Love was the most common word in Dylan's journal. Eric was filling his Web site with hate.
____
When Fuselier examined a crime, one of his primary tactics was to begin ruling out motives. Dylan seemed like a classic depressive, but Fuselier had to be sure. With both Columbine killers, an obvious question loomed: Were they insane? Most mass murderers act deliberately--they just want to hurt people--but some truly can't help themselves. Fuselier would describe those killers as psychotic. A broad term, psychotic covers a spectrum of severe mental illnesses, including paranoia and schizophrenia. Psychotics can grow deeply disoriented and delusional, hearing voices and hallucinating. In severe cases, they lose all contact with reality. They sometimes act out of imaginary yet terrifying fear for their own safety, or according to instructions from imaginary beings. Fuselier saw no indication of any of that here.
Another possibility was psychopathy. In popular usage, any crazy killer is a called a psychopath, but in psychiatry, the term denotes a specific mental condition. Psychopaths appear charming and likable, but it's an act. They are coldhearted manipulators who will do anything for their own gain. The vast majority are nonviolent: they want your money, not your life. But the ones who turn sadistic can be monstrous. If murder amuses them, they will kill again and again. Ted Bundy, Gary Gilmore, and Jeffrey Dahmer were all psychopaths. Typically, murderous psychopaths are serial killers, but occasionally one will go on a spree. The Columbine massacre could have been the work of a psychopath, but Dylan showed none of the signs.
Fuselier continued ruling out profiles. None of the usual theories fit. Everything about Dylan screamed depressive--an extreme case, self-medicating with alcohol. The problem was how that had led to murder. Dylan's journal read like that of a boy on the road to suicide, not homicide.
Fuselier had seen murder arise from depression, but it rarely looked like this. There is usually a continuum of depressive reactions, ranging from lethargy to mass murder. Dylan seemed muddled on the languorous side. Depressives are inherently angry, though they rarely appear that way. They are angry at themselves. "Anger turned inward equals depression," Fuselier explained. Depression leads to murder when the anger is severe enough and then turns outward. Depressive outbursts tend to erupt after a debilitating loss: getting fired, dumped by a girlfriend, even a bad grade, if the depressive sees that as significant. "Most of us get angry, kick a trash can, drink a beer or two, and get over it," Fuselier explained. For 99.9 percent of the population, that's the end of it. But for a few, the anger festers.
Some depressives withdraw--from friends, family, schoolmates. Most of them get help or just get over it. A few spiral downward toward suicide. But for a tiny percentage, their own death is not enough. They perform a "vengeful suicide"--a common example is the angry husband who shoots himself in front of his wedding photo. He deliberately splatters his remains on the symbol of the marriage. The offense is directed straight at his conception of the guilty party. A tiny number of angry depressives decide to make the tormentor pay. Typically that's a wife, girlfriend, boss, or parent--someone close enough to matter. It's a rare depressive who resorts to murder, but when one does, it nearly always ends with a single person.
A few lash out in a wider circle: the wife and her friend who bad-mouthed him; the boss and some coworkers. The targets are specific. But the rarest of these angry depressives take the reasoning one step further: everyone was mean to them; everyone had a role in their misfortune. They want to lash out randomly and show us all, hurt us back and make sure we feel it. This is the gunman who opens fire on a random crowd.
Fuselier had seen each of those types several times over the course of his career. Dylan didn't look like a candidate. Murder or even suicide takes willpower as well as anger. Dylan fantasized about suicide for years without making an attempt. He had never spoken to the girls he dreamed of. Dylan Klebold was not a man of action. He was conscripted by a boy who was.
34. Picture-Perfect Marsupials
Patrick Ireland was trying to learn to talk again. So frustrating. The first couple of days he couldn't manage much of anything. He struggled to spit out a single sentence, word by word, and when he had finished, it often made no sense. In his best moments, Patrick spoke like the victim of a severe stroke: slow, labored attempts would produce a single guttural syllable, then a sudden burst of sound. He could form the words in his head, but few made the passage to his mouth. Where did all the rest go? Any chance distraction could hijack the thought as it made its way to his vocal chords. Random phrases often slipped in to replace the ideas. His mom would ask how he was feeling, and he'd answer in Spanish, or recite the capitals of South American countries. His brain was never aware of the mix-up. He was sure he had just described his mood or asked for a straw, and was confused by her confusion.
