"Wait."
She was yelling at nothing. He had already jumped down the steps onto the highway. The other kids wanted a piece of the action; they were laughing wildly, shock already fading as they dashed after Lawrence. They formed a big group standing on the sandy verge. Coats were hurriedly zipped up and hands stuffed into gloves as the bitter air nipped exposed skin. Lawrence stood a little way ahead of them, searching around for the bizarre shape he'd seen. There were several titters behind him as the wait grew.
"There!" he shouted. His finger pointed westward. "There. Look."
The rebuke Mr. Kaufman had been forming died away. A patch of tufty white cloud was floating serenely through the air, the only blemish in a perfect bright azure sky. Silence fell over the kids as they watched the implausible miracle.
"Sir, why doesn't it fall?"
Mr. Kaufman stirred himself. "Because the density is equal to the air at that altitude."
"But it's solid."
"No." He smiled. "It just looks like it is. Remember when we looked at Nizana through the telescope relay and you could see the clouds that made up the storm bands. They were flowing. This is the same, but a lot smaller."
"Does that mean there are going to be storms here, sir?"
"Eventually, yes. But don't worry, they'll be a lot smaller, too."
"Where did it come from?"
"Barclay's glacier, I suppose. You've all seen the pictures of the runoff. This is one of the results. You're going to be seeing a lot more as you grow up." He let them stare at the harbinger for a while longer, then shooed them back onto the bus.
Lawrence was last up the steps, reluctant to abandon his remarkable discovery. And there was also the inevitable censure to face...
The teachers were a lot more lenient than he expected. Ms. Ridley said she understood how strange the cloud was, but he must ask permission to ever do anything like that again. Mr. Kaufman gave a gruff nod, enforcing everything she said.
Lawrence went and sat down as the bus moved forward again. The rest of the kids forgot their games to chatter in an animated fashion about what they'd just seen. Already, this was the best ecology field trip ever. Lawrence joined in occasionally with a few observations and speculations, his discovery giving him kudos previously not experienced. Mainly, though, he tried to keep tracking the cloud through the bus window.
He couldn't stop thinking about the journey it had made. Traveling halfway around the world, with so much unknown territory laid out below it How ridiculous that a cloud had seen more of Amethi than he ever had. Lawrence wanted to be up there with it, soaring over the land and empty seabeds, swooping down to zoom along the crumbling edge of Barclay's glacier where he could see the runoff, a waterfall as long as a continental shoreline. How fabulous that would be. But here he was, stuck in a bus on his way to a poxy slowlife farm, learning about ecology when at some other school he could be learning how to fly. It just wasn't fair.
The slowlife farm was, like all Amethi's industrial facilities, an uninspiring glass and aluminum box. It was situated all by itself on the side of a gentle valley, with an empty river course meandering away below it. The arctic plants were particularly prolific along the low slopes, clustering thickly on the silt bed itself.
Several of the kids remarked on it when they scuttled from the bus to the warmth of the factory. Lawrence was still trying to see the cloud, which had disappeared off to the north some time ago. The lobby's big outer doors swung shut, and a gust of air washed over the group. They'd all been expecting that. The thermal trap lobby was standard across Amethi, a giant leaky airlock arrangement with thermal recyclers instead of vacuum pumps to prevent temperature drop in the domes. Here, there didn't seem much point. The factory was nothing like as warm as any of the city domes, barely a couple of degrees above freezing. They all kept their coats sealed up.
The supervisor came out to meet them, dressed in padded purple coveralls with a tight-fitting hood. Mrs. Segan, who with her three coworkers ran the whole operation. She tried hard not to show how annoyed she was with another bunch of kids touring around and screwing up her timetable.
