On paper Frank is making more money than he ever has; yet they seem to have less to spend. They could always sell the farm, she supposes, to people from the city who would use it as a weekend place; they could get what seems like a very high price, several of the farms south of them have gone that way. But Mrs. Burridge does not have much faith in money; also it is a waste of the land, and this is her home, she has it arranged the way she wants it.
When the second batch is on and simmering she goes to the back door, opens it, and stands with her arms folded across her stomach, looking out. She catches herself doing this four or five times a day now and she doesn't quite know why. There isn't much to see, just the barn and the back field with the row of dead elms Frank keeps saying he's going to cut down, and the top of Clarke's place sticking over the hill. She isn't sure what she is looking for but she has the odd idea she may see something burning, smoke coming up from the horizon, a column of it or perhaps more than one column, off to the south. This is such a peculiar thought for her to have that she hasn't told it to any one else. Yesterday Frank saw her standing at the back door and asked her about it at dinner; anything he wants to talk to her about he saves up till dinner, even if he thinks about it in the morning. He wondered why she was at the back door, doing nothing at all for over ten minutes, and Mrs. Burridge told him a lie, which made her very uneasy. She said she heard a strange dog barking, which wasn't a good story because their own dogs were right there and they didn't notice a thing. But Frank let it pass; perhaps he thinks she is getting funny in her old age and doesn't want to call attention to it, which would be like him. He'll track mud all over her nice shiny kitchen floor but he'd hate to hurt anyone's feelings. Mrs. Burridge decides, a little wistfully, that despite his pig-headedness he is a kind and likable man, and for her this is like renouncing a cherished and unquestionable belief, such as the flatness of the earth. He has made her angry so many times.
When the pickles are cool she labels them as she always does with the name and the date and carries them down the cellar stairs. The cellar is the old kind, with stone walls and a dirt floor. Mrs. Burridge likes to have everything neat - she still irons her sheets - so she had Frank build her some shelves right after they were married. The pickles go on one side, jams and jellies on the other, and the quarts of preserves along the bottom. It used to make her feel safe to have all that food in the cellar; she would think to herself, well, if there's a snowstorm or anything and we're cut off, it won't be so bad. It doesn't make her feel safe any more. Instead she thinks that if she has to leave suddenly she won't be able to take any of the jars with her, they'd be too heavy to carry.
She comes back up the stairs after the last trip. It's not as easy as it used to be, her knee still bothers her as it has ever since she fell six years ago, she tripped on the second-last step. She's asked Frank a million times to fix the stairs but he hasn't done it, that's what she means by pig-headed. If she asks him more than twice to do something he calls it nagging, and maybe it is, but who's going to do it if he won't? The cold vacant hole at the back of this question is too much for her.
She has to stop herself from going to the back door again. Instead she goes to the back window and looks out, she can see almost the same things anyway. Frank is going towards the barn, carrying something, it looks like a wrench. The way he walks, slower than he used to, bent forward a little - from the back he's like an old man, how many years has he been walking that way? - makes her think, He can't protect me. She doesn't think this on purpose, it simply occurs to her, and it isn't only him, it's all of them, they've lost the power, you can tell by the way they walk, They are all waiting, just as Mrs. Burridge is, for whatever it is to happen. Whether they realize it or not. Lately when she's gone to the Dominion Store in town she has seen a look on the faces of the women there - she knows most of them, she wouldn't be mistaken - an anxious, closed look, as if they are frightened of something but won't talk about it. They're wondering what they will do, perhaps they think there's nothing they can do. This air of helplessness exasperates Mrs. Burridge, who has always been practical.
