Five years hence, Mario’s facility with the head-mount Bolex attenuates the sadness of his status here, allowing him to contribute via making the annual E.T.A. fundraising documentary cartridge, videotaping students’ strokes and occasionally from over the railing of Schtitt’s supervisory transom the occasional challenge-match — the taping’s become part of the pro-instruction package detailed in the E.T.A. catalogue — plus producing more ambitious, arty-type things that occasionally find a bit of an à-clef-type following in the E.T.A. community.
After Orin Incandenza left the nest to first hit and then kick collegiate balls, there was almost nobody at E.T.A. or its Enfield-Brighton environs who did not treat Mario M. Incandenza with the casual gentility of somebody who doesn’t pity you or admire you so much as just vaguely prefer it when you’re around. And Mario — despite rectilinear feet and cumbersome police lock the most prodigious walker-and-recorder in three districts — hit the unsheltered area streets daily at a very slow pace, a halting constitutional, sometimes w/ head-mounted Bolex and sometimes not, and took citizens’ kindness and cruelty the same way, with a kind of extra-inclined half-bow that mocked his own canted posture without pity or cringe. Mario’s an especial favorite among the low-rent shopkeepers up and down E.T.A.’s stretch of Commonwealth Ave., and photographic stills from some of his better efforts adorn the walls behind certain Comm. Ave. deli counters and steam presses and Korean-keyed cash registers. The object of a strange and maybe kind of cliquey affection from Lyle the Spandexed sweat-guru, to whom he sometimes brings Caffeine-Free Diet Cokes to cut the diet’s salt, Mario sometimes finds younger E.T.A.s referred to him by Lyle on really ticklish matters of injury and incapacity and character and rallying-what-remains, and never much knows what to say. Trainer Barry Loach all but kisses the kid’s ring, since it’s Mario who through coincidence saved him from the rank panhandling underbelly of Boston Common’s netherworld and more or less got him his job. 118 Plus of course there’s the fact that Schtitt himself constitutionalizes with him, of certain warm evenings, and lets him ride in his surplus sidecar. An object of some weird attracto-repulsive gestalt for Charles Tavis, Mario treats C.T. with the quiet deference he can feel his possible half-uncle wanting, and stays out of his way as much as possible, for Tavis’s sake. Players at Denny’s, when they all get to go to Denny’s, almost vie to see who gets to cut up the cutupable parts of Mario’s under-12-size Kilobreakfast.
And his younger and way more externally impressive brother Hal almost idealizes Mario, secretly. God-type issues aside, Mario is a (semi-) walking miracle, Hal believes. People who’re somehow burned at birth, withered or ablated way past anything like what might be fair, they either curl up in their fire, or else they rise. Withered saurian homodontic 119 Mario floats, for Hal. He calls him Booboo but fears his opinion more than probably anybody except their Moms’s. Hal remembers the unending hours of blocks and balls on the hardwood floors of early childhood’s 36 Belle Ave., Weston MA, tangrams and See ’N Spell, huge-headed Mario hanging in there for games he could not play, for make-believe in which he had no interest other than proximity to his brother. Avril remembers Mario still wanting Hal to help him with bathing and dressing at thirteen — an age when most un-challenged kids are ashamed of the very space their sound pink bodies take up — and wanting the help for Hal’s sake, not his own. Despite himself (and showing a striking lack of insight into his Moms’s psyche), Hal fears that Avril sees Mario as the family’s real prodigy, an in-bent savant-type genius of no classifiable type, a very rare and shining thing, even if his intuition — slow and silent — scares her, his academic poverty breaks her heart, the smile he puts on each A.M. without fail since the suicide of their father makes her wish she could cry. This is why she tries so terribly hard to leave Mario alone, not to hover or wring, to treat him so less specially than she wants: it is for him. It is kind of noble, pitiable. Her love for the son who was born a surprise transcends all other experiences and informs her life. Hal suspects. It was Mario, not Avril, who obtained Hal his first copies of the unabridged O.E.D. at a time when Hal was still being shunted around for the assessment of possible damage, Booboo pulling them home in a wagon by his bicuspids over the fake-rural blacktop roads of upscale Weston, months before Hal tested out at Whatever’s Beyond Eidetic on the Mnemonic Verbal Inventory designed by a dear and trusted colleague of the Moms at Brandeis. It was Avril, not Hal, who insisted that Mario live not in HmH with her and Charles Tavis but with Hal in an E.T.A. subdorm. But in the Year of Dairy Products From the American Heartland it was Hal, not she, who, when the veiled legate from the Union of the Hideously and Improbably Deformed showed up at the E.T.A. driveway’s portcullis to discuss with Mario issues of blind inclusion v. visual estrangement, of the openness of concealment the veil might afford him, it was Hal, even as Mario laughed and half-bowed, it was Hal, brandishing his Dunlop stick, who told the guy to go peddle his linen someplace else.
