But still she waited in the darkening door and did not go away. The sounds of the summer twilight crossed within the silence of the kitchen. Mr. Schwarzenbaum had finished tuning the piano, and for the past quarter of an hour he had been playing little pieces. He played music memorized by note, and he was a nervous spry old man who reminded F. Jasmine of a silver spider. His music was spry and stiff also, and he played faint jerking waltzes and nervous lullabies. Farther down the block a solemn radio announced something they could not hear. In the O'Neils' back yard, next door, children were calling and swatting a ball. The sounds of evening canceled out each other, and they were faded in the darkening twilight air. The kitchen itself was very quiet.
"Listen," F. Jasmine said. "What I've been trying to say is this. Doesn't it strike you as strange that I am I, and you are you? I am F. Jasmine Addams. And you are Berenice Sadie Brown. And we can look at each other, and touch each other, and stay together year in and year out in the same room. Yet always I am I, and you are you. And I can't ever be anything else but me, and you can't ever be anything else but you. Have you ever thought of that? And does it seem to you strange?"
Berenice had been rocking slighdy in the chair. She was not sitting in a rocking chair, but she had been tilting back in the straight chair, then letting the front legs hit the floor with little taps, her dark stiff hand held to the table edge for balance. She stopped rocking herself when F. Jasmine spoke. And finally she said: "I have thought of it occasionally."
It was the hour when the shapes in the kitchen darkened and voices bloomed. They spoke sofdy and their voices bloomed like flowers—if sounds can be like flowers and voices bloom. F. Jasmine stood with her hands clasped behind her head, facing the darkening room. She had the feeling that unknown words were in her throat, and she was ready to speak them. Strange words were flowering in her throat and now was the time for her to name them.
"This," she said. "I see a green tree. And to me it is green. And you would call the tree green also. And we would agree on this. But is the color you see as green the same color I see as green? Or say we both call a color black. But how do we know that what you see as black is the same color I sec as black?"
Berenice said after a moment: "Those things we just cannot prove."
F. Jasmine scraped her head against the door, and put her hand up Co her throat. Her voice shattered and died. "That's not what I meant to say, anyway."
The smoke of Berenice's cigarette lay bitter and warm and stagnant in the room. John Henry shufHed in the high-heeled shoes from the stove to the table and back again. A rat ratded behind the wall.
"This is what I mean," F. Jasmine said. "You are walking down a street and you meet somebody. Anybody. And you look at each other. And you are you. And he is him. Yet when you look at each other, the eyes make a connection. Then you go off one way. And he goes off another way. You go off into different parts of town, and maybe you never see each other again. Not in your whole life. Do you see what I mean?"
"Not exactly," said Berenice.
"I'm talking about this town," F. Jasmine said in a higher voice. "There are all these people here I don't even know by sight or name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know."
"But who do you want to know?" asked Berenice.
F. Jasmine answered: "Everybody. In the world. Everybody in the world."
"Why, I wish you would listen to that," said Berenice. "How about people like Willis Rhodes? How about them Germans? Them Japanese?"
F. Jasmine knocked her head against the door jamb and looked up at the dark ceiling. Her voice broke, and again she said: "That's not what I mean. That's not what I'm talking about."
"Well, what is you talking about?" asked Berenice.
F. Jasmine shook her head, almost as though she did not know. Her heart was dark and silent, and from her heart the unknown words flowered and bloomed and she waited to name them. From next door there was the evening sound of children's baseball and the long call: Batteruup! Batteruup! Then the hollow pock of a ball and the clatter of a thrown bat and running footsteps and wild voices. The window was a rectangle of pale clear light and a child ran across the yard and under the dark arbor after the ball. The child was quick as a shadow and F. Jasmine did not see his face—his white shirttails flapped loose behind him like queer wings. Beyond the window the twilight was lasting and pale and still.
"Less play out, Frankie," John Henry whispered. "They sound like they having a mighty good time."
"No," F. Jasmine said. "You do."
Berenice stirred in her chair and said: "I suppose we could turn on the light."
