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  On the “Great Negro Plot” of 1741, Thomas J. Davis’s A Rumor of Revolt: The “Great Negro Plot” in Colonial New York is indispensable, as is the contemporary report by Daniel Horsmanden called Journal of the Proceedings in the Detection of the Conspiracy Formed by Some White People in Conjunction with Negro and Other Slaves Burning the City of New-York in America and Murdering the Inhabitants. I read the abridged version, edited in 1851 by William B. Wedgwood. Michael G. Kammen’s Colonial New York: A History is a fine work of reconstruction of the years before the American Revolution and helped me with the wider context of 1741.

  Many other books fill my New York shelves, from Herbert Asbury’s classic The Gangs of New York to Sean Wilentz’s Chants Democratic. Most recently, I’ve learned from Gerard T. Koeppel’s Water for Gotham, M. H. Dunlop’s Gilded City, and Richard B. Stott’s Workers in the Metropolis. I have hundreds of volumes too on Irish history, too many to list, but some of which provided details of the arctic winter of 1740 and the famine that was forgotten after the much larger horrors of the Great Famine of the 1840s, which changed Ireland and New York for a century.

  History is not everything, of course. The poetry and journalism of Walt Whitman are essential for any writer about New York, as are the works of Edgar Allen Poe, Herman Melville, Stephen Crane, and Theodore Dreiser, and, of course, Henry James. But much is to be learned from the pulp fiction produced for more than a century in New York, from the dime novels of the dreadful Ned Buntline and his more respectable contemporaries to the works of the Black Mask school of detective fiction. I admire too the works of Caleb Carr, Jack Finney, and above all, the splendid New York fictions of E. L. Doctorow, who has turned so much of our narrative into high art.

  My writer friends Julie Baumgold and Carolina Gonzalez helped with details I could not know. But this novel the process of imagining and writing was almost constantly a process of reimagining and rewriting, of finding fresh connections and unexpected patterns, and making decisions about what could be eliminated and what must be kept. That process was driven by the high standards and respect for craft of my editor, Bill Phillips. His contribution to this work was absolutely essential. He goaded me, pushed me, cajoled me, encouraged me, made me laugh, and gave me the time to do what had to be done, regardless of deadlines. It was a marvelous experience; our e-mails alone would make a small book, and I’ll be grateful to Bill Phillips, well, forever.

  I was accompanied on this journey by my wife, to whom this book properly belongs. But I was also in the company of Charlie Parker, John Coltrane, Erik Satie, Scott Joplin, Benny More, Miles Davis, J. S. Bach, the unknown masters of Gregorian chant, and Duke Ellington, and by a marvelous creature named Gabo, who was what John Cheever once called “a former dog.” Gabo didn’t live to see me finish, but he’s in these pages too.

  Contents

  Front Cover Image

  Welcome

  Dedication

  ONE: Ireland

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  TWO: The Arctic Heart

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  THREE: The Ocean Sea

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  FOUR: The New York Morning

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  FIVE: Revolutions

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  SIX: The Time of the Countess

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  SEVEN: Boss

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  EIGHT: Now

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Chapter 89

  Chapter 90

  Chapter 91

  Chapter 92

  Chapter 93

  Chapter 94

  Chapter 95

  Chapter 96

  Chapter 97

  Chapter 98

  Chapter 99

  Chapter 100

  Chapter 101

  Chapter 102

  Chapter 103

  Chapter 104

  Chapter 105

  Chapter 106

  Chapter 107

  Chapter 108

  Chapter 109

  Chapter 110

  Chapter 111

  Chapter 112

  Chapter 113

  Chapter 114

  Chapter 115

  NINE: Ever After

  Chapter 116

  Chapter 117

  Chapter 118

  Chapter 119

  Chapter 120

  Chapter 121

  Chapter 122

  Chapter 123

  Chapter 124

  By way of thanks

  About the Author

  ALSO BY PETE HAMILL

  Copyright

  About the Author

  Pete Hamill has been editor in chief of both the New York Post and the New York Daily News, for which he currently writes a regular column. In his writing for these publications as well as the New York Times, The New Yorker, and Newsday, he has brought the city to life for millions of readers. He is the author of previous bestselling books, including, most recently, the memoir A Drinking Life and the novel Snow in August. He lives in New York City.

  ALSO BY PETE HAMILL

  Novels

  A Killing for Christ

  The Gift

  Dirty Laundry

  Flesh and Blood

  The Deadly Piece

  The Guns of Heaven

  Loving Women

  Snow in August

  Short Story Collections

  The Invisible City

  Tokyo Sketches

  Journalism

  Irrational Ravings

  Piecework

  News Is a Verb

  Tools as Art

  Memoir

  A Drinking Life

  Biography

  Diego Rivera

  Why Sinatra Matters

  Copyright

  Copyright © 2003 by Deidre Enterprises

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or
mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.

  First eBook Edition: May 2011

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

  The publisher is not responsible for websites (or their content) that are not owned by the publisher.

  ISBN: 978-0-316-19625-3

 


 

  Pete Hamill, Forever

 


 

 
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