Read Jason and Medeia Page 35


  I could

  to Medeia—whatever was left, to the needs of my men.

  She was sick,

  hour on hour and day on day, some strange collusion of body and mind, or a poison shot down from Helios. I loved her, yes, though her bowels ran black, and at

  times, in pain,

  she raged. I loved her, if anything, more than before

  that time,

  as you love a child you’ve nursed through the night,

  alarmed by his trembling,

  cooling his forehead in terror of convulsions. Loved her

  for the shame

  that closed her hands to fists, made her jawline clench.

  A love

  that trenched past body to the beauty deeper, the

  humanness

  astounded by love not earned by its outer form. She was, in her own crazed, blood-shot eyes, a thing despicable,

  vile;

  to me the wealth of kingdoms, dearer than my flesh,

  her acrid

  lips, distilled wild honey, her tangled hair more joy

  than goat flocks frisking in the hills. —Yet rage she did;

  demanded

  more than my hands could give, my reeling mind hold

  firm.

  Raged and wept, while claws of rock reached up at us and savage strangers struck us from every tree and rock on shore. I clung to my scrap of sanity like Theseus

  clutching

  Ariadne’s thread in the Labyrinth. At times I sobbed, clenched my teeth at the loss of friends. At times, with

  the help

  of Butes, king of the spear, and Phlias and Akastos,

  kept calm

  by fear for me, I heartened my men with words. Mad

  Idas

  mocked, shouted at the winds, demanded that Zeus

  destroy him.

  He beat his chest with his great black fists and

  slobbered, convinced

  that for him, for his slight against Zeus, we endured

  this punishment.

  Once, in the night, he went overboard. Medeia

  awakened

  with a scream, aware of catastrophe.

  We saw him at once, and Leodokos, mighty as a bull,

  went over.

  Swimming like a dolphin, he dragged him back to the

  Argo, poor Idas

  spluttering, cursing the gods and the skewbald sea.

  “So, hurled by unknown winds and waters, we came to the Sirens’

  isle.

  I shackled my men and Medeia like slaves; myself as

  well.

  Orpheus played, struggling to drown out their song,

  or untune it.

  The sea was calm, full of sunlight.

  “I heard it well enough: music peeling away like a

  gull

  from Orpheus’ jazz. Dark cavern music, the music of

  silent

  pools where no moon shines: the music of death as

  secret

  hunger. What can I say? They were not innocents, those sirens: it was not peace they sang, fulfillment

  in joy.

  Who’d have been sucked to his death by that?—by

  holy dreams

  of isles forever green, where shepherds play their pipes softly, softly, for girls forever white? It wasn’t gentleness, goodness, the sweetness of age those sirens

  sang:

  the warmth of a family well provided for, a wife grown old without a slip from perfect faithfulness. I have heard it said by wise old men that ‘history’ is all you have left in the end, the fond memories shared by a man and a woman who’ve seen it all, survived it all, together. There is no nobler reward, they say. Perhaps. But that was not the unthinkable hope they lured

  us with.

  They sang of known and possible evils driven beyond all bounds, slammed home like crowbars driven to the

  neck in great, thick

  abdomens of rock. Oh, not like sailors’ whores,

  who whisper with girlish lust, the nebulous verge of love, what wickedness they mean. (She arches her back

  to you,

  her breasts grow firm, packed tight with passion, as if

  they’re filled

  to the bursting point with milk. She seizes your mouth

  with hers;

  plunged in, you can’t break free, clamped in by a fist,

  her legs

  closed on your hips like jaws.) All that, for the moment

  at least,

  is love. They did not sing to us of love. They sang … terrible things. No generous seaport prostitute, whispering, screaming—whatever her tricks—could

  satisfy

  our murderous, suicidal lust from that day on. Nothing (by no means islands forever green) could quench,

  burn out

  our need beyond that day. It was pain and death they

  sang:

  terrible rages of sex beyond the orgasm,

  blindness, drunkenness bursting the walls of

  unconsciousness,

  the murderer’s sword plunged in beyond the life-lock,

  down

  to life renewed, midnight black, imperishable.

  Such was the song, cold-blooded lure, of those

  cunning sly-

  eyed bitches. Orpheus’ fingers jangled the lyre,

  but couldn’t

  blot from our minds their music’s deadly mysticism.

  One of our number, Butes the spearman, went

  overboard,—

  snapped steel chains and plunged. We’d have followed.

  him down, if we could.

  We couldn’t. We strained at our shackles and raged; we

  frothed at the mouth;

  the Argo sailed on, and Orpheus played, immune to

  our wrath

  as he was to their song. He took no stock in absolute

  evil,

  or good either. (The god of poets, the Keltai say, is a sow, rooting, rutting with boars, able to converse with wind.)

  Orpheus sighed, endured by his harp-playing.

  Which was well enough for him, but what of the rest

  of us?

