“On the slopes of Nydoon I was seated once above Khamazan. There I saw figures in the morning striding through much dust along the road that leads across the world. Striding up the hill they came towards me, not with the gait of men, and soon the first one came to the crest of the hill where the road dips to find the plains again, where lies Khamazan. And now I swear by all the gods that are gone that this thing happened as I shall say it, and was surely so. When those that came striding up the hill came to its summit they took not the road that goes down into the plains nor trod the dust any longer, but went straight on and upwards, striding as they strode before, as though the hill had not ended nor the road dipped. And they strode as though they trod no yielding substance, yet they stepped upwards through the air.
“This the gods did, for They were not born men who strode that day so strangely away from earth.
“But I, when I saw this thing, when already three had passed me, leaving earth, cried out before the fourth:
“ ‘Gods of my childhood, guardians of little homes, whither are ye going, leaving the round earth to swim alone and forgotten in so great a waste of sky?’
“And one answered:
“‘Heresy apace shoots her fierce glare over the world and men’s faith grows dim and the gods go. Men shall make iron gods and gods of steel when the wind and the ivy meet within the shrines of the temples of the gods of old.’13
“And I left that place as a man leaves fire by night, and going plainwards down the white road that the gods spurned cried out to all that I passed to follow me, and so crying came to the city’s gates. And there I shouted to all near the gates:
“ ‘From yonder hilltop, the gods are leaving earth.’
“Then I gathered many, and we all hastened to the hill to pray the gods to tarry, and there we cried out to the last of the departing gods:
“‘Gods of old prophecy and of men’s hopes, leave not the earth, and all our worship shall hum about Your ears as never it hath before, and oft the sacrifice shall squeal upon Your altars.’
“And I said:—
“ ‘Gods of still evenings and quiet nights, go not from earth and leave not Your carven shrines, and all men shall worship You still. For between us and yonder still blue spaces oft roam the thunder and the storms. There in his hiding lurks the dark eclipse, and there are stored all snows and hails and lightnings that shall vex the earth for a million years. Gods of our hopes, how shall men’s prayers crying from empty shrines pass through such terrible spaces; how shall they ever fare above the thunder and many storms to whatever place the gods may go in that blue waste beyond?’
“But the gods bent straight forward, and trampled through the sky and looked not to the right nor left nor downwards, nor ever heeded my prayer.
“And one cried out hoping yet to stay the gods, though nearly all were gone, saying:—
“‘O gods, rob not the earth of the dim hush that hangs round all Your temples, bereave not all the world of old romance, take not the glamour from the moonlight nor tear the wonder out of the white mists in every land; for, O ye gods of the childhood of the world, when You have left the earth You shall have taken the mystery from the sea and all its glory from antiquity, and You shall have wrenched out hope from the dim future. There shall be no strange cities at night time half understood, nor songs in the twilight, and the whole of the wonder shall have died with last year’s flowers in little gardens or hill-slopes leaning south; for with the gods must go the enchantment of the plains and all the magic of dark woods, and something shall be lacking from the quiet of early dawn. For it would scarce befit the gods to leave the earth and not take with Them that which They had given it. Out beyond the still blue spaces Ye will need the holiness of sunset for Yourselves and little sacred memories and the thrill that is in stories told by fire-sides long ago. One strain of music, one song, one line of poetry and one kiss, and a memory of one pool with rushes, and each one the best, shall the gods take to whom the best belongs, when the gods go.
“ ‘Sing a lamentation, people of Khamazan, sing a lamentation for all the children of earth at the feet of the departing gods. Sing a lamentation for the children of earth who must now carry their prayer to empty shrines and around empty shrines must rest at last.’
