All of this was in the picture, although none of it was in the picture. Sifkitz was not obsessed with it, it did not become his life, but he understood it was something new in his life, something good. He had no idea what he could do with such a thing once it was finished, and didn't really care. For the time being he just liked getting up in the morning and looking at it with one eye open as he picked the cloth of his Big Dog boxers out of the crack of his ass. He supposed when it was done, he would have to name it. So far he had considered and rejected "Quittin' Time," "The Boys Call It a Day," and "Berkowitz Calls It a Day." Berkowitz being the boss, the foreman, the one with the Motorola cell phone, the guy in the LIPID cap. None of those names were quite right, and that was okay. He'd know the right name for the picture when it finally occurred to him. It would make a cling! sound in his head. In the meantime there was no hurry. He wasn't even sure the picture was the point. While painting it, he had lost fifteen pounds. Maybe that was the point.
Or maybe it wasn't.
II. Stationary Bike
Somewhere--maybe at the end of a Salada tea-bag string--he had read that, for the person who aspires to lose weight, the most effective exercise is pushing back from the table. Sifkitz had no doubt this was true, but as time passed he more and more came to believe that losing weight wasn't his goal. Nor was getting buffed up his goal, although both of those things might be side-effects. He kept thinking of Dr. Brady's metabolic working stiffs, ordinary joes who were really trying their best to do their job but getting no help from him. He could hardly not think of them when he was spending an hour or two every day painting them and their workaday world.
He fantasized quite a lot about them. There was Berkowitz, the foreman, who aspired to have his own construction company someday. Freddy, who owned the truck (a Dodge Ram) and fancied himself a fancy carpenter. Carlos, the one with the bad back. And Whelan, who was actually sort of a goldbrick. These were the guys whose job it was to keep him from having a heart attack or a stroke. They had to clean up the shit that kept bombing down from that queer red sky before it blocked the road into the woods.
A week after he began the painting (and about a week before he would finally decide it was done), Sifkitz went to The Fitness Boys on Twenty-ninth Street, and, after considering both a treadmill and a StairMaster (attractive but too expensive), bought a stationary bike. He paid an extra forty dollars to have it assembled and delivered.
"Use this every day for six months and your cholesterol number's down thirty points," said the salesman, a brawny young fellow in a Fitness Boys T-shirt. "I practically guarantee it."
The basement of the building where Sifkitz lived was a rambling, multi-room affair, dark and shadowy, bellowing with furnace noise and crammed with tenants' possessions in stalls marked with the various apartment numbers. There was an alcove at the far end, however, that was almost magically empty. As if it had been waiting for him all along. Sifkitz had the deliverymen set up his new exercise machine on the concrete floor facing a bare beige wall.
"You gonna bring down a TV?" one of them asked.
"I haven't decided yet," Sifkitz said, although he had.
He rode the stationary bike in front of one bare beige wall for fifteen minutes or so every day until the painting was finished, knowing that fifteen minutes was probably not enough (although certainly better than nothing) but also knowing it was about all he could stand for the time being. Not because he got tired; fifteen minutes wasn't enough to tire him out. It was just boring in the basement. The whine of the wheels combined with the steady roar of the furnace quickly got on his nerves. He was all too aware of what he was doing, which was, basically, going nowhere in a basement under two bare lightbulbs that cast his double shadow on the wall in front of him. He also knew that things would improve once the picture upstairs was done and he could start on the one down here.
