Schacht and his man play.
Both Pat Montesian and Gately’s AA sponsor like to remind Gately how this new resident Geoffrey Day could end up being an invaluable teacher of patience and tolerance for him, Gately, as Ennet House Staff.
‘So then at forty-six years of age I came here to learn to live by clichés,’ is what Day says to Charlotte Treat right after Randy Lenz asked what time it was, again, at 0825. ‘To turn my will and life over to the care of clichés. One day at a time. Easy does it. First things first. Courage is fear that has said its prayers. Ask for help. Thy will not mine be done. It works if you work it. Grow or go. Keep coming back.’
Poor old Charlotte Treat, needlepointing primly beside him on the old vinyl couch that just came from Goodwill, purses her lips. ‘You need to ask for some gratitude.’
‘Oh no but the point is I’ve already been fortunate enough to receive gratitude.’ Day crosses one leg over the other in a way that inclines his whole little soft body toward her. ‘For which, believe you me, I’m grateful. I cultivate gratitude. That’s part of the system of clichés I’m here to live by. An attitude of gratitude. A grateful drunk will never drink. I know the actual cliché is “A grateful heart will never drink,” but since organs can’t properly be said to imbibe and I’m still afflicted with just enough self-will to decline to live by utter non sequiturs, as opposed to just good old clichés, I’m taking the liberty of light amendment.’ He gives with this a look like butter wouldn’t melt. ‘Albeit grateful amendment, of course.’
Charlotte Treat looks over to Gately for some sort of help or Staff enforcement of dogma. The poor bitch is clueless. All of them are clueless, still. Gately reminds himself that he too is probably mostly still clueless, still, even after all these hundreds of days. ‘I Didn’t Know That I Didn’t Know’ is another of the slogans that looks so shallow for a while and then all of a sudden drops off and deepens like the lobster-waters off the North Shore. As Gately fidgets his way through daily A.M. meditation he always tries to remind himself daily that this is all an Ennet House residency is supposed to do: buy these poor yutzes some time, some thin pie-slice of abstinent time, till they can start to get a whiff of what’s true and deep, almost magic, under the shallow surface of what they’re trying to do.
‘I cultivate it assiduously. I do special gratitude exercises at night up there in the room. Gratitude-Ups, you could call them. Ask Randy over there if I don’t do them like clockwork. Diligently. Sedulously.’
‘Well it’s true is all,’ Treat sniffs. ‘About gratitude.’
Everybody else except Gately, lying on the old other couch opposite them, is ignoring this exchange, watching an old InterLace cartridge whose tracking is a little messed up so that staticky stripes eat at the screen’s picture’s bottom and top. Day is not done talking. Pat M. encourages newer Staff to think of residents they’d like to bludgeon to death as valuable teachers of patience, tolerance, self-discipline, restraint.
Day is not done talking. ‘One of the exercises is being grateful that life is so much easier now. I used sometimes to think. I used to think in long compound sentences with subordinate clauses and even the odd polysyllable. Now I find I needn’t. Now I live by the dictates of macramé samplers ordered from the back-page ad of an old Reader’s Digestor Saturday Evening Post. Easy does it. Remember to remember. But for the grace of capital-g God. Turn it over. Terse, hard-boiled. Monosyllabic. Good old Norman Rockwell–Paul Harvey wisdom. I walk around with my arms out straight in front of me and recite these clichés. In a monotone. No inflection necessary. Could that be one? Could that be added to the cliché-pool? “No inflection necessary”? Too many syllables, probably.’
Randy Lenz says ‘I ain’t got time for this shit.’
Poor old Charlotte Treat, all of nine weeks clean, is trying to look primmer and primmer. She looks again over to Gately, lying on his back, taking up the living room’s whole other sofa, one sneaker up on the sofa’s square frayed fabric arm-thing, his eyes almost closed. Only Staff get to lie on the couches.
‘Denial,’ Charlotte finally says, ‘is not a river in Egypt.’
‘Hows about the both of you shut the fuck up,’ says Emil Minty.