"What you're going to see here today has no analogue in nature," she told them as they made their way into the building. This first zone seemed more factory than farm, with dark metal corridors lined with sealed glass windows that looked in on vats of some kind. "We grow fatworms here. I'd like to say breed, but the truth is, every one of these creatures is cloned." She stopped beside a window. The room beyond was filled with racks of trays, filled with a clotted jelly similar to frogspawn. "All slowlife is completely artificial; its DNA was designed for us by the Fell Institute in Oxford, back on Earth. As you know, the more complex an organism is, the more prone to illness and other problems it becomes. Therefore, fatworms are kept very simple indeed. The principal biological streamlining is their complete lack of reproductive ability. That's also very useful to us, as they are only needed for this stage of the terraforming process. They've got a lifetime of about ten years, so when we stop making them, they'll die out." She held up a jar of the jelly substance, handing it to the closest boy. "Pass that around, and please don't breathe on it. All slowlife is optimized to function at subzero temperature; your breath is like a flame to them."
When it came to Lawrence all he could see was a mass of translucent eggs with a pinhead of darkness at the center of each. They didn't quiver or shake about as if they were about to burst open—which would have been something. Boring.
Mrs. Segan took them through into the farm's main rearing arena, a long hall with rows of big rectangular plastic boxes separated by raised metal grid walkways. Pipes overhead sprayed gloopy fluid into each of the open boxes with short regular pulses. The air smelled of crushed grass and sugar.
"Each of the fatworms is essentially a miniature bacteria reactor," Mrs. Segan said as she led them along one of the walkways. "We place them on a new section of tundra and they burrow their way through the ground chewing the dead vegetable matter in the soil. When it comes out, it's suffused with the bacteria that lives in their gut. This prepares the ground for terrestrial plants, which all need the bacteria in the soil to live on."
The kids all leaned over the side of the box she indicated, their interest suddenly regained with the prospect of creatures that could poo out fungus and stuff. A glistening mass of oyster-gray fatworms covered the bottom of the box, squirming slowly: they were about fifteen centimeters long, a couple wide. Everyone oohed and yucked as they pulled rictus grimaces at the slimy minimonsters.
"Is that why they're called slowlife?" someone asked. "Coz they don't move fast?"
"Partly," Mrs. Segan said. "The temperature they encounter outside means they don't have a particularly fast metabolism, which makes their physical motion correspondingly slow. Their blood is based on glycerol so they can keep moving through the coldest ground without freezing solid."
Lawrence sighed impatiently as she droned out long statistics, then started to explain about other slowlife forms. Some were like fish, swimming in the snow-slush runoff rivers round Barclay's glacier; others were distant relatives of caterpillars, munching their way across the huge dunes of carbon granules left behind by Amethi's original forests. He glanced down into the big box again. It was a bunch of worms wriggling around sluggishly. So what? Who in Fate cared what grubbed around under the soil? Why didn't they come up with birds or something interesting? Dinosaurs maybe.
Mrs. Segan moved on, the group buzzing along behind her. Lawrence trailed at the rear. He craned his neck back, looking through the farm's grimy glass roof to see if the cloud had returned. The next thing he knew, he'd tripped on some ridge in the walkway, and went flailing onto his back. One scrabbling hand caught a shallow plastic bin, and when he landed painfully a whole bunch of fully grown fatworms were dropping on top of him.
He rolled away from them quickly, disgust overriding the pain along his jarred spine. These adults were some forty centimeters long, seven or eight in di
ameter. Their tips waved about blindly. Lawrence clambered to his feet, automatically checking the position of the teachers. Nobody had actually seen him fall. He looked down at the fatworms, the only evidence. Gingerly, telling himself they weren't in the slightest bit dangerous, he groped down and tried to pick one up. It was revoltingly cold and slimy, with a texture like sodden carpet, but he managed to grip it tight. As he lifted it up, the slight wavering motion began to speed up. Instead of putting it back in the bin, he held on and watched. After a while the fatworm was almost thrashing. He dropped it back down onto the floor, and it slithered off along the walkway. There was a claret-colored patch around its midsection where his hand had been. "All right," he murmured. "Not so slow after all." Which was logical. They were slow in the cold; therefore they'd be fast in the warmth.
He scuttled after the group. "Alan," he hissed. "Hey, Alan. Come and look at this."
Alan Cramley stopped munching on his Toby bar, curious about the furtive tone. "What?"
Lawrence took him back to the adult fatworms and showed him. They quickly turned the discovery into a challenge. Pick up the fatworms in tandem and hold them for thirty seconds, then drop them on the walkway and see which reaches the end of the grid first. In the end they were holding on to two each, turning it into a real race.
