“Of course I do,” answered Martin. “I’ve been there.”
“You have?” Mrs. Bayer asked, knowing that Martin had never been out of New York State. “When?”
“Before I was born,” Martin said, matter-of-factly. “I remember,” he continued, closing his eyes and tilting his face like a medium (he even grasped the table with both hands), “I remember… butter… lots of butter. And little herring boats in the ocean, turning on the waves. They had beaches there, just like here, but not as big. And there was a circus that I went to; it was very small, they played violins, there was a tiger, the costumes were old-fashioned, and the tent was lit by candles.”
Martin opened his eyes. He had made up the butter and the herring boats, but he had really seen the circus. It had come at him from nowhere, and was very real—he had heard the music and seen the tent gaily lit by candles.
“Yes,” said Mrs. Friebourg, “I have seen a circus like that,” and, for a moment, the room was silent.
Then they got up and had tea, and danced to a player piano and the guitar. The air was cool and beautiful, washed with white, the fields quiet and settled after a summer of growing. The lieutenant danced with Christiana. They were in love. Then, when everyone was red from the dancing and delighted by the near-autumn evening, the lieutenant asked Mr. Friebourg to go out on the porch. Soon Mrs. Friebourg and her daughter followed. The remaining military and the Bayers did not know what to make of it. When the Friebourgs returned, they were beaming. Perhaps it was because the lieutenant was a handsome young man who had gone to university and whose family was known in the South. Perhaps it was because he was wealthy. Perhaps it was because they saw that he and their daughter were genuinely in love. They went to the marble-topped cart and poured champagne. Unable to restrain herself, Mrs. Friebourg said, in her thick Scandinavian accent, “Christiana and Lieutenant Thomson are to be married!” Lydia gasped with pleasure. Everyone smiled, and the Marines made little bows. The prospective bride and bridegroom were young and beautiful.
Martin’s painted scenes danced before his eyes. He remembered the gaiety of the azure water and how unknowing he had felt. But then a picture of uniforms appeared (of course, it was easy) and he saw something in the bright colors which was sad. As the adults gathered to congratulate the lieutenant and his bride-to-be, Martin stepped out on the porch where they had watched him, a little boy, foolishly chasing a horse. The picture inside, through the large window, was active and full of life. He saw the lovers on an azure sea, and he saw white foam tossed by dry winds. He saw them perfectly in love, innocent. Christiana was again behind the marble, serving happily. The lieutenant was tall and stood like a prince.
On glowing boards flooded with moonlight he stared at the fields and could hear the ocean beyond. It was like an end-of-summer dream. But despite the iridescence of the moon, and the delight of middle September’s solid blue fields alive with crickets, Martin saw frightening scenes and sad scenes, of ships fighting darkly across a hurricane-covered sea.
North Light
—A RECOLLECTION IN THE PRESENT TENSE
We are being held back. We are poised at a curve in the road on the southern ridge of a small valley. The sun shines from behind, illuminating with flawless light the moves and countermoves of several score tanks below us. For a long time, we have been absorbed in the mystery of matching the puffs of white smoke from tank cannon with the sounds that follow. The columns themselves move silently: only the great roar rising from the battle proves it not to be a dream.
A man next to me is deeply absorbed in sniffing his wrist. “What are you doing?” I ask.
“My wife,” he says. “I can still smell her perfume on my wrist, and I taste the taste of her mouth. It’s sweet.” We were called up this morning. The war is two days old. Now it is afternoon, and we are being held back—even though our forces below are greatly outnumbered. We are being held back until nightfall, when we will have a better chance on the plain; for it is packed with tanks, and we have only two old half-tracks. They are loaded with guns—it is true—but they are lightly armored, they are slow, and they present high targets. We expect to move at dusk or just before. Then we will descend on the road into the valley and fight amid the shadows. No one wants this: we all are terrified.
