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And you actually couldn’t say that such a thing was out of the question. For it did seem that Yoshihide’s sole purpose in calling the apprentice to his studio that night had been to set the owl on him and draw him trying to escape. Thus, when the apprentice caught that glimpse of his master at work, he felt his arms come up to protect his head and heard an incoherent scream escape his throat as he slumped down against the sliding door in the corner of the room. In that same instant Yoshihide himself cried out and jumped to his feet, whereupon the beating of the owl’s wings grew faster and louder and there came the clatter of something falling over and a tearing sound. Having covered his head in terror, the apprentice now raised it again to find that the room had gone pitch dark, and he heard Yoshihide’s angry voice calling to the other apprentices.
Eventually there was a far-off cry in response, and soon an apprentice rushed in with a lantern held high. In its sooty-smelling glow, the boy saw the tripod collapsed on the floor and the mats and planking soaked in the oil of the overturned lamp. He saw the owl, too, beating one wing in apparent pain as it flopped around the room. On the far side of the table, looking stunned, Yoshihide was raising himself from the floor and muttering something incomprehensible. And no wonder! That black snake was tightly coiled around the owl from neck to tail and over one wing. The apprentice had probably knocked the jar over as he slumped to the floor, and when the snake crawled out, the owl must have made the mistake of trying to grab it in its talons, only to give rise to this struggle. The two apprentices gaped at the bizarre scene and at each other until, with a silent bow to the master, they slipped out of the room. What happened to the owl and snake after that, no one knows.
This was by no means the only such incident. I forgot to mention that it was the beginning of autumn when His Lordship commanded Yoshihide to paint the hell screen; from then until the end of winter the apprentices were continually subjected to their master’s frightening behavior. At that point, however, something seemed to interfere with Yoshihide’s work on the screen. An even deeper layer of gloom came to settle over him, and he spoke to his assistants in markedly harsher tones. The screen was perhaps eight-tenths finished, but it showed no further signs of progress. Indeed, Yoshihide occasionally seemed to be on the verge of painting over those parts that he had already completed.
No one knew what he was finding so difficult about the screen, and what’s more, no one tried to find out. Stung by those earlier incidents, his apprentices felt as if they were locked in a cage with a tiger or a wolf, and they found ways to keep their distance from the master.
12
For that reason, I have little to tell you about that period. The only unusual thing I can think of is that the hardheaded old codger suddenly turned weepy; people would often see him shedding tears when he was alone. An apprentice told me that one day he walked into the garden and saw the master standing on the veranda, gazing blankly at the sky with its promise of spring, his eyes full of tears. Embarrassed for the old man, the apprentice says, he silently withdrew. Don’t you find it odd that this arrogant man, who went so far as to sketch a corpse on the roadside for his Five Levels of Rebirth, would cry like an infant just because the painting of the screen wasn’t going as well as he wanted it to?
In any case, while Yoshihide was madly absorbed in his work on the screen, his daughter began to show increasing signs of melancholy, until the rest of us could see that she was often fighting back her tears. A pale, reserved, sad-faced girl to begin with, she took on a genuinely mournful aspect as her lashes grew heavy and shadows began to form around her eyes. This gave rise to all sorts of speculation – that she was worried about her father, or that she was suffering the pangs of love – but soon people were saying that it was all because His Lordship was trying to bend her to his will. Then the gossiping ground to a halt, as though everyone had suddenly forgotten about her.
A certain event occurred at that time. Well after the first watch of the night, I was walking down an outdoor corridor when the monkey Yoshihide came flying at me from out of nowhere and started tugging at my trouser skirts. As I recall it, this was one of those warm early spring nights when you expect at any time now to be catching the romantic fragrance of plum blossoms in the pale moonlight. But what did I see in the moon’s faint glow? It was the monkey baring its white fangs, wrinkling up its nose, and shrieking with almost manic intensity. An eerie chill was only three parts of what I felt: the other seven parts were anger at having my new trousers yanked at like that, and I considered kicking the beast aside and continuing on my way. I quickly changed my mind, however, recalling the case of the samurai who had earned the Young Master’s displeasure by tormenting the monkey. And besides, the way the monkey was behaving, there was obviously something wrong. I therefore gave up trying to resist and allowed myself to be pulled several paces farther.
