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  Everyone speaks of the importance of well-trained psychedelic guides—“board certified”—and the need to help people afterward integrate the powerful experiences they have had in order to make sense of them and render them truly useful. Tony Bossis paraphrases the religious scholar (and Good Friday Experiment volunteer) Huston Smith on this point: “A spiritual experience does not by itself make a spiritual life.” Integration is essential to making sense of the experience, whether in or out of the medical context. Or else it remains just a drug experience.

  As for the guides themselves, they are already being trained and certified: late in 2016, the California Institute of Integral Studies graduated its first class of forty-two psychedelic therapists. (This is a development that worries some in the underground, who fear being left behind when psychedelic therapy is legitimized. Yet it’s hard to imagine such experienced and highly skilled practitioners won’t continue to find clients, especially among the well.)

  When I asked Rick Doblin if he worries about another backlash, he pointed out that our culture has come a long way from the 1960s and has shown a remarkable ability to digest a great many of the cultural novelties first cooked up during that era.

  “That was a very different time. People wouldn’t even talk about cancer or death then. Women were tranquilized to give birth; men weren’t allowed in the delivery room! Yoga and meditation were totally weird. Now mindfulness is mainstream and everyone does yoga, and there are birthing centers and hospices all over. We’ve integrated all these things into our culture. And now I think we’re ready to integrate psychedelics.”

  Doblin points out that many of the people now in charge of our institutions are of a generation well acquainted with these molecules. This, he suggests, is the true legacy of Timothy Leary. It’s all well and good for today’s researchers to disdain his “antics” and blame him for derailing the first wave of research, and yet, as Doblin points out with a smile, “there would be no second wave if Leary hadn’t turned on a whole generation.” Indeed. Consider the case of Paul Summergrad, who has spoken publicly of his own youthful use of psychedelics. In a videotaped interview with Ram Dass that was shown at the 2015 meeting of the American Psychiatric Association, he told his colleagues that an acid trip he took in college had been formative in his intellectual development. (Jeffrey Lieberman, another past president of the American Psychiatric Association, has also written of the insights gleaned from his youthful experiments with LSD.*)

  And yet, and yet . . . As much as I want to believe Doblin’s sunny forecast, it’s not hard to imagine things easily going off the rails. Tony Bossis agrees, as much as he hopes that psychedelics will someday be routine in palliative care.

  “We don’t die well in America. Ask people where do you want to die, and they will tell you, at home with their loved ones. But most of us die in an ICU. The biggest taboo in America is the conversation about death. Sure, it’s gotten better; now we have hospices, which didn’t exist not so long ago. But to a doctor, it’s still an insult to let a patient go.” In his view, psychedelics have the potential not only to open up that difficult conversation but to change the experience of dying itself. If the medical community will embrace them.

  “This culture has a fear of death, a fear of transcendence, and a fear of the unknown, all of which are embodied in this work.” Psychedelics may by their very nature be too disruptive for our institutions ever to embrace them. Institutions generally like to mediate the individual’s access to authority of whatever kind—whether medical or spiritual—whereas the psychedelic experience offers something akin to direct revelation, making it inherently antinomian. And yet some cultures have successfully devised ritual forms to contain and harness the Dionysian energies of psychedelics; think of the Eleusinian mysteries of ancient Greece or the shamanic ceremonies surrounding peyote or ayahuasca in the Americas today. It is not impossible.

  The first time I raised Jesse’s idea of the betterment of well people with Roland Griffiths, he seemed to squirm a bit in his chair and then chose his words with care. “Culturally right now, that is a dangerous idea to promote.” And yet, as we’ve talked, now over the course of three years, it’s become clear that he too feels that many of us, and not just those dealing with cancer or depression or addiction, stand to benefit from these remarkable molecules and, even more, from the spiritual experiences to which he believes—indeed, his research has demonstrated—they can open a door.

  “We’re all dealing with death,” as he told me the first time we met. “This is far too valuable to limit to sick people.” A careful man, mindful of the political land mines that may yet lie ahead, Griffiths amended that last sentence just slightly, recast it in the future tense: “This will be far too valuable to limit to sick people.”

  * * *

  • • •

  I, FOR ONE, sincerely hope that the kinds of experiences I’ve had on psychedelics will not be limited to sick people and will someday become more widely available. Does that mean I think these drugs should simply be legalized? Not exactly. It is true I had a very positive experience using psilocybin “recreationally”—on my own, that is, without the support of a guide—and for some people this might be fine. But sooner or later, it seems, everyone has a trip for which “bad” is far too pallid a modifier. I would hate to be alone when that happens. For me, working one-on-one with an experienced guide in a safe place removed from my everyday life turned out to be the ideal way to explore psychedelics. Yet there are other ways to structure the psychedelic journey—to provide a safe container for its potentially overwhelming energies. Ayahuasca and peyote are typically used in a group, with the leader, often but not necessarily a shaman, acting in a supervisory role and helping people to navigate and interpret their experiences. But whether individually or in a group, the presence of someone with training and experience who can “hold the space”—to use that hoary New Age locution—is more meaningful and comforting than I would have imagined.

