“My shrink is a pioneer in the field,” he said.
“Goodbye. I’ll call you when we develop more information.”
He tried to hide his disappointment. “Yeah, anytime,” he said. “Tell the guys you work with I’m not the problem in their lives.”
From the window, he watched her get in her car and back it around and head down the driveway and under the arch. He watched her drive down the road along the rail fence while Albert’s Foxtrotters raced beside her in the pasture. He watched her reach the south end of Albert’s ranch, marked by a grove of cottonwood trees. He watched her car disappear inside the leafy shade of the grove, the leaves flickering like thousands of green butterflies in the breeze. Then, a moment later, he saw the car reemerge, pointed back toward the house. He watched it coming up the road, the horses, all colts, running with it. He watched the car slow, the turn indicator blinking, although no other vehicles were on the road. He watched it turn under the arch and come up the driveway and stop by the garage, beyond his line of vision. He heard the driver’s door open and slam shut.
She came down the flagstone steps to his door and arrived just as he was opening it, his mouth agape.
“I left my ballpoint,” she said.
“Oh.”
“My roommate at Quantico gave it to me.”
“Yeah, I can relate to that.”
She opened her eyes wide and blew out her breath. “You up for this, chief?” she asked.
For Clete, the next few moments could be described only in terms of skyrockets bursting in the heavens or the Marine Corps band blaring out “From the Halls of Montezuma” or, on a less dramatic level, his morning angst dissolving into the sound of a lawn sprinkler fanning against his bedroom window, the smell of flowers opening in a damp garden, the throaty rush of wind in the trees, or perhaps an Asian mermaid swimming through a rainbow that arched across the entirety of the landscape.
CHAPTER 15
THAT SAME MORNING I went to the post office to pick up our mail, then into Missoula to buy new tires for my pickup. On the way back, I stopped at the cabin where J. D. Gribble lived, just over the mountain from Albert’s house. I had been there twice since Gribble had woken up in the back of Albert’s truck and had seen the man in the mask pouring gasoline on Clete Purcel. In both instances, Gribble had not been home or anywhere on the property that I could see. This time, when I parked my pickup by his cabin, I heard music, first the tail end of “Cimarron” and then “Madison Blues.”
Gribble’s door was open, and I could see him sitting in a straight-back chair, three steel picks on his right hand, a Dobro stretched across his lap. The Dobro was inset with a chrome-plated resonator, and Gribble was accompanying his chord progressions with a kazoo that he blew like a saxophone, leaning into it, totally absorbed inside his music, one booted foot patting up and down on the plank floor. His face jerked when he saw me, and he lifted the steel picks from the strings.
“Not many guys can do both Bob Wills and Elmore James,” I said.
“It was Leon McAuliffe that was the big influence. White or black, they all got their styles from him, no matter what they claim,” he said.
“I wanted to thank you for saving Clete’s life. I came up here yesterday but didn’t see you around.”
“A cougar or a bear busted the wire on the back fence, and some of the horses wandered up the hill. That deal concerning Mr. Purcel is something I’d rather not revisit.”
“Why’s that?”
“’Cause it scared the hell out of me. That FBI woman has done talked it to death, anyway. I don’t know who that guy in the mask was, and I ain’t interested in finding out. I’d just like to get shut of the whole business.”
He set the Dobro on his table and looked around, as though his exasperation were a means to confront spirits or voices that hung on the edges of his vision.
“What I’m trying to tell you is Clete and I are in your debt. You need a favor or help of some kind, we’re your guys,” I said.
He sucked in his cheeks and stared into space. “Mr. Purcel said you was in Vietnam.”
“A few months.”
“You come back with some spiders in your head?”
“A couple.”
“You spend a whole lot of time talking about it with other people?”
“No.”
“How come?”
“Because it’s not something they care to hear about or would understand.”
