“It’s about time,” the Coward says to Hank when the boy pushes open the door. “God, you are slow.”
But fast or slow no longer matters, Hank realizes that as soon as he sees the mark Hollis left on Gwen’s face. Hollis hit her hard, that’s what Hank sees now, and he meant to. Certainly, Hank can try to explain it away, he can sit beside her and loop his arm around her and whisper how awful this is, how sorry he is, how Hollis probably regrets what has happened already, how he’d never actually go ahead and hurt Tarot, but none of this signifies anymore. Sitting there, more beautiful than ever, Gwen has made the decision to go.
God, you are slow, Hank keeps thinking as Gwen laces her fingers through his and rests her head on his shoulder.
“It’s not your fault,” she tells him, after the Coward has nodded off, and they are as good as alone. “It’s just the way things turned out.”
Hank laughs at that, a short harsh laugh that goes nowhere. He leans against the thin plaster wall where colonies of ants have lived for decades, perhaps for as long as a century. He closes his eyes.
Whose fault is it when love is denied? When youth is a curse rather than a blessing? Oh, if only there weren’t other people involved; if only they were the last two people on earth, just them, opening the door to this old house, looking out at the deep, blue night and all those stars they’ll never learn the names of, all those planets they can’t even see.
They let the Coward sleep, and walk down into the Marshes. They hardly speak. What, after all, would they say? Wait for me? Don’t hold this against me? Don’t forget me, not tonight and not ever? Without language they can at least pretend they are the last two people, or perhaps the first, the ones who don’t need speech. They need each other, that’s all, for one last night.
They stay down in the Marshes until their fingers and toes are nearly frozen; then they come back inside, where they fall asleep side by side on the Coward’s floor, close together, their breath even and deep. They are greedy for sleep and forgetfulness; one pure and perfect night of sleep, that’s what they yearn for, but even that is too much to expect. Is it possible for two people to have the same dream? As Hank is sleeping on the hard, wooden floor he dreams of a hedge of evergreens in which there is a door. On one side of the hedge is the future, on the other side, the past. In Gwen’s dream the hedge is made of thorns and the door has a lock and key. Someone is urging her to step through. Go ahead, they tell her, and when she does, the lock falls away. She can’t look back, she knows that much; she doesn’t dare. In his own dream, on the threshold of his gate, Hank can hear her footsteps in the distance, already fading.
In the morning, when the light is yellow and pale, and the Coward has begun to heat a big kettle of ice into drinking water for the horse, Hank steps outside onto the porch. By then, Gwen is gone.
“She went to Susanna Justice’s,” the Coward tells him. “She took the dog with her. She’s going home.”
Hank nods and sits down on the cold wooden steps of his father’s house. He notices that the tide coming in sounds as if a million tears were falling. Perhaps it’s the ice cracking beneath the rush of cold salt water. “I don’t blame her,” he says.
“Blame,” the Coward says, “is a serious thing.”
“Hey, when all else fails, blame yourself, right?” Hank tries to smile, but he feels too tight inside.
“If he comes for the horse, I’ll kill him,” the Coward says.
“Yeah?” This has to be a joke. “How do you plan to do that?”
The Coward watches a heron that is so far off it would look like a branch to other eyes. “My bare hands,” he says.
Hank tries his best not to laugh. “You know what I’d try first?” he suggests. “Camouflage.”
They work all the rest of the day on a dilapidated, filthy little outbuilding behind the house, which can serve as a barn. Hank hammers some boards over the holes in the wall and the Coward sets marsh grass over the roof. Today is the day Hank’s senior thesis is due, but maybe he can get an extension.
“I can write you a note,” the Coward says. “I’ll explain everything to the school authorities.”
“No way. Don’t think anything is different between us,” Hank warns the old man. “I’m helping with Tarot because of Gwen, not you.”
“Of course,” the Coward says. “And this is from Gwen, not from me.”
