Table of Contents
Title Page
Copyright Page
Dedication
CHAPTER ONE - Marriage and Surprises
CHAPTER TWO - Marriage and Expectation
CHAPTER THREE - Marriage and History
CHAPTER FOUR - Marriage and Infatuation
CHAPTER FIVE - Marriage and Women
CHAPTER SIX - Marriage and Autonomy
CHAPTER SEVEN - Marriage and Subversion
CHAPTER EIGHT - Marriage and Ceremony
Acknowledgements
ALSO BY ELIZABETH GILBERT
PILGRIMS
STERN MEN
THE LAST AMERICAN MAN
EAT, PRAY, LOVE:
One Woman's Search for Everything
Across Italy, India and Indonesia
VIKING
Published by the Penguin Group
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First published in 2010 by Viking Penguin,
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Copyright (c) Elizabeth Gilbert, 2010
All rights reserved
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Gilbert, Elizabeth, date.
Committed : a skeptic makes peace with marriage / Elizabeth Gilbert.
p. cm.
eISBN : 978-1-101-18983-2
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Para J.L.N.--o meu coroa
There is no greater risk than matrimony.
But there is nothing happier than a happy marriage.
BENJAMIN DISRAELI, 1870,
IN A LETTER TO QUEEN VICTORIA'S DAUGHTER LOUISE,
CONGRATULATING HER ON HER ENGAGEMENT
A Note to the Reader
A few years ago, I wrote a book called Eat, Pray, Love, which told the story of a journey I had taken around the world, alone, after a bad divorce. I was in my midthirties when I wrote that book, and everything about it represented a huge departure for me as a writer. Before Eat, Pray, Love, I had been known in literary circles (if I was known at all) as a woman who wrote predominantly for, and about, men. I'd been working for years as a journalist for such male-focused magazines as GQ and Spin, and I had used those pages to explore masculinity from every possible angle. Similarly, the subjects of my first three books (both fiction and nonfiction) were all supermacho characters: cowboys, lobster fishermen, hunters, truckers, Teamsters, woodsmen . . .
Back then, I was often told that I wrote like a man. Now, I'm not entirely sure what writing "like a man" even means, but I do believe it is generally intended as a compliment. I certainly took it as a compliment at the time. For one GQ article, I even went so far as to impersonate a man for a week. I cropped my hair, flattened my breasts, stuffed a birdseed-filled condom down my pants, and affixed a soul patch beneath my lower lip--all in an effort to somehow inhabit and comprehend the alluring mysteries of manhood.
I should add here that my fixation with men also extended into my private life. Often this brought complications.
No--always this brought complications.
Between my romantic entanglements and my professional obsessions, I was so absorbed by the subject of maleness that I never spent any time whatsoever contemplating the subject of femaleness. I certainly never spent any time contemplating my own femaleness. For that reason, as well as a general indifference toward my own well-being, I never became very familiar to myself. So when a massive wave of depression finally struck me down around the age of thirty, I had no way of understanding or articulating what was happening to me. My body fell apart first, then my marriage, and then--for a terrible and frightening interval--my mind. Masculine flint offered no solace in this situation; the only way out of the emotional tangle was to feel my way through it. Divorced, heartbroken, and lonely, I left everything behind and took off for a year of travel and introspection, intent on scrutinizing myself as closely as I'd once studied the elusive American cowboy.
Then, because I am a writer, I wrote a book about it.
Then, because life is really strange sometimes, that book became a megajumbo international best seller, and I suddenly found myself--after a decade spent writing exclusively about men and maleness--being referred to as a chick-lit author. Again, I'm not entirely sure what "chick-lit" even means, but I'm pretty certain it's never intended as a compliment.
In any case, people ask me all the time now whether I saw any of this coming. They want to know if, as I was writing Eat, Pray, Love, I had somehow anticipated how big it would become. No. There was no way in the world I could possibly have predicted or planned for such an overwhelming response. If anything, I'd been hoping as I wrote the book that I'd be forgiven for writing a memoir at all. I had only a handful of readers, it was true, but they were loyal readers, and they had always liked the stalwart young lady who wrote tough-minded stories about manly men doing manly things. I did not anticipate that those readers would enjoy a rather emotional first-person chronicle about a divorced woman's quest for psychospiritual healing. I hoped they would be generous enough, though, to understand that I had needed to write that book for my own personal reasons, and maybe everyone would let it slide, and then we could all move on.
That was not how things turned out.
(And just to be clear: The book that you are now holding is not a tough-minded story about manly men doing manly things either. Never let it be said that you were not warned!)
