GEORGE JOSLIN ON LA MENKEN
Here, Coroner Merival, look at this picture! Whom does it look like? Eyes too crystalline, A head like Byron's, tender mouth, and neck, Slender and white, a pathos as of smiles And tears kept back by courage. Yes, you know It looks like Elenor Murray.
Well, you see I read each day about the inquest--good! Dig out the truth, begin a system here Of making family records, let us see If we can do for people when we know How best to do it, what is done for stock. So build up Illinois, the nation too. I read about you daily. And last night When Elenor Murray's picture in the _Times_ Looked at me, I began to think, Good Lord, Where have I seen that face before? I thought Through more than fifty years departed, sent My mind through Europe and America In all my travels, meetings, episodes. I could not think. At last I opened up A box of pamphlets, photographs, mementos, Picked up since 1860, and behold I find this pamphlet of La Belle Menken. Here is your Elenor Murray born again, As here might be your blackbird of this year With spots of red upon his wings, the same As last year's blackbird, like a pansy springing Out of the April of this year, repeating The color, form of one you saw last year. Repeating and the same, but not the same; No two alike, you know. I'll come to that.
Well, then, La Menken--as a boy in Paris I saw La Menken, I'll return to this. But just as Elenor Murray has her life Shadowed and symbolized by our Starved Rock-- And everyone has something in his life Which takes him, makes him, is the image too Of fate prefigured--La Menken has Mazeppa, Her notable first part as actress, emblem Of spirit, character, and of omen too Of years to come, the thrill of life, the end.
Who is La Menken? Symbol of America, One phase of spirit! She was venturesome, Resourceful, daring, hopeful, confident, And as she wrote of self, a vagabond, A dweller in tents, a reveler, and a flame Aspiring but disreputable, coming up With leaves that shamed her stalk, could not be shed, But stuck out heavy veined and muddy hued In time of blossom. There are souls, you know, Who have shed shapeless immaturities, Betrayals of the seed before the blossom Comes to proclaim a beauty, a perfection; Or risen with their stalk, until such leaves Were hidden in the grass or soil--not she, Nor even your Elenor Murray, as I read her. But being America and American, Brings good and bad together, blossom and leaves With prodigal recklessness, in vital health And unselective taste and vision mixed Of beauty and of truth.
Who was La Menken? She's born in Louisiana in thirty-five, Left fatherless at seven--mother takes her And puts her in the ballet at New Orleans. She dances then from Texas clear to Cuba; Then gives up dancing, studies tragedy, And plays Bianca! Fourteen years of age Weds Menken, who's a Jew, divorced from him; Then falls in love with Heenan, pugilist. They quarrel and separate--it's in this pamphlet Just as I tell you; you can take it, Coroner. Now something happens, nothing in her birth Or place of birth to prophesy her life Like Starved Rock to this Elenor--being grown, A hand instead is darted from the curtain That hangs between to-day, to-morrow, sticks A symbol on her heart and whispers to her: You're this, my woman. Well, the thing was this: She played Mazeppa: take your dummy off, And lash me to the horse. They were afraid, But she prevailed, was nearly killed the first night, And after that succeeded, was the rage And for her years remaining found herself Lashed to the wild horse of ungoverned will, Which ran and wandered, till she knew herself With stronger will than vision, passion stronger Than spirit to judge; the richness of the world, Love, beauty, living, greater than her power. And all the time she had the appetite To eat, devour it all. Grown sick at last, She diagnosed her case, wrote to a friend: The soul and body do not fit each other-- A human spirit in a horse's flesh. This is your Elenor Murray, in a way. But to return to pansies, run your hand Over a bed of pansies; here's a pansy With petals stunted, here's another one All perfect but one petal, here's another Too streaked or mottled--all are pansies though. And here is one full petaled, strikes the eye With perfect color, markings. Elenor Murray Has something of the color and the form Of this La Menken, but is less a pansy, And Sappho, Rachel, Bernhardt are the flowers La Menken strove to be, and could not be, Ended with being only of their kind. And now there's pity for this Elenor Murray, And people wept when poor La Menken died. Both lived and had their way. I hate this pity, It makes you overlook there are two hours: The hour of joy, the hour of finding out Your joy was all mistake, or led to pain. We who inspect these lives behold the pain, And see the error, do not keep in mind The hour of rapture, and the pride, indeed With which your Elenor Murrays and La Menkens Have lived that hour, elation, pride and scorn For any other way--"this is the life" I hear them say.
Well, now I go along. La Menken fills her purse with gold--she sends Her pugilist away, tries once again And weds a humorist, an Orpheus Kerr-- And plays before the miners out in 'Frisco, And Sacramento, gathers in the eagles. She goes to Europe then--with husband? No! James Barkley is her fellow on the voyage. She lands in London, takes a gorgeous suite In London's grandest hostlery, entertains Charles Dickens, Prince Baerto and Charles Read, The Duke of Wellington and Swinburne, Sand And Jenny Lind; and has a liveried coachman; And for a crest a horse's head surmounting Four aces, if you please. And plays Mazeppa, And piles the money up.
