And into a warm, dark early fall breeze.
Filled with the sound of leaves scattering over pavement, the smells of fresh-mowed grass and eucalyptus, the sensation of complex and ever-changing solidity.
Crickets.
And in the distance, a motorcycle.
Chapter Forty-Four
He stood beneath the moon-colored streetlight, half in the shadow of a tall, brown-leafed maple. Four houses down and on the opposite side of the street was the white plaster home of David Clarkham. It had been deserted for forty years and its lawns were overgrown; its hedges thrust uncontrolled branches in all directions; its walls were cracked and spotted with mud. There were no curtains in the front windows. The FOR SALE sign on the front lawn leaned away from the house, shunning it.
The house was empty.
Michael pulled the hair back from his eyes and felt the growth of silky beard on his cheeks. He looked down at the sweater and shirt and slacks that Clarkham had given him to wear.
In the lapel of the shirt was the glass rose.
He removed it and smelled it. The scent was gone.
Chapter Forty-Five
Michael sat across from his parents in the living room, his discomfort growing with the silence. His mother had stopped weeping momentarily, and his father looked down at the carpet with a face full of pain and relief, the end of grief and the beginning of helpless anger. "Five years is a long time, son," he said. "The least you could have done-"
"There was no way. It was impossible." How could he tell them what had happened? Not even the glass rose would convince them. And five years! It seemed less than five months.
"You've changed," his father said. "You've grown a lot. You can't expect us to just.accept. We grieved for you, Michael. We were sure you were dead."
"Father-"
His father held up a hand. "It will take time. Wherever you were, whatever you were doing. It will take time. We." Tears were in his eyes now. "We've kept your room. The furniture, the books."
"I knew if you were alive, you'd come back," his mother said, brushing strands of red hair from her eyes.
"Did you ever talk to Golda Waltiri?"
"She died a few months after you. went away," his mother said. "She sent a letter for you, and there's a letter from some lawyers." She looked down at the carpet. "Such a long time, Michael."
"I know," he said, his own eyes filling now at the thought of their pain. He got up from the chair and sat between them on the couch, putting his arms around them both, and together they hugged and cried and tried to push away the strange time, the long time apart.
After dinner, after hours of catching up on news and telling his folks repeatedly that there was no way he could describe what had happened - not yet, not without more proof - he took the stairs to his room and stood amid the books and prints and the writing table he had now completely grown out of,
He opened the letter from Golda and the papers from the lawyers of Waltiri's estate and lay back on the pillow. Golda's handwriting was elegant, old-world, clear, spread with conservative margins across green-lined airmail paper.
Dear Michael,
I have not told your parents, because I know so little myself. Arno - mysterious husband! I hardly know how to describe my life with him, wonderful as it has been - Arno requested that our estate be placed in your care, upon my joining him (dare I hope that? Or is something more powerful at work here?),* which I believe will be soon, for I have been under great strain. Do not feel bad, Michael, but much of this strain has come from withholding certain facts from your dear parents, who have been so kind to me. But what can we tell them - that you have followed my husband's suggestions - and, despite his last words, perhaps even his wishes? I do not know where you have gone, and I am not even certain you will return, though Arno, apparently, was. I am not so old that I may be excused the confusion I feel, but excuse me, dear Michael, for I do feel it. That, and the sadness, the sensation of being in circumstances for which I am totally inadequate either in knowledge or mental capacity. Perhaps, on your return, you will know why Arno has made this request, and what you should do with our resources, which are not small. You will also control the rights to Arno's work. There are no other specific requests, and all of these will be detailed in letters from our lawyers. Dear boy. Turn a glass down for us - one glass only, since Arno never drank wine, and told me to drink for him when celebrations were on - when you have safely returned and your loved ones rejoice. As all our people have said for centuries, dear Michael; May there come a time when all shall share their stories, and all will be unveiled, and we may revel in the cleverness and the beauty of the tales thus told. So clumsy, this note, for a young poet to read!
He folded the letter and put it into its envelope, then removed the legal instructions and skimmed them. He would be financially secure; his duties would be to organize the Waltiri papers and provide for their publication, and oversee the publications currently in progress; he could live in the Waltiri home if he so wished.
The letters slid down his chest as he sat up and folded his strong brown arms around his blanketed knees. Of all things now, he wished he could speak with Golda, have her help him with his parents, perhaps put all their minds to rest.
If it would have done Golda any good to know - as much as Michael knew - what Arno Waltiri was, and that he was not dead. Not in any human sense.
And what about the humans in the Realm? Helena, and the others? Adonna - Tonn - had said all would be well, once Clarkham was removed. Michael simply could not believe that, but there was nothing he could do. Not here, not now.
He went to the bathroom to wash his face. Steam rose from the basin of hot water, curling around his face. He breathed deeply, drawing the steam into his lungs to clear away the sorrow and stress. He looked up through the steam into the mirror.
The position - the angle - wasn't quite right. Familiar, but.
Michael presented a three-quarters view. The realization was like a cold razor sliding along the glass. He stared at the first face of Hebal Mish, the first visage sculpted from clouds of snow. He had changed so much he hadn't even recognized himself.
At first he was frightened. He stood in the hall outside the bathroom, then went to his room and flung open the window to breathe fresh air.
It wasn't over. It would never be over; and he was more involved in it than ever.
In the depths of the night, a bird began to sing.
Notes and Acknowledgments
My special thanks to those who helped with this novel: to Terri Windling who revived it; to Poul and Karen Anderson, exacting readers; to Jim Turner, Ray Feist and David Brin for critiques and encouragements; and of course to Astrid, who read it endlessly in its various printouts. My debts of inspiration are many - portions of this book go back thirteen years - but Jorge Luis Borges is at the top of the list, and once again, Poul.
The book, of course, is not finished. This is the first half. The second half, The Serpent Mage, will conclude the tale.
The language spoken by the Sidhe is not completely artificial. Many readers may recognize Indo-European roots and borrowings from various extant languages; most will likely not recognize that other words are derived from some very obscure Irish cants. If you're curious to find out more, please refer to a marvelous book by Robert A. Stewart Macalister, The Secret Languages of Ireland, first published in 1937 by the Cambridge University Press. It's still in print from Armorica Book Com-pany/Philo Press. A good university or public library should also have it. Lovers of languages - or dabblers, such as myself - will find it fascinating.
Appendix
The Film Scores of Arno Waltiri (Highlights)
Ashenden
Queen of the Yellow River
Dead Sun
Sea Scorpion
Warbirds of Mindanao
Ace Squadron
Yellowtail
Northanger Abbey
Descartes, a.k.a. The King's Genius
Let Us
Now Praise Famous Men
Some Kind of Love
The Man Who Would Be King
Call It Sleep
THE SERPENT MAGE
The End
Greg Bear, Infinity Concerto
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