Grace, completely disinterested, had long ago forbidden him to hang any of his purchases, and Bill would wink at me and say, ‘She’s right – whatever it is, you can’t call it art. I call it charity – some people give to the United Way, I support starving artists.’
But beneath all the jokes, he knew what he was doing. Years later, I realized what an expert eye he had, which was strange, given that he was completely untrained and his family’s only interest had been chemicals. His mother’s name before she married had been DuPont.
The second week we were in Paris, Bill got a call from a guy in Strasbourg who said he had a sheaf of drawings by Robert Rauschenberg dating from when the great Pop artist was an unknown marine. The next day, Bill and I got on a plane with a bag packed for the weekend, leaving Grace to indulge her second great passion – shopping at Hermès.
And so it was, once Bill had bought the drawings, that we found ourselves in Strasbourg on a Sunday with nothing to do. ‘I thought we might go out to the Vosges mountains,’ he said. ‘Grace’d probably say you’re too young, but there’s a place you should see – sometimes life can seem difficult, and it’s important to keep things in perspective.’
Bill knew about Natzweiler-Struthof because of his father – he’d been a lieutenant colonel in the US Sixth Army that had campaigned across Europe. The colonel had arrived at the camp just after the SS abandoned it, and he was given the job of writing a report that found its way to the War Crimes Tribunal in Nuremburg.
I don’t know if Bill had ever read his father’s document, but he found the twisting road without any trouble and we pulled into the car park just before noon, a brilliant summer’s day. Slowly we walked into death’s house.
The camp had been preserved as a French historic site because so many members of the Resistance had died there. Bill pointed out the old hotel outbuilding the Germans had converted into a gas chamber, and a crematorium packed with body-elevators and ovens.
For one of the few times in my life, I held his hand.
We passed the gallows used for public executions, the building where they had conducted medical experiments, and came to Prisoner Barracks Number One, which housed a museum. Inside – among the prisoners’ old uniforms and diagrams of the concentration-camp system – we got separated.
In a quiet corner at the back, near a row of bunk beds where the surrounding ghosts seemed even more tangible, I found a photo displayed on a wall. Actually, there were a lot of photos of the Holocaust, but this was the one that has never left me. It was in black and white and it showed a short, stocky woman walking down a wide path between towering electrified fences. By the look of the light it was late in the afternoon, and in the language of those times she was dressed like a peasant.
By chance there were no guards, no dogs, no watchtowers in the photo, though I’m sure they were there – just a lonely woman with a baby in her arms and her other two children holding tight to her skirt. Stoic, unwavering, supporting their tiny lives – helping them as best as any mother could – she walked them towards the gas chamber. You could almost hear the silence, smell the terror.
I stared at it, both uplifted and devastated by the stark image of a family and a mother’s endless love. A small voice inside, a child’s voice, kept telling me something I’ve never forgotten: I would have such as to have known her. Then a hand fell on my shoulder. It was Bill, come to find me. I could see from his eyes he’d been crying.
Overwhelmed, he indicated the piles of shoes and small items such as hairbrushes that the inmates had left behind. ‘I didn’t realize how powerful ordinary things can be,’ he said.
Finally, we walked up a path inside the old electrified fence towards the exit gates. As we wound our way up, he asked me, ‘Did you see the part about the gypsies?’
I shook my head: no.
‘They lost even more in percentage terms than the Jews.’
‘I didn’t know that,’ I said, trying to be grown up.
‘Nor did I,’ he replied. ‘They don’t call it the Holocaust, the gypsies. In their language they have another name for it. They call it the Devouring.’
We walked the rest of the way to the car in silence and flew back to Paris that night. By some unspoken agreement, we never mentioned to Grace where we had been. I think we both knew she would never have understood.
Months later, a couple of nights before Christmas, I walked down the stairs at the quiet house in Greenwich and was stopped by voices raised in anger. ‘Five million dollars?’ Grace was saying incredulously. ‘Still, you do what you like, I suppose – it’s your money.’