Then next is Paris. And there I saw her, 1866, When Louis Napoleon and the King of Greece, The Prince Imperial were in a box.
She wandered to Vienna, there was ill, Came back to Paris, died, a stranger's grave In Pere la Chaise was given, afterwards Exhumed in Mont Parnasse was buried, got A little stone with these words carved upon it: "Thou Knowest" meaning God knew, while herself Knew nothing of herself.
But when in Paris They sold her picture taken with her arms Around Dumas, and photographs made up Of postures ludicrous, obscene as well, Of her and great Dumas, I have them home. Can show you sometime. Well she loved Dumas, Inscribed a book of poems to Charles Dickens, By his permission, mark you--don't you see Your Elenor Murray here? This Elenor Murray A miniature imperfect of La Menken? She loved sensation, all her senses thrilled her; A delicate soul too weighted by the flesh; A coquette, quick of wit, intuitive, Kind, generous, unaffected, mystical, Teased by the divine in life, and melancholy, Of deep emotion sometimes. One has said She had a nature spiritual, religious Which warred upon the flesh and fell in battle; Just as your Elenor Murray joined the church, And did not keep the faith, if truth be told.
Now look, here is a letter in this pamphlet La Menken writes a poet--for she hunts For seers and for poets, lofty souls. And who does that? A woman wholly bad? Why no, a woman to be given life Fit for her spirit in another realm By God who will take notice, I believe. Now listen if you will! "I know your soul. It has met mine somewhere in starry space. And you must often meet me, vagabond Of fancy without aim, a dweller in tents Disreputable before the just. Just think I am a linguist, write some poems too, Can paint a little, model clay as well. And yet for all these gropings of my soul I am a vagabond, of little use. My body and my soul are in a scramble And do not fit each other--let them carve Those words upon my stone, but also these Thou Knowest, for God knows me, knows I love Whatever is good and beautiful in life; And that my soul has sought them without rest. Farewell, my friend, my spirit is with you, Vienna is too horrible, but know Paris Then die content."
Now, Coroner Merival, You're not the only man who wants to see, Will work to make America a republic Of splendors, freedoms, happiness, success. Though I am seventy-six, cannot do much, Save talk, as I am talking now, bring forth Proofs, revelations from the years I've lived. I care not how you view the lives of people, As pansy beds or what not, lift your faith So high above the pansy bed it sees The streaked and stunted pansies filling in The pattern that the perfect pansies outline, The
refore are smiling, even indifferent To this poor conscious pansy, dying at last Because it could not be the flower it wished. My heart to Elenor Murray and La Menken Goes out in sorrow, even while I know They shook their leaves in April, laughed and thrilled, And either did not know, or did not care The growing time was precious, and if wasted Could never be regained. Look at La Menken At seven years put in the ballet corps; And look at Elenor Murray getting smut Out of experience that made her wise. What shall we do about it?--let it go? And say there is no help, or say a republic, Set up a hundred years ago, raised to the helm Of rulership as president a list Of men more able than the emperors, Kings, rulers of the world, and statesmen too The equal of the greatest, money makers, And domineers of finance and economies Phenomenal in time--say, I repeat A country like this one must let its children Waste as they wasted in the darker years Of Europe. Shall we let these trivial minds Who see salvation, progress in restraint, Pre-empt the field of moulding human life? Or shall we take a hand, and put our minds Upon the task, as recently we built An army for the war, equipped and fed it, An army better than all other armies, More powerful, more apt of hand and brain, Of thin tall youths, who did stop but said Like poor La Menken, strap me to the horse I'll do it if I die--so giving to peace The skill and genius which we use in war, Though it cost twenty billion, and why not? Why every dollar, every drop of blood For war like this to guard democracy, And not so much or more to build the land, Improve our blood, make individual America and her race? And first to rout Poverty and disease, give youth its chance, And therapeutic guidance. Soldier boys Have huts for recreation, clergymen, And is it more, less worth to furnish hands Intimate, hearts intimate for the use Of your La Menkens, Elenor Murrays, youths Who feel such vigor in their restless wings They tumble out of crowded nests and fly To fall in thickets, dash themselves against Walls, trees?
I have a vision, Coroner, Of a new Republic, brighter than the sun, A new race, loftier faith, this land of ours Made over as to people, boys and girls, Conserved like forests, water power or mines; Watched, tested, put to best use, keen economies Practiced in spirits, waste of human life, Hope, aspiration, talent, virtues, powers, Avoided by a science, science of life, Of spirit, what you will. Enough of war, And billions for the flag--all well enough! Some billions now to make democracy Democracy in truth with us, and life Not helter-skelter, hitting as it may, And missing much, as this La Menken did. I'm not convinced we must have stunted pansies, That have no use but just to piece the pattern. Let's try, and if we try and fail, why then Our human duty ends, the God in us Will have it just this way, no other way. And then we may accept so poor a world, A republic so unfinished.
* * * * *
Will Paget is another writer of letters To Coroner Merival. The coroner Spends evenings reading letters, keeps a file Where he preserves them. And the blasphemy Of Paget makes him laugh. He has an evening And reads this letter to the jurymen: