Read Dark Wild Night Page 10


  We move, shifting feet, very, very slowly turning.

  “This is nice,” he says. “I haven’t danced in ages.”

  I keep waiting for the oddness to descend, the realization that what we’re doing is a little weird, but it doesn’t happen. It feels like I’m holding my breath, waiting for a sneeze to come.

  “Breathe, Lola Love,” he whispers, and something inside me trips.

  I haven’t been breathing. I’ve been standing here, holding my breath, waiting for him to kiss me and for my body to relax and for time to stop and for me to suddenly know what it is to be in love with someone.

  “I’m terrified,” I tell him. We’ve shifted so close now I can’t really make out all of his features, but I can feel his breath, can nearly taste the scotch he’s had.

  His eyes move back and forth between mine; his voice is a gentle reassurance: “I know, pet.”

  “I’ve never been good at romantic relationships. I want to be,” I add quickly, “but it scares me.”

  “I know,” he says again, bending to press a kiss to my temple. One of his hands slides up my back and into the hair at the back of my head. “But I just want you. I don’t need easy or perfect. I don’t need to rush anything.”

  And there, laid out so bare and easily between us, it is. His honesty breaks a dam in me and I feel my own truths tumble forward, messy and raw.

  “My first time was with a total stoner,” I tell him in a burst, closing my eyes and nearly crying out when he turns his face, pressing his stubbly cheek to mine. His ear is right next to my mouth; I can whisper right into the confessional. “He worked at the 7-Eleven on the corner, and just wanted to get high and have sex. We didn’t even really talk.”

  Swallowing, I tell him, “I was only fourteen. He was twenty.” I can feel Oliver tensing against me. “No one knows about him, not even Harlow or Mia. They think I lost my virginity senior year. But Dad worked until dinnertime, and I’d go over there a lot of days after school, just looking for some kind of”—I shake my head—“distraction or, I don’t know. After Mom left, I wasn’t great with decisions.”

  “How could you be?” he asks, kissing my jaw. His lips leave a streak of fire on my skin.

  “But how horrible is it to admit that that relationship was the easiest one I’ve ever had? Everyone I’ve dated since then has ended up mad at me.” Pulling back to meet his eyes, I tell him, “It’s always when things get serious that I start to . . . I don’t know. Short-circuit. I don’t want it to be like that with us.”

  He’s watching my mouth when he asks, “You don’t want it to be serious, or you don’t want to short-circuit?”

  “I don’t want to mess this up,” I say. “Our friendship is too important to me. What if we . . . do this, and it changes that?”

  Oliver nods, bending and pressing his cheek to mine again. “I don’t have a choice but to want to do this, Lola. I’m in love with you.”

  The words incinerate my lungs and I stop breathing again. There isn’t a word for what I’m feeling. It is the direct, razor edge of ecstasy and terror.

  “Shh,” he whispers. “Don’t panic, okay? I’m just being honest here. I love you. I want you.” He exhales, and it’s a massive, trembling gust against my neck. “Fuck, I want you. But I understand it isn’t simple, and I don’t expect simple. I just want you to try. I mean, if—”

  I nod quickly—my heart is lodged in my throat, pounding, pounding, pounding with need for him—and he jerks me tighter into him, relief evident in his posture. I didn’t think it was possible to be any closer, but it was. It just required our bodies to collapse, air to evacuate lungs.

  We go quiet and I realize I’ve been dancing without thought. I’m not a natural dancer, but I haven’t considered what my feet are doing, how my arms or hands or hips are moving. But now that I am, I can imagine how it would be to be with Oliver: how he would fit against me, over me. He’s taller, broader, but his hips would still feel sharp on my thighs. His hands don’t do tentative; I can imagine the pressure of them sliding up and over my curves. I want the hand in my hair to form a fist, pull my head back. Even though he wouldn’t do that here, the promise is there, in the flexing of his fingers, in the way they haven’t shifted away. He found a spot, buried deep.

