And Godfrey Marshall had the world to reckon with. There was German military aggression, and the English non-military idea of liberty and the 'conquests of peace' - meaning industrialism. Even if the choice between militarism and industrialism were a choice of evils, the elderly man asserted his choice of the latter, perforce. He whose soul was quick with the instinct of power.
Egbert just refused to reckon with the world. He just refused even to decide between German militarism and British industrialism. He chose neither. As for atrocities, he despised the people who committed them as inferior criminal types. There was nothing national about crime.
And yet, war! War! Just war! Not right or wrong, but just war itself. Should he join? Should he give himself over to war? The question was in his mind for some weeks. Not because he thought England was right and Germany wrong. Probably Germany was wrong, but he refused to make a choice. Not because he felt inspired. No. But just - war.
The deterrent was, the giving himself over into the power of other men, and into the power of the mob-spirit of a democratic army. Should he give himself over? Should he make over his own life and body to the control of something which he knew was inferior, in spirit, to his own self? Should he commit himself into the power of an inferior control? Should he? Should he betray himself?
He was going to put himself into the power of his inferiors, and he knew it. He was going to subjugate himself. He was going to be ordered about by petty canaille of non-commissioned officers - and even commissioned officers. He who was born and bred free. Should he do it?
He went to his wife, to speak to her.
'Shall I join up, Winifred?'
She was silent. Her instinct also was dead against it. And yet a certain profound resentment made her answer:
'You have three children dependent on you. I don't know whether you have thought of that.'
It was still only the third month of the war, and the old pre-war ideas were still alive.
'Of course. But it won't make much difference to them. I shall be earning a shilling a day, at least.'
'You'd better speak to father, I think,' she replied heavily.
Egbert went to his father-in-law. The elderly man's heart was full of resentment.
'I should say,' he said rather sourly, 'it is the best thing you could do.'
Egbert went and joined up immediately, as a private soldier. He was drafted into the light artillery.
Winifred now had a new duty towards him: the duty of a wife towards a husband who is himself performing his duty towards the world. She loved him still. She would always love him, as far as earthly love went. But it was duty she now lived by. When he came back to her in khaki, a soldier, she submitted to him as a wife. It was her duty. But to his passion she could never again fully submit. Something prevented her, for ever: even her own deepest choice.
He went back again to camp. It did not suit him to be a modern soldier. In the thick, gritty, hideous khaki his subtle physique was extinguished as if he had been killed. In the ugly intimacy of the camp his thoroughbred sensibilities were just degraded. But he had chosen, so he accepted. An ugly little look came on to his face, of a man who has accepted his own degradation.
In the early spring Winifred went down to Crockham to be there when primroses were out, and the tassels hanging on the hazel-bushes. She felt something like a reconciliation towards Egbert, now he was a prisoner in camp most of his days. Joyce was wild with delight at seeing the garden and the common again, after the eight or nine months of London and misery. She was still lame. She still had the irons up her leg. But she lurched about with a wild, crippled agility.
Egbert came for a week-end, in his gritty, thick, sand-paper khaki and puttees and the hideous cap. Nay, he looked terrible. And on his face a slightly impure look, a little sore on his lip, as if he had eaten too much or drunk too much or let his blood become a little unclean. He was almost uglily healthy, with the camp life. It did not suit him.
Winifred waited for him in a little passion of duty and sacrifice, willing to serve the soldier, if not the man. It only made him feel a little more ugly inside. The week-end was torment to him: the memory of the camp, the knowledge of the life he led there; even the sight of his own legs in that abhorrent khaki. He felt as if the hideous cloth went into his blood and made it gritty and dirty. Then Winifred so ready to serve the soldier, when she repudiated the man. And this made the grit worse between his teeth. And the children running around playing and calling in the rather mincing fashion of children who have nurses and governesses and literature in the family. And Joyce so lame! It had all become unreal to him, after the camp. It only set his soul on edge. He left at dawn on the Monday morning, glad to get back to the realness and vulgarity of the camp.