"What exactly is going on here?" Mr. Kaufman demanded.
Lawrence and Alan hadn't seen him approach from a walkway intersection. He was staring down at the four fat-worms twisting their way across the metal. Several of the other kids were behind him, and Mrs. Segan was scurrying up, anxious to see what the fuss was about.
"I knocked a bin over, sir, and we were trying to pick them up," Lawrence said, holding out his icy hands as proof. Slime dripped from white, cold-crinkled fingertips. "I'm really sorry."
Mr. Kaufman was frowning, not fully convinced.
"Don't touch them," Mrs. Segan called urgently. She slipped past Mr. Kaufman, pulling on a pair of thick gauntlets. "Remember what I told you about them being adapted to the cold."
Lawrence and Alan traded a look.
Mrs. Segan picked up the first fatworm. Her eyes narrowed as she took in the big red mark around its middle. She took it over to the nearest bin. "What have you done?" she yelled. All the fatworms inside had the same red mark. None of them were moving. She hurried to the next bin, and gasped. In the third bin there were some fatworms left undulating slowly; Lawrence and Alan hadn't raced all of them yet. She whirled around. Lawrence took a step back, afraid she'd strike him. Her face was rigid with fury. "You burned them all, you little..." She turned to Mr. Kaufman. "Tour's over. Get these brats out of here."
Lawrence had taken over the robot garage several years ago. The compact tracked machines that originally tended to the elaborate gardens of his family's domes had been replaced by newer, more efficient models when they upgraded their AS groundskeeper program. He'd found the old concrete ramp in the middle of a clump of copper-flowering bushes that had been allowed to expand and merge into a shaggy wall now the entrance was no longer needed. At the base of the ramp was a swing-up door with stiff old lever arms. It took a commendable amount of effort and persistence for a nine-year-old to prize it open, but Lawrence did it, to be rewarded with a musty concrete cave stretching out ahead of him for a good ten meters. Its roof was less than two meters from the ground, and it had strange metal tracks bolted to the floor, walls and ceiling where waldo arms had once run. But there was still power, and a data node.
Since then it had become his den. He'd moved in life's essentials, cluttering it with a dilapidated magenta-colored leather settee, piles of cushions, a couple of tables, an old-model desktop pearl, a sound system with a decibel level that most hard-rock bands would envy, two active memory towers his father had salvaged from the office for him, an eclectic array of tools and boxes of toys he never played with. He'd tacked sheet screens over the walls and even part of the ceiling. A mosaic of images played as soon as the door was opened, some from the memory towers while others broadcast live camera feeds from the datapool.
It was a grand refuge from his family and the rest of Amethi. Even his four younger siblings knew to stay out unless he explicitly invited them in.
He'd gone there as soon as he got back after the ecology field trip. The sheet screens were showing several images of Templeton from cameras mounted on the apex of various domes. One of them showed Nizana's bright crescent, relayed from a near-side school's astronomy department telescope. Another was a telescope tracking Barric, the third-largest moon.
Lawrence told the desktop pearl to find a spaceport feed and switch it to the biggest sheet screen, the one hanging opposite the sofa, which took up half the wall. The camera must have been sited on the control tower: it showed the thick gray runway stabbing out across the bleak rusty-colored tundra. Nothing was landing or taking off.
"Get me a Flight: Horizon episode," he instructed the pearl.
"Which one?" it's AS program asked.
"Doesn't matter. No. Wait. Series one, episode five: 'Creation-5.' I want third person with the edit I chose last time. Put it on the big screen, and close down the others." He flopped into the settee and stuck his feet up on the armrest. The remaining sheet screens blacked out. Right in front of him the credits started to roll and the soundtrack kicked in, making the thin screens tremble.
He'd found Flight: Horizon two years ago when he sent an askping through the catalogues of Amethi's multimedia companies; as far as he was concerned it was the greatest science fiction series ever made. Not fully i, but it allowed personae selection so the episode could be viewed from any of the principal characters' viewpoint. And it wasn't educational like all of Amethi's i-dramas aimed at the youth audience.