But they did not turn on the light. F. Jasmine felt the unsaid words sdck in her throat and a choked sickness made her groan and knock her head against the door jamb. Finally she said again in a high ragged voice:
"This:"
Berenice waited, and when she did not speak again, she asked: "What on earth is wrong with you?"
F. Jasmine could not speak the unknown words, so after a minute she knocked her head a last time on the door and then began to walk around the kitchen table. She walked in a stiff-legged delicate way, as she felt sick, and did not wish to joggle the different foods that she had eaten and mix them up inside her stomach. She began to talk in a high fast voice, but they were the wrong words, and not what she had meant to say.
"Boyoman! Manoboy!" she said. "When we leave Winter Hill we're going to more places than you ever thought about or even knew existed. Just where we will go first I don't know, and it don't matter. Because after we go to that place we're going on to another. We mean to keep moving, the three of us. Here today and gone tomorrow. Alaska, China, Iceland, South America. Traveling on trains. Letting her rip on motorcycles. Flying around all over the world in aeroplanes. Here today and gone tomorrow. All over the world. It's the damn truth. Boyoman!"
F. Jasmine jerked open the drawer of the table and fumbled inside for the butcher knife. She did not need the butcher knife, but she wanted something to grasp in her hand and wave about as she hurried around the table.
"And talking of things happening," she said. "Things will happen so fast we won't hardly have time to realize them. Captain Jarvis Addams sinks twelve Jap battleships and decorated by the President. Miss F. Jasmine Addams breaks all records. Mrs. Janice Addams elected Miss United Nations in beauty contest. One thing after another happening so fast we don't hardly notice them."
"Hold still, Fool," said Berenice. "And lay down that knife."
"And we will meet them. Everybody. We will just walk up to people and know them right away. We will be walking down a dark road and see a lighted house and knock on the door and strangers will rush to meet us and say: Come in! Come in! We will know decorated aviators and New York people and movie stars. We will have thousands of friends, thousands and thousands and thousands of friends. We will belong to so many clubs that we can't even keep track of all of them. We will be members of the whole world. Boyoman! Manoboy!"
Berenice had a very strong long right arm, and when F. Jasmine passed her the next time as she was running around the table, this arm reached out and snatched her by the petticoat so quickly that she was caught up with a jerk that made her bones crack and her teeth ratde.
"Is you gone raving wild?" she asked. The long arm pulled F. Jasmine closer and wrapped around her waist. "You sweating like a mule. Lean down and let me feel your forehead. Is you got a fever?"
F. Jasmine pulled one of Berenice's plaits and pretended she was going to saw it off with the knife.
"You trembling," said Berenice. "I truly believe you took a fever walking around in that sun today. Baby, you sure you ain't sick?"
"Sick?" asked F. Jasmine. "Who, me?"
"Set here in my lap," said Berenice. "And rest a minute."
F. Jasmine put the knife on the table and settled down on Berenice's lap. She leaned ba
ck and put her face against Berenice's neck; her face was sweaty and Berenice's neck was sweaty also, and they both smelled salty and sour and sharp. Her right leg was flung across Berenice's knee, and it was trembling—but when she steadied her toes on the floor, her leg did not tremble any more. John Henry shuffled toward them in the high-heeled shoes and crowded up jealous and close to Berenice. He put his arm around Berenice's head and held on to her ear. Then after a moment he tried to push F. Jasmine out of her lap, and he pinched F. Jasmine with a mean and tiny little pinch.
"Leave Frankie alone," said Berenice. "She ain't bothered you."
He made a fretting sound: "I'm sick."
"Now no, you ain't. Be quiet and don't grudge your cousin a little bit of love."
"Old mean bossy Frankie," he complained in a high sad voice.
"What she doing so mean right now? She just laying here wore out."