‘Damn right it is,’ he agreed.
‘The accountant says it’s going to an orphanage in Hungary,’ she said. ‘That’s another thing I don’t understand – what do you know about Hungary?’
‘Not much. Apparently, it’s where a lot of gypsies came from; it’s a gypsy orphanage,’ he said, more or less evenly.
She looked at him like he was crazy. ‘Gypsies? Gypsies?!’
Then they turned and saw me watching from the doorway. Bill’s eyes met mine and he knew that I understood. Porrajmos, as the gypsies say in Romani – the Devouring.
After that Christmas, I enrolled at Caulfield Academy, a really phoney high school that took pride in ‘providing every student with the means to lead a fulfilling life’.
Given the staggering fees, that aspect was probably already taken care of – you had to have about six generations of blue chips behind you even to get in the gate.
The second week I was there we were doing a course to improve our skills at public speaking – only Caulfield Academy could dream up classes like that. The topic someone picked out of a hat was motherhood, and we spent thirty minutes listening to guys talk about what their moms had done for them, which was probably nothing, and funny stuff that happened at the villa in the South of France.
Then I got called on, so I stood up, pretty nervous, and started telling them about pine trees in summer and the long road up into the mountains, and I tried to explain this photo I’d seen and how I knew the mother loved her kids more than anything in the world, and there was this book I’d read by somebody whose name I couldn’t remember and he had this expression ‘sorrow floats’ and that’s what I felt about the photo, and I was trying to tie all this together when people started laughing and asking what I was smoking, and even the teacher, who was a young chick who thought she was sensitive but wasn’t, told me to sit down and stop rambling on and maybe I should think twice before I ran for high elective office, and that made everybody laugh even louder.
I never got up to speak in class after that, not in the five years I was at Caulfield, no matter what amount of trouble it caused. It made people say I was a loner, there was something dark about me, and I guess they were right. How many of them adopted the secret life or ended up killing half as many people as I did?
Here’s the strange thing, though – through all that difficulty and the passage of twenty years, time hasn’t dimmed my memory of that photo. It has only made it sharper – it lies in wait for me just before I go to sleep and, try as I might, I’ve never been able to get it out of my head.
Chapter Twelve
I WAS THINKING of it once again as I walked out of the front doors of Clément Richeloud & Cie and into the Geneva sunshine. Sure, I could have felt some sympathy for Markus Bucher and his daughter, but I couldn’t help remembering that it was Swiss bankers like Bucher and his family who had helped fund and support the Third Reich.
I have no doubt the mother in the photo and millions of other families in cattle cars would have gladly traded the Buchers’ couple of hours of discomfort for what they eventually got. It was just like Bill had said all those years ago: it’s important to keep things in perspective.
Thinking about the dark history that clung to so much of Geneva’s hidden wealth, I walked to the rue du Rhône, turned right, stopped near the entrance to the Old Town and made an encrypted call on my cellphone to
a Greek island.
The bank ledgers in the briefcase which was now handcuffed to my wrist were Christos Nikolaides’ death warrant, and in the world in which I dwelt there were no appeals and no last-minute stays of execution. As it turned out, killing him wasn’t a mistake – but the way I did it certainly was.
There were five assassins – three men and two women – waiting for my call on Santorini. With its azure harbour, achingly white houses rimming the cliffs and donkeys shuttling visitors up to jewel-box boutiques, it is the most beautiful of all the Greek islands.
Dressed in chinos and capri pants, the team was invisible among the thousands of tourists who visit the island every day. The weapons were in their camera cases.
Months before, as the mysterious Nikolaides family had moved ever more clearly into our sights, we had taken an interest in a former ice-breaker called the Arctic N. Registered in Liberia, the 300-foot boat, capable of withstanding just about any kind of attack, had been converted at huge expense into a luxury cruiser complete with a helicopter pad and an on-board garage for a Ferrari. Supposedly fitted out for the super-elite Mediterranean charter business, the weird thing was that it only ever had one client – Christos Nikolaides and his entourage of babes, hangers-on, business associates and bodyguards.