Where the corridor turned a corner, the pale surface of His Lordship’s pond could be seen stretching off through the darkness beyond a gently drooping pine. When the animal led me to that point, my ears were assaulted by the frantic yet strangely muffled sounds of what I took to be a struggle in a nearby room. All else was hushed. I heard no voices, no sounds but the splash of a fish leaping in the mingled moonlight and fog. The sound of the struggle brought me up short. If this was an intruder, I resolved, I would teach him a lesson, and, holding my breath, I edged closer to the sliding door.
13
My approach, however, was obviously too slow and cautious for the monkey. Yoshihide scampered around me in circles – once, twice, three times – then bounded up to my shoulder with a strangled cry. Instinctively, I jerked my head aside to avoid being scratched. The monkey dug its claws into my sleeve to keep from slipping down. This sent me staggering, and I stumbled backward, slamming against the door. Now I could no longer hesitate. I shot the door open and crouched to spring in beyond the moonlight’s edge. At that very moment something rose up to block my view. With a start I realized it was a woman. She flew toward me as if someone had flung her out of the room. She nearly hit me but instead she tumbled forward and – why, I could not tell – went down on one knee before me, trembling and breathless, and staring up at me as if at some terrifying sight.
I am sure I need not tell you it was Yoshihide’s daughter. That night, however, my eyes beheld her with a new vividness, as though she were an utterly different person. Her eyes were huge and shining. And her cheeks seemed to be burning red. Her disheveled clothes gave her an erotic allure that contrasted sharply with her usual childish innocence. Could this actually be the daughter of Yoshihide? I wondered – that frail-looking girl so modest and self-effacing in all things? Leaning against the sliding wooden door, I stared at this beautiful girl in the moonlight and then, as if they were capable of pointing, I flicked my eyes toward the hurried footsteps receding into the distance to ask her soundlessly, Who was that?
The girl bit her lip and shook her head in silence. I could see she felt deeply mortified.
I bent over her and, speaking softly next to her ear, now put my question into words: ‘Who was that?’ But again she refused to answer and would only shake her head. Indeed, she bit her lip harder than ever as tears gathered on her long lashes.
Born stupid, I can never understand anything that isn’t perfectly obvious, and so I had no idea what to say to her. I could do nothing but stand there, feeling as if my only purpose was to listen to the wild beating of her heart. Of course, one thing that kept me silent was the conviction that it would be wrong of me to question her any further.
How long this went on, I do not know, but eventually I slid shut the door and gently told the girl, ‘Go to your room now.’ Her agitation seemed to have subsided somewhat. Assailed by an uneasy feeling that I had seen something I was not meant to see, and a sense of shame toward anyone and no one in particular, I began to pad my way back up the corridor. I had hardly walked ten paces, however, when again I felt a tug – a timid one – at the skirt of
my trousers. I whirled around, startled, but what do you think it was?
I looked down to find the monkey Yoshihide prostrating himself at my feet, hands on the floor like a human being, bowing over and over in thanks, his golden bell ringing.
14
Perhaps two weeks went by after that. All of a sudden, Yoshihide arrived at the mansion to beg a personal audience with His Lordship. He probably dared do such a thing despite his humble station because he had long been in His Lordship’s special favor. His Lordship rarely allowed anyone to come into his presence, but that day, as so often before, he assented readily to Yoshihide’s request and had him shown in without a moment’s delay. The man wore his usual reddish-brown robe and tall black soft hat. His face revealed a new level of sullenness, but he went down on all fours before His Lordship and at length, eyes down, he began to speak in husky tones:
‘I come into your honored presence this day, My Lord, regarding the screen bearing images of hell which His Lordship ordered me to paint. I have applied myself to it day and night – outdone myself – such that my efforts have begun to bear fruit, and it is largely finished.’