  “We sailed on, sorrowing, Medeia blaked with a fury

  that had

  no possible vent: fury at the father she loved; at herself; at me for the murder of the brother whose murder she’d

  engineered …

  And so we came to the terror of Skylla and Kharybdis.

  On one side,

  sheer rock cliff, on the other the seething, roaring

  maelstrom.

  We looked, Ankaios sweating. I scarcely cared. My soul was thick with the torpor of those who have listened to

  the sirens and failed

  to act. Was I half asleep? On the left, rock scarp as steep as the walls of a graveyard trench, and as certain to

  grind our dust:

  call it death by rectitude. On the right side, turning like an old constrictor, a woman enraged,—death by

  violence,

  bottomless shame; between—barely possible—death by

  indifference,

  soul-suffocation in the corpse that stinks, plods on.

  Ankaios

  wept, abandoned the steering oar. I called on Asterios, son of an endless line of merchants. He seized the oar, tongue between his teeth, his brown eyes luminous. I laughed—God knows, without joy. And clumsy as he

  was with the oar,

  he knew the line and kept it, who cared for nothing in

  life

  but the clinquant possible of profit tomorrow. The heavy

  ship

  was as easy for him as a lighter by the quay.

  Short-sighted fool,

  valueless, podging, unfit for the company of thinking

  men,

  I give you this: You kept possibilities open, so that, plodding, stinking, we may yet have time to reconsider—

  perhaps

  oppose you, perh
aps turn tradesman and find

  amusement in it.

  “We came to the wandering rocks. The sky was

  choked. Hot lava

  shot up on every side through spicious, roiling steams. Great islands loomed around us, rowelled like brustling

  whales,

  sank once more into darkness. The sails were like ruby,

  like blood.

  By the light of explosions from the hills surrounding

  we chose our channels

  —there, and there—the options shot up like partridges, wide roads, keyholes of daylight, all of them fair, all fine in the instant’s vision of the possible. But the black

  sky closed

  like a curtain, and the steam came swirling again, and

  the channel was gone,

  another one gaping to the right of us, sucking us in—

  in the distance,

  sky. Yes, this then! Good! —But a belch of flame,

  cascade

  of boulders, and the sea was revised once more. Old

  Argus watched it,

  fascinated, too preoccupied for fear. Again and again

  he glanced

  from the tumbling seas to the sky. He shouted, swinging his eyes to me, shaggy beard splashed red by

  the sea,

  ‘It’s all Time-Space in a duckpond, Jason! See how it

  moves

  by law, yet unpredictably. So the galaxies turn

  in their aeviternal spans, some bodies wheeling to the

  left,

  some wheeling right, some rolling head over heels like

  bears,

  a few—like the overintellectual moon—staring, as if with a mad idée fixe, at a single point. It’s food for thought, this sea. It teaches of terrible collisions,

  the spin

  of planets battered to chaos by a dark star drifting free, the plosion of a sun in the northwest corner of the

  universe,

  flash of a comet, collapse of a cloud of dust. Like

  colliding

  balls, the planets scatter in dismay, then quickly settle on a new course, new synchysis, and feel secure.

  Then CRASH!

  an instant later (as the ends of the universe read their

  clock)

  a new, more terrible collision—new cries of alarm in the

  heights …

  We here, who assess durabilities by clicks too brief for the mind of space to vision except by number theory, we watch the sun sail west, and we nod, approve the

  stupendous

  rightness of things, “Choose so-and-so,” say we, “and

  we bring on

  such-and-such.” We frigate the hills with purpose: “This

  oak,

  meaningless before, I delimit as wood for my cart.”

  We move,

  secure, never glancing down, on precarious stepping

  stones,

  Mondays and Tuesdays a-shiver in the torrent of Time.’

  He laughed,

  indifferent to grim implications. He meant no harm

  in life,

  Argus, observer of mechanics, creator of machines.

  A man

  who hated war so long as he thought as a citizen, but fashioned the mightiest engine of war yet built,

  with the help

  of the goddess. A man who lived by order, fashioned

  by his grasp

  of predictables, but observed, cold-blooded, and laughed,

  that order

  was illusion, a trick of timing. Incredible being!

  Knowledge

  was all, in the end; the pawks in the book he’d leave to

  the future,

  if luck allowed its survival. Not so with Orpheus, whose machine was art, a bit for piercing the surface

  of things,

  advancing nothing, returning again and again to the

  cryptarch

  heart, where there is no progress and each new physical

  engine

  threatens the soul’s equilibrium. At the words of Argus

  he paled, though I’d heard him express, himself,

  thoughts twice as grim.

  ‘Not true,’ he shouted. He clutched my shoulder, pointed

  at a glode

  where blue burst through with a serenity like violence.

  The gods see more than we mortals dream. I tell you,

  Jason,

  and swear to it too, these seas that fill us with terror

  are alive

  with nymphs, pale nereids sent here by Hera. They

  leap like dolphins,

  running on the reefs and breaking waves, fanning our

  sails

  with the swing of invisible skirts; and the hand of the

  tiller is the hand

  of Thetis herself, sweet nereid wife of Lord Peleus. Whatever the bluster of the wandering rocks, we need

  not fear them.