F. Jasmine rolled her head and rested her face against Berenice's shoulder. She could feel Berenice's soft big ninnas against her back, and her soft wide stomach, her warm solid legs. She had been breathing very fast, but after a minute her breath slowed down so that she breathed in time with Berenice; the two of them were close together as one body, and Berenice's stiffened hands were clasped around F. Jasmine's chest. Their backs were to the window, and before them the kitchen was now almost dark. It was Berenice who finally sighed and started the conclusion of that last queer conversation.
"I think I have a vague idea what you were driving at," she said. "We all of us somehow caught. We born this way or that way and we don't know why. But we caught anyhow. I born Berenice. You born Frankie. John Henry born John Henry. And maybe we wants to widen and bust free. But no matter what we do we still caught. Me is me and you is you and he is he. We each one of us somehow caught all by oursclf. Is that what you was trying to say?"
"I don't know," F. Jasmine said. "But I don't want to be caught."
"Me neither," said Berenice. "Don't none of us. I'm caught worse than you is."
F. Jasmine understood why she had said this, and it was John Henry who asked in his child voice: "Why?"
"Because I am black," said Berenice. "Because I am colored. Everybody is caught one way or another. But they done drawn completely extra bounds around all colored people. They done squeezed us off in one corner by ourself. So we caught that firstway I was telling you, as all human beings is caught. And we caught as colored people also. Sometimes a boy like Honey feel like he just can't breathe no more. He feel like he got to break something or break himself. Sometimes it just about more than we can stand."
"I know it," F. Jasmine said. "I wish Honey could do something."
"He just feels desperate like."
"Yes," F. Jasmine said. "Sometimes I feel like I want to break something, too. I feel like I wish I could just tear down the whole town."
"So I have heard you mention," said Berenice. "But that won't help none. The point is that we all caught. And we try in one way or another to widen ourself free. For instance, me and Ludie. When I was with Ludie, I didn't feel so caught. But then Ludie died. We go around trying one thing or another, but we caught anyhow."
The conversation made F. Jasmine almost afraid. She lay there close to Berenice and they were breathing very slowly. She could not see John Henry, but she could feel him; he had climbed up on the back rungs of the chair and was hugging Berenice's head. He was holding her ears, for in a moment Berenice said: "Candy, don't wrench my ears like that. Me and Frankie ain't going to float up through the ceiling and leave you."
Water dropped slowly in the kitchen sink and the rat was knocking behind the wall.
"I believe I realize what you were saying," F. Jasmine said. "Yet at the same time you almost might use the word loose instead of caught. Although they are two opposite words. I mean you walk around and you see all the people. And to me they look loose."
"Wild, you mean?"
"Oh, no!" she said. "I mean you don't see what joins them up together. You don't know where they all came from, or where they're going to. For instance, what made anybody ever come to this town in the first place? Where did all these people come from and what are they going to do? Think of all those soldiers."
"They were born," said Berenice. "And they going to die."
F. Jasmine's voice was thin and high. "I know," she said. "But what is it all about? People loose and at the same time caught. Caught and loose. All these people and you don't know what joins them up. There's bound to be some sort of reason and connection. Yet somehow I can't seem to name it. I don't know."
"If you did you would be God," said Berenice. "Didn't you know that?"
"Maybe so."
"We just know so much. Then beyond that we don't know no more."
"But I wish I did." Her back was cramped and she stirred and stretched herself on Berenice's lap, her long legs sprawling out beneath the kitchen table. "Anyway, after we leave Winter Hill I won't have to worry about things any more."
"You don't have to now. Nobody requires you to solve the riddles of the world." Berenice took a deep meaning breath and said: "Frankie, you got the sharpest set of human bones I ever felt."
This was a strong hint for F. jasmine to stand up. She would turn on the light, then take one of the cup cakes from the stove, and go out to finish her business in the town. But for a moment longer she lay there with her face pressed close to Berenice's shoulder. The sounds of the summer evening were mingled and long-drawn.
"I never did say just what I was talking about," she said finally. "But there's this. I wonder if you have ever thought about this. Here we are—right now. This very minute. Now. But while we're talking right now, this minute is passing. And it will never come again. Never in all the world. When it is gone it is gone. No power on earth could bring it back again. It is gone. Have you ever thought about that?"