  “I saw Aerosmith when I was fourteen,” he says, and I wonder if he’s thinking about how young that is, thinking about me at fourteen, alone in an apartment with a burnout guy. Or, if he’s just talking to get me to remember that this is us. This is what we do, with or without I love yous. “It was after they had that ballad out from Armageddon—”

  “ ‘I Don’t Want to Miss a Thing’?”

  “Yeah, that’s it,” he says, laughing. “We went by ourselves and felt so fucking mature. We took a bus to Sydney—it’s nearly two hundred kilometers away and my grandparents were like, ‘Yeah, sure, go for it.’ I’m not kidding when I say every crazy personality in the world is represented on buses.”

  “Wow.”

  “I know,” he agrees. “Such kids, right, but I reckon it was the best night of my life up to then. My mate got tickets from his cousin. I didn’t even know any Aerosmith songs—well, I did,” he says, “I just didn’t realize they were Aerosmith. But it was brilliant. Maybe that’s when I decided I wanted to travel. Maybe it was before that, I don’t know. I think I learned to be a little fearless on that bus. Figured if I could head up to Sydney for a weekend, I could go anywhere.”

  “My first concert was Britney Spears.”

  He laughs outright, pulling back and smiling down at me. “That’s awful.”

  “It was awesome,” I tell him. “I swear. Me, Harlow, Mia, and Luke—Mia’s ex.” I shake my head, remembering us dancing our asses off and Luke smiling through his teeth, being a good sport. “Poor Luke.”

  “Taking three chicks to a concert? He could do worse.”

  “Only one of us was putting out. Well, back then,” I say, reconsidering. “I think Luke gets more action now than 1979 Steven Tyler.”

  Oliver laughs at this, but the song ends and he stops, easing his arms from around me.

  “You did it,” he says, looking down at me with a half smile. “You danced with an Aussie in an empty bar and the world didn’t end. Check it off your list.”

  “And we . . .” I start.

  We talked. We admitted. We took that terrifying single step forward.

  He waits to see how I’m going to finish this, expression warm, but neutral. “Yeah, we did,” he says finally, tilting his head toward the bar. “Let’s finish our drinks.”

  And like this, it’s easy again.

  * * *

  I WAKE UP alone in an enormous white bed, in a bright pool of sunshine.

  In the past few months I have traveled so often that the dusty blue walls and wide, white chair in the corner don’t immediately trigger a context for where I am. I roll over, see my leather pants folded on the chair, my shirt and bra lying neatly on top.

  Obviously, Oliver is down the hall, in his own room.

  My stomach feels low and small in my body, missing him. Wanting him closer.

  Over our second drink we easily shed the tension of the We Are Totally Into Each Other admission. We were interrupted by a perfectly timed call from Not-Joe telling us how his date passed out drunk on her couch, and only after he left did he realize his phone was dead and he left his wallet in the store so he had to give a taxi driver his watch in order to get a ride home.

  At around one in the morning, we left the bar, hand in hand, and walked the two blocks back to our hotel. I had five missed calls from Austin, none with voicemails, so I let them be. I wanted nothing but Oliver on my brain. He pointed out his room when we passed it on the way to mine, but before I could stutter my way through an invitation inside, he bent and kissed my cheek.

  “Let’s take it slow,” he said. “See you in the morning.”

  The words immediately formed in my head, but I couldn’t exactly say them out loud: can’t we
have sex but otherwise take this slow?

  I roll over, unplug my phone from the cord on the bedside table, and check my email. Shoving up onto an elbow, I squeeze my eyes together, struggling to read the words in front of me.

  “Holy fuck.” I sit all the way up, crossing my legs in bed and zooming in on my screen so I can be sure I’m not imagining what I’m seeing. It seems that while Oliver and I were flirting and clinking glasses and avoiding the discussion of dating, Columbia-Touchstone cast the leads in the Razor Fish film. I have over three hundred emails, and at least ten voicemails from media outlets wanting a statement.

