and went his own way. How little did they know. How little did I know. I hadn't even read the novel yet.
Dune Messiah, Frank Herbert's first sequel to Dune, was published in 1969. In that book, he flipped over what he called the "myth of the hero" and showed the dark side of Paul Atreides. Some readers didn't understand it. Why would the author do that to his great hero? In interviews, Dad spent years afterward explaining why, and his reasons were sound. He believed that charismatic leaders could be dangerous because they could lead their followers off the edge of a cliff.
His alternate way of looking at the universe fascinated many readers anyway, and they couldn't wait to see where he was going with the series. He was developing a core readership. In the early 1970s, Frank Herbert became involved with the environmental movement, just as the popularity of the novel Dune was skyrocketing. He spoke on college campuses all over the country. Readers wanted even more sequels, but Dad took his time with the third book, wanting the next novel in the series to be as skillfully written as possible. In conjunction with the first Earth Day, Dad wrote entries for and edited New World or No World, a book about the importance of protecting the environment. He followed that with two novels, Soul Catcher and The Godmakers, and then a third, Hellstrom's Hive, which had a movie tie-in. His book Threshold: The Blue Angels Experience was also published with a film connection.
By 1976, Frank Herbert had completed his long-awaited sequel, which he titled Children of Dune. A four-part Analogy serialization of the novel early that year was a resounding success, causing issues to sell out at news-stands. Letters poured in from excited fans who loved the story.
For months, David Hartwell, Dad's astute editor at G. P. Putnam's Sons, had been trying to convince company management that they were not printing enough copies, that when Children of Dune was printed soon in hardcover, it was going to be a national best seller purchased by more than science fiction fans. Like Dune, it would be a genre buster, he said.
Dune itself had not made it onto very many best-seller lists since its popularity had been a gradual groundswell. Its sales since publication were impressive, though, and Dune Messiah had sold
relatively well. But Dune Messiah hadn't been favorably received by the critics, and consensus held that its sales came on the coattails of Dune. Would Children of Dune be an even bigger critical disappointment than Dune Messiah?
There had never been a hardcover science fiction best seller, so Putnam management proceeded with extreme caution. Suddenly the Analog results provided David Hartwell with the necessary ammunition. Putnam increased the first print run to 75,000 copies, more than any science fiction hardcover printing in history. Publication was scheduled for later in the year, after completion of the magazine serialization.
When Children of Dune came out in hardback in 1976, it was an instant best seller. True to the prediction of David Hartwell and the gut feeling of my father, it became the top-selling hardback in science fiction history up to that time ... more than 100,000 copies in a few months. When the novel came out in paperback the following year, Berkley Books initially printed 750,000 copies. That wasn't half enough, and they went back to press. Six months after the release of the paperback, Dad said paperback sales were approaching two million copies.
"It's a runaway best seller," he told me in a telephone conversation. Dad enjoyed this phrase, and I heard it often in the ensuing years regarding his numerous best sellers.
At the age of fifty-five, Dad went on his first book tour, and it was a big one--twenty-one cities in thirty days, including an appearance on The Today Show in New York City with fellow science fiction writers Frederik Pohl and Lester del Rey. The Literary Guild made arrangements to offer all three books of the Dune trilogy in a boxed hardbound set.
At the vanguard of an explosive growth of sales in science fiction, Frank Herbert blazed the trail for other writers in the genre. After the phenomenal success of the Dune series, Isaac Asimov, Arthur C. Clarke, Robert A. Heinlein, Ray Bradbury, and other science fiction writers had national hardcover best sellers.
Children of Dune is an exciting, vividly imagined novel. It is Frank Herbert at the top of his craft.
Brian Herbert
Seattle, Washington
January 11, 2008
Muad'Dib's teachings have become the playground of scholastics, of the superstitious and the corrupt. He taught a balanced way of life, a philosophy with which a human can meet problems arising from an ever-changing universe. He said humankind is still evolving, in a process which will never end. He said this evolution moves on changing principles which are known only to eternity. How can corrupted reasoning play with such an essence?
--WORDS OF THE MENTAT DUNCAN IDAHO
A spot of light appeared on the deep red rug which covered the raw rock of the cave floor. The light glowed without apparent source, having its existence only on the red fabric surface woven of spice fiber. A questing circle about two centimeters in diameter, it moved erratically--now elongated, now an oval. Encountering the deep green side of a bed, it leaped upward, folded itself across the bed's surface.
Beneath the green covering lay a child with rusty hair, face still round with baby fat, a generous mouth--a figure lacking the lean sparseness of Fremen tradition, but not as water-fat as an off-worlder. As the light passed across closed eyelids, the small figure stirred. The light winked out.
Now there was only the sound of even breathing and, faint behind it, a reassuring drip-drip-drip of water collecting in a catch-basin from the windstill far above the cave.
Again the light appeared in the chamber--slightly larger, a few lumens brighter. This time there was a suggestion of source and movement to it: a hooded figure filled the arched doorway at the chamber's edge and the light originated there. Once more the light flowed around the chamber, testing, questing. There was a sense of menace in it, a restless dissatisfaction. It avoided the sleeping child, paused on the gridded air inlet at an upper corner, probed a bulge in the green and gold wall hangings which softened the enclosing rock.