“Then when our prayers were ended and our tears shed, we beheld the last and smallest of the gods halted upon the hilltop. Twice he called to Them with a cry somewhat like the cry wherewith our shepherds hail their brethren, and long gazed after Them, and then deigned to look no longer and to tarry upon earth and turn his eyes on men. Then a great shout went up when we saw that our hopes were saved and that there was still on earth a haven for our prayers. Smaller than men now seemed the figures that had loomed so big, as one behind the other far over our heads They still strode upwards. But the small god that had pitied the world came with us down the hill, still deigning to tread the road, though strangely, not as men tread, and into Khamazan. There we housed him in the palace of the King, for that was before the building of the temple of gold, and the King made sacrifice before him with his own hands, and he that had pitied the world did eat the flesh of the sacrifice.”14
And the Book of the Knowledge of the gods in Khamazan tells how the small god that pitied the world told his prophets that his name was Sarnidac and that he herded sheep, and that therefore he is called the shepherd god, and sheep are sacrificed upon his altars thrice a day, and the North, East, West, and the South are the four hurdles of Sarnidac and the white clouds are his sheep. And the Book of the Knowledge of the gods tells further how the day on which Pompeides found the gods shall be kept for ever as a fast until the evening and called the Fast of the Departing, but in the evening shall a feast be held which is named the Feast of the Relenting, for on that evening Sarnidac pitied the whole world and tarried.
And the people of Khamazan all prayed to Sarnidac, and dreamed their dreams and hoped their hopes because their temple was not empty. Whether the gods that are departed be greater than Sarnidac none know in Khamazan, but some believe that in Their azure windows They have set lights that lost prayers swarming upwards may come to them like moths and at last find haven and light far up above the evening and the stillness where sit the gods.
But Sarnidac wondered at the strange figures, at the people of Khamazan, and at the palace of the King and the customs of the prophets, but wondered not more greatly at aught in Khamazan than he had wondered at the city which he had left. For Sarnidac, who had not known why men were unkind to him, thought that he had found at last the land for which the gods had let him hope, where men should have the custom of being kind to Sarnidac.
The Fall of Babbulkund
I said: “I will arise now and see Babbulkund, City of Marvel. She is of one age with the earth; the stars are her sisters. Pharaohs of the old time coming conquering from Araby first saw her, a solitary mountain in the desert, and cut the mountain into towers and terraces. They destroyed one of the hills of God, but they made Babbulkund. She is carven, not built; her palaces are one with her terraces, there is neither join nor cleft. Hers is the beauty of the youth of the world. She deemeth herself to be the middle of Earth, and hath four gates facing outward to the Nations. There sits outside her eastern gate a colossal god of stone. His face flushes with the lights of dawn. When the morning sunlight warms his lips they part a little, and he giveth utterance to the words ‘Oon Oom,’ and the language is long since dead in which he speaks, and all his worshippers are gathered to their tombs, so that none knoweth what the words portend that he uttereth at dawn. Some say that he greets the sun as one god greets another in the language thereof, and others say that he proclaims the day, and others that he uttereth warning. And at every gate is a marvel not credible until beholden.”
And I gathered three friends and said to them: “We are what we have seen and known. Let us journey now and behold Babbulkund, that our minds may be beautified with it and our spirits made holier.”
So we took ship and tr
avelled over the lifting sea, and remembered not things done in the towns we knew, but laid away the thoughts of them like soiled linen and put them by, and dreamed of Babbulkund.
But when we came to the land of which Babbulkund is the abiding glory, we hired a caravan of camels and Arab guides, and passed southwards in the afternoon on the three days’ journey through the desert that should bring us to the white walls of Babbulkund. And the heat of the sun shone upon us out of the bright grey sky, and the heat of the desert beat up at us from below.
About sunset we halted and tethered our horses, while the Arabs unloaded the provisions from the camels and prepared a fire out of the dry scrub, for at sunset the heat of the desert departs from it suddenly, like a bird. Then we saw a traveller approaching us on a camel coming from the south. When he was come near we said to him:
“Come and encamp among us, for in the desert all men are brothers, and we will give thee meat to eat and wine, or, if thou art bound by thy faith, we will give thee some other drink that is not accursed by the prophet.”