  Not only did my guides create a setting in which I felt safe enough to surrender to the psychedelic experience, but they also helped me to make sense of it afterward. Just as important, they helped me to see there was something here worth making sense of. This is by no means self-evident. It is all too easy to dismiss what unfolds in our minds during a psychedelic journey as simply a “drug experience,” and that is precisely what our culture encourages us to do. Matt Johnson made this point the first time we spoke: “Let’s say you have some nineteen-year-olds taking mushrooms at a party. One of them has a profound experience. He’s come to understand what God is, or his connection to the universe. What do his friends say? ‘Oh, man, you had too much last night! No more mushrooms for you!’

  “‘Were you drinking or on drugs?’ is what our culture says when you have a powerful experience.”

  Yet even a moment’s reflection tells you that attributing the content of the psychedelic experience to “drugs” explains virtually nothing about it. The images and the narratives and the insights don’t come from nowhere, and they certainly don’t come from a chemical. They come from inside our minds,* and at the very least have something to tell us about that. If dreams and fantasies and free associations are worth interpreting, then surely so is the more vivid and detailed material with which the psychedelic journey presents us. It opens a new door on one’s mind.

  And about that my psychedelic journeys have taught me a great many interesting things. Many of these were the kinds of things one might learn in the course of psychotherapy: insights into important relationships; the outlines of fears and desires ordinarily kept out of view; repressed memories and emotions; and, perhaps most interesting and useful, a new perspective on how one’s mind works.

  This, I think, is the great value of exploring non-ordinary states of consciousness: the light they reflect back on the ordinary ones, which no longer seem quite so transparent or so ordinary. To realize, as William James concluded, that normal
waking consciousness is but one of many potential forms of consciousness—ways of perceiving or constructing the world—separated from it by merely “the filmiest of screens,” is to recognize that our account of reality, whether inward or outward, is incomplete at best. Normal waking consciousness might seem to offer a faithful map to the territory of reality, and it is good for many things, but it is only a map—and not the only map. As to why these other modes of consciousness exist, we can only speculate. Most of the time, it is normal waking consciousness that best serves the interests of survival—and is most adaptive. But there are moments in the life of an individual or a community when the imaginative novelties proposed by altered states of consciousness introduce exactly the sort of variation that can send a life, or a culture, down a new path.

  For me, the moment I recognized the tenuousness and relativity of my own default consciousness came that afternoon on Fritz’s mountaintop, when he taught me how to enter a trance state by means of nothing more than a pattern of rapid breathing and the sounds of rhythmic drumming. Where in the world has that been all my life? This is nothing Freud or any number of psychologists and behavioral economists haven’t told us, but the idea that “normal” consciousness is but the tip of a large and largely uncharted psychic iceberg is now for me something more than a theory; the hidden vastness of the mind is a felt reality.

  I don’t mean to suggest I have achieved this state of ego-transcending awareness, only tasted it. These experiences don’t last, or at least they didn’t for me. After each of my psychedelic sessions came a period of several weeks in which I felt noticeably different—more present to the moment, much less inclined to dwell on what’s next. I was also notably more emotional and surprised myself on several occasions by how little it took to make me tear up or smile. I found myself thinking about things like death and time and infinity, but less in angst than in wonder. (I spent an unreasonable amount of time reflecting on how improbable and fortunate it is to be living here and now at the frontier of two eternities of nonexistence.) All at once and unexpectedly, waves of compassion or wonder or pity would wash over me.

  This was a way of being I treasured, but, alas, every time it eventually faded. It’s difficult not to slip back into the familiar grooves of mental habit; they are so well worn; the tidal pull of what the Buddhists call our “habit energies” is difficult to withstand. Add to this the expectations of other people, which subtly enforce a certain way of being yourself, no matter how much you might want to attempt another. After a month or so, it was pretty much back to baseline.

  But not quite, not completely. For much like the depressed patients I interviewed in London, who described being nourished and even inspired by their furloughs from the cage of depression, the experience of some other way of being in the world survives in memory, as a possibility and a destination.

  For me, the psychedelic experience opened a door to a specific mode of consciousness that I can now occasionally recapture in meditation. I’m speaking of a certain cognitive space that opens up late in a trip or in the midst of a mild one, a space where you can entertain all sorts of thoughts and scenarios without reaching for any kind of resolution. It somewhat resembles hypnagogic consciousness, that liminal state perched on the edge of sleep when all kinds of images and scraps of story briefly surface before floating away. But this is sustained, and what comes up can be clearly recalled. And though the images and ideas that appear are not under your direct control, but rather seem to be arriving and departing of their own accord, you can launch a topic or change it, like a channel. The ego is not entirely absent—you haven’t been blasted into particles, or have returned from that particular state—but the stream of consciousness is taking its own desultory course, and you are bobbing and drifting along with it, looking neither forward nor back, immersed in the currents of being rather than doing. And yet a certain kind of mental work is getting done, and occasionally I have emerged from the state with usable ideas, images, or metaphors.*

  My psychedelic adventures familiarized me with this mental territory, and, sometimes, not always, I find I can return to it during my daily meditation. I don’t know if this is exactly where I’m supposed to be when I’m meditating, but I’m always happy to find myself floating in this particular mental stream. I would never have found it if not for psychedelics. This strikes me as one of the great gifts of the experience they afford: the expansion of one’s repertoire of conscious states.