Another question people ask me all the time these days is how Eat, Pray, Love has changed my life. That one is difficult to answer because the scope has been so massive. A useful analogy from my childhood: When I was little, my parents once took me to the American Museum of Natural History in New York City. We stood there together in the Hall of Oceans. My dad pointed up toward the ceiling at the life-sized model of the great blue whale that hung suspended over our heads. He tried to impress upon me the size of this gargantuan creature, bu
t I could not see the whale. I was standing right underneath the whale, mind you, and I was staring directly up at the whale, but I could not absorb the whale. My mind had no mechanism for comprehending something so large. All I could see was the blue ceiling and the wonderment on everyone else's faces (obviously something exciting was happening here!), but I could not grasp the whale itself.
That's how I feel sometimes about Eat, Pray, Love. There came a point in that book's trajectory when I could no longer sanely absorb its dimensions, so I gave up trying and turned my attention to other pursuits. Planting a garden helped; there's nothing like picking slugs off your tomato plants to keep things in perspective.
That said, it has been a bit of a perplexity for me to figure out how, after that phenomenon, I would ever write unself-consciously again. Not to act all falsely nostalgic for literary obscurity, but in the past I had always written my books in the belief that very few people would read them. For the most part, of course, that knowledge had always been depressing. In one critical way, though, it was comforting: If I humiliated myself too atrociously, at least there wouldn't be many witnesses. Either way, the question was now academic: I suddenly had millions of readers awaiting my next project. How in the world does one go about writing a book that will satisfy millions? I didn't want to blatantly pander, but I also didn't want to dismiss out of hand all those bright, passionate, and predominantly female readers--not after everything we'd been through together.
Uncertain of how to proceed, I proceeded anyhow. Over the course of a year, I wrote an entire first draft of this very book--five hundred pages--but I realized immediately upon completion that it was somehow wrong. The voice didn't sound like me. The voice didn't sound like anybody. The voice sounded like something coming through a megaphone, mistranslated. I put that manuscript away, never to be looked at again, and headed back out to the garden for some more contemplative digging, poking, and pondering.
I want to make it clear here that this was not exactly a crisis, that period when I could not figure out how to write--or, at least, when I could not figure out how to write naturally. Life was really nice otherwise, and I was grateful enough for personal contentment and professional success that I wasn't about to manufacture a calamity from this particular puzzle. But it certainly was a puzzle. I even started wondering if maybe I was finished as a writer. Not being a writer anymore didn't seem like the worst fate in the world, if indeed that was to be my fate, but I honestly couldn't tell yet. I had to spend a lot more hours in the tomato patch, is all I'm saying, before I could sort this thing out.
In the end, I found a certain comfort in recognizing that I could not--cannot--write a book that would satisfy millions of readers. Not deliberately, anyhow. The fact is, I do not know how to write a beloved best seller on demand. If I knew how to write beloved best sellers on demand, I can assure you that I would have been writing them all along, because it would have made my life a lot easier and more comfortable ages ago. But it doesn't work that way--or at least not for writers like me. We write only the books that we need to write, or are able to write, and then we must release them, recognizing that whatever happens to them next is somehow none of our business.
For a multitude of personal reasons, then, the book that I needed to write was exactly this book--another memoir (with extra socio-historical bonus sections!) about my efforts to make peace with the complicated institution of marriage. The subject matter was never in doubt; it's just that I had trouble there for a while finding my voice. Ultimately I discovered that the only way I could write again at all was to vastly limit--at least in my own imagination--the number of people I was writing for. So I started completely over. And I did not write this version of Committed for millions of readers. Instead, I wrote it for exactly twenty-seven readers. To be precise, the names of those twenty-seven readers are: Maude, Carole, Catherine, Ann, Darcey, Deborah, Susan, Sofie, Cree, Cat, Abby, Linda, Bernadette, Jen, Jana, Sheryl, Rayya, Iva, Erica, Nichelle, Sandy, Anne, Patricia, Tara, Laura, Sarah, and Margaret.
Those twenty-seven women constitute my small but critically important circle of female friends, relatives, and neighbors. They range in age from their early twenties to their midnineties. One of them happens to be my grandmother; another is my stepdaughter. One is my oldest friend; another is my newest friend. One is freshly married; another two or so sorely wish to be married; a few have recently remarried; one in particular is unspeakably grateful never to have married at all; another just ended a nearly decade-long relationship with a woman. Seven are mothers; two (as of this writing) are pregnant; the rest--for a variety of reasons and with a wide range of feelings about it--are childless. Some are homemakers; others are professionals; a couple of them, bless their hearts, are homemakers and professionals. Most are white; a few are black; two were born in the Middle East; one is Scandinavian; two are Australian; one is South American; another is Cajun. Three are devoutly religious; five are utterly uninterested in all questions of divinity; most are somewhat spiritually perplexed; the others have somehow, over the years, brokered their own private agreements with God. All these women have an above-average sense of humor. All of them, at some point in their lives, have experienced heartbreaking loss.