The Coward slides the silver compass which once belonged to him onto the porch railing. Out in the tall grass, the stick that looks like a heron takes flight, slowly and beautifully in the last of the day’s light.
“May you never be lost,” Alan Murray tells his son.
22
March is no longer working on her jewelry or expecting Hollis to bring back silver or gold. She has taken the gem-stones she’d hoped to set into bracelets, the opals and the tourmalines, and stored them in a canvas bag, kept in a dresser drawer. Instead of working, she stares at the ice on the window. She waits for night to fall. Sometimes she goes out beyond the fields. She walks past the meadows and the split-rail fences; once, she went as far as the cemetery, but she felt frightened there. There were no leaves on the trees, and the ground seemed so unforgiving and hard. Worst of all, she thought she saw Judith Dale in the distance; she thought she saw her crying.
Now, March will not venture any farther than Fox Hill. That, at least, is familiar territory. She goes in the sleet and the snow, and maybe this is why she’s developed a cough. It’s an aggravating hack that won’t go away, in spite of all the hot tea with honey she drinks. Fox Hill makes her sad, but she goes anyway. The mourning doves are gone. Hank’s attempt to move their nest has failed; they’re gone for good. When March peers into the windows of the old house, she cannot help but think of Judith Dale, and sometimes she looks over her shoulder, as if Judith might somehow appear.
Lately, March has been wondering why Mrs. Dale was not buried with the emerald ring. the gift of her true love. March has been thinking about this every day when she walks through the woods, and she believes she finally has the answer. Judith was not wearing the ring when she died; she’d already removed it, and set it aside. She was done with love. At least with the sort of love that has rules you have to abide by, and which, in the end, offers far less than you’d hoped for.
It’s a very good thing that Gwen has gone. She would hate how dark it gets here, pitch-black by as early as four; she would despise how small their lives have become, how poor. On the holidays, there was no exchange of presents; even the gifts March fashioned have remained stored away. Louise Justice left a basket of eggnog and fruitcake from the library committee on their doorstep, similar to the one she left at the Coward’s house. They are in that wretched group people in town feel sorry for, the pathetic creatures who don’t even know enough to celebrate a holiday.
Well, Hollis at least still goes out; he’s often at the Lyon Cafe, but he never takes March along. Other men might look at her. And, of course, the piece he never mentions: Other women might be annoyed by her presence. March is sincerely glad to hear him leave on those nights, as she is relieved when he gets out of bed in the mornings to go and check the boundaries of his property. Oh, he likes his property, yes he does. For weeks after Gwen left, he went out with his gun; he drove down every back road, yet he never did find the horse. March knows where it is, but she’s not telling. She happened to discover its whereabouts one day when she was out walking, late, when dusk was settling and the light was so unreliable that at first she thought she was seeing shadows.
It was her brother, Alan, and the horse she saw, those two old bags of bones. Alan was gathering hay, which he cut with a scythe, then lifted onto the horse’s back where it was tied with a rope. Blackbirds and gulls circled above the marsh, and the sound of the scythe echoed. March could feel her own heart beat in the silence; she held her black scarf over her mouth so her breath wouldn’t freeze. She wished she could be like those blackbirds and fly far from here. She wished she could have cried out,
Save us from evil and from ourselves above all.
Anything can fuel an argument between Hollis and March now. She looks at him the wrong way, she interrupts his work, she breathes; she’s somehow not enough his. His ardor hasn’t cooled, but often his flesh won’t comply with his spirit’s demands. When he can’t make love to her he insists it’s her fault. She never does as he says and she’s taken to fighting back, which is foolish. She leaves the room, she slams the door behind her, behavior which only gives him all the more reason to go to one of the women in town who are so willing to pretend he belongs to them, if only for a few hours. When he comes home, he blames March even for this. She sent him into another woman’s arms; she forced him to stray. Why does she do this to him? To them? After he’s done berating her, he turns his fury on himself, and that, of course, is the thread that always ties March to him; that is the moment when she always goes to him and holds him. No one will ever love you the way I do, that’s what he tells her then. No one can have you, if I can’t. Don’t even think about leaving. I mean that. Don’t even try.