The traveller seated himself beside us on the sand, and crossed his legs and answered:
“Hearken, and I will tell you of Babbulkund, City of Marvel. Babbulkund stands just below the meeting of the rivers, where Oonrāna, River of Myth, flows into the Waters of Fable, even the old stream Plegáthanees.15 These, together, enter her northern gate rejoicing. Of old they flowed in the dark through the Hill that Nehemoth, the first of Pharaohs, carved into the City of Marvel. Sterile and desolate they float far through the desert, each in the appointed cleft, with life upon neither bank, but give birth in Babbulkund to the sacred purple garden whereof all nations sing. Thither all the bees come on a pilgrimage at evening by a secret way of the air. Once, from his twilit kingdom, which he rules equally with the sun, the moon saw and loved Babbulkund, clad with her purple garden; and the moon wooed Babbulkund, and she sent him weeping away, for she is more beautiful than all her sisters the stars. Her sisters come to her at night into her maiden chamber. Even the gods speak sometimes of Babbulkund, clad with her purple garden. Listen, for I perceive by your eyes that ye have not seen Babbulkund; there is a restlessness in them and an unappeased wonder. Listen. In the garden whereof I spoke there is a lake that hath no twin or fellow in the world; there is no companion for it among all the lakes. The shores of it are of glass, and the bottom of it. In it are great fish having golden and scarlet scales, and they swim to and fro. Here it is the wont of the eighty-second Nehemoth (who rules in the city to-day) to come, after the dusk has fallen, and sit by the lake alone, and at this hour eight hundred slaves go down by steps through caverns into vaults beneath the lake. Four hundred of them carrying purple lights march one behind the other, from east to west, and four hundred carrying green lights march one behind the other, from west to east. The two lines cross and re-cross each other in and out as the slaves go round and round, and the fearful fish flash up and down and to and fro.”
But upon that traveller speaking night descended, solemn and cold, and we wrapped ourselves in our blankets and lay down upon the sand in the sight of the astral sisters of Babbulkund. And all that night the desert said many things, softly and in a whisper, but I knew not what he said. Only the sand knew and arose and was troubled and lay down again, and the wind knew. Then, as the hours of the night went by, these two discovered the foot-tracks wherewith we had disturbed the holy desert, and they troubled over them and covered them up; and then the wind lay down and the sand rested. Then the wind arose again and the sand danced. This they did many times. And all the while the desert whispered what I shall not know.
Then I slept awhile and awoke just before sunrise, very cold. Suddenly the sun leapt up and flamed upon our faces; we all threw off our blankets and stood up. Then we took food, and afterwards started southwards, and in the heat of the day rested, and afterwards pushed on again. And all the while the desert remained the same, like a dream that will not cease to trouble a tired sleeper.
And often travellers passed us in the desert, coming from the City of Marvel, and there was a light and a glory in their eyes from having seen Babbulkund.
That evening, at sunset, another traveller neared us, and we hailed him, saying:
“Wilt thou eat and drink with us, seeing that all men are brothers in the desert?”
And he descended from his camel and sat by us and said:
“When morning shines on the colossus Neb and Neb speaks, at once the musicians of King Nehemoth in Babbulkund awake.
“At first their fingers wander over their golden harps, or they stroke idly their violins. Clearer and clearer the note of each instrument ascends like larks arising from the dew, till suddenly they all blend together and a new melody is born. Thus, every morning, the musicians of King Nehemoth make a new marvel in the City of Marvel; for these are no common musicians, but masters of melody, raided by conquest long since, and carried away in ships from the Isles of Song. And, at the sound of the music, Nehemoth awakes in the eastern chamber of his palace, which is carved in the form of a great crescent, four miles long, on the northern side of the city. Full in the windows of its eastern chamber the sun rises, and full in the windows of its western chamber the sun sets.