Berenice did not answer, and the kitchen was now dark. The three of them sat silent, close together, and they could feel and hear each other's breaths. Then suddenly it started, though why and how they did not know; the three of them began to cry. They started at exactly the same moment, in the way that often on these summer evenings they would suddenly start a song. Often in the dark, that August, they would all at once begin to sing a Christmas carol, or a song like the Slitbelly Blues. Sometimes they knew in advance that they would sing, and they would agree on the tune among themselves.
Or again, they would disagree and start off on three different songs at once, until at last the tunes began to merge and they sang a special music that the three of them made up together. John Henry sang in a high wailing voice, and no matter what he named his tunc, it sounded always just the same: one high trembling note that hung like a musical ceiling over the rest of the song. Berenice's voice was dark and definite and deep, and she rapped the offbeats with her heel. The old Frankie sang up and down the middle space between John Henry and Berenice, so that their three voices were joined, and the parts of the song were woven together.
Often they would sing like this and their tunes were sweet and queer in the August kitchen after it was dark. But never before had they suddenly begun to cry; and though their reasons were three different reasons, yet they started at the same instant as though they had agreed together. John Henry was crying because he was jealous, though later he tried to say he cried because of the rat behind the wall. Berenice was crying because of their talk about colored people, or because of Ludie, or perhaps because F. Jasmine's bones were really sharp. F. Jasmine did not know why she cried, but the reason she named was the crew-cut and the fact that her elbows were so rusty. They cried in the dark for about a minute. Then they stopped as suddenly as they had begun. The unaccustomed sound had quieted the rat behind the wall.
"Get up from there," said Berenice. They stood around the kitchen table and F. Jasmine turned on the light. Berenice scratched her head and sniffled a little. "We certainy is a gloomy crowd. Now I wonder what started that."
The light was sudden and sha
rp after the darkness. F. Jasmine ran the faucet of the sink and put her head beneath the stream of water. And Berenice wiped off her face with a dishrag and patted her plaits before the mirror. John Henry stood like a little old woman dwarf, wearing the pink hat with the plume, and the high-heel shoes. The walls of the kitchen were crazy drawn and very bright. The three of them blinked at each other in the light as though they were three strangers or three ghosts. Then the front door opened and F. Jasmine heard her father trudging slowly down the hall. Already the moths were at the window, flattening their wings against the screen, and the final kitchen afternoon was over at last.
3
Early that evening F. Jasmine passed before the jail; she was on her way to Sugarville to have her fortune told and, though the jail was not directly on the way, she had wanted to have one final look at it before she left the town forever. For the jail had scared and haunted her that spring and summer. It was an old brick jail, three stories high, and surrounded by a cyclone fence topped with barbed wire. Inside were thieves, robbers, and murderers. The criminals were caged in stone cells with iron bars before the windows, and though they might beat on the stone walls or wrench at the iron bars, they could never get out. They wore striped jail clothes and ate cold peas with cockroaches cooked in them and cold cornbread.
F. Jasmine knew some people who had been locked up in jail, all of them colored—a boy called Cape, and a friend of Berenice who was accused by the white lady she worked for of stealing a sweater and a pair of shoes. When you were arrested, the Black Maria screamed to your house and a crowd of policemen burst in the door to haul you off down to the jail. After she took the three-bladed knife from the Sears and Roebuck Store, the jail had drawn the old Frankie—and sometimes on those late spring afternoons she would come to the street across from the jail, a place known as Jail-Widow's Walk, and stare for a long time. Often some criminals would be hanging to the bars; it seemed to her that their eyes, like the long eyes of the Freaks at the fair, had called to her as though to say: We know you. Occasionally, on Saturday afternoon, there would be wild yells and singing and hollering from the big cell known as the Bull Pen. But now this evening the jail was quiet—but from a lighted cell there was one criminal, or rather the outline of his head and his two fists around the bars. The brick jail was gloomy dark, although the yard and some cells were lighted.