“Like him, isn’t it?” she said quietly. “I think I can scarcely answer his letter, but when you see him next you can do that for me. I want you to tell him many things for me, yet they can all be summed up in this: I want him to grow wholly into his best and greatest self, even at the cost of what is half his charm to you and me. Do you understand me?”
“I know perfectly well what you mean,” answered Everett, thoughtfully. “And yet it’s difficult to prescribe for those fellows; so little makes, so little mars.”
Katharine raised herelf upon her elbow, and her face flushed with feverish earnestness. “Ah, but it is the waste of himself that I mean; his lashing himself out on stupid and uncomprehending people until they take him at their own estimate.”
“Come, come,” expostulated Everett, now alarmed at her excitement. “Where is the new sonata? Let him speak for himself.”
He sat down at the piano and began playing the first movement, which was indeed the voice of Adriance, his proper speech. The sonata was the most ambitious work he had done up to that time, and marked the transition from his early lyric vein to a deeper and nobler style. Everett played intelligently and with that sympathetic comprehension which seems peculiar to a certain lovable class of men who never accomplish anything in particular. When he had finished he turned to Katharine.
“How he has grown!” she cried. “What the three last years have done for him! He used to write only the tragedies of passion; but this is the tragedy of effort and failure, the thing Keats called hell. This is my tragedy, as I lie here, listening to the feet of the runners as they pass me—ah, God! the swift feet of the runners!”
She turned her face away and covered it with her hands. Everett crossed over to her and knelt beside her. In all the days he had known her she had never before, beyond an occasional ironical jest, given voice to the bitterness of her own defeat. Her courage had become a point of pride with him.
“Don’t do it,” he gasped. “I can’t stand it, I really can’t, I feel it too much.”
When she turned her face back to him there was a ghost of the old, brave, cynical smile on it, more bitter than the tears she could not shed. “No, I won’t; I will save that for the night, when I have no better company. Run over that theme at the beginning again, will you? It was running in his head when we were in Venice years ago, and he used to drum it on his glass at the dinner-table. He had just begun to work it out when the late autumn came on, and he decided to go to Florence for the winter. He lost touch with his idea, I suppose, during his illness. Do you remember those frightful days? All the people who have loved him are not strong enough to save him from himself! When I got word from Florence that he had been ill, I was singing at Monte Carlo. His wife was hurrying to him from Paris, but I reached him first. I arrived at dusk, in a terrific storm. They had taken an old palace there for the winter, and I found him in the library—a long, dark room full of old Latin books and heavy furniture and bronzes. He was sitting by a wood fire at one end of the room, looking, oh, so worn and pale!—as he always does when he is ill, you know. Ah, it is so good that you do know! Even his red smoking-jacket lent no colour to his face. His first words were not to tell me how ill he had been, but that that morning he had been well enough to put the last strokes to the score of his ‘Souvenirs d’ Automne,’ and he was as I most like to remember him; calm and happy, and tired with that heavenly tiredness that comes after a good work done at last. Outside, the rain poured down in torrents, and the wind moaned and sobbed in the garden and about the walls of that desolated old palace. How that night comes back to me! There were no lights in the room, only the wood fire. It glowed on the black walls and floor like the reflection of purgatorial flame. Beyond us it scarcely penetrated the gloom at all. Adriance sat staring at the fire with the weariness of all his life in his eyes, and of all the other lives that must aspire and suffer to make up one such life as his. Somehow the wind with all its world-pain had got into the room, and the cold rain was in our eyes, and the wave came up in both of us at once—that awful vague, universal pain, that cold fear of life and death and God and hope—and we were like two clinging together on a spar in mid-ocean after the shipwreck of everything. Then we heard the front door open with a great gust of wind that shook even the walls, and the servants came running with lights, announcing that Madame had returned, ‘and in the book we read no more than night.’ ”
She gave the old line with a certain bitter humour, and with the hard, bright smile in which of old she had wrapped her weakness as in a glittering garment. That ironical smile, worn through so many years, had gradually changed the lines of her face, and when she looked in the mirror she saw not herself, but the scathing critic, the amused observer and satirist of herself.
