There were other articles, too, not quite so flattering: an obnoxious tabloid article that promised to expose the “shocking, bizarre” details of the “crackpot genius” Silver. The opening paragraph read: Question: What do you do if you can’t find a girlfriend? Answer: You program one. But the article itself had nothing to say, and Lash put it aside, stood up, and walked to the window.
It was true there were few other tasks Silver could have set Liza to that would have earned him more money, or so ensured the future health of his research. Yet on one level it was a little odd. Here was a man—by all accounts a shy, retiring man—who had made his fortune with that most social of games, the game of love. It seemed a shame, a bitter irony, that game could not extend to Silver as well.
As he stared out the window, the haiku Diana Mirren quoted the night before came back to him with sudden clarity.
Insects on a bough
floating downriver,
still singing.
He smiled as he recalled their dinner. By the time they’d finally gotten around to ordering, the conversation had grown as easy and comfortable as any he could remember. His habitual distance crumbled without even a protest. She began to finish his sentences, and he hers, as if they’d known each other since childhood. And yet it was a strange kind of familiarity, filled with countless little surprises. It was close to one when they parted on Central Park West. They had exchanged numbers before going their separate ways. There had been no agreement to meet again; but then, there’d been no need of one. Lash knew he’d be seeing her again, and soon. In fact, he was half tempted to call now and offer to cook dinner.
What had she said? Haiku were the opposite of puzzles. Don’t search for answers. Think of opening doors.
Opening doors. So how to interpret the one she quoted?
It had only eight words. In his mind, Lash saw a green willow branch, twisting in a lazy current, heading toward a distant waterfall. Still singing. Were the insects still singing out of ignorance of what lay ahead—or because of it?
The Wilners and the Thorpes were like the insects of the poem, singing on that floating branch. Blissfully, unrelievedly happy . . . right up until that last unfathomable moment.
The silence was shattered by the ring of a telephone.
Lash pushed himself to his feet and headed for the kitchen. Perhaps it was Diana; he’d have to dig up his recipe for salmon en croute.
He lifted the phone. “Lash here.”
“Chris?” came the voice. “It’s John.”
“John?”
“John Coven.”
Lash recognized the voice of the FBI agent who’d run the surveillance on Handerling. His heart sank. No doubt Coven was following up on his personal interest in Eden. Maybe he thought Lash could get him a discount or something.
“How are you, John?” he said.
“I’m okay, I’m fine. But listen, you’re not going to believe this.”
“Go ahead.”
“Wyre’s made parole.”
Lash felt himself go numb. “Say again?”
“Edmund Wyre’s made parole. Happened late Friday afternoon.”
Lash swallowed. “I didn’t hear anything about it.”
“Nobody has. I just found out ten minutes ago. Saw it on the wire.”
“Not possible. The guy killed six people.”
“Tell me about it.”
“There must be some kind of mistake.”
“No mistake. He got the full board vote and the written report from DCJ.”
“Any release conditions?”
“The usual, under the circumstances. Special field supervision. Which means precisely diddley-squat with a guy like Wyre.”
Lash felt a sharp pain in his right hand, realized he was squeezing the phone. “What’s the time frame? Weeks? Months?”
“Not even. Apparently they’re all in a lather, setting Wyre up as some poster boy for rehabilitation. Screening’s completed. They’re already performing a residence investigation and preparing the release certificate. He’ll be on the streets in a day or two.”
“Jesus.” Lash fell silent, struggling with disbelief.
“Christopher?”
Lash did not reply.
“Chris? You still with me?”
“Yes,” Lash said distantly.
“Listen. Still got your service piece?”
“No.”
“That’s a shame. Because no matter what that parole board thinks, you and I both know this fucker wants to finish what he started. If I was you, I’d arm myself. And keep in mind what they taught us back at the Academy. You don’t shoot to kill. You shoot to live.”
Again, Lash did not respond.
“You need anything, let me know. Meanwhile, watch your six.”
And the line went dead.
THIRTY-FIVE
H e was driving home. That’s how it began: driving home from Poughkeepsie yet again, in brilliant sunlight on a Friday afternoon. The last several times he’d made the sixty-mile journey back to Westport, he’d been so tired he feared falling asleep at the wheel. This afternoon, however, he was wide awake.
I’ve got what I need now, the murderer had written in blood on the picture window. Thank you.
He reached down for the car phone, dialed.
“Lash residence,” came the voice of Karl Broden, his wife’s brother.
“Karl.”
“Hi, Chris. Where are you?”
“Heading home. I’ll be there in an hour or so. Shirley home?”
“She went out to run some errands.”
“Okay. I’ll see you soon.”
“Good enough. Say, you want me to fire up the grill, marinate those gulf prawns we picked up last night?”
“There’s an idea. Stick some beers in the freezer for me, too.”
“Done.”
He thought briefly about his brother-in-law. Karl was so unlike his sister. Easygoing and loosely strung, unabashedly nonintellectual. Every time Karl came to visit, the level of tension in the house decreased markedly. This time he’d dropped in suddenly, the day before, almost as if he’d known his presence was desperately needed.
