She never thought she could be so happy. Sal liked her to climb all over him, he liked her to be on top, and they were very tender and caressing of one another, certainly on her part, because always in the back of her mind was the fear of his overexerting himself. And he talked so quietly, and he believed or pretended to believe her life story—the parts that were made up as well as the parts that were true.
As she became used to the life, she reflected that Sal Fontaine did not give of himself easily. It wasn’t a matter of his material generosity. He never confided in her. There was a distance in him, or maybe even a gloom, that for all his success he could not change in himself. If she had questions, if she was curious, she met a wall. He moved slowly, as if the air set up a resistance just to him. When he smiled it was a sad smile despite his capped teeth. And he had heavy jowls and hooded sad eyes made darker by the deep blue pouches under them. Maybe he could not forget what he had lost, his old country or his original family, who was she to say?
She would tell him she loved him, and at the moment she said it, she did. The rest of the time she sort of shrugged to herself. The contractual nature of their relationship was all too clear to her, and she began to suspect that the regard Sal’s friends held for her was not what they might have expressed among themselves. Her life, once the novelty wore off, was like eating cotton candy all day long. Her long straight red hair now shone with highlights. In the mornings she would swim in the hotel Olympic-size pool with her hair in a single braid, trailing. She was this Jolene person who wore different Vegas-style outfits depending on the time of day or night. She saw herself in an I. Magnin fitting-room mirror one day and the word that came to her mind was hard. When had it happened that she’d taken on that set of the mouth and stony gaze of the Las Vegas bimbo? Jesus.
One evening they were sitting watching television and Sal said, out of the blue, that she didn’t have to worry, she would be taken care of, he would settle something on her. Thank you, sweetheart, she said, not knowing exactly how or when he would do that but understanding the essential meaning—that she was in a situation designed not to last. The next morning she took all her greeting-card designs to a print shop at the edge of town and spent two hours making decisions about the stock she wanted, the layouts, the typefaces, the amounts to print of each item, and so on. It was real business and it made her feel good, even though she had no idea of who would distribute her cards let alone who would buy them. Step by step, she told herself in the cab back. Step by step.
A week later the phone rang just when they were getting up and Sal told her quickly to get dressed and go have breakfast in the coffee shop because some men were coming for a meeting. She said that was okay, she would stay out of the way in the bedroom with a cup of coffee and the Sun. Don’t argue, he shouted, and threw a dress at her face. She was speechless—he had never yelled at her before. She was waiting for the elevator when the doors opened and they came out, the men to meet with Sal. She saw them and they saw her, two of them looking, like so many of the men in Vegas, as if they had never felt the sun on their face.
But then in the coffee shop it dawned on her. She all at once turned cold and then sick to her stomach. She ran to the ladies’ and sat there in a cold sweat. Such stories as you heard were never supposed to intrude into your own life.
How long did she sit there? When she found the courage to come out, and then out of the coffee shop into the lobby, she saw an ambulance at the front entrance. She stood in the crowd that gathered and saw the elevator doors open and someone with an oxygen mask over his face and hooked up to an intravenous line being wheeled on a gurney through the lobby.
That it was Sal Fontaine was quickly agreed upon by everyone. Exactly what had happened to him was less clear. Finally, a police officer walking by said it was a heart attack. A heart attack.
She did not even have her purse, just the orange print mini she wore and the sandals. She didn’t even have any makeup—she had nothing. She saw the name of the hospital on the ambulance as it drove off and decided to go upstairs and put something on and take a cab there. But she couldn’t move. She walked up the winding staircase to the mezzanine and sat there in an armchair with her hands between her knees. Finally, she got up the courage to go back to the penthouse floor. If it was a heart attack, what were the police and TV cameras doing there? Everyone in the world was in the corridor, and the door to the apartment was sealed with yellow tape and under guard and everything was out of her reach—Mr. Sal Fontaine, and all her clothes, and her diamond choker, and even the money he had given her over time, despite the fact that he never allowed her to pay for anything.
She had over a thousand dollars in the drawer on her side of the bed. She knew that eventually she could reclaim it if she wanted to be questioned by the police. But whatever was to happen to her now might not be as bad as what would happen if she risked it. Even if she told them nothing, what would Sal’s Line be on the chances of her living to her nineteenth birthday, which happened also to be the next day? He was not around to tell her.
Which is how life changes, as lightning strikes, and in an instant what was is not what is and you find yourself sitting on a rock at the edge of the desert, hoping some bus will come by and take pity on you before you’re found lying dead there like any other piece of roadkill.