For weeks she has wanted to go to Frank and ask him to teach her how to use the gun. In fact he has two guns, a shotgun and a twenty-two rifle; he used to like going after a few ducks in the fall, and of course there are the groundhogs, they have to be shot because of the holes they make in the fields Frank drives over on the tractor five or six times a year. A lot of men get injured by overturning tractors. But she can't ask him because she can't explain to him why she needs to know, and if she doesn't explain he will only tease. "Anyone can shoot a gun," he'll say, "all you have to do is pull the trigger ... oh, you mean you want to hit something, well now, that's different, who you planning to kill?" Perhaps he won't say that; perhaps this is only the way he talked twenty years ago, before she stopped taking an interest in things outside the house. But Mrs. Burridge will never know because she will never ask. She doesn't have the heart to say to him, Maybe you'll be dead. Maybe you'll go off somewhere when it happens, maybe there will be a war. She can remember the last war.
Nothing has changed outside the window, so she turns away and sits down at the kitchen table to make out her shopping list. Tomorrow is their day for going into town. She tries to plan the day so she can sit down at intervals; otherwise her feet start swelling up. That began with Sarah and got worse with the other two children and it's never really gone away. All her life, ever since she got married, she has made lists of things that have to be bought, sewed, planted, cooked, stored; she already has her list made for next Christmas, all the names and the gift she will buy for each, and the list of what she needs for Christmas dinner. But she can't seem to get interested in it, it's too far away. She can't believe in a distant future that is orderly like the past, she no longer seems to have the energy; it's as if she is saving it up for when she will have to use it.
She is even having trouble with the shopping list. Instead of concentrating on the paper - she writes on the backs of the used-up days off the page-a-day calendar Frank gives her every New Year's - she is gazing around the kitchen, looking at all the things she will have to leave behind when she goes. That will be the hardest part. Her mother's china, her silver, even though it is an old-fashioned pattern and the silver is wearing off, the egg timer in the shape of a chicken Sarah gave her when she was twelve, the ceramic salt-and-pepper shakers, green horses with perforated heads, that one of the other children brought back from the Ex. She thinks of walking up the stairs, the sheets folded in the chest, the towels stacked neatly on the shelves, the beds made, the quilt that was her grandmother's, it makes her want to cry. On her bureau, the wedding picture, herself in a shiny satin gown (the satin was a mistake, it emphasized her hips), Frank in the suit he has not worn since except to funerals, his hair cut too short on the sides and a surprising tuft at the top, like a woodpecker's. The children when they were babies. She thinks of her girls now and hopes they will not have babies; it is no longer the right time for it.
Mrs. Burridge wishes someone would be more precise, so she could make better plans. Everyone knows something is going to happen, you can tell by reading the newspapers and watching the television, but nobody is sure what it will be, nobody can be exact. She has her own ideas about it though. At first it will simply become quieter. She will have an odd feeling that something is wrong but it will be a few days before she is able to pin it down. Then she will notice that the planes are no longer flying over on their way to the Malton Airport, and that the noise from the highway two miles away, which is quite distinct when the leaves are off the trees, has almost disappeared. The television will be non-committal about it; in fact, the television, which right now is filled with bad news, of strikes, shortages, famines, layoffs and price increases, will become sweet-tempered and placating, and long intervals of classical music will appear on the radio. About this time Mrs. Burridge will realize that the news is being censored as it was during the war.
Mrs. Burri
dge is not positive about what will happen next; that is, she knows what will happen but she is not positive about the order. She expects it will be the gas and oil: the oil delivery man will simply not turn up at his usual time, and one morning the corner filling station will be closed. Just that, no explanations, because of course they - she does not know who "they" are, but she has always believed in their existence - they do not want people to panic. They are trying to keep things looking normal, possibly they have already started on this program and that is in fact why things still do look normal. Luckily she and Frank have the diesel fuel tank in the shed, it is three-quarters full, and they don't use the filling station anyway, they have their own gas pump. She has Frank bring in the old wood stove, the one they stored under the barn when they had the furnace and the electricity put in, and for once she blesses Frank's habit of putting things off. She was after him for years to take that stove to the dump. He cuts down the dead elms, finally, and they burn them in the stove.