The young ones are frightened because, for most of them, this is the first battle. But their fear is not as strong as the blood which is rising and fills their chests with anger and strength. They have little to lose, being, as they are, only eighteen. They look no more frightened than members of a sports team before an important match: it is that kind of fear, for they are responsible only to themselves.
Married men, on the other hand, are given away by their eyes and faces. They are saying to themselves, “I must not die; I must not die.” They are remembering how they used to feel when they were younger; and they know that they have to fight. They may be killed, but if they don’t fight they will surely be killed, because the slow self-made fear which demands constant hesitation is the most efficient of all killers. It is not the cautious who die, but the overcautious. The married men are trying to strike an exact balance between their responsibility as soldiers, their fervent desire to stay alive, and their only hope—which is to go into battle with the smooth, courageous, trancelike movements that will keep them out of trouble. Soldiers who do not know how (like dancers or mountain climbers) to let their bodies think for them are very liable to be killed. There is a flow to hard combat; it is not (as it has often been depicted) entirely chance or entirely skill. A thousand signals and signs speak to you, much as in music. And what a sad moment it is when you must, for one reason or another, ignore them. The married men fear this moment. We should have begun hours ago. Being held back is bad luck.
“What time is it?” asks one of the young soldiers. Someone answers him.
“Fourteen hundred.” No one in the Israeli Army except high-ranking officers (colonels, generals—and we have here no colonels or generals) tells time in this fashion.
“What are you, a general?” asks the young soldier. Everyone laughs, as if this were funny, because we are scared. We should not be held back like this.
Another man, a man who is close to fifty and is worrying about his two sons who are in Sinai, keeps on looking at his watch. It is expensive and Japanese, with a black dial. He looks at it every minute to see what time it is, because he has actually forgotten. If he were asked what the time was, he would not be able to respond without checking the watch, even though he has done so fifty times in the last hour. He too is very afraid. The sun glints off the crystal and explodes in our eyes.
As younger men who badly wanted to fight, we thought we knew what courage was. Now we know that courage is the forced step of going into battle when you want anything in the world but that, when there is every reason to stay out, when you have been through all the tests, and passed them, and think that it’s all over. Then the war hits like an artillery shell and you are forced to be eighteen again, but you can’t be eighteen again; not with the taste of your wife’s mouth in your mouth, not with the smell of her perfume on your wrists. The world turns upside down in minutes.
How hard we struggle in trying to remember the easy courage we once had. But we can’t. We must either be brave in a different way, or not at all. What is that way? How can we fight like seasoned soldiers when this morning we kissed our children? There is a way, hidden in the history of war. There must be, for we can see them fighting in the valley; and, high in the air, silver specks are dueling in a dream of blue silence.
Why are we merely watching? To be restrained this way is simply not fair. A quick entrance would get the fear over with, and that would help. But, then again, in the Six Day War, we waited for weeks while the Egyptian Army built up against us. And then, after that torture, we burst out and we leapt across the desert, sprinting, full of energy and fury that kept us like dancers—nimble and absorbed—and kept us alive. That is the secret: You have to be angry.
When we arrived on the ridge this morning, we were anything but angry. Now we are beginning to get angry. It is our only salvation. We are angry because we are being held back.
We swear, and kick the sides of the half-tracks. We hate the voice on our radio which keeps telling us to hold to our position. We hate that man more than we hate the enemy, for now we want engagement with the enemy. We are beginning to crave battle, and we are getting angrier, and angrier, because we know that by five o’clock we will be worn out. They should let us go now.
A young soldier who has been following the battle, through binoculars, screams. “God!” he says. “Look! Look!”
The Syrians are moving up two columns of armor that will overwhelm our men on the plain below. The sergeant gets on the radio, but from it we hear a sudden waterfall of talk. Holding the microphone in his hand, he listens with us as we discover that they know. They are demanding more air support.
“What air support?” we ask. There is no air-to-ground fighting that we can see. As we watch the Syrians approach, our hearts are full of fear for those of us below. How did our soldiers know? There must be spotters or a patrol somewhere deep in, high on a hill, like us. What air support? There are planes all over the place, but not here.