30 APRIL / 1 MAY
YEAR OF THE DEPEND ADULT UNDERGARMENT
The sky of U.S.A.’s desert was clotted with blue stars. Now it was deep at night. Only above the U.S.A. city was the sky blank of stars; its color was pearly and blank. Marathe shrugged. ‘Perhaps in you is the sense that citizens of Canada are not involved in the real root of the threat.’
Steeply shook the head in seeming annoyance. ‘What’s that supposed to mean?’ he said. The lurid wig of him slipped when he moved the head with any abrupt force.
The first way Marathe betrayed anything of emotion was to smooth rather too fussily at the blanket on his lap. ‘It is meaning that it will not of finality be Québecers making this kick to l’aine des Etats Unis. Look: the facts of the situation speak loudly. What is known. This is a U.S.A. production, this Entertainment cartridge. Made by an American man in the U.S.A. The appetite for the appeal of it: this also is U.S.A. The U.S.A. drive for spectation, which your culture teaches. This I was saying: this is why choosing is everything. When I say to you choose with great care in loving and you make ridicule it is why I look and say: can I believe this man is saying this thing of ridicule?’ Marathe leaned slightly forward on his stumps, leaving the machine pistol to use both his hands in saying. Steeply could tell this was important to Marathe; he really believed it.
Marathe made small emphatic circles and cuts in the air while he spoke: ‘These facts of situation, which speak so loudly of your Bureau’s fear of this samizdat: now is what has happened when a people choose nothing over themselves to love, each one. A U.S.A. that would die — and let its children die, each one — for the so-called perfect Entertainment, this film. Who would die for this chance to be fed this death of pleasure with spoons, in their warm homes, alone, unmoving: Hugh Steeply, in complete seriousness as a citizen of your neighbor I say to you: forget for a moment the Entertainment, and think instead about a U.S.A. where such a thing could be possible enough for your Office to fear: can such a U.S.A. hope to survive for a much longer time? To survive as a nation of peoples? To much less exercise dominion over other nations of other peoples? If these are other peoples who still know what it is to choose? who will die for something larger? who will sacrifice the warm home, the loved woman at home, their legs, their life even, for something more than their own wishes of sentiment? who would choose not to die for pleasure, alone?’
Steeply removed with cool deliberation another Belgian cigarette and lit it, this time on the first match. Waving the match out with a circular flourish and snap. All this took time of his silence. Marathe settled back. Marathe wondered why the presence of Americans could always make him feel vaguely ashamed after saying things he believed. An aftertaste of shame after revealing passion of any belief and type when with Americans, as if he had made flatulence instead of had revealed belief.
Steeply rested his one elbow on the forearm of the other arm across his prostheses, to smoke like a woman: ‘You’re saying that the administration wouldn’t even be concerned about the Entertainment if we didn’t know we
were fatally weak. As in as a nation. You’re saying the fact that we’re worried speaks volumes about the nation itself.’