But then his thoughts returned to Poughkeepsie and the stark image of the final murder scene.
I’ve got what I need now. Thank you.
The Poughkeepsie cops had been almost jovial all morning; ribbing each other good-naturedly, exchanging coarse jokes over the water cooler. Even though the killer eluded their roadblocks, they were buoyed by what seemed the promise of no more murders. Lash felt no such relief. To him, the message was the first piece of the puzzle to make sense; the only communication from the murderer that felt real. And its brevity, its confidence, filled him with anxiety.
What did he have now? What had he needed?
Had killing those four women satisfied some sick requirement, filled some void? But that wasn’t how it worked with serial killers: theirs was a consuming thirst that could never be quenched.
And then there was the inconsistency of the killings. The first two, despite superficial similarities—the bloody messages covering the walls, the arrangement of the corpses—contradicted all basic profiles in a dozen ways.
What made this final killing different?
He thought about this all the way across Dutchess and Putnam counties and into Connecticut. It was the first time, he was convinced, the murderer had shown his true colors.
Because he had what he wanted.
Why was there only one message this time, instead of a hundred? And why was it written on the picture window, not the walls? On the glass, against the backdrop of night, it would be extremely hard to make out . . .
And then suddenly, almost without conscious thought, he found his perspective on the crime scene changing. No longer was he looking at the bloody message from inside the bedroom. His angle shifted, turning as if on a camera dolly, coming around a hundred and eighty degrees until he was outside the house, in the woods, looking from the black
ness at the big lighted window. At the figures silhouetted there—a police captain, the lead homicide detective, an FBI profiler. The same three people who’d been at the previous murders.
There was something that the three murders did have in common. They had all taken place at night, in bedrooms with big picture windows. And the blinds of the windows had always been open . . .
Frantically, he reached for the phone, dialed again.
“Poughkeepsie police, Homicide Division,” came the voice. “Kravitz speaking.”
“This is Christopher Lash. I need to speak with Masterton, right away.”
“I’m sorry, Agent Lash. The captain left half an hour ago.”
“Then give me the lead detective, what’s his name. Ahearn.”
“He left with the captain, sir.”
“You know where they went?”
“It’s Friday night, sir. The captain and Detective Ahearn always go out for a few cold ones before heading home.”
“Which bar?”
“I don’t know, sir. Could be one of half a dozen.”
He thought quickly. Kravitz, the cop at the duty desk, had seemed like a smart, competent officer.
“Kravitz, you need to listen to me. Listen very carefully.”
“Yes, Agent Lash.”
He tucked the phone under his chin briefly while negotiating the exit onto Saugatuck Avenue, fighting the weekend traffic. “You have to try each of the bars, in turn. Hear me? Get some of the other officers to help you man the phones.”
“Sir?” Kravitz’s voice sounded dubious.
“It’s vital, Kravitz, you hear me? Vital.”
“Yes, sir.”
“When you reach Masterton, you are to tell him this: we’ve been wrong about this killer. He’s not a serial murderer.”
“Not a serial murderer?” The voice sounded even more dubious.
“You don’t understand. Of course he’s a murderer. But he’s not a serial-type. He’s an assassin-type.”
That was the tag forensic psychologists used. Sometimes assassin-types murdered random victims from the tops of water towers. Other times they sought out favorite celebrities, the way Mark David Chapman did. They had one thing in common: tortured, useless lives that only developed meaning through acts of targeted violence.
Meanwhile, there was silence on the other end of the line.
“I don’t have time to explain, Sergeant. It’s a subcategory of mass murderer. For them, it’s all about domination, control, revenge. This guy hates cops. There’s probably a fascination, a love-hate dynamic, working here. Maybe his father was both a cop and an abusive parent, I don’t know. But he’s an assassin-type. It’s the only answer.”
“Sir, I don’t understand.”
“You were at the scenes of the first three murders. There was no pattern. The meaningless messages on the walls, the inconsistent tableaux. Nothing fit. That’s because we were dealing with somebody imitating a serial murderer. That’s why nothing held together: it was all a ruse. Did you notice the big picture windows at each site, open to the night? Our killer wasn’t running away: he was out there, every time. He was hunting cops, picking out his targets. Those murdered women were just bait.”
“Sir?”
He pulled the car onto Greens Farms Road. In another minute or two, once he got home, he’d start making calls himself. For now, he had to rely on Kravitz. Seconds counted.
“Just do as I say, Officer. Find Masterton, tell him everything I just told you. He and Ahearn were at the window each time, they have to take steps to protect themselves. Tell him to look for a white male, most likely in his mid to late twenties. A loner, but somebody who can blend with the crowd. He’ll probably be driving a sporty car to compensate for low self-esteem. You need to talk to your fellow officers about any wannabees they might have noticed recently, hanging around cop bars and restaurants, ingratiating themselves.”
Another silence on the line.
“Kravitz, damn it, do you have that?”
“Yes, sir.”
“Then get busy.” Just ahead lay his own block, and home. Traffic was lighter here. As he hung up, a car pulled out of his street and accelerated past him down Compo. A Pontiac Firebird, red.