Patrick's brain tended to spit out whatever was in short-term memory. He had been studying the capitals just before the shooting, and recently returned from Spain. Often the memories were more immediate. Hospital intercom announcements were constantly echoing out of Patrick's mouth, in response to unrelated questions. He had no idea he had even heard the voices in the background. Other times it was complete nonsense. "Picture-perfect marsupials" kept popping out. No one knows where that came from.
It got frustrating, for everyone. One of Patrick's first meals out of the ICU was a juicy hamburger. He was so excited about it, and couldn't wait to slather the bun with... something. Kathy gently asked him to repeat. That was annoying, but he answered with fresh gibberish. Over and over he repeated himself, more angry with each new batch of nonsense. He tried miming it, shaking the bottle--he really wanted that condiment. Kathy's sister ran downstairs and got one of everything from the cafeteria: mustard, relish, salsa--big handfuls of packets. None of that. They never did figure out what he wanted.
____
Patrick understood that he'd been shot. He knew he had gone out the window. He didn't grasp the scale of the massacre. He didn't know he had been on TV--or that television shows were interested in him. He had no idea the networks had cast him as The Boy in the Window.
Now and then, Patrick would stammer out an intelligible answer. And it would make him extremely happy. His motor skills seemed fine on the left side. If his brain could control his left hand to work a fork, why not a pen? Someone fetched a pack of markers and a whiteboard.
"Oh boy, was that a mistake," Kathy recalled.
"Big mistake," John said. "It was just scribbles. Just scribbles, absolute."
It was one thing to hear Patrick struggle. Seeing his inability sketched out in black and white, that was a shocker. It was like a diagram of a brain malfunctioning: scads of tiny neurons, misfiring randomly into nowhere.
The Irelands were also confronted with the realization that the problem lay deeper than the control centers for Patrick's vocal cords: he couldn't organize the thoughts behind them. He could respond emotionally, but he could not translate that into language, regardless of the medium.
"It frustrated him; it scared the hell out of us," John said. "He can't speak and now he can't write, and how are we going to communicate with him?"
Sometimes, with a great struggle, Patrick formed the words out loud. Sometimes that posed bigger problems. The questions could be unsettling. Urgently, he begged them to tell him one thing: "How long is this going to be?"
This?
The hospital, the recovery--he didn't have time for all this. He had finals in three weeks, he had ski season and basketball to train for, he was totally coming into his own on the basketball court. He couldn't afford to get a B. He had gone three straight years without one; he had worked his ass off again all semester, and he was acing every class. The valedictorian thing was for real now, almost in reach. He wasn't about to screw it up with this hospital crap. He was going to graduate as valedictorian.
It had been an ambitious goal. Patrick was a bright kid, but no genius. And Columbine was competitive. Some kids could cruise to easy A's,
but Patrick had to fight for some of his. Several students with unblemished records shared the valedictory title every year. He couldn't afford even one B.
The geniuses could cruise to A's without breaking a sweat. Patrick hated getting lumped in with them.
So Patrick made his parents a little uneasy when he announced his intention, freshman year, in the car, on the way to basketball practice. He didn't make a big deal out of it, and he didn't say he would try, he just said he was going to do it.
Two years later, in his hospital room, John and Kathy Ireland had let go of basketball, waterskiing, and academic honors. Walking and talking sounded ambitious.
The severity of his situation was more than Patrick could swallow. "I didn't comprehend, really," he said later.
Patrick Ireland did not see a television or a newspaper the first week. He didn't realize his family was protecting him or how big the Columbine tragedy was. He had no idea the whole country was watching. He didn't even know who had died.