Marathe shrugged. ‘Us, we will force nothing on U.S.A. persons in their warm homes. We will make only available. Entertainment. There will be then some choosing, to partake or choose not to.’ Smoothing slightly at his lap’s blanket. ‘How will U.S.A.s choose? Who has taught them to choose with care? How will your Offices and Agencies protect them, your people? By laws? By killing Québecois?’ Marathe rose, but very slightly. ‘As you were killing Colombians and Bolivians to protect U.S.A. citizens who desire their narcotics? How well did this work for your Agencies and Offices, the killing? How long was it before the Brazilians replaced the dead of Colombia?’
Steeply’s wig had slipped hard to starboard. ‘Rémy, no. Drug-dealers don’t want you dead, necessarily; they just want your money. There’s a difference. You people seem to want us dead. Not just the Concavity redemised. Not just secession for Québec. The F.L.Q., maybe they’re like the Bolivians. But Fortier wants us dead.’
‘Again you pass over what is important. Why B.S.S. cannot understand us. You cannot kill what is already dead.’
‘Just you wait and see if we’re dead, paisano.’
Marathe made a gesture as if striking his own head. ‘Again passing over the important. This appetite to choose death by pleasure if it is available to choose — this appetite of your people unable to choose appetites, this is the death. What you call the death, the collapsing: this will be the formality only. Do you not see? This was the genius of Guillaume DuPlessis, what M. DuPlessis taught the cells, even if F.L.Q. and les Fils did not understand. Much less the Albertans, all crazy inside their head. We of the A.F.R., we understand. This is why this cell of Québecers, that danger of Entertainment so fine it will kill the viewer, if so — the exact way does not matter. The exact time of death and way of death, this no longer matters. Not for your peoples. You wish to protect them? But you can only delay. Not save. The Entertainment exists. The attaché and gendarmes of the razzle incident — more proof. It is there, existing. The choice for death of the head by pleasure now exists, and your authorities know, or you would not be now trying to stop the pleasure. Your Sans-Christe Gentle was in this one part correct: “Someone is to blame.” ’
‘That had nothing to do with the Reconfiguration. The Reconfiguration was self-preservation.’
‘That: forget it. There is the villain he saw you needed, all of you, to delay this splitting apart. To keep you together, the hating some other. Gentle is crazy in his head, but in this “fault of someone” he was correct in saying it. Un ennemi commun. But not someone outside you, this enemy. Someone or some people among your own history sometime killed your U.S.A. nation already, Hugh. Someone who had authority, or should have had authority and did not exercise authority. I do not know. But someone sometime let you forget how to choose, and what. Someone let your peoples forget it was the only thing of importance, choosing. So completely forgetting that when I say choose to you you make expressions with your face such as “Herrrrrre we are going.” Someone taught that temples are for fanatics only and took away the temples and promised there was no need for temples. And now there is no shelter. And no map for finding the shelter of a temple. And you all stumble about in the dark, this confusion of permissions. The without-end pursuit of a happiness of which someone let you forget the old things which made happiness possible. How is it you say: “Anything is going”?’
‘And this is why we shudder at what a separate Québec would be like. Choose what we tell you, neglect your own wish and desires, sacrifice. For Québec. For the State.’
Marathe shrugged. ‘L’état protecteur.’
Steeply said ‘Does this sound a little familiar, Rémy? The National Socialist Neofascist State of Separate Québec? You guys are worse than the worst Albertans. Totalitarity. Cuba with snow. Ski immediately to your nearest reeducation camp, for instructions on choosing. Moral eugenics. China. Cambodia. Chad. Unfree.’
‘Unhappy.’
‘There are no choices without personal freedom, Buckeroo. It’s not us who are dead inside. These things you find so weak and contemptible in us — these are just the hazards of being free.’
‘But what does this U.S.A. expression want to mean, this Buckeroo?’ Steeply turned to face away into the space they were above. ‘And now here we go. Now you will say how free are we if you dangle fatal fruit before us and we cannot help ourselves from temptation. And we say “human” to you. We say that one cannot be human without freedom.’