The sun had gone behind clouds, and it was dark and cool inside the cabin. Gribble pulled the steel picks from his fingers and dropped them in a tobacco can. He wore a denim shirt buttoned at the wrists. He brushed at his nose with his shirt cuff, his gaze turned inward. He waited a long time before he spoke. His manner, his mind-set, the opaqueness of his expression made me think of hill people I had known, or company-town millworkers, or people who did stoop labor or bucked bales or worked for decades at jobs in which a certain meanness of spirit allowed them to survive.
“I come out here to be let alone,” he said. “That’s all I ever wanted. That and my music and a woman I used to love and our Airstream trailer and the life of a rodeo man. You reckon that’s a lot to ask?”
Not seventy-five years ago, it wouldn’t have been, I thought. But I kept my own counsel. “How much does a Dobro like that cost?” I asked.
“I don’t remember,” he replied, drumming the pads of his fingers on the tabletop. When I didn’t speak, he shifted his eyes onto mine. “Something else?”
“Yeah. Can you play ‘Cimarron’ again?”
MOLLY WAS SPRINKLING the flowers in the window boxes with a watering can when I got back to our cabin. To the south, rain was falling in the valley, and in the sunlight it looked like spun glass on the trees that grew along the slopes. “I just tried to thank J. D. Gribble for saving Clete’s life. He wasn’t interested,” I said.
“Maybe he’s a humble man,” she said.
“He owns an antique Dobro. It must be worth thousands of dollars. You ought to hear him sing. His voice is beautiful. Why’s a guy like that shoveling horse flop in Lolo, Montana?”
“Did you see Clete?” she asked, changing the subject.
“No, why?”
“I just wondered,” she said.
I waited. She moved the watering can back and forth over the pansies in the window boxes, her face empty.
“What’s he done now?” I asked.
“I didn’t say he’d done anything. Besides, it’s time to stop micromanaging his life, Dave.”
“Will you stop this?”
“That FBI woman was there. She left and then came back. His secretary in New Orleans couldn’t reach him, so she called me on my cell. I went down to his apartment. No answer to the knock. Nobody in the living room or the kitchenette. As quietly as possible, I walked back here and didn’t look over my shoulder. Later, the two of them drove off in her car. Is that detailed enough?”
“You’re kidding?”
“It’s his life. We need to butt out, troop.”
“In the sack with the FBI? While she’s on duty? I can’t believe it.”
“Remind me not to have this type of conversation with you again,” she said.
But Molly didn’t get it. The problem wasn’t Clete’s romantic entanglement with a federal agent; the problem was the long-dormant investigation into the plane crash that had killed Sally Dio and his fellow lowlifes. In the eyes of some, Clete was still a suspect, and he had just managed to swim back onto the radar in the most annoying fashion he could think up.
“What?” she said, setting down the watering can on the porch. She was wearing a sundress, and in the shade, her freckled skin had a pale, powdery luminescence that made my heart quicken.
I smiled at her. “Clete is just Clete, isn’t he?” I said.
“Dave, you’re so crazy,” she replied.
I went inside and put on a pair of gym shorts, my running shoes, and a T-shirt, then jogged down the road toward the highway. Th
e sun shower had stopped and the air smelled cool and fresh, like mowed hay. A family of wild turkeys was drinking from the horse tank in Albert’s pasture, the male and female fluttering up on the aluminum rim with their chicks, the horses watching the show.
I hit it hard for half a mile, running through the dappled shade of cottonwoods, chipmunks skittering in the rocks up on the hillside, the great hulking presence of Lolo Peak rising into the sky by the Idaho line. It was a grand morning, the kind that makes you feel you shouldn’t look beyond the day you have, that it’s enough simply to be at work and play in the fields of the Lord. But I could not rid myself of my worries about Clete Purcel, nor could I stop thinking about the ordeal he had suffered on the mountainside Saturday night down in the Bitterroots.
Who was the culprit? God only knew. I’ve known sadists, sexual predators, and serial killers of every stripe. In my opinion, no matter what behavioral psychologists say, none of them fits a profile with any appreciable degree of exactitude or predictability. Searching their backgrounds for environmental explanations is a waste of time. Deprivation, abuse in the home, and alcoholism and drug addiction in the family may be factors, but they’re not the cause. Turn the situation around. In the Western world, who were the worst monsters of the twentieth century? Who tortured with glee and murdered with indifference? Stalin was an ex-seminarian. The people who fired the ovens in Auschwitz were baptized Christians.