All through summer we kept tabs on the boat by satellite, and while we were in Grozny and Bucharest chasing traitors and drug dealers, we watched the endless party glide from St Tropez down to Capri until finally it pulled in to the hollowed-out volcano that forms the harbour at Santorini.
And there the vessel stayed – Nikolaides and his guests relocating every day from the boat’s huge sun deck up to the town’s restaurants and nightclubs and back down again.
Meanwhile, half a continent away, I waited on a street corner in Geneva for a phone to be answered. When it did, I said three words to a man sitting in a clifftop café. ‘That you, Reno?’ I asked.
‘Wrong number,’ he said, and hung up. Jean Reno was the name of the actor who played the assassin in the movie Léon, and the team leader sitting in the café knew it meant death.
He nodded to his colleague, who immediately called the other three agents, who were sitting among milling tourists at other cafés. The five of them rendezvoused just near the beautiful Rastoni bar and restaurant, looking for all the world like a group of affluent European holidaymakers meeting up for lunch. The two women in the squad were the primary shooters, and that, I’m afraid, was my mistake.
It was just before two, the restaurant still crowded, when my so-called holidaymakers walked in. The three men spoke to the harried manager about a table while the women moved to the bar, ostensibly to check their make-up in its mirror but in fact noting in the reflection the position of every person in the vaulted space.
Christos and his posse – three Albanian bodyguards and a clutch of chicks his mother had probably warned him about – were sitting at a table looking straight out at the harbour.
‘All set?’ one of our women asked her male colleagues in passable Italian, framing it as a question but meaning it as a statement. The men nodded.
The women had their tote bags open, putting away their lipstick, reaching for their camera cases. They both pulled out stainless-steel SIG P232s and turned in a tight arc.
Christos’s bodyguards, with their True Religion jeans, muscle-man T-shirts and Czech machine pistols, didn’t have a chance against real professionals. Two of them didn’t even see it coming – the first they heard was the sound of bone breaking as bullets slammed into their heads and chests.
The third bodyguard made it to his feet, a strategy which succeeded only in presenting himself as a bigger target for the team leader. Shows how much he knew. The agent hit him with three bullets, which was unnecessary, as the first one pretty much blasted his heart out the back of his chest.
As is usual in these situations, a lot of people started yelling, to absolutely no effect. One of them was Christos, trying to take command, I guess, scrambling to his feet, reaching under his flapping linen shirt for the Beretta he kept in the waistband of his pants.
Like a lot of tough guys who don’t do any real training, he thought he was well prepared by keeping the safety catch off. In the panic of a genuine firefight, he pulled the weapon out, put his finger on the trigger and shot himself through the leg. Fighting the pain and humiliation, he kept turning to face his attackers. What he saw were two middle-aged women, feet planted wide, who – had there been a band – looked like they were about to start a strange dance.
Instead, they both opened up at seven yards, two rounds each. Most of Christos’s vital organs – including his brain – were finished before he dropped.
Immediately, the five agents sprayed their weapons across the mirrors, creating a lot of impressive noise and maximum panic. Terrified diners sprinted for the doors, a Japanese tourist tried to film it on his phone and a ricocheting bullet hit a female member of Christos’s party in the butt. As one of our women agents told me later – given the way the chick was dressed, the last time she had that much pain up her ass she was probably getting paid for it.
The flesh wound was the only collateral damage – no small achievement given the number of people in the restaurant and the unpredictable nature of any assassination.
The agents pocketed their weapons, burst out of the front door amid the exploding panic and yelled for someone to call the cops. At a prearranged location – a tiny cobblestone square – they regrouped and boarded four Vespa scooters, permitted for residents only but secured earlier in the day by a large payment to a local repair shop. The team sped into the town’s narrow alleys and the leader used his cellphone to call in two fast boats waiting in the next bay.
