Marcus scrambles up past him, grinning, because for him it actually is no effort. “Only because no one ever thought to put ‘don’t go nutball crazy and smash furniture over people’s heads’ in the rules before,” Marcus says.
“Lucky for both of us,” Xander says.
Normally, Marcus would shoot back a joke or an insult, something about how it’s not so lucky for him, because Xander’s been clinging to him like a barnacle ever since. Or maybe something about how it was luckier for Xander, because now, with Marcus as a wingman, he might someday, if he’s lucky, actually get himself a date.
But not today.
Not today, the last day before everything changes. Tomorrow, they will find out who has been selected as this generation’s Player. It’ll surely be either Marcus or Alexander; everyone knows that. They’re the best in the camp at everything; no one else even comes close. It’s what brought them together in the first place. After all that time wasted hating each other, they’d realized that where it counted, they were the same. No one else was so determined to win—and no one else was good enough to do so. Only Marcus could melt Xander’s cool; only Xander could challenge Marcus’s cockiness. In the end, what else could they do but become best friends? They pushed each other to go faster, to get stronger, to be better. Competition is all they know. Their friendship is built on the fact that they’re so well matched.
Tomorrow, all that changes. Tomorrow, one of them will leave this place as a winner, and embark on his hero’s journey. The other will leave a loser, and find some way to endure the rest of his pathetic life.
Which means today is not a day for joking. I couldn’t have made it through this place without you, Marcus would like to say. And no one knows me like you do. And maybe even you make me want to be my best self.
But he’s not that kind of guy.
“Yeah, lucky,” he agrees, and Xander knows him well enough to understand the rest.
They climb in silence for a while, battling gravity, scrabbling for purchase on the rock. Marcus’s muscles scream as he stretches for a handhold a few inches out of reach, finally getting leverage with his fingertips and dragging the rest of himself up and up.
“It’s probably going to be you,” Xander says finally, and they both know what he’s talking about. Marcus can tell Xander’s trying not to breathe heavily, but the strain in his voice is plain.
“No way. Totally you,” Marcus says, hoping the lie isn’t too obvious.
“It’s not like Endgame is even going to happen,” Xander says. “Think about it—after all this time, what are the odds?”
“Nil,” Marcus agrees, though this too feels like a lie. How could Endgame not happen for him? Ever since Marcus found out about the aliens, and the promise they’d made to return—ever since he found out about the Players, and the game—some part of him has known this was his fate. This is another difference between him and Xander, though it’s one they never talk about out loud.
Marcus believes.
When they were 11 years old, Marcus and Xander spent an afternoon digging for artifacts at the edge of the camp’s northern border. It was Xander’s favorite hobby, and occasionally he suckered Marcus into joining him. What else were friends for? That day, after several long hours sweating in the sun (Marcus complaining the whole time), Marcus hit gold.
Specifically a golden labrys, a double-headed ax. The labrys was one of the holiest symbols of the Minoan civilization, used to slice the throats of sacrificial bulls. Marcus gaped at the dirt-encrusted object. It had to be at least 3,500 years old. Yet it fit in his palm as if it had been designed just for him.
“No one’s ever found anything that good,” Xander said. “It’s got to be a sign. That it’s going to be you who gets chosen.”
“Whatever.” Marcus shrugged it off. But inside, he was glowing. Because Xander was right. It did have to be a sign. The ax had chosen him—had anointed him. Ever since then, he’s believed he will be chosen as the Player. It is his destiny.
But that’s not the kind of thing you say out loud.
“It doesn’t even matter which of us gets picked. Without Endgame, being the Player’s just a big waste of time,” Marcus says now. “Though I bet you’d be a chick magnet.”
“But what good would it do you?” Xander points out. “It’s not like you’d have time to actually date.”
This is a game they play, the two of them. As the selection day draws closer, they’ve been playing it more often. Pretending they don’t care who gets picked, pretending it might be better to lose.
“Imagine getting out of here once and for all,” Xander continues. “Going to a real school.”
