"Hope you'll forgive me for not calling first," I said.
"Oh no, no, no, not a problem. You remember Honoria, don't you?" he said.
Honoria was hard to forget. She was dark-haired and dark-skinned, like her father, with brown eyes and a small red mouth, a mole at one corner. Honoria had received a doctorate from the Sorbonne and had taught music theory for three years at the university in Lafayette. But either her iconoclastic ways or rumors about her libertine behavior caused the university to deny her tenure. Sometimes I would see her in New Iberia's public library, by herself, her glasses perched on the end of her nose, reading until closing time.
"You want a soft drink?" Val asked.
"No, just a word with you," I replied.
Honoria got up from the piano bench and started toward the kitchen. She wore a spaghetti-strap black dress with purple shoes, and the muscles in her back were deeply tanned and looked as hard as iron when she walked.
"I didn't mean for you to leave," I said awkwardly.
"I was going to see if there was any iced tea. I thought you might like that in place of a soft drink," she said. She stared at me, waiting, the sepia-tinted light shining on the tops of her breasts.
"Don't bother," I said.
She walked away, leaving me with the illogical impression that somehow I had been rude.
"What's up?" Val said.
"You told me you didn't know Billy Joe Pitts. He says you fish on his father's lake. Why would you want to jerk me around, Val?"
"Yeah, I know Old Man Pitts. Maybe I didn't put the names together. Square with me, Dave. What are you trying to prove here?"
"I think Pitts tried to click off my switch. Your family owns the parish he works for. A guy like that doesn't take a dump without somebody's permission."
"That's a great line. You could be a screenwriter in a blink. I'm serious. I'd like to help you with that. Isn't your daughter studying literature?"
Valentine was slick. He didn't defend or attack. He treated an insult like a compliment and an adversary like a misguided friend. I had acted foolishly in coming to his house. What had I expected? For a man to agree with me when I called him a liar?
"Thanks for your time. I'll let myself out," I said.
"Don't go away mad. I'm glad you dropped by. Hey, I live in the guesthouse in back. Let's throw a steak on the grill."
"Another time," I said.
He placed his arm across my shoulders. He was almost a half head taller than I, even with a slight slouch in his posture. I tried to step away from him, without being rude, but to no avail. He pointed to an ancient parchment sealed in a glass frame on the wall. "That's our family coat of arms. The parchment is fifteenth century, but the seal goes back a thousand years earlier."
The coat of arms involved a shield, a gladius or sword a Roman legionnaire would have carried, the cross of the Crusades, and the visored helmet of a medieval knight errant.
"The family name comes from the Battle of Chalons. My ancestors got rid of their own name and substituted the name of a great event," he said. He removed his arm from my shoulder and gazed benevolently into my face. I couldn't tell if he was feigning humility or actually offering up his family history to inspire awe in others.
"Your ancestors fought against Attila the Hun?" I said.
"We probably didn't do a very good job of it. We had to fight his descendants in that delayed Teutonic migration known as World Wars One and Two."
I looked at him blankly. He had just lifted a line from F. Scott Fitzgerald's novel The Great Gatsby and used it as though it were of his own creation.
"You're not impressed?" he said.
"I had a long day. I'll be seeing you, Val."
When I shook hands with him, I felt his fingers wrap around my skin and squeeze, his eyes lingering on mine, as though he were trying to read my thoughts. "I like you, Dave," he said.
Out in the yard, I unconsciously rubbed my hand on my trousers.
The black man named Andre was picking up litter that had blown into the drive from the highway. He waved at me and I waved back. Then, in the easy sweep of wind through the trees, I heard someone behind me. I turned, expecting to see Valentine Chalons again. But it was his sister, Honoria, her black hair curved under her cheeks, a gold chain and cross askew on her chest.
Her eyes were liquid, almost luminous in the shade, her facial skin smooth, without a wrinkle or crease. She continued to look at me strangely, without speaking.
"Could I help you?" I said.