It was the same picture but he executed it much more quickly. He could do this because there was no need to put Berkowitz, Carlos, Freddy, and Whelan-the-goldbrick in this one. In this one they were gone for the day and he simply painted the country road on the beige wall, using forced perspective so that when he was mounted on the stationary bike, the track seemed to wind away from him and into that dark green and gray blur of forest. Riding the bike became less boring immediately, but after two or three sessions, he realized that he still wasn't done because what he was doing was still only exercise. He needed to put in the red sky, for one thing, but that was easy, nothing but slop work. He wanted to add more detail to both shoulders of the road "up front," and some litter, as well, but those things were also easy (and fun). The real problem had nothing to do with the picture at all. With either picture. The problem was that he had no goal, and that had always bugged him about exercise that existed for nothing more than its own sake. That kind of workout might tone you up and improve your health, but it was essentially meaningless while it was going on. Existential, even. That kind of workout was only about the next thing, for instance some pretty lady from some magazine's art department coming up to you at a party and asking if you'd lost weight. That wasn't even close to real motivation. He wasn't vain enough (or horny enough) for such possibilities to keep him going over the long haul. He'd eventually get bored, and lapse into his old Krispy Kreme ways. No, he had to decide where the road was, and where it was going. Then he could pretend to ride there. The idea excited him. Maybe it was silly--loony, even--but to Sifkitz that excitement, though mild, felt like the real deal. And he didn't have to tell anyone what he was up to, did he? Absolutely not. He could even get a Rand-McNally Road Atlas and mark his daily progress on one of the maps.
He was not an introspective man by nature, but on his walk back from Barnes & Noble with his new book of roadmaps under his arm, he found himself wondering exactly what had galvanized him so. A moderately high cholesterol number? He doubted it. Dr. Brady's solemn proclamation that he would find this battle much harder to fight once he was post-forty? That might have had something to do with it, but probably not all that much. Was he just ready for a change? That felt like getting warmer.
Trudy had died of a particularly ravenous blood-cancer, and Sifkitz had been with her, in her hospital room, when she passed on. He remembered how deep her last breath had been, how her sad and wasted bosom had heaved upward as she drew it in. As if she had known this was it, this was the one for the ages. He remembered how she'd let it out, and the sound it had made--shaaaah! And how after that her chest had just stayed where it was. In a way he had lived the last four years in just that sort of breathless hiatus. Only now the wind was blowing again, filling his sails.
Yet there was something else, something even more to the point: the work-crew Brady had summoned up and Sifkitz himself had named. There was Berkowitz, Whelan, Carlos, and Freddy. Dr. Brady hadn't cared about them; for Brady, the metabolic work-crew was just a metaphor. His job was to make Sifkitz care a little more about what was going on inside him, that was all, his metaphor not much different from the mommy who tells her toddler that "little men" are working to heal the skin on his scraped knee.
Sifkitz's focus, though...
Not on myself at all, he thought, shaking out the key that opened the lobby door. Never was. I cared about those guys, stuck doing a never-ending clean-up job. And the road. Why should they work so hard to keep it clear? Where did it go?
He decided it went to Herkimer, which was a small town up by the Canadian border. He found a skinny and unmarked blue line on the roadmap of upstate New York that rambled there all the way from Poughkeepsie, which was south of the state capital. Two, maybe three hundred miles. He got a more detailed plat map of upstate New York and thumbtacked the square where this road began on the wall beside his hasty...his hasty what-would-you-call-it? Mural wasn't right. He settled on "projection."
And that day when he mounted the stationary bike, he imagined that Poughkeepsie was behind him, not the stored television from 2-G, the stack of trunks from 3-F, the tarped dirt-bike
from 4-A, but Po'-town. Ahead of him stretched the country road, just a blue squiggle to Monsieur Rand McNally, but the Old Rhinebeck Road according to the more detailed plat map. He zeroed the odometer on the bike, fixed his eyes firmly on the dirt that started where the concrete floor met the wall, and thought: It's really the road to good health. If you keep that somewhere in the back of your mind, you won't have to wonder if maybe a few of your screws got loose since Trudy died.
But his heart was beating a little too fast (as if he'd already started pedaling), and he felt the way he supposed most people did before setting out on a trip to a new place, where one might encounter new people and even new adventures. There was a can-holder above the stationary bike's rudimentary control panel, and into this he'd slipped a can of Red Bull, which purported to be a power drink. He was wearing an old Oxford shirt over his exercise shorts, because it had a pocket. Into this he'd placed two oatmeal-raisin cookies. Oatmeal and raisins were both supposed to be lipid-scrubbers.