“Joining a football team,” Marcus says, trying to imagine himself scoring a winning goal before a stadium of screaming fans.
“Going to a concert,” Xander says. He plays the guitar. (Or at least tries to.)
“Meeting a girl whose idea of foreplay isn’t krav maga,” Marcus says. He’s still got an elbow-shaped bruise on his stomach, courtesy of Helena Loris.
“I don’t know . . . I’ll kind of miss that part,” Xander says fondly. He’s been fencing regularly with Cassandra Floros, who’s promised that if he can draw blood, she’ll reward him with a kiss. “But not much else.”
“Yeah, me neither,” Marcus says. “Bring on normal life.”
He’s a few meters above Xander, and it’s a good thing, because it means Xander can’t see his sickly, unconvincing grin. A normal life?
To Marcus, that’s a fate worse than death.
A fate he’d do anything to avoid.
The counselors try their best to give the kids some approximation of a normal upbringing. In their slivers of free time, campers are allowed to surf the Net, watch TV, and flirt with whomever they want. They even spend two months of every year back home with their families—for Marcus, these are the most excruciating days of all. Of course he loves his parents. He loves Turkey, its smells and tastes, the way the minarets spear the clouds on a stormy day. But it’s not his world anymore; it’s not his home. He spends his vacations counting the minutes until he can get back to camp, back to training, back to Xander.
Deep down, he knows this is another difference between them. Sure, Xander wants to be chosen. But Marcus wants it more.
Marcus needs it.
That has to count for something.
Marcus is happy to pretend that he and Xander are evenly matched, that the choice between them is a coin flip. It’s easier that way; it’s how friendship works. But surely, he thinks, their instructors can tell that it’s an illusion. That Marcus is just a little better, a little more determined. That between the two of them, only Marcus would sacrifice everything for the game, for his people. That only Marcus truly believes he’s meant to be the Player—and not just any Player, but the one who saves his people.
They’re both pretending not to be nervous, but deep down, Marcus really isn’t.
He knows it will be him.
It has to be.
He reaches the top with a whoop of triumph, Xander still several meters behind. Instead of savoring his victory or waiting for his best friend to catch up, he anchors his rappelling line, hooks himself on, and launches himself over the cliff. This moment, this leap of faith, it’s the reward that makes all that hard work worth it. There’s a pure joy in giving way to the inexorable, letting gravity speed him toward his fate.
Tomorrow, everything changes.
And it can’t come fast enough.
Excerpt from ENDGAME: THE CALLING
SEE HOW ENDGAME BEGAN IN:
MARCUS LOXIAS MEGALOS
Hafz Alipaa Sk, Aziz Mahmut Hüdayi Mh, Istanbul, Turkey
Marcus Loxias Megalos is bored. He cannot remember a time before the boredom. School is boring. Girls are boring. Football is boring. Especially when his team, his favorite team, Fenerbahçe, is losing, as they are now, to Manisaspor.
Marcus sneers at the TV in his small, undecorated room. He is slouched in a plus
h black leather chair that sticks to his skin whenever he sits up. It is night, but Marcus keeps the lights in his room off. The window is open. Heat passes through it like an oppressive ghost as the sounds of the Bosporus—the long, low calls of ships, the bells of buoys—groan and tinkle over Istanbul.
Marcus wears baggy black gym shorts and is shirtless. His 24 ribs show through his tanned skin. His arms are sinewy and hard. His breathing is easy. His stomach is taut and his hair is close-cropped and black and his eyes are green. A bead of sweat rolls down the tip of his nose. All of Istanbul simmers on this night, and Marcus is no different.
A book lies open in his lap, ancient and leather-bound. The words on its pages are Greek. Marcus has handwritten something in English on a scrap of paper that lies across the open page: From broad Crete I declare that I am come by lineage, the son of a wealthy man. He has read the old book over and over. It’s a tale of war, exploration, betrayal, love, and death. It always makes him smile.
What Marcus wouldn’t give to take a journey of his own, to escape the oppressive heat of this dull city. He imagines an endless sea spread out before him, the wind cool against his skin, adventures and enemies arrayed on the horizon.