The telephone wires are blown down in a storm and no one comes to fix them; or this is what Mrs. Burridge deduces. At any rate, the phone goes dead. Mrs. Burridge doesn't particularly mind, she never liked using the phone much anyway, but it does make her feel cut off.
About now men begin to appear on the back road, the gravel road that goes past the gate, walking usually by themselves, sometimes in pairs. They seem to be heading north. Most of them are young, in their twenties, Mrs. Burridge would guess. They are not dressed like the men around here. It's been so long since she has seen anyone walking along this road that she becomes alarmed. She begins leaving the dogs off their chains, she has kept them chained at night ever since one of them bit a Jehovah's Witness early one Sunday morning. Mrs. Burridge doesn't hold with the Witnesses - she is United - but she respects their perseverance, at least they have the courage of their convictions which is more than you can say for some members of her own church, and she always buys a Watchtower. Maybe they have been right all along.
It is about this time too that she takes one of the guns, she thinks it will be the shotgun as she will have a better chance of hitting something, and hides it, along with the shells, under a piece of roofing behind the barn. She does not tell Frank; he will have the twenty-two. She has already picked out the spot.
They do not want to waste the little gasoline they still have left in the pump so they do not make unnecessary trips. They begin to eat the chickens, which Mrs. Burridge does not look forward to. She hates cleaning and plucking them, and the angriest she ever got at Frank was the time he and Henry Clarke decided to go into turkey farming. They did it too, despite all she had to say against it, and she had to cope with the turkeys escaping and scratching in the garden and impossible to catch, in her opinion they were the stupidest birds in God's creation, and she had to clean and pluck a turkey a week until luckily the blackhead wiped out a third of the flock, which was enough to discourage them, they sold off the rest at a loss. It was the only time she was actually glad to see Frank lose money on one of his ventures.
Mrs. Burridge will feel things are getting serious on the day the electricity goes off and does not come back on. She knows, with a kind of fatalism, that this will happen in November, when the freezer is full of the vegetables but before it is cold enough to keep the packages frozen outside. She stands and looks at the pliofilm bags of beans and corn and spinach and carrots, melting and sodden, and thinks, Why couldn't they have waited till spring. It is the waste, of food and also of her hard work, that aggravates her the most. She salvages what she can. During the Depression, she remembers, they used to say those on farms were better off than those in the city, because at least they had food; if you could keep the farm, that is; but she is no longer sure this is true. She feels beleaguered, isolated, like someone shut up inside a fortress, though no one has bothered them, in fact no one has passed their way for days, not even any of the solitary walking men.
With the electricity off they can no longer get the television. The radio stations, when they broadcast at all, give out nothing but soothing music, which Mrs. Burridge does not find soothing in the least.
One morning she goes to the back door and looks out and there are the columns of smoke, right where she's been expecting to see them, off to the south. She calls Frank and they stand watching. The smoke is thick and black, oily, as though something has exploded. She does not know what Frank is thinking; she herself is wondering about the children. She has had no news of them in weeks, but how could she? They stopped delivering mail some time ago.
Fifteen minutes later, Henry Clarke drives into the yard in his half-ton truck. This is very unusual as no one has been driving anywhere lately. There is another man with him, and Mrs. Burridge identifies him as the man three farms up who moved in four or five years ago. Frank goes out and talks with them, and they drive over to the gas pump and start pumping the rest of the precious gas into the truck. Frank comes back to the house. He tells her there's a little trouble down the road, they are going along to see about it and she isn't to worry. He goes into the back room, comes out with the twenty-two, asks her where the shotgun is. She says she doesn't know. He searches for it, fruitlessly - she can hear him swearing, he does not swear in her presence - until he gives up. He comes out, kisses her goodbye, which is unusual too, and says he'll be back in a couple of hours. She watches the three of them drive off in Henry Clarke's truck, towards the smoke; she knows he will not come back. She supposes she ought to feel more emotional about it, but she is well prepared, she has been saying goodbye to him silently for years.