Winifred would never meet him again at the cottage - only in London, where the world was with them. But sometimes he came alone to Crockham perhaps when friends were staying there. And then he would work awhile in his garden. This summer still it would flame with blue anchusas and big red poppies, the mulleins would sway their soft, downy erections in the air: he loved mulleins: and the honeysuckle would stream out scent like memory, when the owl was whooing. Then he sat by the fire with the friends and with Winifred's sisters, and they sang the folk-songs. He put on thin civilian clothes and his charm and his beauty and the supple dominancy of his body glowed out again. But Winifred was not there.
At the end of the summer he went to Flanders, into action. He seemed already to have gone out of life, beyond the pale of life. He hardly remembered his life any more, being like a man who is going to take a jump from a height, and is only looking to where he must land.
He was twice slightly wounded, in two months. But not enough to put him off duty for more than a day or two. They were retiring again, holding the enemy back. He was in the rear - three machine-guns. The country was all pleasant, war had not yet trampled it. Only the air seemed shattered, and the land awaiting death. It was a small, unimportant action in which he was engaged.
The guns were stationed on a little bushy hillock just outside a village. But occasionally, it was difficult to say from which direction, came the sharp crackle of rifle-fire, and beyond, the far-off thud of cannon. The afternoon was wintry and cold.
A lieutenant stood on a little iron platform at the top of the ladders, taking the sights and giving the aim, calling in a high, tense, mechanical voice. Out of the sky came the sharp cry of the directions, then the warning numbers, then 'Fire!' The shot went, the piston of the gun sprang back, there was a sharp explosion, and a very faint film of smoke in the air. Then the other two guns fired, and there was a lull. The officer was uncertain of the enemy's position. The thick clump of horse-chestnut trees below was without change. Only in the far distance the sound of heavy firing continued, so far off as to give a sense of peace.
The gorse bushes on either hand were dark, but a few sparks of flowers showed yellow. He noticed them almost unconsciously as he waited, in the lull. He was in his shirt-sleeves, and the air came chill on his arms. Again his shirt was slit on the shoulders, and the flesh showed through. He was dirty and unkempt. But his face was quiet. So many things go out of consciousness before we come to the end of consciousness.
Before him, below, was the highroad, running between high banks of grass and gorse. He saw the whitish muddy tracks and deep scores in the road, where the part of the regiment had retired. Now all was still. Sounds that came, came from the outside. The place where he stood was still silent, chill, serene: the white church among the trees beyond seemed like a thought only.
He moved into a lightning-like mechanical response at the sharp cry from the officer overhead. Mechanism, the pure mechanical action of obedience at the guns. Pure mechanical action at the guns. It left the soul unburdened, brooding in dark nakedness. In the end, the soul is alone, brooding on the face of the uncreated flux, as a bird on a dark sea.
Nothing could be seen but the road, and a crucifix knocked slanting and the dark, a
utumnal fields and woods. There appeared three horsemen on a little eminence, very small, on the crest of a ploughed field. They were our own men. Of the enemy, nothing.
The lull continued. Then suddenly came sharp orders, and a new direction of the guns, and an intense, exciting activity. Yet at the centre the soul remained dark and aloof, alone.
But even so, it was the soul that heard the new sound: the new, deep 'papp!' of a gun that seemed to touch right upon the soul. He kept up the rapid activity at the machine-gun, sweating. But in his soul was the echo of the new, deep sound, deeper than life.
And in confirmation came the awful faint whistling of a shell, advancing almost suddenly into a piercing, tearing shriek that would tear through the membrane of life. He heard it in his ears, but he heard it also in his soul, in tension. There was relief when the thing had swung by and struck, away beyond. He heard the hoarseness of its explosion, and the voice of the soldier calling to the horses. But he did not turn round to look. He only noticed a twig of holly with red berries fall like a gift on to the road below.