Geoffrey (not Geoff, Geoffrey) Day has been at Ennet House six days. He came from Roxbury’s infamous Dimock Detox, where he was the only white person, which Gately bets must have been broadening for him. Day has a squished blank smeared flat face, one requiring like great self-effort to like, and eyes that are just starting to lose the nictitated glaze of early sobriety. Day is a newcomer and a wreck. A red-wine-and-Quaalude man who finally nodded out in late October and put his Saab through the window of a Malden sporting goods store and then got out and proceeded to browse until the Finest came and got him. Who taught something horseshit-sounding like social historicity or historical sociality at some jr. college up the Expressway in Medford and came in saying on his Intake he also manned the helm of a Scholarly Quarterly. Word for word, the House Manager had said: ‘manned the helm’ and ‘Scholarly.’ His Intake estimated that Day’s been in and out of a blackout for most of the last several years, and his wiring is still as they say a bit frayed. His detox at Dimock, where they barely have the resources to give you a Librium if you start to D.T., must have been just real grim, because Geoffrey D. alleges it never happened: now his story is he just strolled into Ennet House on a lark one day from his home 10r clicks away in Malden and found the place too hilariously egregulous to want to ever leave. It’s the newcomers with some education that are the worst, according to Gene M. They identify their whole selves with their head, and the Disease makes its command headquarters in the head. 90 Day wears chinos of indeterminate hue, brown socks with black shoes, and shirts that Pat Montesian had described in the Intake as ‘Eastern-European-type Hawaiian shirts.’ Day’s now on the vinyl couch with Charlotte Treat after breakfast in the Ennet House living room with a few of the other residents that either aren’t working or don’t have to be at work early, and with Gately, who’d pulled an all-night Dream Duty shift out in the front office till 0400, then got temp-relieved by Johnette Foltz so he could go to work janitoring down at the Shattuck Shelter till 0700, then came and hauled ass back up here and took back over so’s that Johnette could go off to her NA thing with a bunch of NA people in what looked like a dune buggy if the dunes in question were in Hell, and is now, Gately, trying to unclench and center himself inside by tracing the cracks in the paint of the living room ceiling with his eyes. Gately often feels a terrible sense of loss, narcotics-wise, in the A.M., still, even after this long clean. His sponsor over at the White Flag Group says some people never get over the loss of what they’d thought was their one true best friend and lover; they just have to pray daily for acceptance and the brass danglers to move forward through the grief and loss, to wait for time to harden the scab. The sponsor, Ferocious Francis G., doesn’t give Gately one iona of shit for feeling some negative feelings about it: on the contrary, he commends Gately for his candor in breaking down and crying like a baby and telling him about it early one A.M. over the pay phone, the sense of loss. It’s a myth no one misses it. Their particular Substance. Shit, you wouldn’t need help if you didn’t miss it. You just have to Ask For Help and like Turn It Over, the loss and pain, to Keep Coming, show up, pray, Ask For Help. Gately rubs his eye. Simple advice like this does seem like a lot of clichés — Day’s right about how it seems. Yes, and if Geoffrey Day keeps on steering by the way things seem to him then he’s a dead man for sure. Gately’s already watched dozens come through here and leave early and go back Out There and then go to jail or die. If Day ever gets lucky and breaks down, finally, and comes to the front office at night to scream that he can’t take it anymore and clutch at Gately’s pantcuff and blubber and beg for help at any cost, Gately’ll get to tell Day the thing is that the clichéd directives are a lot more deep and hard to actually do. To try and live by instead of just say. But he’ll only get to say it if Day comes and asks. Perso
nally, Gately gives Geoffrey D. like a month at the outside before he’s back tipping his hat to parking meters. Except who is Gately to judge who’ll end up getting the Gift of the program v. who won’t, he needs to remember. He tries to feel like Day is teaching him patience and tolerance. It takes great patience and tolerance not to want to punt the soft little guy out into the Comm. Ave. ravine and open up his bunk to somebody that really desperately wants it, the Gift. Except who is Gately to think he can know who wants it and who doesn’t, deep down. Gately’s arm is behind his head, up against the sofa’s other arm. The old D.E.C. viewer is on to something violent and color-enhanced Gately neither sees nor hears. It was part of his gifts as a burglar: he can sort of turn his attention on and off like a light. Even when he was a resident here he’d had this prescient housebreaker’s ability to screen input, to do sensory triage. It was one reason he’d even been able to stick out his nine residential months here with twenty-one other newly detoxed housebreakers, hoods, whores, fired execs, Avon ladies, subway musicians, beer-bloated construction workers, vagrants, indignant car salesmen, bulimic trauma-mamas, bunko artists, mincing pillow-biters, North End hard guys, pimply kids with electric nose-rings, denial-ridden housewives and etc., all jonesing and head-gaming and mokus and grieving and basically whacked out and producing nonstopping output 24-7-365.
At some point in here Day’s saying ‘So bring on the lobotomist, bring him on I say!’
