I connect somehow with the Pavilion period a visit paid with my father—who decidedly must have liked to take me about, I feel so rich in that general reminiscence—to a family whom we reached in what struck me as a quite lovely embowered place, on a very hot day, and among whom luxuries and eccentricities flourished together. They were numerous, the members of this family, they were beautiful, they partook of their meals, or were at the moment partaking of one, out of doors, and the then pre-eminent figure in the group was a very big Newfoundland dog on whose back I was put to ride. That must have been my first vision of the liberal life—though I further ask myself what my age could possibly have been when my weight was so fantastically far from hinting at later developments. But the romance of the hour was particularly in what I have called the eccentric note, the fact that the children, my entertainers, riveted my gaze to stockingless and shoeless legs and feet, conveying somehow at the same time that they were not poor and destitute but rich and provided—just as I took their garden-feast for a sign of overflowing food—and that their state as of children of nature was a refinement of freedom and grace. They were to become great and beautiful, the household of that glimmering vision, they were to figure historically, heroically, and serve great public ends; but always, to my remembering eyes and fond fancy, they were to move through life as with the bare white feet of that original preferred fairness and wildness. This is rank embroidery, but the old surface itself insists on spreading—it waits at least with an air of its own. The rest is silence; I can—extraordinary encumbrance even for the most doating of parents on a morning call—but have returned with my father to “our hotel”; since I feel that I must not only to this but to a still further extent face the historic truth that we were for considerable periods, during our earliest time, nothing less than hotel children. Between the far-off and the later phases at New Brighton stretched a series of summers that had seen us all regularly installed for a couple of months at an establishment passing in the view of that simpler age for a vast caravansery—the Hamilton House, on the south Long Island shore, so called from its nearness to the Fort of that name, which had Fort Lafayette, the Bastille of the Civil War, out in the channel before it and which probably cast a stronger spell upon the spirit of our childhood, William’s and mine at least, than any scene presented to us up to our reaching our teens.
I find that I draw from the singularly unobliterated memory of the particulars of all that experience the power quite to glory in our shame; of so entrancing an interest did I feel it at the time to be an hotel child, and so little would I have exchanged my lot with that of any small person more privately bred. We were private enough in all conscience, I think I must have felt, the rest of the year; and at what age mustn’t I quite have succumbed to the charm of the world seen in a larger way? For there, incomparably, was the chance to dawdle and gape; there were human appearances in endless variety and on the exhibition-stage of a piazza that my gape measured almost as by miles; it was even as if I had become positively conscious that the social scene so peopled would pretty well always say more to me than anything else. What it did say I of course but scantly understood; but I none the less knew it spoke, and I listened to its voice, I seem to recall, very much as “young Edwin,” in Dr. Beattie’s poem, listened to the roar of tempests and torrents from the nobler eminence of beetling crags and in exposure to still deeper abysses. I cling for the moment, however, to the small story of our Vredenburg summer, as we were for long afterwards invidiously to brand it; the more that it so plays its part in illustration, under the light of a later and happier age, of the growth, when not rather of the arrest, of manners and customs roundabout our birthplace. I think we had never been so much as during these particular months disinherited of the general and public amenities that reinforce for the young private precept and example—disinherited in favour of dust and glare and mosquitoes and pigs and shanties and rumshops, of no walks and scarce more drives, of a repeated no less than of a strong emphasis on the more sordid sides of the Irish aspect in things. There was a castellated residence on the hill above us—very high I remember supposing the hill and very stately the structure; it had towers and views and pretensions and belonged to a Colonel, whom we thought very handsome and very costumed, (as if befrogged and high-booted, which he couldn’t have been at all, only ought to have been, would even certainly have been at a higher pitch of social effect,) and whose son and heir, also very handsome and known familiarly and endearingly as Chick, had a velvet coat and a pony and I think spurs, all luxuries we were without, and was cousin to boys, the De Coppets, whom we had come to know at our school of the previous winter and who somehow—doubtless partly as guests of the opulent Chick—hovered again about the field of idleness.