On New Year’s Eve March is glad that Hollis leaves early. Let him go out and try to enjoy himself; she’s tired and her cough is worse and she’s grateful for some peace and quiet. Hank is supposed to go to a party, but at the last minute he decides to skip it. He’s already wearing his good white shirt and has combed his hair, but it’s Gwen he wants to be with, not his friends from school. He plans to watch TV and go to bed early, yet when he sees March in the kitchen, all alone, he can’t abandon her. They drink tea and play five-hundred rummy, and then, in spite of himself, Hank gets restless.
“Let’s go for a ride,” he suggests.
March smiles up at her nephew. His sweetness always astounds her. “Go out with your friends,” she says.
“Come on,” Hank insists. “I’ve got my car.”
March laughs at that since Hank’s car, an old Pontiac he bought last week, has no heat and no backseat and is dented all the way around, from the previous driver. The rattletrap, they call it. The icebox.
“We’ll go out and get one beer. Just for New Year’s,” he says. “We can’t just sit here.”
March grabs her coat and her long black scarf and hastily runs a brush through her hair. They get in the car, but they’re freezing by the time they reach the liquor store; March runs in to buy them their bottles of beer so they can toast the New Year.
“Where do you think Gwen is tonight?” Hank asks March as they drive toward town.
“Probably with her dad,” March guesses. “Don’t worry, I’m sure she’s not out with some other boy.”
“That’s all right,” Hank says. “I want her to have a good time. I don’t own her.”
“Right,” March says, opening her beer and taking a sip. “Nobody owns anybody. Or so they say.”
A light snow has begun. Flakes catch on the windshield and stick like glue. Hank switches on the wipers and they turn onto Main Street. They drive through town, counting the houses where parties are being held. When they pass by the Lyon, March has a funny feeling in her stomach. She’s one of those women who no longer want to know the truth.
“Don’t stop,” she tells Hank.
They go on, all through the town. The defroster in the car isn’t much use, and every once in a while Hank wipes off the windshield in front of him with the palm of his hand, or March cleans the glass with the tail end of her scarf. In very little time, everything is covered with a blanket of white. It is a beautiful night, so quiet the sound of their tires echoes as they drive on.
“You ought to see Dr. Henderson about that cough,” Hank says when March starts hacking.
“It’s the cold weather,” March says. “I’m not used to it.”
It feels so odd to be in the village; everything seems brighter and bigger than usual.
“Look at him.” March laughs when they pass Town Hall. The Founder is covered in snow; only his nose is recognizable.
“I did my senior thesis on him, and I never realized he had such a big nose.” Hank grins. “They probably should have named this town Noseville.”
“Nostriltown,” March suggests, as she finishes her beer.
“Schnoz City.” Hank gets a particular hoot out of that one. “The football team at the high school could be the Schnozkickers.”
March lets out a laugh. “They’d have big noses on the back of their jackets.”
“Good old Schnoz City,” Hank says affectionately. “Born and bred there.”
They have turned down a side street, the one where Susanna Justice lives. Susie’s little house is all lit up and music floats into the street.
“She’s having a party,” March says.
They pull over and park, then exchange a look.
“We could go in for a little while,” Hank says.
“Have a drink and leave,” March agrees.
March reaches into her coat pocket for an old lipstick, then peers into the rearview mirror so she can apply some color to her face. They walk through the snow, and go in through Susie’s unlocked front door. It’s hot in this little house, and noisy. There’s the scent of cider and beer and pizza. As soon as Susie spies March, she runs over and hugs her.
“How come you didn’t invite me?” March teases.
Susie is wearing a violet sweater decorated with rhinestones and a short purple skirt. She looks beautiful tonight, flushed and breathless and a little drunk.
“I sent you an invitation,” Susie says. “I went out to see you last week, and Hollis told me you were sleeping, you couldn’t see me. I thought he was lying, but what could I do?”