Except Gately’s own counselor when he was a resident here, Eugenio Martinez, one of the volunteer alumni counselors, a one-eared former boiler-room bunko man and now a cellular-phone retailer who’d hooked up with the House under the original founder Guy That Didn’t Even Use His First Name, and had about ten years clean, Gene M. did — Eugenio’d lovingly confronted Gately early on about his special burglar’s selective attention and about how it could be dangerous because how can you be sure it’s you doing the screening and not The Spider. Gene called the Disease The Spider and talked about Feeding The Spider versus Starving The Spider and so on and so forth. Eugenio M. had called Gately into the House Manager’s back office and said what if Don’s screening input turned out to be Feeding The Old Spider and what about an experimental unscreening of input for a while. Gately had said he’d do his best to try and’d come back out and tried to watch a Spont-Dissem of the Celtics while two resident pillow-biters from the Fenway were having this involved conversation about some third fag having to go in and get the skeleton of some kind of fucking rodent removed from inside their butthole. 91 The unscreening experiment had lasted half an hour. This was right before Gately got his 90-day chip and wasn’t exactly wrapped real tight or real tolerant, still. Ennet House this year is nothing like the freakshow it was when Gately went through.
Gately has been completely Substance-free for 421 days today.
Ms. Charlotte Treat, with a carefully made-up, ruined face, is watching the viewer’s stripe-shot cartridge while she needlepoints something. Conversation between her and Geoffrey D. has mercifully petered out. Day is scanning the room for somebody else to engage and piss off so he can prove to himself he doesn’t fit in here and stay separated off isolated inside himself and maybe get them so pissed off there’s a beef and he gets bounced out, Day, and it won’t be his fault. You can almost hear his Disease chewing away inside his head, feeding. Emil Minty, Randy Lenz, and Bruce Green are also in the room, sprawled in spring-shot chairs, lighting one gasper off the end of the last, their postures the don’t-fuck-with-me slouch of the streets that here makes their bodies’ texture somehow hard to distinguish from that of the chairs. Nell Gunther is sitting at the long table in the doorless dining room that opens out right off the old D.E.C. fold-out TP’s pine stand, whitening under her nails with a manicure pencil amid the remains of something she’s eaten that involved serious syrup. Burt F. Smith is also in there, way down by himself at the table’s far end, trying to saw at a waffle with a knife and fork attached to the stumps of his wrists with Velcro bands. A long-time-ago former DMV Driver’s License Examiner, Burt F. Smith is forty-five and looks seventy, has almost all-white hair that’s waxy and yellow from close-order smoke, and finally got into Ennet House last month after nine months stuck in the Cambridge City Shelter. Burt F. Smith’s story is he’s making his like fiftieth-odd stab at sobriety in AA. Once devoutly R.C., Burt F.S. has potentially lethal trouble with Faith In A Loving God ever since the R.C. Church apparently granted his wife an annulment in like B.S. ’99 after fifteen years of marriage. Then for several years a rooming-house drunk, which on Gately’s view is about like one step up from a homeless-person-type drunk. Burt F.S. got mugged and beaten half to death in Cambridge on Xmas Eve of last year, and left there to like freeze there, in an alley, in a storm, and ended up losing his hands and feet. Doony Glynn’s been observed telling Burt F.S. things like that there’s some new guy coming into the Disabled Room off Pat’s office with Burt F.S. who’s without not only hands and feet but arms and legs and even a head and who communicates by farting in Morris Code. This sally earned Glynn three days Full-House Restriction and a week’s extra Chore for what Johnette Foltz described in the Log as ‘XSive Cruetly.’ There is a vague intestinal moaning in Gately’s right side. Watching Burt F. Smith smoke a Benson & Hedges by holding it between his stumps with his elbows out like a guy with pruning shears is an adventure in fucking pathos as far as Gately’s concerned. And Geoffrey Day cracks wise about There But for Grace. And forget about what it’s like trying to watch Burt F. Smith try and light a match.
Gately, who’s been on live-in Staff here four months now, believes Charlotte Treat’s devotion to needlepoint is suspect. All those needles. In and out of all that thin sterile-white cotton stretched drum-tight in its round frame. The needle makes a kind of thud and squeak when it goes in the cloth. It’s not much like the soundless pop and slide of a real cook-and-shoot. But still. She takes such great care.