Set hundreds of years in the future, it featured the amazingly cool starship Ultema, which had been sent to explore a section of the spiral arm halfway round the galaxy from Earth: several of the crew were alien, and the weird planets they visited were superbly scary. They were also facing some awesome evil aliens, the Delexians, who wanted to prevent them from getting home. It had been imported from Earth thirty years ago, though the copyright was 2287. There were only thirty episodes in the multimedia company's library, and Lawrence knew them so well now he could almost recite the dialogue from memory. He couldn't believe that was all that had been made. The Earth datapool address of the show's fanclub was tagged in the expanded features menu of every episode, so he'd paid a starship carriage fee and sent them a text message asking for more information. Every time a star-ship arrived back at Amethi he checked its communication AS, but they'd never sent him a reply.
The Ultema was locked in a gigantic energy battle against a blue dwarf star that the Delexians had imprinted with a sentience matrix when a green priority script icon opened in the center of the sheet screen. The starship froze, and the script scrolled down.
Lawrence, please come to your father's study.
He checked the clock. Quarter to six. His father had been back home ten minutes. Mr. Kaufman hadn't wasted any time filing his report package. "Gimme the study pearl," he said to the den's AS.
"I have it online," the AS said.
"I'm busy right now," Lawrence said. He pushed some injured annoyance into the tone. The AS running in the study's desktop pearl was smart.
"Lawrence, please, I accessed the message from your school and prioritized it. Your father wants to see you now."
He kept silent.
"Do you want me to bring your father into this conversation on real time?"
"All right." Grudgingly. "I'm coming, I suppose. But you have to explain to the school AS why my homestudy is short tonight."
"You're not doing homestudy."
"I am. I just have Flight: Horizon on as background."
Lawrence swung the garage door shut behind him and wriggled through the bushes. The garage was near the rim of the main dome, which was approaching the end of summer. There were six of the big structures making up the Newton family esta
te: the large one in the center with its temperate climate, and five smaller ones ringing it, each with a different environment inside. It was one of the larger estates in the Reuiza District, which was where the capital's wealthiest citizens clustered.
He had a three-hundred-meter walk across the grounds to the house itself. The landscape designer had gone in for split levels, with a chessboard of English manor lawns walled in with near-vertical borders of flowering shrubs and perennials. Each lawn was themed with classical plants: one had roses, one with fuchsia, another had begonias, magnolias, hydrangeas, delphiniums; for variety several lawns were enclosed by rockeries sprouting dozens of alpines. Two serpentine pools led away into shallow rocky cascades with reeds and lilies sprouting from outcrops and shelves in the slope. Tall trees stood above the corner of every lawn, again selected for traditional appearance: willow, spruce, birch, horse chestnut, larch. Each of them had had boughs that drooped, either naturally or by judicious shaping, forming massive verdant skirts that swept the grass. Fabulous adventure caves for small children. Lawrence had enjoyed a lot of summers playing in the gardens, as his siblings did now.
A stream ran through the dome, a rough horseshoe shape around the outside of the formal lawns, where the grass was permitted to grow shaggy and daisies and forget-me-nots flourished. He crossed over a narrow moss-cloaked humpback bridge and walked the flagstone path to the house, going up or down steps at the end of each square lawn. Ahead of him, the Newton residence was a stately home built from a yellow stone, with big bay windows protruding from walls swarmed by honeysuckle. Several peacocks strutted around on the gravel path surrounding the house, long folded tails swishing the pebbles about. Their mad penetrating cackle-cry was virtually the only sound in the dome. They scattered as Lawrence crossed the path and made his way up the steps to the front door.
The entrance hall inside was cool. Heavy polished oak doors opened into the formal ground-floor rooms. Their furnishings and decorations were all exquisite antique pieces. Lawrence hated them; he was frightened to go into any of the rooms for fear of breaking some priceless chunk of the family's precious heritage. What was the point of having a house like this? Nobody could use it properly, not like the real homes some of his schoolmates had. It cost a fortune to build. And it didn't belong on Amethi anyway. This was how people used to build. It was the past.