Marcus sighs and touches the scrap of paper. In his other hand he holds a 9,000-year-old knife, made of a single piece of bronze forged in the fires of Knossos. He brings the blade across his body and lets its edge rest against his right forearm. He pushes it into the skin, but not all the way. He knows the limits of this blade. He has trained with it since he could hold it. He has slept with it under his pillow since he was six. He has killed chickens, rats, dogs, cats, pigs, horses, hawks, and lambs with it. He has killed 11 people with it.
He is 16, in his prime for Playing. If he turns 20, he will be ineligible. He wants to Play. He would rather die than be ineligible.
The odds are almost nil that he will get his chance, though, and he knows it. Unlike Odysseus, war will never find Marcus. There will be no grand journey.
His line has been waiting for 9,000 years. Since the day the knife was forged. For all Marcus knows, his line will wait for another 9,000 years, long after Marcus is gone and the pages of his book have disintegrated.
So Marcus is bored.
The crowd on the TV cheers, and Marcus looks up from the knife. The Fenerbahçe goalie has cleared a rainbow up the right sideline, the ball finding the head of a burly midfielder. The ball bounces forward, over a line of defenders, near the last two men before the Manisaspor keeper. The players rush for the ball, and the forward comes away with it, 20 meters from the goal, free and clear of the defender. The keeper gets ready.
Marcus leans forward. Match time is 83:34. Fenerbahçe has yet to score, and doing so in such a dramatic way would save some face. The old book slides to the floor. The scrap of paper drifts free of the page and slips through the air like a falling leaf. The crowd begins to rise. The sky suddenly brightens, as if the gods, the Gods of the Sky themselves, are coming down to offer help. The keeper backpedals. The forward collects himself and takes the shot, and the ball blasts off.
As it punches the back of the net, the stadium lights up and the crowd screams, first in exaltation for the goal, but immediately afterward in terror and confusion—deep, true, and profound terror and confusion. A massive fireball, a giant burning meteor, explodes above the crowd and tears across the field, obliterating the Fenerbahçe defense and blasting a hole through the end of the stadium grandstand.
Marcus’s eyes widen. He is looking at total carnage. It is butchery on the scale of those American disaster movies. Half the stadium, tens of thousands of people dead, burning, lit up, on fire.
It is the most beautiful thing Marcus has ever seen.
He breathes hard. Sweat pours off his brow. People outside are yelling, screaming. A woman wails from the café below. Sirens ring out across the ancient city on the Bosporus, between the Marmara and the Black.
On TV, the stadium is awash in flames. Players, police, spectators, coaches run around, burning like crazed matchsticks. The commentators cry for help, for God, because they don’t understand. Those not dead or on their way to being dead trample one another as they try to escape. There’s another explosion and the screen goes black.
Marcus’s heart wants out of his chest. Marcus’s brain is as hot as the football pitch. Marcus’s stomach is full of rocks and acid. His palms feel hot and sticky. He looks down and sees that he has dug the ancient blade into his forearm, and a rivulet of blood is trickling off his hand, onto the chair, onto his book. The book is ruined, but it doesn’t matter; he won’t need it anymore. Because now, Marcus will have his Odyssey.
Marcus looks back to the darkened TV. He knows there’s something waiting for him there amidst the wreckage. He must find it.
A single piece.
For himself, for his line.
He smiles. Marcus has trained all of his life for this moment. When he wasn’t training, he was dreaming of the Calling. All the visions of destruction that his teenage mind concocted could not touch what Marcus has witnessed tonight. A meteor destroying a football stadium and killing 38,676 people. The legends said it would be a grand announcement. For once, the legends have become a beautiful reality.
Marcus has wanted, waited, and prepared for Endgame his entire life. He is no longer bored, and he won’t be again until he either wins or dies.
This is it.
He knows it.
This is it.