She re-enters the house and closes the door. She is fifty-one, her feet hurt, and she does not know where she can go, but she realizes she cannot stay here. There will now be a lot of hungry people, those that can make it this far out of the cities will be young and tough, her house is a beacon, signalling warmth and food. It will be fought over, but not by her.
She goes upstairs, searches in the cupboard, and puts on her heavy slacks and her two thickest sweaters. Downstairs she gathers up all the food that will be light enough for her to carry: raisins, cooking chocolate, dried prunes and apricots, half a loaf of bread, some milk powder which she puts into a quart freezer bag, a piece of cheese. Then she unearths the shotgun from behind the barn. She thinks briefly of killing the livestock, the chickens, the heifers and the pig, so no one will do it who does not know the right way; but she herself does not know the right way, she has never killed anything in her life, Frank always did it, so she contents herself with opening the henhouse door and the gate into the back field. She hopes the animals will run away but she knows they probably will not.
She takes one last look around the house. As an afterthought, she adds her toothbrush to the bundle: she does not like the feel of unbrushed teeth. She does not go down into the cellar but she has an image of her carefully sealed bottles and jars, red and yellow and purple, shattered on the floor, in a sticky puddle that looks like blood. Those who come will be wasteful, what they cannot eat themselves they will destroy. She thinks about setting fire to the house herself, before anyone else can do it.
Mrs. Burridge sits at her kitchen table. On the back of her calendar page, it's for a Monday, she has written Oatmeal, in her evenly spaced public school handwriting that always got a star and has not changed very much since then. The dogs are a problem. After some thought she unchains them, but she does not let them past the gate: at a crucial moment they might give her away. She walks north in her heavy boots, carrying her parka because it is not yet cold enough to put it on, and her package of food and the shotgun which she has taken care to load. She passes the cemetery where her father and mother and her grandmother and grandfather are buried; the church used to be there but it burned down sixteen years ago and was rebuilt closer to the highway. Frank's people are in the other cemetery, his go back to the great-grandfather but they are Anglican, not that he kept it up. There is no one else on the road; she feels a little foolish. What if she is wrong and Frank
comes back after all, what if nothing, really, is the matter? Shortening, she writes. She intends to make a lemon meringue pie for Sunday, when two of the children are coming up from the city for dinner.
It is almost evening and Mrs. Burridge is tired. She is in a part of the country she cannot remember, though she has stayed on the same road and it is a road she knows well; she has driven along it many times with Frank. But walking is not the same as driving. On one side there is a field, no buildings, on the other a woodlot; a stream flows through a culvert under the road. Mrs. Burridge kneels down to drink: the water is ice-cold and tastes of iron. Later there will be a frost, she can feel it. She puts on her parka and her gloves, and turns into the forest where she will not be seen. There she will eat some raisins and cheese and try to rest, waiting for the moon to rise so she can continue walking. It is now quite dark. She smells earth, wood, rotting leaves.
Suddenly her eye is caught by a flicker of red, and before she can turn back - how can this happen so quickly? - it takes shape, it is a small fire, off to the right, and two men are crouching near it. They have seen her, too: one of them rises and comes towards her. His teeth bare, he is smiling; he thinks she will be easy, an old woman. He says something but she cannot imagine what it is, she does not know how people dressed like that would talk.
They have spotted her gun, their eyes have fastened on it, they want it. Mrs. Burridge knows what she must do. She must wait until they are close enough and then she must raise the gun and shoot them, using one barrel for each, aiming at the faces. Otherwise they will kill her, she has no doubt about that. She will have to be fast, which is too bad because her hands feel thick and wooden; she is afraid, she does not want the loud noise or the burst of red that will follow, she has never killed anything in her life. She has no pictures beyond this point. You never know how you will act in a thing like that until it actually happens.