—
TWO YEARS LATER, JOLENE was living alone in Tulsa, Oklahoma. She had heard from a truck driver at a whistle stop in north Texas, where she was waiting tables, that Tulsa was a boomtown with not enough people for all the jobs. She’d taken a room at a women’s residential hotel and first found work, part-time, in the public library shelving books and then full-time as a receptionist at a firm that leased oil-drilling equipment. She had not been with anyone in a while, but it was kind of nice actually. She was surprised at how pleasant life could be when you were on your own. She liked the way she felt walking in the street or sitting at a desk. Self-contained. Nothing begging inside her. I have come of age, she told herself. I have come of age.
To make some extra cash, she worked after hours on a call basis for a caterer. She had to invest in the uniform—white blouse, black trousers, and black pumps—but each time she was called it meant sixty dollars, for a minimum three hours. She wore her hair in the single braid down her back and she kept her eyes lowered as instructed but, even so, managed to see a good deal of the upper crust of Tulsa.
She was serving champagne on a tray at a private party one evening when this six-footer with blow-dried hair appeared before her. He was good-looking and he knew it. He grabbed a glass of champagne, drank it off, took another, and followed her into the kitchen. He didn’t get anything out of her but her name, but he tracked her down through the caterer and sent her flowers with a note, signed Brad G. Benton, asking her out to dinner. Nobody in all her life had ever done that.
So she bought herself a dress and went out to dinner with Brad G. Benton at the country club, where the table linen was starched and there were crystal wineglasses and padded red leather chairs with brass studs. She wouldn’t remember what she ate. She sat and listened with her hands in her lap. She didn’t have to say much; he did all the talking. Brad G. Benton was not thirty-five and already a senior VP at this stock brokerage where they kept on giving him bonuses. He didn’t want just to get her in bed. He said since Jesus had come into his heart, the only really good sex remaining to him was connubial sex. He said, Of course you need someone precious and special enough for that, like you, Jolene, and looked deeply into her eyes.
At first, she couldn’t believe he was serious. After a couple of more dates she realized he was. She was thinking Brad G. Benton must be crazy. On the other hand, this was the Bible Belt—she had seen these super-sincere people at her receptionist’s job. They might be rich and do sophisticated business around the world, but they were true believers in God’s written word, with no ifs, ands, or buts. From the looks of things it was a knockout combination, though a little weird, like they had on
e foot in the boardroom and one in heaven.
You don’t know anything about me, Jolene told him in an effort to satisfy herself of her integrity. I expect soon to know everything, he said flashing a big handsome smile that could have been a leer.
He was so damn cocky. She almost resented that there was never any doubt in his mind as to what she would say. He insisted she quit her job and move to a hotel at his expense until the wedding day. Oh, what day is that? she said, teasing, but he was a wild man: The engagement will necessarily be short, he said, slipping a diamond ring on her finger.
A week later they were married in the chapel of the First Methodist church there in Tulsa that looked like Winchester Cathedral. Brad G. Benton brought her to live in his apartment in a new building that had a swimming pool in the basement and a gym on the roof. They were high enough to see out over the whole city, though there wasn’t that much to see in Tulsa, Oklahoma.
So once more her fortunes had changed and little Jolene was a young matron of the upper class. She wanted to write to someone about this incredible turn in her life, but who could she write to? Who? There was no one. In that sense nothing had changed, because she was as alone as she had always been, a stranger in a strange land.
Things in the marriage were okay at first, though some of Brad G. Benton’s ideas were not to her taste. He was very athletic and no sooner satisfied in one orifice than she was turned over for the other. Also, he seemed not to notice her artwork. She had bought an easel and set up a little studio in what was designed to be the maid’s room, because the Indian woman who cooked and cleaned had her own home to go to each evening. Jolene painted there and stretched her canvas, and she took a figure-painting class once a week where there were live models. She did well, her teacher was very encouraging, but Brad took none of this in. He just didn’t notice—he was too busy with his work and his workouts and his nights out and his nights in her.
It turned out that Brad G. Benton’s family was prominent in Tulsa. Not one of them had come to the wedding, their purpose being to define to her what white trash meant. At first she didn’t care that much. But she’d see their pictures in the newspapers being honored at charity events. They had wings of buildings named after them. One day, coming from shopping, she looked out of the cab window as it passed a glass office tower that said BENTON INTERNATIONAL on a giant brass cube balanced on one of its corners in the plaza out front.
She said to Brad, I would think they had more respect for you if not for me. But he only laughed. It was not so much that he was a democrat in his ideals, as she was to realize, it was part of his life’s work to do outrageous things and raise hell. It was how he kept everyone’s attention. He loved to twist noses out of joint. He was contrary. He hadn’t joined the Benton family enterprise as he was supposed to—it was a holding company with many different kinds of business in their hands—but had gone off on his own to show what he was made of.
Jolene knew that if she wanted to prove anything to his family, if she wanted any kind of social acceptance in Tulsa, Oklahoma, she would have to work for it. She would have to start reading books and take a course or two in something intellectual and embrace the style of life, the manners, the ways of doing and talking by being patient and keeping her eyes and ears open. She would attend their church, too. As wild as he was, Brad was like his father, what he called a strong Christian. That was the one place they would have to meet and, she was willing to bet, speak to one another. And how then could the family not speak to her?