CHIYOKO TAKEDA
22B Hateshinai Tri, Naha, Okinawa, Japan
Three chimes of a small pewter bell awake Chiyoko Takeda. Her head lolls to the side. The time on her digital clock: 5:24. She makes a note of it. These are heavy numbers now. Significant. She imagines it is the same for those who ascribe meaning to numbers like 11:03 or 9:11 or 7:07. For the rest of her life she will see these numbers, 5:24, and for the rest of her life they will carry weight, meaning, significance.
Chiyoko turns from the clock on her side table and stares into the darkness. She lies naked on top of the sheets. She licks her full lips. She scrutinizes the shadows on her ceiling as if some message will appear there.
The bell should not have rung. Not for her.
All her life she has been told of Endgame and her peculiar and fantastical ancestry. Before the bell rang, she was 17 years old, a homeschooled outcast, a master sailor and navigator, an able gardener, a limber climber. Skilled at symbols, languages, and words. An interpreter of signs. An assassin able to wield the wakizashi, the hojo, and the shuriken. Now that the bell has rung, she feels 100. She feels 1,000. She feels 10,000, and getting older by the second. The heavy burden of the centuries presses down upon her.
Chiyoko closes her eyes. Darkness returns. She wants to be somewhere else. A cave. Underwater. In the oldest forest on Earth. But she is here, and she must get used to it. Darkness will be everywhere soon, and everyone will know it. She must master it. Befriend it. Love it. She has prepared for 17 years and she’s ready, even if she never wanted it or expected it. The darkness. It will be like a loving silence, which for Chiyoko is easy. The silence is part of who she is.
For she can hear, but she has never spoken.
She looks out her open window, breathes. It rained during the night, and she can feel the humidity in her nose and throat and chest. The air smells good.
There is a gentle rapping on the sliding door leading to her room. Chiyoko sits in her Western-style bed, her slight back facing the door. She stamps her foot twice. Twice means Come in.
The sound of wood sliding across wood. The quiet of the screen stopping. The faint shuffle of feet.
“I rang the bell,” her uncle says, his head bowed low to the ground, according the young Player the highest level of respect, as is the custom, the rule. “I had to,” he says. “They’re coming. All of them.”
Chiyoko nods.
He keeps his gaze lowered. “I am sorry,” he says. “It is time.”
Chiyoko stamps five arrhythmic times wi
th her foot. Okay. Glass of water.
“Yes, of course.” Her uncle backs out of the doorway and quietly moves away.
Chiyoko stands, smells the air again, and moves to the window. The faint glow from the city’s lights blankets her pale skin. She looks out over Naha. There is the park. The hospital. The harbor. There is the sea, black, broad, and calm. There is the soft breeze. The palm trees below her window whisper. The low gray clouds begin to light up, as if a spaceship is coming to visit. Old people must be awake, Chiyoko thinks. Old people get up early. They are having tea and rice and radish pickles. Eggs and fish and warm milk. Some will remember the war. The fire from the sky that destroyed and decimated everything. And allowed for a rebirth. What is about to happen will remind them of those days. But a rebirth? Their survival and their future depend entirely on Chiyoko.
A dog begins to bark frantically.
Birds trill.
A car alarm goes off.
The sky gets very bright, and the clouds break downward as a massive fireball bursts over the edge of town. It screams, burns, and crashes into the marina. A great explosion and a billow of scalding steam illuminate the early morning. Rain made of dust and rock and plastic and metal hurls upward over Naha. Trees die. Fish die. Children, dreams, and fortunes die. The lucky ones are snuffed out in their slumber. The unlucky are burned or maimed.
Initially it will be mistaken for an earthquake.
But they will see.
It is just the beginning.
The debris falls all over town. Chiyoko senses her piece coming for her. She takes a large step away from her window, and a bright ember shaped like a mackerel falls onto her floor, burning a hole in the tatami mat.
Her uncle knocks on the door again. Chiyoko stomps her foot twice. Come in. The door is still open. Her uncle keeps his gaze lowered as he stops at her side and hands her first a simple blue silk kimono, which she steps into, and, after she’s in the kimono, a glass of very cold water.