Everett dropped his head upon his hand. “How much you have cared!” he said.
“Ah, yes, I cared,” she replied, closing her eyes. “You can’t imagine what a comfort it is to have you know how I cared, what a relief it is to be able to tell it to some one.”
Everett continued to look helplessly at the floor. “I was not sure how much you wanted me to know,” he said.
“Oh, I intended you should know from the first time I looked into your face, when you came that day with Charley. You are so like him, that it is almost like telling him himself. At least, I feel now that he will know some day, and then I will be quite sacred from his compassion.”
“And has he never known at all?” asked Everett, in a thick voice.
“Oh! never at all in the way that you mean. Of course, he is accustomed to looking into the eyes of women and finding love there; when he doesn’t find it there he thinks he must have been guilty of some discourtesy. He has a genuine fondness for every woman who is not stupid or gloomy, or old or preternaturally ugly. I shared with the rest; shared the smiles and the gallantries and the droll little sermons. It was quite like a Sunday-school picnic; we wore our best clothes and a smile and took our turns. It was his kindness that was hardest.”
“Don’t; you’ll make me hate him,” groaned Everett.
Katharine laughed and began to play nervously with her fan. “It wasn’t in the slightest degree his fault; that is the most grotesque part of it. Why, it had really begun before I ever met him. I fought my way to him, and I drank my doom greedily enough.”
Everett rose and stood hesitating. “I think I must go. You ought to be quiet, and I don’t think I can hear any more just now.”
She put out her hand and took his playfully. “You’ve put in three weeks at this sort of thing, haven’t you? Well, it ought to square accounts for a much worse life than yours will ever be.”
He knelt beside her, saying, brokenly: “I stayed because I wanted to be with you, that’s all. I have never cared about other women since I knew you in New York when I was a lad. You are a part of my destiny, and I could not leave you if I would.”
She put her hands on his shoulders and shook her head. “No, no; don’t tell me that. I have seen enough tragedy. It was only a boy’s fancy, and your divine pity and my utter pitiableness have recalled it for a moment. One does not love the dying, dear friend. Now go, and you will come again tomorrow, as long as there are tomorrows.” She took his hand with a smile that was both courage and despair, and full of infinite loyalty and tenderness, as she said softly:
“For ever and for ever, farewell, Cassius;
If we do meet again, why, we shall smile;
If not, why then, this parting was well made.”
The courage in her eyes was like the clear light of a star to him as he went out.
On the night of Adriance Hilgarde’s opening concert in Paris, Everett sat by the bed in the ranch-house in Wyoming, watching over the last battle that we have with the flesh before we are done with it and free of it for ever. At times it seemed that the serene soul of her must have left already and found some refuge from the storm, and only the tenacious animal life were left to do battle with death. She laboured under a delusion at once pi
tiful and merciful, thinking that she was in the Pullman on her way to New York, going back to her life and her work. When she roused from her stupor, it was only to ask the porter to waken her half an hour out of Jersey City, or to remonstrate about the delays and the roughness of the road. At midnight Everett and the nurse were left alone with her. Poor Charley Gaylord had lain down on a couch outside the door. Everett sat looking at the sputtering night-lamp until it made his eyes ache. His head dropped forward, and he sank into heavy, distressful slumber. He was dreaming of Adriance’s concert in Paris, and of Adriance, the troubadour. He heard the applause and he saw the flowers going up over the foot-lights until they were stacked half as high as the piano, and the petals fell and scattered, making crimson splotches on the floor. Down this crimson pathway came Adriance with his youthful step, leading his singer by the hand; a dark woman this time, with Spanish eyes.
The nurse touched him on the shoulder, he started and awoke. She screened the lamp with her hand. Everett saw that Katharine was awake and conscious, and struggling a little. He lifted her gently on his arm and began to fan her. She looked into his face with eyes that seemed never to have wept or doubted. “Ah, dear Adriance, dear, dear!” she whispered.
Everett went to call her brother, but when they came back the madness of art was over for Katharine.