‘This is excellent news. I am very pleased.’
Even as His Lordship spoke these words, however, his voice seemed oddly lacking in power and vitality.
‘No, My Lord, I am afraid the news is anything but excellent,’ said Yoshihide, his eyes still fastened on the floor in a way that hinted at anger. ‘The work may be largely finished, but there is still a part that I am unable to paint.’
‘What? Unable to paint?’
‘Indeed, sir. As a rule, I can only paint what I have seen. Or even if I succeed in painting something unknown to me, I myself cannot be satisfied with it. This is the same as not being able to paint it, does His Lordship not agree?’
As His Lordship listened to Yoshihide’s words, his face gradually took on a mocking smile.
‘Which would mean that if you wanted to paint a screen depicting hell, you would have to have seen hell itself.’
‘Exactly, My Lord. In the great fire some years ago, though, I saw flames with my own eyes that I could use for those of the Hell of Searing Heat. In fact, I succeeded with my Fudō of Twisting Flames only because I experienced that fire. I believe My Lord is familiar with the painting.’
‘What about sinners, though? And hell wardens – you have never seen those, have you?’ His Lordship challenged Yoshihide with one question after another as though he had not heard Yoshihide’s words.
‘I have seen a person bound in iron chains,’ said Yoshihide. ‘And I have done a detailed sketch of someone being tormented by a monstrous bird. No, I think it cannot be said that I have never seen sinners being tortured. And as for hell wardens,’ said Yoshihide, breaking into an eerie smile, ‘my eyes have beheld them any number of times as I drift between sleeping and waking. The bull-headed ones, the horse-headed ones, the three-faced, six-armed devils: almost every night they come to torture me with their soundless clapping hands, their voiceless gaping mouths. No, they are not the ones I am having so much difficulty painting.’
I suspect this shocked even His Lordship. For a long while he only glared at Yoshihide until, with an angry twitch of the brow, he spat out, ‘All right, then. What is it that you say you are unable to paint?’
15
‘In the center of the screen, falling from the sky, I want to paint an aristocrat’s carriage, its cabin woven of the finest split palm leaf.’ As he spoke, Yoshihide raised himself to look directly at His Lordship for the first time – and with a penetrating gaze. I had heard that Yoshihide could be like a madman where painting was concerned; to me the look in his eyes at that moment was terrifying in that very way.
‘In the carriage, a voluptuous noblewoman writhes in agony, her long black hair tossing in the ferocious flames. Her face … well, perhaps she contorts her brows and casts her gaze skyward toward the ceiling of the cabin as she chokes on the rising clouds of smoke. Her hands might tear at the cloth streamers of the carriage blinds as she struggles to ward off the shower of sparks raining down upon her. Around her swarm fierce, carnivorous birds, perhaps a dozen or more, snapping their beaks in anticipation – oh, My Lord, it is this, this image of the noblewoman in the carriage, that I am unable to paint.’
‘And therefore … ?’
His Lordship seemed to be deriving an odd sort of pleasure from this as he urged Yoshihide to continue, but Yoshihide himself, red lips trembling as with a fever, could only repeat, as if in a dream, ‘This is what I am unable to paint.’
Then suddenly, all but biting into his own words, he cried, ‘I beg you, My Lord: have your men set a carriage on fire. Let me watch the flames devour its frame and its woven cabin. And, if possible –’
A dark cloud crossed His Lordship’s face, but no sooner had it passed than he broke into a loud cackle. He was still choking with laughter when he spoke: ‘ “Possible”? I’ll do whatever you want. Don’t waste time worrying about what is “possible.” ’
His Lordship’s words filled me with a terrible foreboding. And in fact his appearance at that moment was anything but ordinary. White foam gathered at the corners of his mouth. His eyebrows convulsed into jagged bolts of lightning. It was as if His Lordship himself had become infused with Yoshihide’s madness. And no sooner had he finished speaking than laughter – endless laughter – exploded from his throat once again.