The De Coppets, particularly in the person of the first-born Louis, had been a value to us, or at any rate to me—for though I was, in common with my elders then, unacquainted with the application of that word as I use it here, what was my incipient sense of persons and things, what were my first stirred observant and imaginative reactions, discriminations and categories, but a vague groping for it? The De Coppets (again as more especially and most impressively interpreted by the subtle Louis) enjoyed the pre-eminence of being European; they had dropped during the scholastic term of 1853–4 straight from the lake of Geneva into the very bosom of Mr. Richard Pulling Jenks’s select resort for young gentlemen, then situated in Broadway below Fourth Street; and had lately been present at an historic pageant—whether or no celebrating the annals of the town of Coppet I know not—in which representatives of their family had figured in armour and on horseback as the Barons (to our comprehension) de Coup or Cou. Their father was thus of the Canton de Vaud—only their mother had been native among ourselves and sister to the Colonel of the castellations. But what was the most vivid mark of the brothers, and vividest on the part of the supersubtle Louis, was his French treatment of certain of our native local names, Ohio and Iowa for instance, which he rendered, as to their separate vowels, with a daintiness and a delicacy invidious and imperturbable, so that he might have been Chateaubriand declaiming Les Natchez at Madame Récamier’s—O-ee-oh and Ee-o-wah; a proceeding in him, a violence offered to his serried circle of little staring and glaring New Yorkers supplied with the usual allowance of fists and boot-toes, which, as it was clearly conscious, I recollect thinking unsurpassed for cool calm courage. Those were the right names—which we owed wholly to the French explorers and Jesuit Fathers; so much the worse for us if we vulgarly didn’t know it. I lose myself in admiration of the consistency, the superiority, the sublimity, of the not at all game-playing, yet in his own way so singularly sporting, Louis. He was naturally and incorruptibly French—as, so oddly, I have known other persons of both sexes to be whose English was naturally and incorruptibly American; the appearance being thus that the possession of indigenous English alone forms the adequate barrier and the assured racial ground. (Oh the queer reversions observed on the part of Latinized compatriots in the course of a long life—the remarkable drops from the quite current French or Italian to the comparatively improvised native idiom, with the resulting effect of the foreign tongue used as a domestic and the domestic, that is the original American, used as a foreign tongue, or without inherited confidence!)
Louis De Coppet, though theoretically American and domiciled, was naturally French, and so pressed further home to me that “sense of Europe” to which I feel that my very earliest consciousness waked—a perversity that will doubtless appear to ask for all the justification I can supply and some of which I shall presently attempt to give. He opened vistas, and I count ever as precious anyone, everyone, who betimes does that for the small straining vision; performing this office never so much, doubtless, as when, during that summer, he invited me to collaborate with him in the production of a romance which il se fit fort to get printed, to get published, when success, or in other words completion, should crown our effort. Our effort, alas, failed of the crown, in spite of sund
ry solemn and mysterious meetings—so much devoted, I seem to remember, to the publishing question that others more fundamental dreadfully languished; leaving me convinced, however, that my friend would have got our fiction published if he could only have got it written. I think of my participation in this vain dream as of the very first gage of visiting approval offered to the exercise of a gift—though quite unable to conceive my companion’s ground for suspecting a gift of which I must at that time quite have failed to exhibit a single in the least “phenomenal” symptom. It had none the less by his overtures been handsomely imputed to me; that was in a manner a beginning—a small start, yet not wholly unattended with bravery. Louis De Coppet, I must add, brought to light later on, so far as I know, no compositions of his own; we met him long after in Switzerland and eventually heard of his having married a young Russian lady and settled at Nice. If I drop on his memory this apology for a bay-leaf it is from the fact of his having given the earliest, or at least the most personal, tap to that pointed prefigurement of the manners of “Europe,” which, inserted wedge-like, if not to say peg-like, into my young allegiance, was to split the tender organ into such unequal halves. His the toy hammer that drove in the very point of the golden nail.