Not this time, not this time. Whither thou goest I will go. Did he say it to the shell, or to whom? Whither thou goest I will go. Then, the faint whistling of another shell dawned, and his blood became small and still to receive it. It drew nearer, like some horrible blast of wind; his blood lost consciousness. But in the second of suspension he saw the heavy shell swoop to earth, into the rocky bushes on the right, and earth and stones poured up into the sky. It was as if he heard no sound. The earth and stones and fragments of bush fell to earth again, and there was the same unchanging peace. The Germans had got the aim.
Would they move now? Would they retire? Yes. The officer was giving the last lightning-rapid orders to fire before withdrawing. A shell passed unnoticed in the rapidity of action. And then, into the silence, into the suspense where the soul brooded, finally crashed a noise and a darkness and a moment's flaming agony and horror. Ah, he had seen the dark bird flying towards him, flying home this time. In one instant life and eternity went up in a conflagration of agony, then there was a weight of darkness.
When faintly something began to struggle in the darkness, a consciousness of himself, he was aware of a great load and a clanging sound. To have known the moment of death! And to be forced, before dying, to review it. So, fate, even in death.
There was a resounding of pain. It seemed to sound from the outside of his consciousness: like a loud bell clanging very near. Yet he knew it was himself. He must associate himself with it. After a lapse and a new effort, he identified a pain in his head, a large pain that clanged and resounded. So far he could identify himself with himself. Then there was a lapse.
After a time he seemed to wake up again, and waking, to know that he was at the front, and that he was killed. He did not open his eyes. Light was not yet his. The clanging pain in his head rang out the rest of his consciousness. So he lapsed away from consciousness, in unutterable sick abandon of life.
Bit by bit, like a doom came the necessity to know. He was hit in the head. It was only a vague surmise at first. But in the swinging of the pendulum of pain, swinging ever nearer and nearer, to touch him into an agony of consciousness and a consciousness of agony, gradually the knowledge emerged - he must be hit in the head - hit on the left brow; if so, there would be blood - was there blood? - could he feel blood in his left eye? Then the clanging seemed to burst the membrane of his brain, like death-madness.
Was there blood on his face? Was hot blood flowing? Or was it dry blood congealing down his cheek? It took him hours even to ask the question: time being no more than an agony in darkness, without measurement.
A long time after he had opened his eyes he realized he was seeing something - something, something, but the effort to recall what was too great. No, no; no recall!
Were they the stars in the dark sky? Was it possible it was stars in the dark sky? Stars? The world? Ah, no, he could not know it! Stars and the world were gone for him, he closed his eyes. No stars, no sky, no world. No, No! The thick darkness of blood alone. It should be one great lapse into the thick darkness of blood in agony.
Death, oh, death! The world all blood, and the blood all writhing with death. The soul like the tiniest little light out on a dark sea, the sea of blood. And the light guttering, beating, pulsing in a windless storm, wishing it could go out, yet unable.
There had been life. There had been Winifred and his children. But the frail death-agony effort to catch at straws of memory, straws of life from the past, brought on too great a nausea. No, No! No Winifred, no children. No world, no people. Better the agony of dissolution ahead than the nausea of the effort backwards. Better the terrible work should go forward, the dissolving into the black sea of death, in the extremity of dissolution, than that there should be any reaching back towards life. To forget! To forget! Utterly, utterly to forget, in the great forgetting of death. To break the core and the unit of life, and to lapse out on the great darkness. Only that. To break the clue, and mingle and commingle with the one darkness, without afterwards or forwards. Let the black sea of death itself solve the problem of futurity. Let the will of man break and give up.
What was that? A light! A terrible light! Was it figures? Was it legs of a horse colossal - colossal above him: huge, huge?
The Germans heard a slight noise, and started. Then, in the glare of a light-bomb, by the side of the heap of earth thrown up by the shell, they saw the dead face.