In three minutes, the assassins reached a scenic cable car that offers an alternative – and far quicker – descent than the donkeys. It takes less than two minutes to take the 1,200-foot drop, and already the boats were pulling into the wharf. The team was halfway to the next island, hurtling across the sparkling blue water in a plume of white spray, by the time the first cops arrived at Rastoni.
To the Greek cops’ ribald amusement, they quickly learned that Christos, the first-born and best-loved son of Patros Nikolaides, had been gunned down by two ladies in capri pants and Chanel sunglasses. And that was my mistake – not the killing of him, the women. I genuinely hadn’t given it a thought, I just sent the best people for the job, but, as I have to keep relearning, it’s the unquestioned assumptions that get you every time.
In the villages of northern Greece, where decisions are taken only in the councils of men, that somebody had assigned women to do the killing was worse in a way than the death itself. It was an insult. For the old man, it was as if the killers were telling him that Christos was such a no-account castrato he wasn’t even worth a matador.
Maybe Patros, the ruthless enforcer and father, would have ridden out of his compound for vengeance anyway, but when he learned the circumstances, for his dignity as a man, for his honour – forget that, given his past, he had none of these things – he believed he had no choice.
The woman agent was wrong about the other casualty too: despite the spandex, she wasn’t rented ass at all. She was Christos’s younger sister. As I would learn later, for one of the few times in her adult life she was relatively clean and sober in Rastoni. While the other patrons raced for the exits, she scrambled across the shattered glass, bending over her brother, trying to talk him into not dying.
Realizing it was failing, she grabbed her cellphone and made a call. Despite all her years of relentless sex, it was to the only real man in her life – her father. As a result, Patros and his phalanx of Albanians heard before I did exactly what my people had wrought that afternoon.
I hadn’t moved from my corner near the Old Town when I got a call ten minutes after he did. It was a text message giving me the price of a Léon DVD on Amazon – it meant Christos was dead, the team was safe on board the boats, there was no sign of pursuit. I put
the phone away and looked at my watch. Eighteen minutes had passed since I had made the call initiating the whole event.
In the interim, I’d phoned through orders deploying smaller teams to arrest the other six named collaborators, and now the events that started several years ago in Red Square were finally drawing to a close. I suppose I could have taken a moment for quiet congratulation, allowed myself some small feeling of triumph, but I’m prone to self-doubt – always doubting, I’m afraid.
As I adjusted my briefcase – an anonymous young businessman stepping out of the shadows and into the faceless foreign crowd – it was a dead British orator and writer who was on my mind. Edmund Burke said the problem with war is that it usually consumes the very things that you’re fighting for – justice, decency, humanity – and I couldn’t help but think of how many times I had violated our nation’s deepest values in order to protect them.
Lost in thought, I headed for the small bridge that crossed the river. It is eight hundred paces from the edge of the Old Town to the hotel in which I was staying. Eight hundred paces, about four minutes – in terms of history, not even the blink of an eye, really – and yet in that moment all our souls were turning in a few madmen’s hands.
Chapter Thirteen
THE HOTEL DU Rhône was deserted when I walked in. the doormen had gone, the concierge wasn’t at his post and the front desk was unattended. More disturbing was the silence. I called out, and when nobody answered I made my way to the bar at one side of the lobby.
The staff were all there, standing with the patrons, watching a TV screen. It was a few minutes before 3 p.m. in Geneva, 9 a.m. in New York. The date was September the eleventh.
The first plane had just hit the north tower of the World Trade Center, and already the footage was being replayed over and over again. A couple of news anchors started speculating that it might be anti-US terrorists, and this theory was met with cheering from several Swiss idiots at the bar. They were speaking French, but my summers in Paris meant I was fluent enough to understand they were praising the courage and ingenuity of whoever was responsible.