  The world is more than mechanics. If that weren’t so,

  we’d be wrecked

  long since!’ In a sea of choices, none of them certain,

  I chose

  to believe him. We kept her upright, scudding with the

  wind, accepting

  any opening offered. Whatever the reason, we came to quiet seas and sunlight, for which we thanked the

  gods,

  on the chance they’d had some hand in it. It was not

  my part

  to speculate.

  “We were close inshore, so close that through the haze on the land we could hear the mooing of cattle

  and bleating

  of sheep. We were drenched, half-starved, stone-numb

  with weariness,

  but according to the boy at the helm, Ankaios, the land

  was the isle

  of Helios. We needed, God knew, no further bavardage with him. And so we continued on and arrived,

  half-dead,

  at the isle of the pale Phaiakians.

  “There we married, Medeia and I, our hands forced by necessity. A fleet of Kolchians,

  arriving by way of the Black Sea, drove Alkinoös to a choice. Medeia, by secret dealing with Alkinoös’ queen, outwitted the old man’s justice— for which I was glad enough, no warbling songbird

  gladder,

  for I knew then nothing of the wandering rocks we had

  yet to face,

  that child of the sun and I, back home in Iolkos. She

  was,

  not only in my eyes but even to men who despised the

  race

  of Aia, a woman more fair than the pantarb rising sun, the moon on the sea, the sky-wide armies of Aietes

  with all

  their trumpets, crimson banners, bronze-clad horsemen.

  She seemed

  as fair beside all others as a dew-lit rose of Sharon in a trinsicate hedge of thorn, more fine than a silver

  dish

  the curve of her thighs like a necklace wrought by a

  master hand.

  My heart sang like Orpheus’ lyre on that wedding night, played like lights in a fountain—and whose would not?

  “We sailed joyful, Phaiakian maidens attending Medeia, Phaiakian sailors heaving on the rowing seats left vacant by the

  dead.

  And so came even in sight of Argos’ peaks. Mad Idas danced in a fit of wild joy. The prophecy of Idmon had

  failed:

  the hounds of Zeus had forgotten him, or if not, at least, had spared him for now, had spared him the doom he’d

  dreaded most,

  a death that dragged down friends. But even as

  he danced for joy,

  his brother, Lynkeus of the amazing eyes, put his black

  hand gently

  on Idas’ shoulders, gazing into the sea and beyond the curve of the gray horizon. Nor was it long before we too saw it—a stourmass terrible and swift,

  blackening the western sky,

  rushing toward
us like a fist. We heaved at the Argo’s oars. Too late! We lurched under

  murderous winds,

  black skies like screaming apes. We struck we knew

  not where,

  hurled by the flood-tide high and dry. Then, swift as an

  eagle,

  the storm was gone. We leaped down full of dismay.

  Gray mist,

  a landscape sprawling like a dried-up corpse, unwaled,

  immense.

  We could see no watering place, no path, no farmstead.

  A world

  calcined, silent and abandoned. Again the boy Ankaios wept, and all who had learned navigation shared his

  woe.

  No ship, not even the Argo, could suffer the shoals and

  breakers

  the tidal wave had hurtled us unharmed past. There

  was no

  return, the way we’d come, and ahead of us, desert, gray, as quiet as a drugged man’s dreams. Poor Idas sifted our gold and gems, the Phaiakians’ gift, and

  howled

  and bit at his lips until blood wet his kinky beard.

  Though the sand

  and sea-smoothed rocks were scorching, our hearts

  were chilled. The crew

  strayed vaguely, seeking some route of escape. Bereft

  of schemes

  I watched them and had no spirit to call them back,

  maintain

  mock-order. When the cool of nightfall came, they

  returned. No news.

  And so we parted again, each seeking a resting place

  sheltered from the deepening chill. Medeia lay shivering,

  moaning,

  in the midst of her Phaiakian maidens, her head and

  chest on fire

  with the strange plaguing illness, Helios’ curse. All night the maids, their golden tresses in the sand, cried out

  and wept,

  as shrill as the twittering of unfledged birds when they

  lie, broken,

  on the rocks at the foot of the larch. At dawn the crew

  rose up

  once more and staggered to the sunlight, starved, throats

  parched with thirst,

  no water in sight but the salt-thick sea—the piled-up

  gifts

  of the Phaiakians mocking our poverty—and again set

  out

  fierce-willed as desert lions, in search of escape. And

  again

  returned with nothing to report.

  “We gave up hope that night. All that will could achieve, we’d done. We sought out

  shelters,

  prepared to accept our death, the sun’s revenge, triumph of Helios. We listened to the whimpers of the maidens

  and wept for them,

  and secretly cursed the indifferent, mechanical stars.

  “But on that Libyan shore dwelled highborn nymphs. They