"Do you remember the night you drove me home from the dance at the country club?" she asked.
"No, I don't remember that."
"You probably wouldn't. I had to put you to bed rather than the other way around."
"I used to have blackouts, Honoria. I did a lot of things that are still inside a dark box somewhere. I don't know if I want to revisit them."
Her eyes went away from mine and came back. "My father and brother aren't afraid of you. But they are afraid of the nun," she said.
"The nun?"
"The Buddhists believe the dead don't know they're dead. So maybe some people die and go to hell and never know it. It's just another day. Like this one, now. Do you think that's true? That hell is just a place you step into on an ordinary day?"
The wind smelled of humus, lichen, the musky odor of pecan husks broken under the shoe, a sunshower on the fields across the bayou. But any poetry that might have been contained in that moment was lost when I stared into Honoria's face, convinced that human insanity was as close to our fingertips as the act of rubbing fog off a windowpane.
Honoria's eyes remained fixed on mine, expectant, somehow trusting, the redness of her mouth and the mole next to it as inviting as a poisonous flower.
chapter SEVEN
When I got back home later that evening,, Jimmie had already arrived from New Orleans and installed himself in the spare bedroom. Jimmie was a funny guy. He had earned the nickname "Jimmie the Gent" for his manners, intelligence, and sharp dress, but his success in the world was also due to the fact that, like my father and mother, he could do many things well with his hands.
As a Depression-era family we worked from what people used to call "cain't-see to cain't-see," which meant from before first light to well after sunset. My father was a natural gas pipeliner and derrick man on drilling rigs out in the Gulf, but he considered industrial work, with regular hours and paychecks, a vacation. Real work was the enterprise you did on your own, with nobody to back you up but your family. We broke corn together, butchered and smoked our own meat, strung "trot" lines baited with chicken guts through the swamp across the road, milked cows and hoed out the vegetable garden before school, calved in the early spring, trapped muskrat in the winter, sold cracklins and blackberries off the tailgate of a pickup for two bits a quart.
In the summer, Jimmie and I built board roads with our father through tidal marshland where you plodded all day through ooze that was like wet cement. In the spring, we caught crabs and crawfish by the washtub with chunks of skinned nutria, and sold them to restaurants in New Orleans for twice the price we could get in New Iberia or Lafayette.
Before she fixed our breakfast, my mother would return from the barn smelling of manure and horse sweat, a pail of frothy milk in one hand and an armful of brown eggs smeared with chickenshit clutched against her chest. Then she would pull off her shirt, scrub her hands and arms with Lava soap under the pump in the sink, and in her bra fill our bowls with cush-cush and make ham-and-onion sandwiches for our lunches.
Jimmie and I both had paper routes in New Iberia's red-light district. We set pins in the bowling alley and with our mother washed bottles in the Tabasco factory on the bayou. My father hand-built the home we lived in, notching and pegging the oak beams with such seamless craftsmanship that it survived the full brunt of a half dozen hurricanes with no structural damage. My mother ironed clothes in a laundry nine hours a day in hundred-and-ten-degree heat. She scalded and picked chicke
ns for five cents apiece in our backyard, and secretly saved money in a coffee can for two years in order to buy an electric ice grinder and start a snowball concession at the minor league baseball park.
Our parents were illiterate and barely spoke English, but they were among the most brave and resourceful people I ever knew. Neither of them would consciously set about to do wrong. But they destroyed one another just the same — my father with his alcoholism, my mother with her lust and insatiable need for male attention. Then they destroyed their self-respect, their family, and their home. They did all this with the innocence of people who had never been farther away from their Cajun world than their weekend honeymoon trip to New Orleans.
Jimmie's suitcase lay unopened on the bed in the spare room, but through the kitchen window I saw him in the backyard, wearing shined shoes, pleated dark slacks, a pomegranate-colored tie, and dazzling white dress shirt, his Rolex watchband glinting on his wrist. He had folded his sleeves up on his forearms and was screwing down a new brass hasp on Tripod's cage door. He stepped back and tested the door, then began pouring from a bag of Snuggs's dry food into Tripod's bowl.
