In seventh grade, Dylan faced a frightening transition. He had been sheltered among the brainiacs in CHIPS. Ken Caryl Middle School was five times as big and it didn't have a gifted program. Tom described Dylan lurching from "cradle to reality."
24. Hour of Need
Reverend Marxhausen led a congregation of several thousand at St. Philip Lutheran Church. Quite a few attended Columbine. He spent much of the "hostage crisis" at Leawood, searching for students, calming parents. His parish appeared to be spared.
He organized a vigil that first evening, at St. Philip. He distributed communion, a task he found utterly soothing. The gently whispered interplay calmed him like a mantra: The body of Christ... Amen... The body of Christ... Amen.... It was a steady cadence: his softly commanding baritone punctuated by a brief, nearly inaudible response. A fluttering variety of tenors and sopranos colored his symphony, but the rhythm remained the same. As the communion line dwindled, a woman softly broke the spell. "The body of Christ..." he said.
"Klebold."
What? It startled him at first, but this happened occasionally: a parishioner lost herself in prayer on the slow march up the aisle, and the pastor's voice startled her out of it.
Reverend Marxhausen tried again: "The body of Christ..."
"Klebold."
This time he recognized the word--from the TV; he had forgotten his brief association with the family.
He looked up. The woman continued: "Don't forget them in their hour of need."
She accepted the host and moved on.
That night, Marxhausen checked the parish rolls. Tom and Sue Klebold and their two boys, Dylan and Byron, had registered five years ago. They had not stayed long, but that did not diminish his responsibility. If they had failed to find a spiritual home, they remained under his care.
He found a family close to Tom and Sue and sent word that he was available.
They called a few days later. "I need your help," Tom said. That was obvious; his voice was shaking. He needed a funeral for his boy. How embarrassing to ask after a five-year absence, but Tom was out of options.
He also had a requirement. "It has to be confidential," he said.
Of course, Marxhausen said--to both counts. He talked to Tom and then Sue, asked how they were doing. "They used the word 'devastated,'" he recalled later. "I didn't want to ask them any more."
Tom and Sue received the body on Thursday. The service was conducted on Saturday. It was done quietly, with just fifteen people, including friends, family, and clergy. Marxhausen brought another minister and both their wives. Dylan lay in an open casket, his face restored, no sign of the gaping head wound. He looked peaceful. His face was surrounded by a circle of Beanie Babies and other stuffed toys.
When Marxhausen arrived, Tom was in denial, Sue was falling apart. She crumpled into the pastor's arms. Marxhausen engulfed her. Her frail body quaked; she sobbed there for perhaps a minute and a half--"which is a long time," he said.
Tom just couldn't see his little boy as that killer. "This was not my son" is how Marxhausen paraphrased his statements the next day. "What you see in the papers was not my son."
The other mourners arrived, and the awkwardness only increased. A liturgy wasn't going to help them. Marxhausen felt a terrible need to scrap his service and let them speak. "Do you mind if we just talk for a while?" he suggested. "And then we'll worship."
He shut the door and asked who wanted to begin.
"There was this one couple, they just poured out their hearts," he recalled. "Their son used to play with Dylan when the boys were little. They loved Dylan."
Where did the guns come from? Tom asked. They had never had more than a BB gun. Where did the violence come from? What was this Nazi stuff?
And the anti-Semitism? Sue said. She's Jewish, Dylan was half Jewish, what kind of sense did this make?
They were such good parents, a friend said. Dylan was a great kid. "He was like our son!"
They went around and around--fewer than a dozen of them, but for forty-five minutes they spilled out anguish and confusion, and love for the awkward kid who'd had occasional outbursts.
Dylan's brother, Byron, mostly listened. He sat quietly between Tom and Sue and finally spoke up near the end. "I want to thank you all for being here today, for my parents and myself," he said. "I love my brother."
Then Marxhausen read from Scripture and offered some muted encouragement. "True enough, there will be those who do not know grace and will want to give only judgment," he said. But help would come in time and in surprising ways. "I have no idea how you are going to heal. But God still wants to reach out to you and will always reach out to you in some way."
He read the Old Testament story of Absalom, beloved son of King David. Absalom skillfully ingratiated himself to his father, the court, and all the kingdom but secretly plotted to seize the throne. Eventually, he thrust Israel into civil war. He appeared poised to vanquish his father, but David's generals prevailed. The king was informed first of the triumph, then of his son's death. "David's grief made the victory like a defeat, and the people stole silently into the city," Marxhausen read from 2 Samuel. David wept and cried out, "O my son Absalom, my son, my son Absalom! Would God I had died for thee, O Absalom, my son."
____
The Klebolds were afraid to bury Dylan. His grave would be defaced. It would become an anti-shrine. They cremated his body and kept the ashes in the house.
Marxhausen assumed the media would get wind of the service. He asked one of the Klebold attorneys how to handle the inquiries. The attorney said, "Just tell them what you've seen here tonight."