The first indication of what he was involved in came when friends called to check on him from Europe. He had gone on a class trip a month earlier and stayed with a family near Madrid. Now they were worried about him. Patrick was taken aback. They were hearing about this in Spain?
Seven days out, he transferred to Craig Hospital. He began rehab and was quickly scooting around the hospital in a wheelchair. He returned from therapy one day and turned on the TV. It was the news, they were listing the people killed. They showed Corey DePooter's picture. Patrick was stunned. Corey was one of his best friends. They had started in the library together, but gotten separated when the noises first started outside and Corey went to investigate. Patrick had never seen him since.
"I started bawling," Patrick said later. "I think that was the first time I cried."
The staff at Craig was not pushing for a first step--just a little movement. If he could get control of that leg and lift it up off the mattress, there was hope. His leg was fine. All the neural pathways up and down his spinal cord were intact. Signals passed unimpeded to the muscles wrapped around his femur. Millions of tiny nerve endings continued transmitting sensory data along the length of his thigh.
Patrick knew, intellectually, that all that fine machinery was functional. But he couldn't reach it. There was just the tiniest little gap in the network inside his brain. Somewhere inside his head he could feel himself issue the command. He felt it moving in there, but then it got lost. He squeezed his eyes, squeezed his brain, tried to force it. Squeezing didn't help. The leg refused.
____
Something was missing. The makeshift memorials in Clement Park had grown enormous over the first few days. Hundreds of thousands of flowers were piled up with poems, drawings, and teddy bears. Letter jackets, jewelry, and wind chimes added sprinkles of individuality. The district rented several warehouses to store them.
It wasn't enough. The survivors didn't know what they needed, or where or why, exactly, but they needed something. They were searching for a symbol, and they knew it immediately when it came.
Seven days after the massacre, shortly before sunset, a row of fifteen wooden crosses rose up along the crest of Rebel Hill. They stood seven feet high, three feet wide, and were spaced evenly along the length of the mesa. Clement Park's floodlights lit up the low-hanging clouds behind them, and the crosses cast an eerie silhouette against the thunderheads. The tips seemed to glow. They were startling, too, for their imperfections. The dimensions seemed a little off: the crossbeams looked far too short, and were branched too close to the top. Some were planted poorly, leaning badly to one side. Within hours, the arms dangled beads, ribbons, rosaries, placards, flags, and so many blue and white balloons.
Over the next five days, 125,000 people trekked up the hill to reach the crosses. They trudged through the mud as a vicious storm pounded the hill. They tore away the grass. Many waited two hours in the rain just to begin the climb. It felt like a pilgrimage.
The crosses had come from Chicago. A short, pudgy carpenter built them out of pine he got at Home Depot. He drove them to Colorado in a pickup, planted them on the hill, and drove back. He'd taped a black-and-white photo of one victim or killer to each cross, and he left a pen dangling from each one to encourage graffiti.
"I couldn't believe how fast people came up and started putting stuff around them," an onlooker said. Soon each cross had sprouted a pile covering the base and making its way up to the arms. Christian dog tags were popular, with phrases like "God Is Awesome" and "Jesus Lives." Several crosses were wrapped head to foot in flowers, others dressed in shirts and jackets and pants.
On thirteen crosses, the messages were loving and uncontroversial. The killers' crosses hosted a bitter debate: "HATE BREEDS HATE." "How can anyone forgive you?"
"I forgive you," someone responded. Half the messages were conciliatory: "Sorry we all failed you." "No one is to blame."
It was exactly as Tom and Sue Klebold had feared. If they had buried Dylan, his grave would look like that.
A woman told a reporter she'd been spit on for grieving for the killers, then shoved into the mud. A woman with a baby wrote "Evil Bastard" on Dylan's cross. The crowd didn't like it. Then she wrote it again. Two teenage girls approached her; crying, they begged her to stop. Someone began singing "Amazing Grace." Soon much of the hillside was belting out the refrain. The woman left.