He drove past, barely noticing. He reminded himself that he, too, was a target. He’d been silhouetted in that window, too. He’d have to get Karl and Shirley out of the house—she’d wither him, as usual, with comments on how dangerous his job was—and then he’d have to look into what to do about his own—
He started abruptly. A Pontiac Firebird, red, recent model . . .
He slowed, glanced into the rearview mirror.
The car was gone.
Now he stepped on the accelerator again, hard, taking the corner with a shriek of rubber, pulling his gun from its holster, but even as their house came into view he felt a cold dread seize him.
He already knew, with terrible certainty, what it was he would find inside.
THIRTY-SIX
L ash leaned back and stared at the ceiling. Even there, columns of numbers, names, dates seemed to stare back at him.
“Christ,” he groaned, shutting his eyes. “I’ve been staring at this stuff too long.”
He heard the shuffling of paper across the table. “Any luck?” he asked the ceiling.
“Not a bite,” came Tara Stapleton’s voice.
Lash opened his eyes, stretched. Despite the dark dreams and memories that had filled the previous night, he’d nevertheless awakened with a sense of purpose. The weekend had passed without any dread events. Driving in, he’d called Diana Mirren on his cell phone. The mere sound of her voice brought him a secret, almost adolescent thrill. They chatted briefly, ardently, and she’d agreed to have dinner at his place the coming Friday. He found himself so busy mentally preparing that he forgot the mortification he’d endured at Checkpoint III until he found himself standing before it once again. But the security officers were not the ones on duty last Friday, and he’d passed through without a hitch.
But now—midmorning—his excitement had drowned in an endless flood of data. There was simply too much material to comb through; it was like sifting a haystack without even being certain it contained a needle.
He sighed again, then pulled Lindsay Thorpe’s internal evaluations over and began leafing through them almost idly. “What’s the story on the third couple? The Connellys?”
“They’re leaving for Niagara Falls tomorrow.”
“Niagara Falls?”
“That’s where they spent their honeymoon.”
Niagara Falls, Lash thought. Great place for a murder. Or a suicide, for that matter.
“There’s not much we can do on the Canadian side,” Tara added. “I spent most of Saturday arranging the passive surveillance over there. We watch, and hope for the best.”
“At least you had something to keep you busy over the weekend.”
Tara smiled slyly. “It wasn’t as if you didn’t have your dance card filled.”
“You mean, my date?”
“How did it go?”
“She didn’t look at all the way I expected. Didn’t sound the way I expected. But you know what? Within ten minutes, it didn’t matter.”
“Our research has shown that we’re often attracted to the wrong people, for the wrong reasons. Maybe that’s why so many marriages don’t work.”
She fell silent.
“Look,” Lash said after a moment. “Why don’t you go through with meeting this guy they’ve matched you with? It isn’t too late. Talk to Mauchly about rescheduling the reservation.”
“I’ve already told you. How can I meet him, knowing what I know?”
“I met Diana Mirren, knowing what I know. And I’m seeing her again this Friday.”
“But I’m an Eden employee. I’ve told you—”
“I know. The ‘Oz effect.’ And you know what I say? Bullshit.”
“Is that your professional opinion, Doctor?”
“It is
.” He leaned forward. “Tara, listen. Eden can match one person with another. Perfectly. But once you two make contact, there is no more Eden. It’s just you and him. If it feels right, you’ll know it.”
Tara looked at him, saying nothing.
“One way or another, we’ll solve this. And then it won’t matter anymore. It’ll just be a memory. The past. And any relationship requires an acceptance of the past. Would you begrudge him the cheerleaders he dated in college? This is the main chance, Tara. Take it from somebody who was in that restaurant two nights ago.”
Immediately, Lash realized he’d said enough. Back to work, he thought with a sigh.
Putting Lindsay Thorpe’s dossier aside, he began paging through her medical reports. Then he paused.
“Tara.”
She looked at him a little guardedly.
“About this return checkup of Ms. Thorpe’s.”
“You mean, class reunion?”
“No, this checkup. Is it common for your doctors to prescribe—”
“We don’t do that.”
For a moment, this did not register. Then Lash looked at her. “What did you say?”
“I said, we don’t do return checkups.”
“Then what’s this?” Lash pushed the medical report across the table.
Tara took the report. There was silence as she scanned the pages.
“I’ve only seen this a few times before,” she said.
“Seen what?”
“Remember, on your first tour inside the Wall, Mauchly explained about the long-term health analyses we run on prospective candidates? Checking genetic markers for inherited diseases, risk factors, that kind of thing?”
“Yes.”
“If there’s something seriously wrong, we reject their application. But if it’s minor, or of minimal long-term concern, we’ll process their application and bring them back for a secondary exam, later.”
“Under the pretext of standard operating procedure.”
“That’s right.”
“No point in turning away a paying client.” Lash took back the report, flipped the pages. “But Lindsay Thorpe had no such health issues. Yet she was scheduled for a follow-up examination, six months prior to her death.” He flipped more pages. “At this exam, Ms. Thorpe was given a prescription for scolipane. One milligram, once a day. I’m not familiar with that medication.”