Then we feel our lungs shaking like drums. The hair on our arms and on the back of our necks stands up and we shake as flights of fighters roar over the hill. They are no more than fifty feet above us. We can feel the heat from the tailpipes, and the orange flames are blinding. The noise is superb. They come three at a time; one wave, two, three, four, five, and six. These are our pilots. The mass of the machinery flying through the air is so great and graceful that we are stunned beyond the noise. We cheer in anger and in satisfaction. It seems the best thing in the world when, as they pass the ridge (How they hug the ground; what superb pilots!) they dip their wings for our sake. They are descending into a thicket of anti-aircraft missiles and radar-directed guns—and they dip their wings for us.
Now we are hot. The married men feel as if rivers are rushing through them, crossing and crashing, for they are angry and full of energy. The sergeant depresses the lever on the microphone. He identifies himself and says, “In the name of God, we want to go in now. Damn you if you don’t let us go in.”
There is hesitation and silence on the other end. “Who is this?” they ask.
“This is Shimon.”
More silence, then, “Okay, Shimon. Move! Move!”
The engines start. Now we have our own thunder. It is not even three o’clock. It is the right time; they’ve caught us at the right time. The soldiers are not slow in mounting the half-tracks. The sound of our roaring engines has magnetized them and they jump in. The young drivers race the engines, as they always do.
For a magnificent half minute, we stare into the north light, smiling. The man who tasted the sweet taste of his wife kisses his wrist. The young soldiers are no longer afraid, and the married men are in a perfect sustained fury. Because they love their wives and children, they will not think of them until the battle is over. Now we are soldiers again. The engines are deafening. No longer are we held back. We are shaking; we are crying. Now we stare into the north light, and listen to the explosions below. Now we hear the levers of the gearshifts. Now our drivers exhale and begin to drive. Now we are moving.
A Vermont Tale
Many years ago, when I was so young that each snowfall threatened to bar the door and mountain lions came down from the north to howl below my window, my sister and I were sent for an entire frozen January to the house of our grandparents in Vermont. Our mother and father had been instructed by the court in the matter of their difficult and unbecoming love, and that, somehow, was the root of our journey.
After several hours of winding along the great bays of the ice-cluttered Hudson, we arrived in Manhattan only to discover that we had hardly begun. Our father took us to the Oyster Bar, where we tried to eat oysters and could not. Then he found a way to the high glass galleries in Grand Central, where we watched in astonishment as people far below moved in complete silence, smoothly crossing the strong, sad light which descended in wide columns to the floor. We were told that Vermont would be colder than Putnam County, where we lived, the snow deeper, the sky clearer. We were told that we had been there before in winter but did not remember, that our summer image of the house had been snowed in, and that our grandfather had, of all things, snowshoes.
We were placed in the care of a tremendously fat conductor on a green steam-driven train called Star of the North, which long after darkness had the temerity to charge out into the black cold, and speed through snow-covered fields and over bridges at the base of which murderous ice groped and cut. We knew that outside the windows a man without his coat would either find fire or die. We sensed as well that the warmth in the train and its bright lights were not natural but, rather, like the balancing of a sword at the tip of a magician’s finger—an achieved state, from which an overconfident calculation, a graceless move, an accident of steel might hurl us into the numbing water of one of the many rivers over which the conductor had passed so often that he gave it no thought. We feared many things—especially that our parents would not come back together and that we would never go home again. And there was the nagging suspicion that our grandfather had turned into an illogical ogre, who, for unimaginable reasons, chose to wear shoes made of snow.
At midnight, the conductor brought us a pewter tureen of black-bean soup. He explained that the kitchen had just shut down, and that this was the last food until breakfast. We had had our filet of sole in the dining car, and were not hungry at all. But the way he bustled about the soup, and his excitement at having spirited it to us, created an unforeseen appetite. In company of the steam whistle and the glittering ice formed against our window, we finished it and dispatched a box of crackers besides. My sister was young enough so that the conductor could take her on his endless lap and show her how to blow across her spoon to cool the soup. She loved it. And I remember my own fascination with the gold watch chain which, across his girth, signified the route between Portugal and Hawaii.