"Snuggs might not appreciate your expression of charity at his expense," I said, walking down the steps into the yard.
"I already checked with him. He said the eats you buy him are third-rate, anyway," he replied.
I was always amazed at how much we resembled one another, even though we were only half brothers. He didn't have a white patch in his hair, as I did, and his prosthetic eye had a peculiar gleam trapped inside it, but our height, skin coloring, posture, facial structure, even the way we walked, were the same. I sometimes felt a reflection had stepped out of the mirror and would not allow me to be who I thought I was.
"I just got back from talking with Valentine Chalons. I've caught him in at least two lies," I said.
"Why does he want to lie about Ida Durbin? He wasn't even born in 'fifty-eight."
"The Chalonses supposedly had business ties to the Giacanos. The Giacanos had part of the hot pillow action in Galveston. Ida was working in one of their joints," I replied.
"That doesn't make sense. If Ida was killed by a pimp or some cops on a pad, why would the Chalonses care? They wouldn't even know her name."
"When they lie, they're guilty. Val Chalons is lying," I said.
"Maybe. Maybe not, Dave. You don't like rich guys. I'm not sure how objective you are."
I picked up Tripod and set him inside his cage. He felt heavy and solid in my hands, his tail flipping in my face. I started to speak, but this time kept my own counsel.
Jimmie latched Tripod's cage door and poked one finger through the screen to scratch his head. Jimmie's jaws were closely shaved, the small cleft in his chin filled with shadow. "I keep thinking maybe she got away from whoever abducted her. A few times I thought I heard her voice on a jukebox, singing backup maybe or even doing a solo. I always wanted to believe those demos we sent to Sun Records got her out of the life. Kind of a crazy way to think, huh?"
No different from my thoughts, I started to say. He waited for me to speak. "What are you thinking?" he asked.
"She's dead. That's why the Chalonses are running scared," I said.
"No, there's some other explanation," he replied, wagging one finger back and forth, as though he had the power to change the past.
That night I dreamed of Galveston, Texas, in the year 1958. In the dream I saw the salt-eaten frame houses where girls with piney-woods accents took on all comers for five dollars a pop, while down by the beach snub-nosed hot rods roared past a drive-in restaurant, their exposed V-8 engines chrome-plated and iridescent with an oily sheen, their twin exhausts thundering in a dirty echo off the asphalt. The sky was purple, streaked with fire, the palm trees like scorched tin cutouts against the sun. I woke at four in the morning and could not sleep again, my heart congealed with a sense of mortality that I could not explain.
In the darkness I drove to the cemetery in St. Martinville where my third wife, Bootsie, was buried. Bayou Teche was coated with fog, the crypts beaded with moisture as big as marbles. Downstream I could see the steeple of the old French church impaled against the stars, and the massive Evangeline oak under which I first kissed Bootsie Mouton and discovered how the world could become a cathedral in the time it takes for two people to press their mouths against one another.
I sat on a steel bench by Bootsie's tomb, my head in my hands, unable to pray or even to think. I did not want the sun to rise or the starlight to go out of the sky. I wanted to stay inside the darkness, the coolness of the fog, the smell of nightdamp and old brick stained with mold. I wanted to be with my dead wife.
At eight o'clock I sat down at my desk and went to work again on the case of the Baton Rouge serial killer. So far, all of his known victims had been women. Almost all of them had been abducted from their homes or driveways in upscale neighborhoods, often in broad daylight. There were no eyewitnesses. With the exception of the black woman whose body had been found not far from the convent at Grand Coteau, all of the victims had been white and educated.
One woman evidently was taken out of her front yard while she was watering her flowers. One had parked her SUV in the driveway and left a sack of groceries on the kitchen counter and another on the passenger seat of her vehicle before she disappeared. The door to the SUV was open; a solitary jar of gourmet barbecue sauce was broken on the cement.