‘I’ll burn a carriage for you,’ he said. ‘And I’ll have a voluptuous woman inside it, dressed in a noblewoman’s robes. She will die writhing with agony in flames and black smoke. – I have to salute you, Yoshihide. Who could have thought of such a thing but the greatest painter in the land?’
Yoshihide went pale when he heard this, and for a time the only part of him that moved was his lips: he seemed to be gasping for breath. Then, as though all the muscles of his body had gone limp at once, he crumpled forward with his hands on the matted floor again.
‘A thousand thanks to you, My Lord,’ Yoshihide said with rare humility, his voice barely audible. Perhaps the full horror of his own plan had come all too clear to him as he heard it spelled out in His Lordship’s words. Only this one time in my life did I ever think of Yoshihide as a man to be pitied.
16
Two or three nights later, His Lordship summoned Yoshihide as promised to witness the burning of the carriage. He held the event not at the Horikawa mansion, but outside the Capital, at his late younger sister’s mountain retreat, widely known as the ‘Palace of the Melting Snows.’
No one had lived at this ‘palace’ for a very long time. Its spacious gardens had gone wild, and the desolate sight must have given rise to all sorts of rumors, many about His Lordship’s sister, who had actually died there. People used to say that on moonless nights Her Ladyship’s broad-skirted scarlet trousers would glide eerily along the outdoor corridor, never touching the floor. And no wonder there were such stories! The palace was lonely enough in the daytime, but once the sun set it became downright unnerving. The garden stream would murmur ominously in the darkness, and herons would swoop in the starlight like monstrous creatures.
As it happened, the carriage burning took place on one of those pitch-dark, moonless nights. Oil lamps revealed His Lordship seated in cross-legged ease on the veranda. Beneath a turquoise robe he wore deep-lavender patterned trousers. On a thick round mat edged in white brocade, his position was of course elevated above the half-dozen or so attendants who surrounded him. One among them appeared most eager to be of service to His Lordship, a burly samurai who had distinguished himself in the campaign against the northern barbarians some years earlier. He was said to have survived starvation by eating human flesh, after which he had the strength to tear out the antlers of a living stag with his bare hands. On this night he knelt in stern readiness below the veranda, in the scabbard at his armored waist a sword tipped up and back like a gull’s tail, ready to be drawn at a moment’s notice. These men presented a strangely terrifying, almost
dreamlike spectacle. The lamplight flickering in the night wind turned them all dark one moment, bright the next.
And then there was the carriage itself. Even without an ox attached to its long black shafts, their ends resting on the usual low bench that tilted the whole slightly forward, it stood out against the night, its tall cabin woven of the finest split palm leaf, exactly as Yoshihide had requested: truly, a conveyance worthy of His Imperial Majesty or the most powerful ministers of state. When I saw its gold fittings gleaming like stars in the sky, and considered what was soon to happen to this lavishly appointed vehicle, a shiver went through me in spite of the warm spring night. As for what might be inside the carriage, there was no way to tell: its lovely blinds, woven of still-green bamboo and edged in patterned cloth, had been rolled down tight, and around it alert-looking conscripts stood guard, holding flaming torches and showing their concern that too much smoke might be drifting toward His Lordship on the veranda.
Yoshihide himself was situated at some remove, kneeling on the ground directly opposite the veranda. He wore what seemed to be his usual reddish-brown robe and tall black soft hat, and he looked especially small and shabby, as though the star-filled sky were a weight pressing down upon him. Behind him knelt another person in an outfit like his – probably an apprentice he had brought along. With them crouching down low in the darkness like that, I could not make out the color of their robes from my place below the veranda.
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