Over many years, over many cups of tea and booze, I have sat with one or another of these dear souls and wondered aloud over questions of marriage, intimacy, sexuality, divorce, fidelity, family, responsibility, and autonomy. This book was built on the bones of those conversations. While I pieced together various pages of this story, I would find myself literally speaking aloud to these friends, relatives, and neighbors--responding to questions that sometimes dated back decades, or posing new questions of my own. This book could never have come into existence without the influence of those twenty-seven extraordinary women and I am enormously grateful for their collective presence. As ever, it has been an education and a comfort just to have them in the room.
ELIZABETH GILBERT New Jersey, 2009
CHAPTER ONE
Marriage and Surprises
MARRIAGE IS A FRIENDSHIP RECOGNIZED BY THE POLICE.
--Robert Louis Stevenson
Late one afternoon in the summer of 2006, I found myself in a small village in northern Vietnam, sitting around a sooty kitchen fire with a number of local women whose language I did not speak, trying to ask them questions about marriage.
For several months already, I had been traveling across Southeast Asia with a man who was soon to become my husband. I suppose the conventional term for such an individual would be "fiance," but neither one of us was very comfortable with that word, so we weren't using it. In fact, neither one of us was very comfortable with this whole idea of matrimony at all. Marriage was not something we had ever planned with each other, nor was it something either of us wanted. Yet providence had interfered with our plans, which was why we were now wandering haphazardly across Vietnam, Thailand, Laos, Cambodia, and Indonesia, all the while making urgent--even desperate--efforts to return to America and wed.
The man in question had been my lover, my sweetheart, for over two years by then, and in these pages I shall call him Felipe. Felipe is a kind, affectionate Brazilian gentleman, seventeen years my senior, whom I'd met on another journey (an actual planned journey) that I'd taken around the world a few years earlier in an effort to mend a severely broken heart. Near the end of those travels, I'd encountered Felipe, who had been living quietly and alone in Bali for years, nursing his own broken heart. What had followed was attraction, then a slow courtship, and then, much to our mutual wonderment, love.
Our resistance to marriage, then, had nothing to do with an absence of love. On the contrary, Felipe and I loved each other unreservedly. We were happy to make all sorts of promises to stay together faithfully forever. We had even sworn lifelong fidelity to each other already, although quite privately. The problem was that the two of us were both survivors of bad divorces, and we'd been so badly gutted by our experiences that the very idea of legal marriage--with any
one, even with such nice people as each other--filled us with a heavy sense of dread.
As a rule, of course, most divorces are pretty bad (Rebecca West observed that "getting a divorce is nearly always as cheerful and useful an occupation as breaking very valuable china"), and our divorces had been no exception. On the mighty cosmic one-to-ten Scale of Divorce Badness (where one equals an amicably executed separation, and ten equals . . . well, an actual execution), I would probably rate my own divorce as something like a 7.5. No suicides or homicides had resulted, but aside from that, the rupture had been about as ugly a proceeding as two otherwise well-mannered people could have possibly manifested. And it had dragged on for more than two years.
As for Felipe, his first marriage (to an intelligent, professional Australian woman) had ended almost a decade before we'd met in Bali. His divorce had unfolded graciously enough at the time, but losing his wife (and access to the house and kids and almost two decades of history that came along with her) had inflicted on this good man a lingering legacy of sadness, with special emphases on regret, isolation, and economic anxiety.
Our experiences, then, had left the two of us taxed, troubled, and decidedly suspicious of the joys of holy wedded matrimony. Like anyone who has ever walked through the valley of the shadow of divorce, Felipe and I had each learned firsthand this distressing truth: that every intimacy carries, secreted somewhere below its initial lovely surfaces, the ever-coiled makings of complete catastrophe. We had also learned that marriage is an estate that is very much easier to enter than it is to exit. Unfenced by law, the unmarried lover can quit a bad relationship at any time. But you--the legally married person who wants to escape doomed love--may soon discover that a significant portion of your marriage contract belongs to the State, and that it sometimes takes a very long while for the State to grant you your leave. Thus, you can feasibly find yourself trapped for months or even years in a loveless legal bond that has come to feel rather like a burning building. A burning building in which you, my friend, are handcuffed to a radiator somewhere down in the basement, unable to wrench yourself free, while the smoke billows forth and the rafters are collapsing . . .