Oddly enough, she was looking as good as she ever had, and Brad took her once a week to dinner at the country club to show her off. By then everyone in town knew this so-called Cinderella story. Grist for the mill. He was heedless. He just didn’t worry about it, whereas she could hardly raise her head. One evening, his father and mother were sitting at a far table with their guests, who looked as if they were there to serve them no less than the waiters. Brad waved—it was more like a salute—and the father nodded and resumed his conversation.
Through no fault of her own Jolene had stepped into a situation that was making her life miserable. Whatever was going on with these people, what did it have to do with her? Nothing. She was as nothing.
To tell the truth, she had made Brad for a creep that first time he came on to her at that cocktail party. He’d padded into the kitchen, stalking her like some animal, taken the empty champagne tray out of her hands, and told her redheads smelled different. And he stood there sniffing her and going, Hmmm, yes, like warm milk.
—
AFTER HER BABY WAS BORN, when Brad G. Benton started to bat her around, Jolene could not help but remember that first impression. Every little thing drove him crazy. It got so she couldn’t do anything, say anything, without he would go off half-cocked. He took to hitting her, slapping her face, punching her. What are you doing? she screamed. Stop it, stop it! It was his new way of getting off. He would say, You like this? You like it? He’d knock her around, then push her down on the bed. She grew accustomed to living in fear of getting beaten up and forced against her will. She was still to learn what they would teach at the shelter—it happens once, that’s it, you leave. But now she just tried to see it through. Brad G. Benton had been to college, he came of money and he wore good clothes, and she was flattered that he would fall for her when she hadn’t even a high school diploma. And then of course there were the apologies and the beggings for forgiveness and the praying in church together, and by such means she slowly became a routinely abused wife.
Only when it was all over would she realize it wasn’t just having the baby; it was their plans for him, the Bentons’ plans for her Mr. Nipplebee. He was an heir, after all. The minute they’d found out she was pregnant, they went to work. And after he was born, they slowly gave it to Brad in bits and pieces, what their investigators had learned about her life before. Never mind that she had tried to tell Brad about her marriages, her life on the road. He never wanted to hear it; he had no curiosity about her—none. She had appeared in Tulsa as a vision, God’s chosen sex partner for him, a fresh and wet and shining virgin with red hair. All those beatings were what he was told, and all those apologies were the way his love for her was hanging on. She would feel sorry for him if she could because he was so wired, such a maniac. It was as if his wildness, his independent choice of life, was being driven from him, as if it was the Devil. It was those parents slowly absorbing him back into their righteousness.
One day Brad G. Benton appeared at the door to her little studio room when he ordinarily would be at work. She was ruling off a grid on one of her canvases as she had been taught. Brad! she said, smiling, but there was no recognition in his eyes. He kicked the stool out from under her. He broke the easel over his knee, he bashed her canvases against the wall, tore down the drawings she had pinned up there, and then he squeezed tubes of paint into her face as he held her down on the floor. And he began hitting her as she lay there. He punched her face, he punched her in the throat. When he got off her, she could hear his breathing—it was like crying. He stood over her, kicked her in the side, and as suddenly as he had come he was gone.
She lay there moaning in pain, too frightened and shocked even to get up until she thought of the baby. She dragged herself to the nursery. The Cherokee woman who had heard everything sat beside the crib with her hand over her eyes. But the baby was sleeping peacefully. Jolene washed her face and, wrapping up her Mr. Nipplebee, she took him with her as she dragged herself to a doctor. She was told that she had had her cheek fractured, two broken ribs, contusions of the throat, and a bruised kidney. How did this happen? the doctor asked her. She was afraid to tell him, and, besides, it hurt too much to talk. But the nurse in the office didn’t have to be told. She wrote out the name and address of a women’s shelter and said, Go there right now. I’ll order you a cab. And in that way, with her precious in her arms and only what she wore, Jolene left her marriage.
She could hardly bear staying at the shelter, where there
were these wimpy women looking for her friendship, her companionship. Jolene wouldn’t even go to the group sessions. She stayed by herself and nursed Mr. Nipplebee.
The shelter gave her the name of a woman lawyer and she put down a retainer. Get me a divorce as fast as you can, she told the lawyer. The money—I don’t care, I’ll take anything they give. I just want out of here and out of Tulsa, Oklahoma. And then she waited, and waited, and nothing happened. Absolutely nothing. This went on for some time. And the next thing Jolene knew, when she was about stripped of her savings account, the lawyer quit on her. She was an older woman who wore pin-striped suits and big loopy bronze earrings. I may be broke, Jolene said to her, but Brad G. Benton has money to burn and I can pay you afterward out of the alimony or child care.