Tickets, Please
There is in the Midlands a single-line tramway system which boldly leaves the county town and plunges off into the black, industrial countryside, up hill and down dale, through the long ugly villages of workmen's houses, over canals and railways, past churches perched high and nobly over the smoke and shadows, through stark, grimy cold little market-places, tilting away in a rush past cinemas and shops down to the hollow where the collieries are, then up again, past a little rural church, under the ash trees, on in a rush to the terminus, the last little ugly place of industry, the cold little town that shivers on the edge of the wild, gloomy country beyond. There the green and creamy coloured tram-car seems to pause and purr with curious satisfaction. But in a few minutes - the clock on the turret of the Co-operative Wholesale Society's Shops gives the time - away it starts once more on the adventure. Again there are the reckless swoops downhill, bouncing the loops: again the chilly wait in the hill-top market-place: again the breathless slithering round the precipitous drop under the church: again the patient halts at the loops, waiting for the outcoming car: so on and on, for two long hours, till at last the city looms beyond the fat gas-works, the narrow factories draw near, we are in the sordid streets of the great town, once more we sidle to a standstill at our terminus, abashed by the great crimson and cream-coloured city cars, but still perky, jaunty, somewhat dare-devil, green as a jaunty sprig of parsley out of a black colliery garden.
To ride on these cars is always an adventure. Since we are in war-time, the drivers are men unfit for active service: cripples and hunchbacks. So they have the spirit of the devil in them. The ride becomes a steeple-chase. Hurray! we have leapt in a clear jump over the canal bridges - now for the four-lane corner. With a shriek and a trail of sparks we are clear again. To be sure, a tram often leaps the rails - but what matter! It sits in a ditch till other trams come to haul it out. It is quite common for a car, packed with one solid mass of living people, to come to a dead halt in the midst of unbroken blackness, the heart of nowhere on a dark night, and for the driver and the girl conductor to call, 'All get off - car's on fire!' Instead, however, of rushing out in a panic, the passengers stolidly reply: 'Get on - get on! We're not coming out. We're stopping where we are. Push on, George.' So till flames actually appear.
The reason for this reluctance to dismount is that the nights are howlingly cold, black, and windswept, and a car is a haven of refuge. From village to village the miners travel, for a change of cinema, of girl, of pub. The trams are desperately packed. Who
is going to risk himself in the black gulf outside, to wait perhaps an hour for another tram, then to see the forlorn notice 'Depot Only', because there is something wrong! Or to greet a unit of three bright cars all so tight with people that they sail past with a howl of derision. Trams that pass in the night.
This, the most dangerous tram-service in England, as the authorities themselves declare, with pride, is entirely conducted by girls, and driven by rash young men, a little crippled, or by delicate young men, who creep forward in terror. The girls are fearless young hussies. In their ugly blue uniform, skirts up to their knees, shapeless old peaked caps on their heads, they have all the sang-froid of an old non-commissioned officer. With a tram packed with howling colliers, roaring hymns downstairs and a sort of antiphony of obscenities upstairs, the lasses are perfectly at their ease. They pounce on the youths who try to evade their ticket-machine. They push off the men at the end of their distance. They are not going to be done in the eye - not they. They fear nobody - and everybody fears them.
'Hello, Annie!'
'Hello, Ted!'
'Oh, mind my corn, Miss Stone. It's my belief you've got a heart of stone, for you've trod on it again.'
'You should keep it in your pocket,' replies Miss Stone, and she goes sturdily upstairs in her high boots.
'Tickets, please.'
She is peremptory, suspicious, and ready to hit first. She can hold her own against ten thousand. The step of that tram-car is her Thermopylae.
Therefore, there is a certain wild romance aboard these cars - and in the sturdy bosom of Annie herself. The time for soft romance is in the morning, between ten o'clock and one, when things are rather slack: that is, except market-day and Saturday. Thus Annie has time to look about her. Then she often hops off her car and into a shop where she has spied something, while the driver chats in the main road. There is very good feeling between the girls and the drivers. Are they not companions in peril, shipments aboard this careering vessel of a tram-car, for ever rocking on the waves of a stormy land?