  I tried to get a hold of you last night after you left. There’s a script, Austin wrote in an email. Thank God I’ve flagged his name; otherwise who knows whether I would have even seen it? Just something Langdon drew up in the past week. But don’t stress, we did it so we could cast quickly, and you’re going to do all the polish.

  He didn’t think to clarify this last night? He told me Langdon had started writing, not finished.

  The check also deposited in my bank account, and seeing that much money there makes me want to vomit. It triggers some instinctual panic, like I should have it all made into gold bars and hide them in my mattress.

  There’s a knock at my door and I stumble up, pulling on a robe. Outside in the hall, Oliver looks rumpled, a little nervous.

  I immediately see it on his face—a soft, vulnerable happiness that flashes in the tilt of his mouth, in the narrowing of his eyes—for only a breath before he can carefully tuck it away.

  Even though I was just with him last night, it feels like it’s been a week, and he looks different somehow. Less like this wonderful face of a friend, and more like this man in front of me who has a body under his clothes that I’m growing desperate to see again and even more desperate to touch.

  Neither of us has spoken, and I’m afraid last night changed everything. I don’t want things to be awkward between us.

  “How’s my favorite comic book store owner named Oliver Lore?”

  He smiles, wide enough that it shifts his glasses and I can see his eyes crinkling fully at the corners. “I wish I could answer in emoji. I’d just say the fried egg icon out loud.”

  Okay, so that was sort of perfect.

  “Do you want to grab breakfast?” I ask. “Or . . . order room service?”

  This option feels decidedly more intimate, and Oliver seems to agree.

  “Nah,” he says. “Let’s hit the restaurant downstairs. They have a buffet. I think I’ll eat it all.”

  “Come on in,” I tell him, running over to my overnight bag and grabbing my clothes. “Give me five. I’ve got to call Benny real quick.”

  Oliver walks into my room, and I notice when he gives a lingering glance to my clothes from last night, so neatly placed on the chair. I wonder if he’s thinking what I’m thinking, that if he’d been in here with me, those leather pants might have been sacrificed to the sex gods.

  “Lola!” Benny answer-yells through the speakerphone, and I cringe, staring at the screen as if it burned me. It’s not even nine in the morning; how is he so chipper?

  “Hey, Benny.”

  “I bet I know why you’re calling,” he sings. “People magazine’s Sexiest Man Alive is playing Razor and you want to come up to Hollywood to celebrate tonight.”

  Oliver turns to look at me, eyes wide. I hold up a finger, indicating I’ll update him in a second.

  “I’m already up in Hollywood,” I say. “But I’m headed home. Austin didn’t mention the script last night when I saw him.”

  “Probably because he knew you’d ask to read it on the spot, and then would request edits before it went out, but it was already out.”

  I chew my lip, suppressing a grin. “What happens now?”

  “I release a statement on your behalf,” he says. “How’s this? ‘Management has confirmed Lorelei Castle is absolutely delighted with the casting news.’ ”

  I wait for the rest of it and realize that’s all there is. Across the room, Oliver seems to go through the same process before tilting his head like, Eh, not so bad. It accurately shows my level of engagement on the media side.

  “That’s perfect, actually,” I say. “I am delighted with the news. I also don’t really think I need to be interviewed. But Benny, can you really push for them to send me the script today? If they want my polish on it—and I hope that’s code for letting me at it with a scalpel—then I should see it sooner rather than later. I have other things due and will need to get my time organized.”

  “I’m already on it. Go do your thing. You’ll be mobbed at your signings from here on out, and all I ask is that you kick ass when you’re expected to.”

  I thank him, blow a kiss through the phone, and set it down on the bed. My hand is shaking. “I wasn’t sure I loved Benny,” I tell him. “But I do. I don’t know what I would do without him right now.”

  “They cast it?” Oliver asks. “And Austin didn’t mention anything last night?”