Gately wonders what color he’d call the ceiling if forced to call it a color. It’s not white and it’s not gray. The brown-yellow tones are from high-tar gaspers; a pall hangs up near the ceiling even this early in the new sober day. Some of the drunks and tranq-jockeys stay up most of the night, joggling their feet and chain-smoking, even though there’s no cartridges or music allowed after 0000h. He has that odd House Staffer’s knack, Gately, already, after four months, of seeing everything in both living and dining rooms without really looking. Emil Minty, a hard-core smack-addict punk here for reasons nobody can quite yet pin down, is in an old mustard-colored easy chair with his combat boots up on one of the standing ashtrays, which is tilting not quite enough for Gately to tell him to watch out, please. Minty’s orange mohawk and the shaved skull around it are starting to grow out brown, which is just not a pleasant sight in the morning at all. The other ashtray on the floor by his chair is full of the ragged little new moons of bitten nails, which has got to mean that the Hester T. that he’d ordered to bed at 0230 was right back down here in the chair going at her nails again the second Gately left to mop shit at the Shelter. When he’s up all night Gately’s stomach gets all tight and acidy, from either all the coffee maybe or just staying up. Minty’s been on the streets since he was like sixteen, Gately can tell: he’s got that sooty complexion homeless guys get where the soot has insinuated itself into the dermal layer and thickened, making Minty look somehow upholstered. And the big-armed driver for Leisure Time Ice, the quiet kid, Green, a garbage-head all-Substance-type kid, maybe twenty-one, face very slightly smunched in on one side, wears sleeveless khaki shirts and had lived in a trailer in that apocalyptic Enfield trailer park out near the Allston Spur; Gately likes Green because he seems to have got sense enough to keep his map shut when he’s got nothing important to say, which is basically all the time. The tattoo on the kid’s right tricep is a spear-pierced heart over the hideous name MILDRED BONK,who Bruce G. told him was a ray of living light and a dead ringer for the late lead singer of The Fiends in Human Shape and his dead heart’s one love ever
, and who took their daughter and left him this summer for some guy that told her he ranched fucking longhorn cows east of Atlantic City NJ. He’s got, even by Ennet House standards, major-league sleep trouble, Green, and he and Gately play cribbage sometimes in the wee dead hours, a game Gately picked up in jail. Burt F.S. is now hunched in a meaty coughing fit, his elbows out and his forehead purple. No sign of Hester Thrale, nailbiter and something Pat calls Borderline. Gately can see everything without moving or moving his head or either eye. Also in here is Randy Lenz, who Lenz is a small-time organic-coke dealer who wears sportcoats rolled up over his parlor-tanned forearms and is always checking his pulse on the inside of his wrists. It’s come out that Lenz is of keen interest to both sides of the law because this past May he’d apparently all of a sudden lost all control and holed up all of a sudden in a Charlestown motel and free-based most of a whole 100 grams he’d been fronted by a suspiciously trusting Brazilian in what Lenz didn’t know was supposed to have been a D.E.A. sting operation in the South End. Having screwed both sides in what Gately secretly views as a delicious fuck-up, Randy Lenz has, since May, been the most wanted he’s probably ever been. He is seedily handsome in the way of pimps and low-level coke dealers, muscular in the MP-ish way that certain guys’ muscles look muscular but can’t really lift anything, with complexly gelled hair and the little birdlike head-movements of the deeply vain. One forearm’s hair has a little hairless patch, which Gately knows well spells knife-owner, and if there’s one thing Gately’s never been able to stomach it’s a knife-owner, little swaggery guys that always queer a square beef and come up off the ground with a knife where you have to get cut to take it away from them. Lenz is teaching Gately reserved politeness to people you pretty much want to beat up on sight. It’s pretty obvious to everybody except Pat Montesian — whose odd gullibility in the presence of human sludge, though, Gately needs to try to remember had been one of the reasons why he himself had got into Ennet House, originally — obvious that Lenz is here mostly just to hide out: he rarely leaves the House except under compulsion, avoids windows, and travels to the nightly required AA/NA meetings in a disguise that makes him look like Cesar Romero after a terrible accident; and then he always wants to walk back to the House solo afterward, which is not encouraged. Lenz is seated low in the northeasternmost corner of an old fake-velour love seat he’s jammed in the northeasternmost corner of the living room. Randy Lenz has a strange compulsive need to be north of everything, and possibly even northeast of everything, and Gately has no clue what it’s about but observes Lenz’s position routinely for his own interest and files. Lenz’s leg, like Ken Erdedy’s leg, never stops joggling; Day claims it joggles even worse in sleep. Another gurgle and abdominal chug for Don G., lying there. Charlotte Treat has violently red hair. As in hair the color of like a red crayon. The reason she doesn’t have to work an outside menial job is she’s got some strain of the Virus or like H.I.V. Former prostitute, reformed. Why do prostitutes when they get straight always try and get so prim? It’s like long-repressed librarian-ambitions come flooding out. Charlotte T. has a cut-rate whore’s hard half-pretty face, her eyes lassoed with shadow around all four lids. Her also with a case of the dermal-layer sooty complexion. The riveting thing about Treat is how her cheeks are deeply pitted in these deep trenches that she packs with foundation and tries to cover over with blush, which along with the hair gives her the look of a mean clown. The ghastly wounds in her cheeks look for all the world like somebody got at her with a woodburning kit at some point in her career path. Gately would rather not know.