So he did. He told the New York Times, which featured the account on the front page. Tom and Sue were racked by grief, guilt, and utter confusion, he said: "They lost their son, but their son was also a killer." He told the story lovingly. He described Tom and Sue as "the loneliest people on the planet."
Don Marxhausen made some of his parish exceptionally proud. That was their pastor--a man who could find compassion in his heart for anyone. A man capable of consoling the couple who had unwittingly produced a monster. That's why they had packed the pews to hear him every Sunday.
Some of his parish, and much of the community, was appalled. Lonely? The Klebolds were lonely? Several of the victims were still awaiting burial. Survivors still faced surgery. It would be months before some would walk again, or talk again, or discover they never would. Some people had trouble rousing sympathy for the Klebolds. Their loneliness was not an especially popular concern.
____
Wayne and Kathy Harris presumably held some ceremony for Eric. But they have never once spoken to the press. Word never leaked.
25. Threesome
No one remembers for sure how Eric and Dylan met. Eric arrived at Ken Caryl Middle School in seventh grade. Dylan was already attending. The two boys met there at some point but didn't connect right away.
They both continued on to Columbine High. Brooks Brown reentered the school district there. His friendship with Dylan had fallen off after his parents moved him into private schools years earlier. But he returned to public school his freshman year and met Eric on the bus. Pretty soon all three were tight.
They played video games for hours. Sometimes they played in person, but they also stayed up late competing online. They went to Columbine Rebel football games together freshman year. Eric was practically a celebrity because his brother was a starter on the varsity team.
Eric, Brooks, and Dylan were three aspiring intellectuals. They took an interest in classical philosophers and Renaissance literature. All three boys were shy at that point, but Eric began breaking through his shell. It started with occasional rumblings. Just two months into high school, he asked a classmate to Homecoming. She remembered him as nervous and quiet, largely forgettable, until he faked his suicide a few days after the dance.
"He had his friend take me over to his house," she said later. "When I went there, he was lying with his head on a rock,
and there was fake blood around him, and he was acting like he was dead." It wasn't an original stunt--probably ripped off from the 1970s classic movie Harold and Maude. But it weirded her out. She refused to date him again.
____
First semester freshman year, Eric turned in an "I Am" poem. His selfportrait informed the reader five times in eighteen lines how nice he was. "I am a nice guy who hates when people open their pop can just a little," the poem began. Eric ended each stanza with that same line. He described himself flying above all the rest of us, bragged about his straight A's, and demonstrated his emotional depth: "I cry when I see or hear a dog die."
He kept much of the work he produced in high school. Apparently, he was proud of it. "I dream that I am the last person on earth," he wrote in "I Am."
Eric was always a dreamer, but he liked them ugly: bleak and morose, yet boring as hell. He saw beauty in the void. Eric dreamed of a world where nothing ever happened. A world where the rest of us had been removed.
Eric shared his dreams in Internet chat rooms. He described them vividly to online chicks. In one, he was suspended inside a small dank room, like the interior hull of a ship. Futuristic yet decaying old computer screens lined the walls, covered with dust and mold and vines. The moon provided the only light, trickling dimly in through the portals, shadows creeping all around. A vast sea rose and fell monotonously. Nothing happened. Eric was overjoyed.
He rarely encountered humans in his creations--just the occasional combatant to extinguish or a disembodied voice to drop an ironic bon mot. Dreamland Eric had snuffed us out. He invented a world of precise textures, vivid hues, and absolutely no payoff for himself. When he did linger on the destination, it was to revel in the banality of the gloom. He described one of his dreamworlds to a girl in a chat room.
"wow kind of gloomy," she responded.
"yeah. but its still nice. no people at all. kind of like, everyone is dead and has been for centuries."
Happiness for Eric was eliminating the likes of us.
The girl said she could go for it, but only with some people. Eric said he'd only want a couple, and that led him to the burning question he loved to pose online:
With only a few people left, would she repopulate or choose extinction?
Probably extinction, she said.
Good answer. That's what he was going for. That was the point of the entire conversation: "mmm," he said. "i just wish I could actually DO this instead of just DREAM about it."
Extinction fantasies cropped up regularly and would obsess Eric in his final years. But in his online chats, there was never a sense of him intending to do the deed. He had bold dreams for the world, but more modest ideas about himself. And he was pretty convinced that we would all take care of destroying the planet without his help anyway.
____
Zack Heckler had one class with Dylan freshman year--that was all it took. Finally, somebody understood him. Brooks and Eric were fun to hang with, but they never really got Dylan. Not the way Kibbie did. Zack did not care for that nickname, but it stuck. He was an insatiable snacker, so the kids had branded him "Kibble." Great. Nicknames could be a bitch--almost impossible to shake a wussy one. So Zack was smart about it. He quit fighting the tag and adapted it. Kibble, KiBBz, Lord Kibbz--the last one wasn't bad at all.
