The next thing I knew the front of the Spencer was on her. She had wandered just enough, looking back and not watching where she was going, to get behind the Mexican. I looked up, about to yell at her, but didn’t. The Mexican would hear it too.
All I could do was keep telling her to get out of the way in my mind. Please hurry up and get out of the way.
Braden had reached the grainsack. He stood by it saying something to Russell who was about ten feet from him. Russell answered him. (What this was about, no one knows. Braden could have said to open the sack, show him the money. Russell would have told him to look in it himself if he doubted it was there.)
The Favor woman looked up at where we were. I stood up and waved my arm, but as I did she was looking back the other way again.
Even standing and sighting down with the Spencer against the side frame, the Favor woman was still in the way. I could only see part of the Mexican.
In my mind I kept telling her over and over again to get out of the way, to please, for the Lord’s sake move one way or the other and to hurry! Now, right now, just move or look up here again or sit down or do something!
She stood there. She turned around to watch what was happening below and did not move from the spot.
Braden, his left hand still holding his thigh, straightened the grainsack with his boot toe so that the open end was toward him. Russell watched.
Braden went down to one knee, his right one, and now the hand came away from his thigh and unloosened the opening of the grainsack. Russell watched.
Braden straightened up, still kneeling. He said something to Russell. What? Warning him? Telling him not to try anything because the Mexican was behind him?
I saw Braden’s hand reach inside the grainsack.
Move! I thought. Get somewhere else!
If there was time—
Just move! I actually heard it in my mind, and I was to the door and out the door, running along the shelf, seven, eight, ten yards to be sure of the angle, to be sure of not hitting the woman.
But I had not even brought up the gun to aim when Braden’s hand came out of the grainsack. He was rising, trying to get out his revolver, but was already too late. Russell drew and fired twice with his Colt extended and aimed…his other arm coming up as he fired the second round and he was stumbling forward as if kicked in the back. The Mexican had pulled his long-barreled .44 and fired three shots in the time Russell had hit Braden twice and Braden and Russell both went down, Russell to his hands and knees, but turning with his revolver already raised and he fired as the Mexican fired again, fired as the Mexican stumbled forward, fired as the Mexican staggered and dropped to his knees and fell facedown with his arms spread. There were three more shots at that time, exactly three, because I can hear them every time I picture what took place; the shots coming from the ridge above us, from Early who was up there. I turned, aiming the Spencer almost straight up, but there was no sign of him. (There was no sign of him ever again that I know of.) When I turned back again, I saw Russell lying facedown between the ore-cart tracks. In the quiet that followed, all of us went down there.
Frank Braden had been shot twice in the chest; there was also the wound in his left thigh and a bullet crease across the shin of his left boot which had not touched him. Frank Braden was dead.
The Mexican had been hit in the chest twice and once in the stomach; plus the wound in his side that looked awful enough to have killed him. He lived another hour or so, but never told us his name, though he asked what Russell’s was.
John Russell had been shot three times low in the back. We turned him over and saw he had been hit twice again, through the neck and chest. He was dead.
I was the one rode to Delgado’s, running the horse most of the way, and ruining it, not intending to but not caring either. Delgado sent one of his boys to Sweetmary for the deputy. Delgado and Irode back to the San Pete in a wagon and got there in the dark of early morning. You could hear the crickets in the old buildings. Down in the open the McLaren girl and Henry Mendez and Dr. Favor and his wife were by a fire they’d kept going. Only Mrs. Favor had slept. Mendez had dug two graves.
Delgado and I sat with them and by the time it started to get light the Sweetmary deputy, J. R. Lyons, arrived.
He looked at the bodies, Braden’s and the Mexican’s by the graves, Russell’s in the wagon. Dig a hole for him too, J. R. Lyons said. What’s the difference? He’s dead. The McLaren girl said look all you want, but keep your opinions; we were taking Russell to Sweetmary for proper burial with a Mass and all and if Mr. J. R. Lyons didn’t like it he didn’t have to attend.