Another victim must have opened her front door to retrieve her mail, then had spilled a handful of envelopes down the brick steps. Her three-year-old daughter, who was playing in the sunroom, wandered out on the street, looking for her mother, and was stopped from walking into traffic by a passing police officer. A female graduate student jogging along the chain lakes north of the LSU campus rounded a bend, waved at friends eating lunch on a bench, and jogged up a path between a bank of azalea bushes. She was not seen again until her body, dressed only in underwear, was found floating in a pond under a railroad trestle in the Atchafalaya Basin.
Each abduction took place when no male friend or adult family member was at the crime scene. Baton Rouge police and parish sheriff's deputies had interviewed hundreds of people in the neighborhoods where the victims had lived. The interviews had contributed absolutely nothing to the investigation. Obviously an individual who inspired trust was threading himself in and out of residential enclaves where suspicion and exclusion came with the house deed. Could a black man walk up a driveway to a four-hundred-thousand-dollar home, at three in the afternoon, and drag a woman to his vehicle and not be noticed? Could a delivery man, a telephone worker, an inspector from the gas company? Could a police officer? Could a minister wearing a Roman collar?
But no one saw a delivery or official vehicle parked near the crime scene. The black and Hispanic lawn men who worked nearby were questioned and excluded. Every known sex offender in the area was pulled in and run through the ringer. Oddly, the perpetrator had given a free pass to the groups who are usually the targets of misogynistic predators. None of his victims had been a prostitute, runaway, or barroom derelict.
None of the crime scenes showed any sign of struggle or resistance. The broken jar of gourmet barbecue sauce and the spilled mail on a woman's front steps were the only physical indications that in seconds someone's life had turned into a visit to the Abyss.
The serial killer did not have a face or a history that we knew about. His DNA was not in the national database. He had hung Fontaine Belloc's purse in a tree to taunt us and to show his contempt for her and her family. He sought out victims who were reasonably happy and at peace with the world and left society's rejects alone. His body fluids were left behind as a toxic smear on the rest of us.
I read through the autopsy report on Fontaine Belloc again. The details were not of a kind anyone wishes to remember. But one stuck in my mind and would not go away. I picked up my phone and called the office of Koko Hebert, our parish coroner. "She swallowed her wedding ring?" I said.
"From i
ts position, I'd say a couple of hours before she died," he replied.
"He forced her to eat it?"
"Not in my opinion."
"Spell it out, will you, Koko?"
"Her wrists were bound, probably with plastic cuffs. There were teeth marks on the ring finger. I think she used her teeth to work the ring off her finger and swallow it. What difference does it make?"
"Because if she was that determined to keep this bastard from taking her ring, maybe she figured out a way to leave us a message about his identity," I said, my blood rising.
"Yeah, that's a possibility, isn't it?" he replied.
I replaced the receiver in the cradle without saying good-bye.
A mockingbird flew into my window glass, flecking it with a pinpoint of white matter. I got up from the desk and looked down onto the lawn. The bird lay still in the shade, one wing at a broken angle.
It was not a good morning. And it was about to get worse.
Just before noon, Honoria Chalons called the office to ask how I was feeling.
"Excuse me?" I said.
"My first husband is buried at the church cemetery in St. Martinville. I saw you there this morning. You didn't look well. Are you all right?" she said.
"Yes, I'm fine."
"Can you have a drink with me this afternoon?"
"I traded in sour mash for AA. That was after it chewed me up and spit me out."
"So I'll buy you an iced tea."
"Another time."
"You think I'm a mentally ill person?"
"Guys like me don't get to judge other people's stability."
"The things I said to you about death yesterday? They're all true."
"I believe you."
"What I said about the nun is true, too. My father and Val genuinely fear her. They won't even go inside the little church she attends."
"Which nun are we talking about?"
"Have that drink with me?"
"Give me a number where I can call you after work," I said.