Two days later Everett was pacing the station siding, waiting for the west-bound train. Charley Gaylord walked beside him, but the two men had nothing to say to each other. Everett’s bags were piled on the truck, and his step was hurried and his eyes were full of impatience, as he gazed again and again up the track, watching for the train. Gaylord’s impatience was not less than his own; these two, who had grown so close, had now become painful and impossible to each other, and longed for the wrench of farewell.
As the train pulled in, Everett wrung Gaylord’s hand among the crowd of alighting passengers. The people of a German opera company, en route for the coast, rushed by them in frantic haste to snatch their breakfast during the stop. Everett heard an exclamation, and a stout woman rushed up to him, glowing with joyful surprise and caught his coat-sleeve with her tightly gloved hands.
“Herr Gott, Adriance, lieber Freund,” she cried.
Everett lifted his hat, blushing. “Pardon me, madame. I see that you have mistaken me for Adriance Hilgarde. I am his brother.” Turning from the crestfallen singer he hurried into the car.
Neighbour Rosicky
I
When Doctor Burleigh told neighbour Rosicky he had a bad heart, Rosicky protested.
“So? No, I guess my heart was always pretty good. I got a little asthma, maybe. Just a awful short breath when I was pitchin’ hay last summer, dat’s all.”
“Well now, Rosicky, if you know more about it than I do, what did you come to me for? It’s your heart that makes you short of breath, I tell you. You’re sixty-five years old, and you’ve always worked hard, and your heart’s tired. You’ve got to be careful from now on, and you can’t do heavy work any more. You’ve got five boys at home to do it for you.”
The old farmer looked up at the Doctor with a gleam of amusement in his queer triangular-shaped eyes. His eyes were large and lively, but the lids were caught up in the middle in a curious way, so that they formed a triangle. He did not look like a sick man. His brown face was creased but not wrinkled, he had a ruddy colour in his smooth-shaven cheeks and in his lips, under his long brown moustache. His hair was thin and ragged around his ears, but very little grey. His forehead, naturally high and crossed by deep parallel lines, now ran all the way up to his pointed crown. Rosicky’s face had the habit of looking interested,—suggested a contented disposition and a reflective quality that was gay rather than grave. This gave him a certain detachment, the easy manner of an onlooker and observer.
“Well, I guess you ain’t got no pills fur a bad heart, Doctor Ed. I guess the only thing is fur me to git me a new one.”
Doctor Burleigh swung round in his deskchair and frowned at the old farmer. “I think if I were you I’d take a little care of the old one, Rosicky.”
Rosicky shrugged. “Maybe I don’t know how. I expect you mean fur me not to drink my coffee no more.”
“I wouldn’t, in your place. But you’ll do as you choose about that. I’ve never yet been able to separate a Bohemian from his coffee or his pipe. I’ve quit trying. But the sure thing is you’ve got to cut out farm work. You can feed the stock and do chores about the barn, but you can’t do anything in the fields that makes you short of breath.”
“How about shelling corn?”
“Of course not!”
Rosicky considered with puckered brows.
“I can’t make my heart go no longer’n it wants to, can I, Doctor Ed?”
“I think it’s good for five or six years yet, maybe more, if you’ll take the strain off it. Sit around the house and help Mary. If I had a good wife like yours, I’d want to stay around the house.”
His patient chuckled. “It ain’t no place fur a man. I don’t like no old man hanging round the kitchen too much. An’ my wife, she’s a awful hard worker her own self.”
“That’s it; you can help her a little. My Lord, Rosicky, you are one of the few men I know who has a family he can get some comfort out of; happy dispositions, never quarrel among themselves, and they treat you right. I want to see you live a few years and enjoy them.”
“Oh, they’re good kids, all right,” Rosicky assented.
The Doctor wrote him a prescription and asked him how his oldest son, Rudolph, who had married in the spring, was getting on. Rudolph had struck out for himself, on rented land. “And how’s Polly? I was afraid Mary mightn’t like an American daughter-in-law, but it seems to be working out all right.”