The truth is, no one knows what makes psychopaths. They don’t share their secrets. Nor do they ever confess their crimes in their entirety, lest the confessions rob them of their deeds and the power over others those deeds have given them.
I had no doubt the man in the mask was out there, biding his time, waiting to catch Clete in an unguarded moment or vulnerable situation. Sadists and serial killers feed on trust and naïveté and do not like to be undone by their adversaries. As long as Clete remained alive, he would represent failure to the man who had tried to burn him to death.
I rounded a bend in the road and slowed to a walk in the shade of cottonwoods, my skin cool and glazed with sweat, my heart steady, my breath coming easy in my lungs. The wind was ruffling through the canopy, the sky an immaculate translucent blue, as bright and flawless as silk. I didn’t want to think any more about serial killers, about violent men and cupidity and the manipulation for political ends of uneducated and poor people whose religion was expropriated and used to hurt them. I only wanted to disconnect from the world as it is, or at least as I have come to know it.
Just when I had convinced myself that it was possible to live inside the moment, that neither the past nor the future should be allowed to lay claim to it, I saw an SUV headed toward me, a tall man in a pearl-gray western hat in the passenger seat, a woman driving.
The woman lifted a hand in recognition as they passed, then continued up the road and turned in to Albert’s driveway. The man wore a grin at the corner of his mouth, a bit like John Wayne.
ALBERT HOLLISTER KEPT his office on the main floor of his home, with a view that looked out on his barn and northern pasture and an arroyo behind the house. His bookshelves extended from the floor to the ceiling. The shelves by his writing desk were littered with Indian arrowheads and pottery shards, fifty-eight-caliber minié balls, a milk-glass doorknob from the bathroom of Boss Tweed, switchblade and trench knives, a tomahawk, nineteenth-century telegraph transformers, an IWW button, goatskin wine bags from Pamplona, and a deactivated World War II hand grenade. The office also contained a glass case for his published books and short stories and another case for his guns, which included an M16, a twelve-gauge pump, an ’03 Springfield, a ’94 lever-action Winchester, and a half-dozen sidearms.
When the couple parked the SUV by the side door, Albert was writing a short story in longhand, his thoughts deep inside the Texas City disaster of 1947. In his mind, he saw a mushroom cloud of smoke and flame rise from the Monsanto chemical plant, generating heat so great that the water in the harbor boiled. He saw liquid flame rain down in umbrella fashion on an oil field, setting off wellheads and natural-gas storage tanks like strings of firecrackers. Then the man and woman from the SUV knocked on the French doors, peering at him through the glass, the man shading the glare with one hand so he could see more clearly into Albert’s office. When Albert didn’t rise from his writing desk, the man tapped a knuckle on the glass.
“What do you want?” Albert said, getting up and opening the door.
“My name is Troyce Nix,” the man said. “We’re looking for a man by the name of Jimmy Dale Greenwood.”
“I’ve never heard of him,” Albert said.
“Can we come in a minute?” the man asked.
“What for?”
“I just told you,” Nix said.
“It’s obvious I’m busy.”
“It’s important, Mr. Hollister.”
Albert hesitated, glancing at the woman, looking back at the man, the western clothes, the grainy skin, the long sideburns, the mirrored sunglasses protruding from his shirt pocket. The man’s physical stature and his posture and manner conjured up memories in Albert that were like someone scratching a match across his stomach lining. Deal with it now, not later. Don’t let a guy like this get behind you, he heard a voice say inside his head.
“Go around front,” he said, and closed the door. A moment later, he let Nix and the woman into the living room, both of them a bit awed by the elevated view of the Bitterroot Mountains, massive and blue-green and strung with clouds.
“You got you a nice place,” Nix said.
“Who sent you out here?” Albert said.
