Read Golden Age and Other Stories Page 14


  (art by Maarta Laiho)

  LAURENCE HAD ALWAYS resolutely refused to express a preference for any particular familiar; when other mages of the Corps had spoken aloud of their hopes for great cats or gyrfalcons, he had kept his peace, and when pressed had only said he should be content with any beast that chose him. He did not intend to be discontented, or ever make his companion feel the lesser, if only the far more usual rat or crow made its appearance after the summoning ritual.

  However, he felt now justified in a little dismay. Where was he to keep a fully grown dragon?

  (art by Maria Nagy)

  (An excerpt from a letter written by Matteo Ricci, February 1583)

  THEY POSSESS AN extraordinary number of dragons, who are housed at night within the very precincts of every town and city, in large temples which are turned to the business of the state during the day, and where high-ranking officials receive petitions and give judgements while the beasts are out. A few either from age or ill-health remain sleeping in the corners, but no person shows any fear or concern about their presence, and so well-trained and docile are these creatures that they never offer harm to any person.

  Indeed some dragons are venerated almost as highly as their rulers…

  (art by Michelle Brenner)

  BENJAMIN FRANKLIN'S FAMOUS cartoon was published in 1754 on the eve of the outbreak of the

  Seven Years’ War in North America to urge closer bonds among the British colonies, represented by the divided segments of the body, and their closest Indian allies, represented by the two sections marked with wings and draconic head, indicating the Iroquois connected to New York, and the Wampanoag and Narragansett and other Algonquian-speaking tribes to New England. It and Franklin’s accompanying editorial were among the earliest arguments for the forging of a unified identity among colonies and tribes formerly disposed to consider themselves rivals…

  (art by Nickol Martin)

  KULINGILE PRIVATELY COULD not understand what so distressed Maximus, and some of the other heavy-weights, about him. He remembered himself as small and ungainly and sure to die; that was what everyone had said. “They will not be unkind to you,” Demane said fiercely, when Kulingile ventured to say something, after they had been in camp in Portugal a week. “If they are, you will tell me, and we will soon set them straight.”

  “No one is unkind,” Kulingile said, warmed through again. He did not care if anyone did not like him. No one had before, either: except Demane.

  (art by Sam Pipes)

  TEMERAIRE WAS A good old egg, Maximus thought affectionately, as he padded back to his covert with his belly full, ears pricked and careful as he put down each foot. There were no squeaks of dismay from underfoot: he did like getting up and having his breakfast before the crowds were awake and scurrying about. Berkley was still snoring loudly in his cottage, a pleasant comfortable noise, and the ground-crew had not begun stirring. Maximus yawned himself and lay down in the large red-painted circle where the crew knew not to go, so he would not squash them by accident.

  (art by Sarah Arcand)

  THE JUBILEE PROCESSION wound away from the cathedral and through the streets back towards the

  palace: the marching troops, the great open carriage in front drawn by eight horses, and behind it the queen’s dragon Gloriana with her head craned proudly upon her neck, leading five dragons trailing away in size behind her. Temeraire could not help but be pleased with the splendid display: a riot of color and glory; and better still, the road they followed was wide enough for dragons. But the ceremony over, he took wing to be alone, and think of what Laurence would have said.

  (art by Slate)

  THE NOISE WAS a peculiar one, and Laurence did not know what to make of it; he had never heard

  Temeraire make it before—a sort of humming resonance, accompanied with a regular stamping that made the earth shiver. “Temeraire?” he called, doubtfully, and pushed aside the underbrush and came into the clearing.

  “Well? Why is it taking so long?” Iskierka was saying, impatiently, as he parted the tall grass. One appalled glance was enough to make Laurence aware he had grossly intruded; he let the tall blades mercifully cover the scene and turned and fled hastily back into the trees.

  (art by Tabitha Emde)

  EOONOILON SANG DEEP and resonant, his voice rumbling through the water, and Ilia sang back, swimming round his head in spirals, catching the currents that his great body made, cold and refreshing.

  Tomorrow the migration would begin, and there would not be time for play: they had a long journey to the winter waters ahead, with Eoo leading the pack. He knew the way. Ilia’s mother often said she might sleep the whole four weeks and none the worse. But it would still be dangerous and long, and this year Ilia was a guard. She would play while she could.

  (art by Tanya Thienpothong)

  “WHAT? WHY NOT?" Demane said indignantly, pulling his head back. Why not, as though everything were easy, and they neither of them had to be thinking of anything but themselves.

  “And what do you suppose we are to do when Mother retires?” Emily said. “Don’t be stupid. It doesn’t mean we can’t—”

  But he was already getting up, his back gone stiff. “I am not going to dishonor you!” he announced, and Emily pulled her knees up and rested her forehead against them. It was not that she didn’t like the captain, but he had much to answer for.

  Artist Copyright Information

  Volly Gets A Cow Copyright © 2017 by Cary Shien

  Planting Season Copyright © 2017 by Hugh Ebdy

  Dawn of Battle Copyright © 2017 by Nick Miles

  Golden Age Copyright © 2017 by Sandara Tang

  Succession Copyright © 2017 by Stephanie Mendoza

  Dragons and Decorum Copyright © 2017 by Laurie Damme Gonneville

  Drabbles:

  Page 127, Copyright © 2017 by Agnes Hartman

  Page 129, Copyright © 2017 by Al Lukehart

  Page 131, Copyright © 2017 by Amanda Sharpe

  Page 133, Copyright © 2017 by Amy Thompson

  Page 135, Copyright © 2017 by Angela Hsieh

  Page 137, Copyright © 2017 by Caitlin Johnson

  Page 139, Copyright © 2017 by Erica Lange

  Page 141, Copyright © 2017 by Erika B. Xochimitl

  Page 143, Copyright © 2017 by Jason Lauborough

  Page 145, Copyright © 2017 by Jennifer Rahier

  Page 147, Copyright © 2017 by John O’Brien Schroeder

  Page 149, Copyright © 2017 by Karena Kliefoth

  Page 151, Copyright © 2017 by Katie Gaubatz

  Page 153, Copyright © 2017 by Kelly Nugent

  Page 155, Copyright © 2017 by Kelsey Zilowar

  Page 157, Copyright © 2017 by Kyle Bice

  Page 159, Copyright © 2017 by Kyle Broad

  Page 161, Copyright © 2017 by Maarta Laiho

  Page 163, Copyright © 2017 by Maria Nagy

  Page 165, Copyright © 2017 by Michelle Brenner

  Page 167, Copyright © 2017 by Nickol Martin

  Page 169, Copyright © 2017 by Sam Pipes

  Page 171, Copyright © 2017 by Sarah Arcand

  Page 173, Copyright © 2017 by Slate

  Page 175, Copyright © 2017 by Tabitha Emde

  Page 177, Copyright © 2017 by Tanya Thienpothong

  Document Outline

  Title Page

  Copyright

  Volly’s Cow

  Planting Season

  Dawn of Battle

  Golden Age

  Succession

  Dragons and Decorum

  Drabbles

  Copyright Information

 


 

  Naomi Novik, Golden Age and Other Stories

 



 

 
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