“When Nehemoth awakes he summons slaves who bring a palanquin with bells, which the King enters, having lightly robed. Then the slaves run and bear him to the onyx Chamber of the Bath, with the sound of small bells ringing as they run. And when Nehemoth emerges thence, bathed and anointed, the slaves run on with their ringing palanquin and bear him to the Orient Chamber of Banquets, where the King takes the first meal of the day. Thence, through the great white corridor whose windows all face sunwards, Nehemoth, in his palanquin, passes on to the Audience Chamber of Embassies from the North, which is all decked with Northern wares.
“All about it are ornaments of amber from the North and carven chalices of the dark brown Northern crystal, and on its floors lie furs from Baltic shores.
“In adjoining chambers are stored the wonted food of the hardy Northern men, and the strong wine of the North, pale but terrible. Therein the King receives barbarian princes from the frigid lands. Thence the slaves bear him swiftly to the Audience Chamber of Embassies from the East, where the walls are of turquoise, studded with the rubies of Ceylon, where the gods are the gods of the East, where all the hangings have been devised in the gorgeous heart of Ind, and where all the carvings have been wrought with the cunning of the isles. Here, if a caravan hath chanced to have come in from Ind or from Cathay, it is the King’s wont to converse awhile with Moguls or Mandarins, for from the East come the arts and knowledge of the world, and the converse of their people is polite. Thus Nehemoth passes on through the other Audience Chambers and receives, perhaps, some Sheikhs of the Arab folk who have crossed the great desert from the West, or receives an embassy sent to do him homage from the shy jungle people to the South. And all the while the slaves with the ringing palanquin run westwards, following the sun, and ever the sun shines straight into the chamber where Nehemoth sits, and all the while the music from one or other of his bands of musicians comes tinkling to his ears. But when the middle of the day draws near, the slaves run to the cool groves that lie along the verandahs on the northern side of the palace, forsaking the sun, and as the heat overcomes the genius of the musicians, one by one their hands fall from their instruments, till at last all melody ceases. At this moment Nehemoth falls asleep, and the slaves put the palanquin down and lie down beside it. At this hour the city becomes quite still, and the palace of Nehemoth and the tombs of the Pharaohs of old face to the sunlight, all alike in silence. Even the jewellers in the market-place, selling gems to princes, cease from their bargaining and cease to sing; for in Babbulkund the vendor of rubies sings the song of the ruby, and the vendor of sapphires sings the song of the sapphire, and each stone hath its song, so that a man, by his song, proclaims and makes known his wares.
“But all these sounds cease at the meridian hour, the jewellers in
the market-place lie down in what shadow they can find, and the princes go back to the cool places in their palaces, and a great hush in the gleaming air hangs over Babbulkund. But in the cool of the late afternoon, one of the King’s musicians will awake from dreaming of his home and will pass his fingers, perhaps, over the strings of his harp and, with the music, some memory may arise of the wind in the glens of the mountains that stand in the Isles of Song. Then the musician will wrench great cries out of the soul of his harp for the sake of the old memory, and his fellows will awake and all make a song of home, woven of sayings told in the harbour when the ships came in, and of tales in the cottages about the people of old time. One by one the other bands of musicians will take up the song, and Babbulkund, City of Marvel, will throb with this marvel anew. Just now Nehemoth awakes, the slaves leap to their feet and bear the palanquin to the outer side of the great crescent palace between the south and the west, to behold the sun again. The palanquin, with its ringing bells, goes round once more; the voices of the jewellers sing again, in the market-place, the song of the emerald, the song of the sapphire; men talk on the housetops, beggars wail in the streets, the musicians bend to their work, all the sounds blend together into one murmur, the voice of Babbulkund speaking at evening. Lower and lower sinks the sun, till Nehemoth, following it, comes with his panting slaves to the great purple garden of which surely thine own country has its songs, from wherever thou art come.
“There he alights from his palanquin and goes up to a throne of ivory set in the garden’s midst, facing full westwards, and sits there alone, long regarding the sunlight until it is quite gone. At this hour trouble comes into the face of Nehemoth. Men have heard him muttering at the time of sunset: ‘Even I too, even I too.’ Thus do King Nehemoth and the sun make their glorious ambits about Babbulkund.