“I’m looking for this man here,” Nix replied, handing a photograph to Albert, ignoring the question.
“What makes you think I know him?” Albert said, not looking at the photo.
“Folks here’bouts say you help out guys on the drift or people that’s down and out.”
“The bottom of this photograph has been cut off,” Albert said.
“Have you seen Greenwood? He’s a breed. Wiry guy with a soft voice.”
“Why is the bottom of this picture cut off?”
“It had more information on it than people need to see. I just want to know where the man is at and talk with him.”
“I don’t know him,” Albert said, returning the mug shot to Troyce Nix.
“You didn’t look at it.”
“I don’t have to. I don’t know anybody named Jimmy Dale Greenwood.”
“You want to know what he did?”
“It’s not my business.”
“I guess we disturbed you in your work. Sorry about that,” Nix said.
“No, you’re not.”
“Say again?”
“If you were sorry, you wouldn’t have come out without ringing me first.”
Nix grinned. “I heard you were a crusty one. Can Candace have a glass of water?”
Regardless of the transparency of Nix’s attempt at manipulation, Albert filled a glass at the kitchen tap for the woman and put ice in it and brought it back into the living room.
“That’s maple in your floor?” she said.
Albert said it was.
“The way it catches the light is pretty,” she said. “Did your wife put all the flowers on the mantel?”
“My wife died three years ago. She used to put flowers there, in front of the mirror and on the breakfast table, too. So now I do it for her.”
Candace Sweeney lowered her eyes, her cheeks coloring. Then she looked out the window at the mountains again, the long slope of the meadow dipping into the distance. “This valley is a paradise. Are there a lot of wild animals here?”
“Elk and white-tail and some mule deer. A few cougars up on the ridge. A few wild turkeys. A moose comes down occasionally.”
“You hunt the animals?” she said, a line creasing across her brow.
“I don’t allow hunters on the property. Not any kind, not under any circumstances,” Albert said, shifting his eyes onto Troyce Nix.
/> “I read a couple of your books. I thought they were pretty good,” Troyce said.
Albert nodded but didn’t reply.
“You never asked me what I do for a living,” Troyce said.
“I already know what you do.”
“Oh?”
“You’re not a lawman, or you would have rolled a badge on me. But you’re connected to the law, at least in some fashion. From the look of you, I’d say you’re a gunbull, or you used to be. Maybe you were an MP or a chaser in the Marine Corps. But you’ve been a hack someplace.”
“Not many people use terms like ‘hack’ or ‘gunbull,’” Troyce said.
“I know them because I served time on a Florida road gang when I was eighteen. Most of the gunbulls weren’t bad men. They’d work the hell out of us, but that was about all. A couple of them were otherwise, men who were cruel and sexually perverse.”
Troyce Nix had never looked into a pair of eyes that were as intense as Albert Hollister’s. He took a business card from his pocket and wrote on the back of it. “I’m leaving you my cell number in case Jimmy Dale Greenwood should knock at your door. I’m putting down the name of our motel, too.”
“Give it to somebody who has need of it.”
Nix twirled his hat one revolution on his index finger, then his eyes crinkled at the corners. “Thanks for the glass of water,” he said. He set his business card down on a table.
“You don’t need to thank me for anything,” Albert replied.
He opened the heavy oak door for Nix to leave. Without saying goodbye or shaking hands or watching Nix and the woman leave, he walked back into the kitchen, hoping that somehow the world that his two visitors represented would exit from his life as easily as they had walked into it. He heard the lock click shut in the jamb, the wall vibrate slightly with the weight of the door swinging into place. He propped his arms on the marble counter and stared at the mountains at the south end of the valley, wondering why his age seemed to bring him neither wisdom nor peace. A moment later, the door chimes rang. He opened the door again and looked into Candace Sweeney’s face. With her tattoos and her jeans that were too tight, the pant legs stuffed in a pair of cowboy boots, she reminded him of the girls he had known years ago when he was on the drift, riding flat-wheelers, sleeping in oil-field flophouses, bucking bales and harvesting beets and hops.