It was as if there had been a mild magic in that breath, however scant, of another world; but when I ask myself what element of the pleasing or the agreeable may have glimmered through the then general, the outer and enveloping conditions, I recover many more of the connections in which forms and civilities lapsed beyond repair than of those in which they struggled at all successfully. It is for some record of the question of taste, of the consciousness of an æsthetic appeal, as reflected in forms and aspects, that I shall like best to testify; as the promise and the development of these things on our earlier American scene are the more interesting to trace for their doubtless demanding a degree of the finer attention. The plain and happy profusions and advances and successes, as one looks back, reflect themselves at every turn; the quick beats of material increase and multiplication, with plenty of people to tell of them and throw up their caps for them; but the edifying matters to recapture would be the adventures of the “higher criticism” so far as there was any—and so far too as it might bear on the real quality and virtue of things; the state of manners, the terms of intercourse, the care for excellence, the sense of appearances, the intellectual reaction generally. However, any breasting of those deep waters must be but in the form for me of an occasional dip. It meanwhile fairly overtakes and arrests me here as a contributive truth that our general medium of life in the situation I speak of was such as to make a large defensive verandah, which seems to have very stoutly and completely surrounded us, play more or less the part of a raft of rescue in too high a tide—too high a tide there beneath us, as I recover it, of the ugly and the graceless. My particular perspective may magnify a little wildly—when it doesn’t even more weirdly diminish; but I read into the great hooded and guarded resource in question an evidential force: as if it must really have played for us, so far as its narrowness and its exposure permitted, the part of a buffer-state against the wilderness immediately near, that of the empty, the unlovely and the mean. Interposing a little ease, didn’t it interpose almost all the ease we knew?—so that when amiable friends, arriving from New York by the boat, came to see us, there was no rural view for them but that of our great shame, a view of the pigs and the shanties and the loose planks and scattered refuse and rude public ways; never even a field-path for a gentle walk or a garden nook in afternoon shade. I recall my prompt distaste, a strange precocity of criticism, for so much aridity—since of what lost Arcadia, at that age, had I really had the least glimpse?
Our scant margin must have affected me more nobly, I should in justice add, when old Mrs. L. passed or hovered, for she sometimes caustically joined the circle and sometimes, during the highest temperatures, which were very high that summer, but flitted across it in a single flowing garment, as we amazedly conceived; one of the signs of that grand impertinence, I supposed, which belonged to “dowagers”—dowagers who were recognised characters and free speakers, doing and saying what they liked. This ancient lady was lodged in some outlying tract of the many-roomed house, which in more than one quarter stretched away into mystery; but the piazza, to which she had access, was unbroken, and whenever she strayed from her own territory she swam afresh into ours. I definitely remember that, having heard and perhaps read of dowagers, who, as I was aware, had scarce been provided for in our social scheme, I said to myself at first sight of our emphatic neighbour, a person clearly used to exceptional deference, “This must be a perfect specimen;” which was somehow very wonderful. The absolute first sight, however, had preceded the New Brighton summer, and it makes me lose myself in a queer dim vision, all the obscurities attendant on my having been present, as a very small boy indeed, at an evening entertainment where Mrs. L. figured in an attire that is still vivid to me: a blue satin gown, a long black lace shawl and a head-dress consisting in equally striking parts of a brown wig, a plume of some sort waving over it and a band or fillet, whether of some precious metal or not I forget, keeping it in place by the aid of a precious stone which adorned the centre of her brow. Such was my first view of the féronnière of our grandmothers, when not of our greatgrandmothers. I see its wearer at this day bend that burdened brow upon me in a manner sufficiently awful, while her knuckly white gloves toyed with a large fan and a vinaigrette attached to her thumb by a chain; and as she was known to us afterwards for a friend of my Albany grandmother’s it may have been as a tribute to this tie that she allowed me momentarily to engage her attention. Then it predominantly must have been that I knew her for a dowager—though this was a light in which I had never considered my grandmother herself; but what I have quite lost the clue to is the question of my extraordinary footing in such an assembly, the occasion of a dance of my elders, youthful elders but young married people, into which, really, my mother, as a participant, must have introduced me.