Marathe’s chair squeaked slightly as his weight shifted. ‘Always with you this freedom! For your walled-up country, always to shout “Freedom! Freedom!” as if it were obvious to all people what it wants to mean, this word. But look: it is not so simple as that. Your freedom is the freedom-from: no one tells your precious individual U.S.A. selves what they must do. It is this meaning only, this freedom from constraint and forced duress.’ Marathe over Steeply’s shoulder suddenly could realize why the skies above the coruscating city were themselves erased of stars: it was the fumes from the exhaust’s wastes of the moving autos’ pretty lights that rose and hid stars from the city and made the city Tucson’s lume nacreous in the dome’s blankness of it. ‘But what of the freedom-to? Not just free-from. Not all compulsion comes from without. You pretend you do not see this. What of freedom-to. How for the person to freely choose? How to choose any but a child’s greedy choices if there is no loving-filled father to guide, inform, teach the person how to choose? How is there freedom to choose if one does not learn how to choose?’
Steeply threw away a cigarette and faced partly Marathe, from the edge: ‘Now the story of the rich man.’
Marathe said ‘The rich father who can afford the cost of candy as well as food for his children: but if he cries out “Freedom!” and allows his child to choose only what is sweet, eating only candy, not pea soup and bread and eggs, so his child becomes weak and sick: is the rich man who cries “Freedom!” the good father?’
Steeply made four small noises. Excitement of some belief made the American’s electrolysis’s little pimples of rash redden even in the milky dilute light of lume and low stars. The moon over the Mountains of Rincon was on its side, its color the color of a fat man’s face. Marathe could believe he could hear some young U.S.A. voices shouting and laughing in a young gathering somewhere out on the desert floor below, but saw no headlights or young persons. Steeply stamped a high heel in frustration. Steeply said:
‘But U.S. citizens aren’t presumed by us to be children, to paternalistically do their thinking and choosing for them. Human beings are not children.’
Marathe pretended again to sniff.
‘Ah, yes, but then you say: No?’ Steeply said. ‘No? you say, not children? You say: What is the difference, please, if you make a recorded pleasure so entertaining and diverting it is lethal to persons, you find a Copy-Capable copy and copy it and disseminate it for us to choose to see or turn off, and if we cannot choose to resist it, the pleasure, and cannot choose instead to live? You say what your Fortier believes, that we are children, not human adults like the noble Québecers, we are children, bullies but still children inside, and will kill ourselves for you if you put the candy within the arms’ reach.’
Marathe tried to make his face expressive of anger, which was difficult for him. ‘This is what happens: you imagine the things I will say and then say them for me and then become angry with them. Without my mouth; it never opens. You speak to yourself, inventing sides. This itself is the habit of children: lazy, lonely, self. I am not even here, possibly, for listening to.’
Unmentioned by either man was how in heaven’s name either man expected to get up or down from the mountainside’s shelf in the dark of the U.S. desert’s night.
8 NOVEMBER
YEAR OF THE DEPEND ADULT UNDERGARMENT INTERDEPENDENCE DAY GAUDEAMUS IGITUR
Every year at E.T.A., maybe a dozen of the kids betwe
en maybe like twelve and fifteen — children in the very earliest stages of puberty and really abstract-capable thought, when one’s allergy to the confining realities of the present is just starting to emerge as weird kind of nostalgia for stuff you never even knew 120 — maybe a dozen of these kids, mostly male, get fanatically devoted to a homemade Academy game called Eschaton. Eschaton is the most complicated children’s game anybody around E.T.A.’d ever heard of. No one’s entirely sure who brought it to Enfield from where. But you can pretty easily date its conception from the mechanics of the game itself. Its basic structure had already pretty much coalesced when Allston’s Michael Pemulis hit age twelve and helped make it way more compelling. Its elegant complexity, combined with a dismissive-reenactment frisson and a complete disassociation from the realities of the present, composes most of its puerile appeal. Plus it’s almost addictively compelling, and shocks the tall.