  Just because the psychedelic journey takes place entirely in one’s mind doesn’t mean it isn’t real. It is an experience and, for some of us, one of the most profound a person can have. As such, it takes its place as a feature in the landscape of a life. It can serve as a reference point, a guidepost, a wellspring, and, for some, a kind of spiritual sign or shrine. For me, the experiences have become landmarks to circle around and interrogate for meaning—meanings about myself, obviously, but also about the world. Several of the images that appeared in the course of my trips I think about all the time, hoping to unwrap what feels like a gift of meaning—from where or what or whom, I cannot say. There was that steel pylon hovering over the landscape of self. Or the image of my grandfather’s skull staring back at me in Mary’s mirror. The majestic but now hollowed-out trees in which my parents appeared to me, liable to topple in the next windstorm. Or the inky well of Yo-Yo Ma’s cello, resonating with Bach’s warm embrace of death. But there is one other image I haven’t shared that I keep thinking must contain some important teaching, even as it continues to mystify me.

  My last psychedelic journey was on ayahuasca. I was invited to join a circle of women who gather every three or four months to work with a legendary guide, a woman in her eighties who had trained under Leo Zeff. (She in turn had trained Mary, the woman who guided my psilocybin journey.) This journey was different from the others in that it took place in the company of a dozen other travelers, all of them strangers to me. Befitting this particular psychedelic, which is a tea brewed from two Amazonian plants (one a vine, the other a leaf), there was a considerable amount of ceremony in the shamanic mode: the singing of traditional icaros, prayers and invocations to “the grandmother” (a.k.a. the “plant teacher” or ayahuasca), bells and rattles and shakapas, and the blowing on us of various scents and smokes. All of which contributed to a mood of deep mystery and a suspension of disbelief that was especially welcome, inasmuch as we were in a yoga studio a long way from any jungle.

  As has been the case with all of my journeys, the night before had been sleepless, as part of me worked to convince the rest of me not to do this crazy thing. That part was of course my ego, which before every trip has fought the threat to its integrity with ferocity and ingenuity, planting doubts and scenarios of disaster I had trouble batting away. What about your heart, pal? You could die! What if you lose your lunch or, even worse, your shit?! And what if “the grandmother” dredges up some childhood trauma? Do you really want to lose it among these strangers? These women? (Part of the power of the ego flows from its command of one’s rational faculties.) By the time I arrived for the circle, I was a nervous wreck, assailed by second and third thoughts as to the wisdom of what I was about to do.

  But, as has happened every time, as soon as I swallowed the medicine and slipped past the point of no return, the voice of doubt went quiet and I surrendered to whatever was in store. Which was not unlike my other psychedelic experiences, with a couple of notable exceptions. Perhaps because the tea, which was viscous and acrid and unexpectedly sweet, makes its alien presence felt in your stomach and intestines, ayahuasca is a more bodily experience than some other psychedelics. I did not get sick, but I was very much aware of the thick brew moving through me and, as the effect of the DMT (ayahuasca’s active ingredient) came on, imagined it as a vine winding its way through the curls and convolutions of my intestines, occupying my body before slowly working its snakelike way up to and into my head.

  There followed a great many memories a
nd images, some horrifying, others magnificent, but I want to describe one in particular because, although I don’t completely understand it, it captures something that psychedelics have taught me, something important.

  Because there was still some light in the room when the ceremony began, we were all wearing eye masks, and mine felt a little tight around my head. Early in the journey, I became aware of the black straps circling my skull, and these morphed into bars. My head was caged in steel. The bars then began to multiply, moving down from my head to encircle my torso and then my legs. I was now trapped head to toe in a black steel cage. I pressed against the bars, but they were unyielding. There was no way out. Panic was building when I noticed the green tip of a vine at the base of the cage. It was growing steadily upward and then turning, sinuously, to slip out between two of the bars, freeing itself and at the same time reaching toward the light. “A plant can’t be caged,” I heard myself thinking. “Only an animal can be caged.”

  I can’t tell you what this means, if anything. Was the plant showing me a way out? Perhaps, but it’s not as if I could actually follow it; I am an animal, after all. Yet it seemed the plant was trying to teach me something, that it was proposing a kind of visual koan for me to unpack, and I have been turning it over in my mind ever since. Maybe it was a lesson about the folly of approaching an obstacle head-on, that sometimes the answer is not the application of force but rather changing the terms of the problem in such a way that it loses its dominion without actually crumbling. It felt like some kind of jujitsu. Because the vine wasn’t just escaping the confines of the cage, it was using the structure to improve its situation, climbing higher to gather more light for itself.