J. R. Lyons said of course he would. Once Dr. Favor and the stolen government money were handed over to a United States marshal.
(Which was done. Dr. Favor was tried in the District Court at Florence about a month later and sentenced to seven years in a Yuma prison. Mrs. Favor was not at the trial.)
John Russell was buried at Sweetmary. It was strange that neither the McLaren girl nor Henry Mendez nor I said much about him until after the funeral, and when we did talk found there wasn’t much to be said.
You can look at something for a long time and not see it until it has moved or run off. That was how we had looked at Russell. Now, nobody questioned why he had walked down that slope. What we asked ourselves was why we ever thought he wouldn’t.
Maybe he was showing off a little bit when he asked each of us if we wanted to walk down to the Favor woman, knowing nobody would but himself.
Maybe he let us think a lot of things about him that weren’t true. But as Russell would say, that was up to us. He let people do or think what they wanted while he smoked a cigarette and thought it out calmly, without his feelings getting mixed up in it. Russell never changed the whole time, though I think everyone else did in some way. He did what he felt had to be done. Even if it meant dying. So maybe you don’t have to understand him. You just know him.
“Take a good look at Russell. You will never see another one like him as long as you live.” That first day, at Delgado’s, Henry Mendez said it all.
About the Author
ELMORE LEONARD has written more than three dozen books during his highly successful writing career, including the bestsellers Mr. Paradise, Tishomingo Blues, Be Cool, Get Shorty, and Rum Punch. Many of his books have been made into movies, including Get Shorty and Out of Sight. He is the recipient of the Grand Master Award of the Mystery Writers of America. He lives with his wife, Christine, in Bloomfield Village, Michigan.
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Praise for the Western Fiction of
Elmore Leonard
“ALTHOUGH KNOWN FOR HIS MYSTERIES, LEONARD HAS PENNED SOME OF THE BEST WESTERN FICTION EVER.”
USA Today
“LEONARD WROTE WESTERNS, VERY GOOD WESTERNS…THE WAY HE IMAGINED HEMINGWAY, HIS MENTOR, MIGHT WRITE WESTERNS.”
Baton Rouge Sunday Advocate
“THE PROSE IS AS TAUT…AS IN SUCH LATER NOVELS AS STICK AND GET SHORTY.”
Washington Post Book World
“LEONARD’S SPECIAL KIND OF TOUGH GUYS WERE BORN IN THE OLD WEST, WHERE HE POLISHED HIS WISECRACKING VIEW OF VIOLENCE AND MORALITY ON THE WORKINGS OF FRONTIER JUSTICE.”
Chicago Sun-Times
“CLASSIC WESTERN FARE.”
San Francisco Chronicle
Credits
Front Cover art by Tim Cox (www.TimCox.com)
Books by Elmore Leonard
Tishomingo Blues
Pagan Babies
Be Cool
The Tonto Woman & Other Western Stories
Cuba Libre
Out of Sight
Riding the Rap
Pronto
Rum Punch
Maximum Bob
Get Shorty
Killshot
Freaky Deaky
Touch
Bandits
Glitz
LaBrava
Stick
Cat Chaser
Split Images
City Primeval
Gold Coast
Gunsights
The Switch
The Hunted
Unknown Man No. 89
Swag
Fifty-two Pickup
Mr. Majestyk
Forty Lashes Less One
Valdez Is Coming
The Moonshine War
The Big Bounce
Hombre
Last Stand at Saber River
Escape from Five Shadows
The Law at Randado
The Bounty Hunters
A Coyote’s in the House
Copyright
This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.
HOMBRE. Copyright © 1961 by Elmore Leonard, Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub Edition © SEPTEMBER 2004 ISBN: 9780061832895
Version 09282012
First HarperTorch paperback printing: March 2002
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Elmore Leonard, Hombre
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