Presently the light winked out. The hooded figure moved with a betraying swish of fabric, took up a station at one side of the arched doorway. Anyone aware of the routine here in Sietch Tabr would have suspected at once that this must be Stilgar, Naib of the Sietch, guardian of the orphaned twins who would one day take up the mantle of their father, Paul Muad'Dib. Stilgar often made night inspections of the twins' quarters, always going first to the chamber where Ghanima slept and ending here in the adjoining room, where he could reassure himself that Leto was not threatened.
I'm an old fool, Stilgar thought.
He fingered the cold surface of the light projector before restoring it to the loop in his belt sash. The projector irritated him even while he depended upon it. The thing was a subtle instrument of the Imperium, a device to detect the presence of large living bodies. It had shown only the sleeping children in the royal bedchambers.
Stilgar knew his thoughts and emotions were like the light. He could not still a restless inner projection. Some greater power controlled that movement. It projected him into this moment where he sensed the accumulated peril. Here lay the magnet for dreams of grandeur throughout the known universe. Here lay temporal riches, secular authority and that most powerful of all mystic talismans: the divine authenticity of Muad'Dib's religious bequest. In these twins--Leto and his sister Ghanima--an awesome power focused. While they lived, Muad'Dib, though dead, lived in them.
These were not merely nine-year-old children; they were a natural force, objects of veneration and fear. They were the children of Paul Atreides, who had become Muad'Dib, the Mahdi of all the Fremen. Muad'Dib had ignited an explosion of humanity; Fremen had spread from this planet in a jihad, carrying their fervor across the human universe in a wave of religious government whose scope and ubiquitous authority had left its mark on every planet.
Yet these children of Muad'Dib are flesh and blood, Stilgar thought. Two simple thrusts of my knife would still their hearts. Their water would return to the tribe.
His wayward mind fell into turmoil at such a thought.
To kill Muad'Dib's children!
But the years had made him wise in introspection. Stilgar knew the origin of such a terrible thought. It came from the left hand of the damned, not from the right hand of the blessed. The ayat and burhan of Life held few mysteries for him. Once he'd been proud to think of himself as Fremen, to think of the desert as a friend, to name his planet Dune in his thoughts and not Arrakis, as it was marked on all of the Imperial star charts.
How simple things were when our Messiah was only a dream, he thought. By finding our Mahdi we loosed upon the universe countless messianic dreams. Every people subjugated by the jihad now dreams of a leader to come.
Stilgar glanced into the darkened bedchamber.
If my knife liberated all of those people, would they make a messiah of me?
Leto could be heard stirring restlessly in his bed.
Stilgar sighed. He had never known the Atreides grandfather whose name this child had taken. But many said the moral strength of Muad'Dib had come from that source. Would that terrifying quality of rightness skip a generation now? Stilgar found himself unable to answer this question.
He thought: Sietch Tabr is mine. I rule here. I am a Naib of the Fremen. Without me there would have been no Muad'Dib. These twins, now ... through Chani, their mother and my kinswoman, my blood flows in their veins. I am there with Muad'Dib and Chani and all the others. What have we done to our universe?
Stilgar could not explain why such thoughts came to him in the night and why they made him feel so guilty. He crouched within his hooded robe. Reality was not at all like the dream. The Friendly Desert, which once had spread from pole to pole, was reduced to half its former size. The mythic paradise of spreading greenery filled him with dismay. It was not like the dream. And as his planet changed, he knew he had changed. He had become a far more subtle person than the one-time sietch chieftain. He was aware now of many things--of statecraft and profound consequences in the smallest decisions. Yet he felt this knowledge and subtlety as a thin veneer covering an iron core of simple
r, more deterministic awareness. And that older core called out to him, pleaded with him for a return to cleaner values.
The morning sounds of the sietch began intruding upon his thoughts. People were beginning to move about in the cavern. He felt a breeze against his cheeks: people were going out through the doorseals into the predawn darkness. The breeze spoke of carelessness as it spoke of the time. Warren dwellers no longer maintained the tight water discipline of the old days. Why should they, when rain had been recorded on this planet, when clouds were seen, when eight Fremen had been inundated and killed by a flash flood in a wadi? Until that event, the word drowned had not existed in the language of Dune. But this was no longer Dune; this was Arrakis ... and it was the morning of an eventful day.
He thought: Jessica, mother of Muad'Dib and grandmother of these royal twins, returns to our planet today. Why does she end her self-imposed exile at this time? Why does she leave the softness and security of Caladan for the dangers of Arrakis?
And there were other worries: Would she sense Stilgar's doubts? She was a Bene Gesserit witch, graduate of the Sisterhood's deepest training, and a Reverend Mother in her own right. Such females were acute and they were dangerous. Would she order him to fall upon his own knife as the Umma-Protector of Liet-Kynes had been ordered?
Would I obey her? he wondered.
He could not answer that question, but now he thought about Liet-Kynes, the planetologist who had first dreamed of transforming the planetwide desert of Dune into the human-supportive green planet which it was becoming. Liet-Kynes had been Chani's father. Without him there would have been no dream, no Chani, no royal twins. The workings of this fragile chain dismayed Stilgar.