“Well, I’m here now,” March says.
“Yes, you are.” Susie smiles. “You know Ed,” she adds when a good-looking man comes over to loop his arm around her waist. Susie’s two Labrador retrievers are following him, eyeing the platter of mini-knishes Ed’s been circulating.
“Sure, I remember,” March says. “Thanksgiving.”
“This guy must be starving.” Ed nods at Hank. “He’s started to drool.”
They all laugh when they see how Hank is staring at the platters of food, as rapt as the retrievers.
“Come on.” Ed guides Hank toward a buffet table which spans the width of Susie’s tiny living room.
“Let’s go into the kitchen,” Susie says to March.
March nods and follows. She knows Susie’s been checking her out; her clothes, after all, aren’t nice enough for a party, and she didn’t think to do anything about her hair, not even tie it away from her face. People seem to be staring at her as they head for the kitchen. She lives with the richest man in the county, and look at what she’s wearing—worn corduroy slacks and a red sweater from the old-clothes bin at the Harvest Fair.
“You’ve got to try the pizza,” Susie tells March. “It’s made with pesto and feta cheese.”
It’s broiling in the kitchen—Ed and Susie spent all afternoon cooking pizzas with the oven turned on high—but March is shivering and she can’t get rid of her damned cough.
“Have you seen a doctor?” Susie says as she pours March a glass of wine. “Because you should.”
“You think I’m sick because I’m living out there with him,” March says.
Susie puts down the plate she’s already heaped with pizza and a salad Miranda Henderson brought over. “You told me not to judge,” she says.
March smiles, and suddenly starving, she reaches for the plate of food. As she does, Susie sees a circle of purple bruises on her arm, leftovers of a disagreement they had last Saturday night when Hollis came home after midnight and refused to say where he’d been. I’m not your servant, he’d snapped at March, as though she were some harping wife. I don’t have to account to you.
“Are you going to tell me it’s anemia?” Susie asks.
“It was nothing.”
Susie laughs; she can’t help herself. “March. That’s what they all say.”
“No, it really was nothing,” March insists. ?
??We were arguing and he grabbed me. Believe me, if he ever hit me, I’d be gone.”
“Eat,” Susie suggests, and she stands there and watches March devour the pizza.
Someone in the living room has switched on the radio; there’s already a countdown to midnight. Hank has made himself comfortable on the couch, so he can concentrate on eating. There’s smoked salmon on crackers, bluefish pâté, marinated mushrooms, French Brie. He’s eating so fast and so much that Susie’s dogs have switched their allegiance from Ed and are now stationed by Hank’s feet.
“If you slow down,” Bud Horace, the animal control officer, advises when he sits beside Hank, “you can fit more food in. The salmon is good, but you should try the pizza.”
Hank is directed toward the kitchen, but it’s hard to get through the crowd. He’s doing his best to elbow his way past the bar set up in a comer near the front window when he sees Hollis’s truck pull up.
“Fuck it,” Hank says under his breath. He’s the one who’s going to be held accountable for this and he knows it.
Hollis comes in through the front door, wearing a black overcoat made of soft Italian wool, bringing in cold air and suspicion. He stops to greet two members of the town council, to whom he made sizable contributions, but his eyes flicker over the room. Before he can spy Hank, Hank makes his way into the kitchen.
“Hollis is here,” he tells March.
March looks at him; then, without saying a word, she goes to the back door and wrenches it open. She’s so panicked she doesn’t even think to retrieve her coat. Hollis is probably walking through the living room right now.
“Wait a second,” Susie says, grabbing March’s arm and holding her back. “The man you’re living with is here and you’re running out the back door. Think about it, March.”
“You don’t understand,” March says. She has said this so often it probably sounds ridiculous, but it’s true. “He’ll see my being here as a betrayal. He’ll see me as one of you.”
“Gwen left a plane ticket here. You could use it. You could leave—even for a little while. Take some time and think.”