All through the night, the Star of the North rushed on, its whistle gleaming across frost-lined valleys. We were both in the upper bunk. My sister asked if morning would come. I replied that I was sure it would.
“What will it be like?” she said.
“I don’t know,” I answered, but she was already asleep.
The cold outside was magical, colder than anything we had known.
White River Junction had frozen into place, caught as it crept up the hill. The morning was so bright that it seemed like a dream flooded by spotlights. It was a shock to breathe the cold air, and our grandparents saw at once that we were not warm enough in our camel-colored loden coats.
“Don’t you children have Christmas hats?” asked my grandfather.
Not knowing exactly what these were, I kept silent for fear of giving the wrong answer.
“Well,” he said quietly, “we’re going to have to get you kids Christmas hats and goose vests.”
Christmas hats were knit caps of the softest, whitest wool. In a band around the center were ribbons of color representing the spectrum, from a shimmering deep violet to dark orange. Goose vests were quilted down-filled silk. They came to us in wire baskets shooting along a maze of overhead track in a store so vast and full of stuff that it seemed like the world’s central repository for things. A distant clerk pulled hard on a hanging lever and there was an explosive report after which the basket careered across the room like a startled pheasant. In the store were high thin windows, through which we saw a perfectly blue sky, parts of the town, an ice-choked river, and brown trees and evergreens on the opposite bank, standing on the hill like a dumbfounded herd. We bought so much in that store that we completely filled the pickup truck with sacks, boxes, packages, bags, and bushel baskets. We bought, among other things, apples, lamb, potatoes, oranges, mint, coffee, wine, sugar, pepper, chocolate, thread,
nails, balsa wood, color film, shoe wax, flour, cinnamon, maple sugar, salt fish, matches, toys, and a dozen children’s books—good long thick ones with beautiful pictures and heavy fragrant paper.
Then we drove off in the truck. I sat in the middle and my sister was on my grandmother’s lap, her little head pointed straight at the faraway white mountains visible through the windshield. I saw my grandmother looking at the way my sister’s eyes were focused on the distance; in my grandmother’s restrained smile, lit by bright light coming shadowless from the north, was more love than I have ever seen since. They both had blue eyes; and I felt only pain, because I knew that the moment would pass—as it did.
With tire chains singing and the heater blowing, we drove all the way up into Addison County, to the empty quarter, where there are few towns. It seemed odd, after coming all that way, when my grandfather told me that we were close to New York. “The boy doesn’t understand,” said my grandmother. “We’ll have to get a map.” Then she looked at me: “You don’t understand,” Of course, I knew that, especially since I had just heard it declared a minute before. “New York goes all the way up to Canada, and so does Vermont. Massachusetts and Connecticut are in between, but alongside New York. You and Julia came through Connecticut and Massachusetts. But New York was always on your left, to the west.”
“Oh,” I said.
On a bluff high above a rushing river, we pulled into a shed at the end of a long snow-covered road. The river forked above my grandparents’ land, and came together again south of it. In winter, one could not cross the boiling rapids except by a cable car, which went from the shed to a pine grove behind their barn. The cable car was cream-colored and blue, and had come, we were told, from Switzerland. The two hundred acres were a perfect island.
This island was equally divided into woods, pasture, and lakes. The woods were evergreen, and my grandfather picked up fallen branches whenever he came upon them (for kindling), so that the floor was open and clear, covered only with pine needles and an occasional grouping of ferns. The pines were tall and widely spaced. Horses could gallop through the columned shadows. The chamber formed by these trees extended for acres, in some places growing very dark, and to walk through it was fearsome and delightful. Always, the wind whistled through the trees. If you looked around and saw only this forest, it seemed as if you were underground. But a glance upward showed sky through green.