"The crosses ask an implicit question," Rocky Mountain News columnist Mike Littwin wrote. "Are you ready to forgive? When I first saw the crosses and understood what they meant, I wondered if it was too soon even to ask that question. Most people wouldn't have defaced the cross, but many would have been tempted. Do those crosses defile what has become sacred ground?"
Hell yes, Brian Rohrbough said. Just when he thought the pain couldn't get any worse, some jerk had raised a shrine to his son's murderer. Who could be that cruel?
Despite the flare-ups, controversy was the exception. One woman marveled at the forgiveness in her community. "How many other places would allow this and not have taken [Eric and Dylan's crosses] out of the ground already?" she asked.
Saturday's edition of the Rocky led with a three-word headline: DAD DESTROYS CROSSES. A haunting photo captured thirteen remaining tributes, with two stark gaps. Eric and Dylan's crosses had lasted three days.
"You don't cheapen what Christ did for us by honoring murderers with crosses," Brian said. "There's nowhere in the Bible that says to forgive an unrepentant murderer. Most Christians don't know that. These fools have come out saying 'Forgive everyone.' You don't repent, you don't forgive them--that's what the Bible says."
Rohrbough divided the community. Some people understood his anger. Others found his response a little harsh. "People need to learn to forgive," a woman on the hill told the Rocky. But then she thought for a moment. "I can understand his rage."
Brian's first response was not to destroy the two crosses. He initially affixed each one with a sign saying "Murderers burn in hell."
The park district took them down. Officials said they had also removed a teddy bear smeared with ketchup and were prohibiting anything obscene.
Brian conferred with his ex-wife, Sue, and her husband, Rich Petrone. They agreed to a united front on everything. Rich called several officials: Sheriff Stone; Dave Thomas, the DA; and the man in charge of the parks department.
"The three of them said those crosses shouldn't be there; we're going to take them down--give us until tomorrow at five and we promise you they'll be gone," Brian said. He and the Petrones went to the hill at five and nothing had happened. "So we decided, let's just go take care of this," Brian said. "We don't need to put up with this stuff."
Brian wanted those symbols out, and he wanted the world to see it. He called CNN and a crew filmed it. "It wasn't going be done in darkness," Brian said.
Brian and the Petrones hauled the crosses away, hacked them into little pieces, and then tossed the rubble into a Dumpster.
"We got back and we were sit
ting there talking about it, and the phone rings," Brian recalled. "It was Thomas: 'Just give us a little more time.' And Rich says, 'Nope, we've already taken care of it.'"
Brian took charge of his tragedy that day. He discovered the power of being Danny Rohrbough's dad. From that day forward, he would not hesitate to wield it.
But this particular battle was just getting under way. The carpenter drove back from Chicago and pulled out the thirteen remaining crosses. Now Brian Rohrbough was really fuming. The cruelest man of the aftermath had returned to tear down the monument to his son. Rohrbough also sensed opportunism. "I question his motives," he said.
Brian had good instincts. The carpenter had made a family business out of similar stunts. He returned with a new set of crosses, and a pack of media on his heels. The highlight was a joint appearance with Brian on The Today Show. The showman apologized profusely and offered a series of solemn vows: he would never build another cross for the killers, or for any killer, and he would drive around the country removing several he had erected in the past.
He broke every promise. He built fifteen new crosses and took them on a national tour. He milked his celebrity for years. Brian Rohrbough returned to cursing him: "The opportunist, the great [carpenter], the most hateful, despicable person who would come to someone else's tragedy."
The world forgot the carpenter. Few had noted his name. Most never knew what a huckster he was, or the lies he told, or the pain he inflicted. But they remember his crosses fondly. They recall the comfort that they found.
35. Arrest
Eric was a thief now. He had a set of Rent-a-Fence signs. He liked the feeling, he wanted more. Junior year, the boys got right to work. Eric and Dylan and Zack hacked into the school computer and commandeered a list of locker combinations. They began breaking in. They got sloppy. On October 2, 1997, they got caught. They were sent to the dean, who suspended them for three days.