Zack and Dylan's teacher gave them a lot of free study time. Eric would wander from the adjoining room. At first he came around to chat with Dylan, but pretty soon all three were cutting up. They played Doom, bowled, did sleepovers, went to ball games and drag races at Bandimere Speedway. They made fun of dumb kids and ignorant adults. Computer illiterates were the worst, especially when some fool put them in front of a class. The boys watched a ton of movies: lots of action and horror and science fantasy. They cruised the mall to pick up chicks. Eric did the talking. Zack and Dylan hung back and followed his lead.
Dylan joined the theater group. He was too shy for the stage, but he worked lights and sound. Eric had no interest in that. They got close with Nate Dykeman and Chris Morris, too. Mostly they hung at Dylan's. "His parents were so nice to me," Nate said. "Either they'd get doughnuts for me or they'd be making crepes or omelets." Dylan also looked after his houseguests, worried about whether they were having a good time.
At Eric's, it was totally strict when the major got home, but until then Eric had free rein down in the basement, where he'd set up his bedroom. They had girls over, and showed off how they nailed garden crickets with the BB gun.
Friendships came and went, but the bond between Zack and Dylan grew stronger. They were snarky, clever, and seething with teenage anger, but way too timid to show it.
Dylan and Zack needed Eric. Someone had to do the talking. Eric needed an audience; he also craved excitement. He was cool and detached, tough to rattle. Nothing seemed to faze him. Dylan was an unlit fuse. Eric led the parade. Perfect fit.
They were a threesome now.
____
Eric kept improving his Doom skills. When he got bored with the images id Software provided, Eric invented his own, sketching a menagerie of heroes and villains on his notepads. He hacked into the software and created new characters, unique obstacles, higher levels, and increasingly elaborate adventures. He created muscle-bound mutants with aviator-sunglass eyes, and hulk-sized demons with ox horns, claws, and fangs. Many of his warriors were decked out in medieval armor and submachine guns; one was blessed with flamethrowers for forearms. Victims were frequently on fire or freshly decapitated; sometimes they held their own head in their hands. Eric's creations were unparalleled, in his view. "In this day and age it can be hard to find a skill that can be completely dominated and mastered," he wrote in one assignment. "But I believe that I will always be the best at Doom creativity."
Eric enjoyed the act of creation. "I often try to create new things," he wrote in a freshman English paper titled "Similarities Between Zeus and I." He hailed both of them as great leaders, finding no fault in their pettiness or malice but identifying common inclinations. "Zeus and I also get angry easily and punish people in unusual ways," he wrote.
26. Help Is on the Way
Dave Sanders's daughters were angry. Before they got confirmation that their dad was dead, they heard disturbing stories about his final hours.
"My concern is that my dad was left there," Angie Sanders told an Australian newspaper. "[He] was still alive and not helped."
The impression her family was getting was that twelve victims had been goners once the bullets left the chambers, but Dave Sanders had held on for well over three hours. From what Angie understood, her father could have been saved.
Dave's daughters began looking into the reports but kept their mouths shut around their mother. They had to keep the TV off when she was awake. They snatched newspapers off the doorstep and magazines out of the mailbox. They had to protect Linda. She was already a wreck.
Dave Sanders was just a few feet from safety when the first shot hit him. He saw the killers, spun around, and ran for the corner, trying to save a few more students on the way there. One bullet got him in the back. It tore through his rib cage and exited through his chest. The other bullet entered through the side of his neck and came out his mouth, lacerating his tongue and shattering several teeth. The neck wound opened up one of his carotid arteries, the major blood routes to the brain. The shot to his back clipped his subclavian vein, a major vessel back to the heart. There was a lot of blood.
Everyone had been guessing which way was the safest to run. Rich Long, who was head of the technology department and a good friend of Dave's, had chosen an opposite route. He first heard the shooting from the library, told students to get out, and directed a group down the main stairway right into the cafeteria, unaware that hundreds had just fled from that location. Toward the bottom of the stairs, they saw bullets flying outside the windows and reversed course. At the top of the stairs, they turned left, away from the library and into the science wing, which also included the music rooms. They
arrived just in time to see Dave get shot.
Dave crashed into the lockers, then collapsed on the carpet. Rich and most of the students dove for the floor. Now Dave was really desperate.
"He was on his elbows trying to direct kids," one senior said.
Eric and Dylan were both firing. They were lobbing pipe bombs down the length of the hall.
"Dave, you've got to get up!" Rich yelled. "We've got to get out of here."
Dave pulled himself up, staggered a few feet around the corner. Rich hurried over. As soon as he was out of the line of fire, he ducked his shoulder under Dave's arm. Another teacher got Dave from the other side, and they dragged him to the science wing, just a dozen feet away.
"Rich, they shot me in the teeth," Dave said.
They moved past the first and second classrooms, then entered Science Room 3.
"The door opened, and Mr. Sanders [comes] in and starts coughing up blood," sophomore Marjorie Lindholm said. "It looked like part of his jaw was missing. He just poured blood."
The room was full of students. Their teacher had gone out to the hallway to investigate. When he came back, he told them to forget the test and ordered everybody up against the wall. The classroom door had a glass pane. To shooters who might be stalking through the halls, the room would appear empty if everyone huddled along the interior perimeter.