  When Oliver and I left the party, we mostly left the subject of the movie behind. “Austin mentioned they were talking to people. Langdon said he’s tinkering with a draft. I guess when these conversations happen, things move quickly. Or,” I add, thinking on it some more, “they never really gave me the full story to begin with.” I lift my hands in front of my face and watch them, still shaking like leaves. It feels like my brain needs a moment to catch up.

  “Come on,” he says with a calming smile. “Get dressed and let’s talk about this downstairs. I’m starving.”

  I grab my clothes from my overnight bag and slip into the bathroom, pulling my hair up in a bun, dressing simply in jeans and a white T-shirt.

  When I come out, Oliver is standing at the window, looking out. He’s wearing a dark blue shirt that’s worn over time, making it thin and soft on his back. I can see the muscles defining his shoulders, can see the sturdy lines of his torso. My heart does this dipping-squeezing thing that nearly makes me cough.

  He turns at the choking sound and smiles, walking toward me.

  “Ready?”

  I look up at him but I can’t hold my eyes there for very long. He shaved this morning, but even so, I can already see the stubble shadowing his jaw. He’s at least six inches taller than me and so I get a good view of his neck, his throat, the curve of his bottom lip.

  “Ready.”

  We walk down the carpeted hallway in silence, and Oliver reaches forward to press the elevator call button before stepping back, putting his hand on my lower back. His instincts are so tender.

  “Do you have a finance person?” I ask him. “I need help.”

  “Yeah, but he’s sort of more business? I guess that would work for you,” he says, gesturing that I lead us in when the elevator opens for us.

  “The studio money came in.”

  He nods, watching the floors tick down. “I remember that feeling when my dad died. It’s a good thing but terrifying. I felt like I had to go from being a slacker living with his grandparents and eating tinned baked beans to being a bona fide adult. I didn’t really have the mental tools to know how to budget or plan or save.”

  “Yeah,” I agree, slumping into him a little. Oliver makes me feel so . . . safe.

  “So, I put it aside until I was ready. Until I knew what I wanted to do with it.”

  “The store?”

  He nods. “You’ll figure it out. Just leave it alone until you do.”

  The elevator stops at the third floor and we get out, following a sign to the restaurant. “I should probably get a new car,” I tell him.

  He laughs.

  “And I do know I want to get my own place.”

  Oliver goes quiet for a few steps and then asks, “A house?”

  “I think so.” And then my brain trips on the thought, because Oliver has his own house, and if anything happened with us, and it became more, would we live together? Would we want to own two houses?

  “I can help y
ou look,” he says, popping the rapidly expanding balloon of my thoughts.

  We walk into the restaurant, and are seated at a table facing Santa Monica Boulevard. Oliver and I have had meals together dozens of times but it’s different right now, and I’m terrible at this kind of situation so I have no idea if it’s all in my head. Maybe because I’m letting in this floodgate of feelings, everything feels loaded and special.

  What would Harlow do? I wonder. She would ask. She would say, “Is everything okay?”

  Is it really that simple?

  “Is everything okay?” I ask, giving it a try. Oliver looks up at me, brows pulled together in question. “I mean, after last night . . .”

  He smiles and puts his menu down. “Everything is brilliant.”

  Harlow would elaborate. Harlow would explain why she asked. Hell, Harlow would probably be in his lap right now.

  “Okay, good,” I say, turning my eyes down to study the long list of waffle choices.

  I can feel his eyes on me a little longer, and then he picks up his menu again.

  I put my menu down. “It’s already different,” I say.

  “It’s not,” he says immediately, and when I look up at him, I see he’s smiling. He expected this version of my panic.

  I laugh. “It is.”

  Shaking his head, he looks back at the menu and mumbles, “You’re a head case.”

  “You’re a jerk,” I shoot back.

  The waitress comes by and fills our coffee cups. Oliver watches me with a smile while I forego the buffet and order pancakes. He orders pancakes and eggs.

  She leaves and he plants his forearms on the table, leaning in. “What do you want, Lola?”

  Way to start small, Aussie.

  “What do I want?” I mumble, pulling my coffee closer.