IV
IT TOOK place in the house of our cousins Robert and Kitty Emmet the elder—for we were to have two cousin Kittys of that ilk and yet another consanguineous Robert at least; the latter name being naturally, among them all, of a pious, indeed of a glorious, tradition, and three of my father’s nieces marrying three Emmet brothers, the first of these the Robert aforesaid. Catherine James, daughter of my uncle Augustus, his then quite recent and, as I remember her, animated and attractive bride, whose fair hair framed her pointed smile in full and far-drooping “front” curls, I easily evoke as my first apprehended image of the free and happy young woman of fashion, a sign of the wondrous fact that ladies might live for pleasure, pleasure always, pleasure alone. She was distinguished for nothing whatever so much as for an insatiable love of the dance; that passion in which I think of the “good,” the best, New York society of the time as having capered and champagned itself away. Her younger sister Gertrude, afterwards married to James—or more inveterately Jim—Pendleton, of Virginia, followed close upon her heels, literally speaking, and though emulating her in other respects too, was to last, through many troubles, much longer (looking extraordinarily the while like the younger portraits of Queen Victoria) and to have much hospitality, showing it, and showing everything, in a singularly natural way, for a considerable collection of young hobbledehoy kinsmen. But I am solicited a moment longer by the queer little issues involved—as if a social light would somehow stream from them—in my having been taken, a mere mite of observation, to Kitty Emmet’s “grown-up” assembly. Was it that my mother really felt that to the scrap that I was other scraps would perhaps strangely adhere, to the extent thus of something to distinguish me by, nothing else probably having as yet declared itself—such a scrap for instance as the fine germ of this actual ferment of memory and play of fancy, a retroactive vision almost intense of the faded hour and a fond surrender to the questions with which it bristles? All the female relatives on my father’s side who reappear to m
e in these evocations strike me as having been intensely and admirably, but at the same time almost indescribably, natural; which fact connects itself for the brooding painter and fond analyst with fifty other matters and impressions, his vision of a whole social order—if the American scene might indeed have been said at that time to be positively ordered. Wasn’t the fact that the dancing passion was so out of proportion to any social resource just one of the signs of the natural?—and for that matter in both sexes alike of the artless kindred. It was shining to us that Jim Pendleton had a yacht—though I was not smuggled aboard it; there the line was drawn—but the deck must have been more used for the “German” than for other manœuvres, often doubtless under the lead of our cousin Robert, the eldest of the many light irresponsibles to whom my father was uncle: distinct to me still being the image of that phenomenally lean and nimble choreographic hero, “Bob” James to us always, who, almost ghost-fashion, led the cotillion on from generation to generation, his skull-like smile, with its accent from the stiff points of his long moustache and the brightly hollow orbits of his eyes, helping to make of him an immemorial elegant skeleton.
It is at all events to the sound of fiddles and the popping of corks that I see even young brides, as well as young grooms, originally so formed to please and to prosper as our hosts of the restless little occasion I have glanced at, vanish untimely, become mysterious and legendary, with such unfathomed silences and significant headshakes replacing the earlier concert; so that I feel how one’s impression of so much foredoomed youthful levity received constant and quite thrilling increase. It was of course an impression then obscurely gathered, but into which one was later on to read strange pages—to some of which I may find myself moved to revert. Mere mite of observation though I have dubbed myself, I won’t pretend to have deciphered any of them amid the bacchanal sounds that, on the evening so suggestively spent, floated out into the region of Washington Place. It is round that general centre that my richest memories of the “gay” little life in general cluster—as if it had been, for the circle in which I seem justified in pretending to have “moved,” of the finer essence of “town”; covering as it did the stretch of Broadway down to Canal Street, with, closer at hand, the New York Hotel, which figured somehow inordinately in our family annals (the two newer ones, the glory of their brief and discredited, their flouted and demolished age, the brown Metropolitan and the white St. Nicholas, were much further down) and rising northward to the Ultima Thule of Twenty-third Street, only second then in the supposedly ample scheme of the regular ninth “wide” street. I can’t indeed have moved much on that night of revelations and yet of enigmas over which I still hang fascinated; I must have kept intensely still in my corner, all wondering and all fearing—fearing notice most; and in a definite way I but remember the formidable interest of my so convincing dowager (to hark back for a second to her) and the fact that a great smooth white cloth was spread across the denuded room, converted thus into a field of frolic the prospect of which much excited my curiosity. I but recover the preparations, however, without recovering the performance; Mrs. L. and I must have been the only persons not shaking a foot, and premature unconsciousness clearly in my case supervened. Out of it peeps again the riddle, the so quaint trait de mœurs, of my infant participation. But I set that down as representative and interesting, and have done with it.