“Yes, she’s a fine girl. Dat widder woman bring her daughters up very nice. Polly got lots of spunk, an’ she got some style, too. Da’s nice, for young folks to have some style.” Rosicky inclined his head gallantly. His voice and his twinkly smile were an affectionate compliment to his daughter-in-law.
“It looks like a storm, and you’d better be getting home before it comes. In town in the car?” Doctor Burleigh rose.
“No, I’m in de wagon. When you got five boys, you ain’t got much chance to ride round in de Ford. I ain’t much for cars, noway.”
“Well, it’s a good road out to your place; but I don’t want you bumping around in a wagon much. And never again on a hay-rake, remember!”
Rosicky placed the Doctor’s fee delicately behind the desk-telephone, looking the other way, as if this were an absent-minded gesture. He put on his plush cap and his corduroy jacket with a sheepskin collar, and went out.
The Doctor picked up his stethoscope and frowned at it as if he were seriously annoyed with the instrument. He wished it had been telling tales about some other man’s heart, some old man who didn’t look the Doctor in the eye so knowingly, or hold out such a warm brown hand when he said good-bye. Doctor Burleigh had been a poor boy in the country before he went away to medical school; he had known Rosicky almost ever since he could remember, and he had a deep affection for Mrs. Rosicky.
Only last winter he had had such a good breakfast at Rosicky’s, and that when he needed it. He had been out all night on a long, hard confinement case at Tom Marshall’s—a big rich farm where there was plenty of stock and plenty of feed and a great deal of expensive farm machinery of the newest model, and no comfort whatever. The woman had too many children and too much work, and she was no manager. When the baby was born at last, and handed over to the assisting neighbour woman, and the mother was properly attended to, Burleigh refused any breakfast in that slovenly house, and drove his buggy—the snow was too deep for a car—eight miles to Anton Rosicky’s place. He didn’t know another farm-house where a man could get such a warm welcome, and such good strong coffee with rich cream. No wonder the old chap didn’t want to give up his coffee!
He had driven in just when the boys had come back from the barn and were
washing up for breakfast. The long table, covered with a bright oilcloth, was set out with dishes waiting for them, and the warm kitchen was full of the smell of coffee and hot biscuit and sausage. Five big handsome boys, running from twenty to twelve, all with what Burleigh called natural good manners,—they hadn’t a bit of the painful self-consciousness he himself had to struggle with when he was a lad. One ran to put his horse away, another helped him off with his fur coat and hung it up, and Josephine, the youngest child and the only daughter, quickly set another place under her mother’s direction.
With Mary, to feed creatures was the natural expression of affection,—her chickens, the calves, her big hungry boys. It was a rare pleasure to feed a young man whom she seldom saw and of whom she was as proud as if he belonged to her. Some country housekeepers would have stopped to spread a white cloth over the oilcloth, to change the thick cups and plates for their best china, and the wooden-handled knives for plated ones. But not Mary.
“You must take us as you find us, Doctor Ed. I’d be glad to put out my good things for you if you was expected, but I’m glad to get you any way at all.”
He knew she was glad,—she threw back her head and spoke out as if she were announcing him to the whole prairie. Rosicky hadn’t said anything at all; he merely smiled his twinkling smile, put some more coal on the fire, and went into his own room to pour the Doctor a little drink in a medicine glass. When they were all seated, he watched his wife’s face from his end of the table and spoke to her in Czech. Then, with the instinct of politeness which seldom failed him, he turned to the Doctor and said slyly; “I was just tellin’ her not to ask you no questions about Mrs. Marshall till you eat some breakfast. My wife, she’s terrible fur to ask questions.”
The boys laughed, and so did Mary. She watched the Doctor devour her biscuit and sausage, too much excited to eat anything herself. She drank her coffee and sat taking in everything about her visitor. She had known him when he was a poor country boy, and was boastfully proud of his success, always saying: “What do people go to Omaha for, to see a doctor, when we got the best one in the State right here?” If Mary liked people at all, she felt physical pleasure in the sight of them, personal exultation in any good fortune that came to them. Burleigh didn’t know many women like that, but he knew she was like that.