And, speaking of them, The Lipid Company was gone for the day. Oh, they were still on duty in the painting upstairs--the useless, marketless painting that was so unlike him--but down here they'd piled back into Freddy's Dodge, had headed back to...to...
"Back to Poughkeepsie," he said. "They're listening to Kateem on WPDH and drinking beers out of paper bags. Today they...what did you do today, boys?"
Put in a couple of culverts, a voice whispered. Spring runoff damn near washed the road out near Priceville. Then we knocked off early.
Good. That was good. He wouldn't have to dismount his bike and walk around the washouts.
Richard Sifkitz fixed his eyes on the wall and began to pedal.
III. On the Road to Herkimer
That was in the fall of 2002, a year after the Twin Towers had fallen into the streets of the Financial District, and life in New York City was returning to a slightly paranoid version of normal...except in New York, slightly paranoid was normal.
Richard Sifkitz had never felt saner or happier. His life fell into an orderly four-part harmony. In the morning he worked on whatever assignment was currently paying for his room and board, and there were more of these than ever, it seemed. The economy stank, all the newspapers said so, but for Richard Sifkitz, Freelance Commercial Artist, the economy was good.
He still ate lunch at Dugan's on the next block, but now usually a salad instead of a greasy double cheeseburger, and in the afternoon he worked on a new picture for himself: to begin with, a more detailed version of the projection on the wall of the basement alcove. The picture of Berkowitz and his crew had been set aside and covered with an old piece of sheet. He was done with it. Now he wanted a better image of what served him well enough downstairs, which was the road to Herkimer with the work-crew gone. And why shouldn't they be gone? Wasn't he maintaining the road himself these days? He was, and doing a damned good job. He'd gone back to Brady in late October to have his cholesterol re-tested, and the number this time had been written in black instead of red: 179. Brady had been more than respectful; he'd actually been a little jealous.
"This is better than mine," he said. "You really took it to heart, didn't you?"
"I guess I did," Sifkitz agreed.
"And that potbelly of yours is almost gone. Been working out?"
"As much as I can," Sifkitz agreed, and said no more on the subject. By then his workouts had gotten odd. Some people would consider them odd, anyway.
"Well," said Brady, "if you got it, flaunt it. That's my advice."
Sifkitz smiled at this, but it wasn't advice he took to heart.
His evenings--the fourth part of an Ordinary Sifkitz Day--he spent either watching TV or reading a book, usually sipping a tomato juice or a V-8 instead of a beer, feeling tired but contented. He was going to bed an hour earlier, too, and the extra rest agreed with him.
The heart of his days was part three, from four until six. Those were the two hours he spent on his stationary bike, riding the blue squiggle between Poughkeepsie and Herkimer. On the plat maps, it changed from the Old Rhinebeck Road to the Cascade Falls Road to the Woods Road; for awhile, north of Penniston, it was even the Dump Road. He could remember how, back at the beginning, even fifteen minutes on the stationary bike had seemed like an eternity. Now he sometimes had to force himself to quit after two hours. He finally got an alarm clock and started setting it for six P.M. The thing's aggressive bray was just about enough to...well...
It was just enough to wake him up.
Sifkitz found it hard to believe that he was falling asleep down in the alcove while riding the stationary bike at a steady fifteen miles per hour, but he didn't like the alternative, which was to think that he had gone a little crazy on the road to Herkimer. Or in his SoHo basement, if you liked that better. That he was having delusions.
One night while channel-surfing, he came across a program about hypnosis on A&E. The fellow being interviewed, a hypnotist who styled himself Joe Saturn, was saying that everyone practiced self-hypnosis every day. We used it to enter a work-oriented frame of mind in the morning; we used it to help us "get into the story" when reading novels or watching movies; we used it to get to sleep at night. This last was Joe Saturn's favorite example, and he talked at length about the patterns "successful sleepers" followed every night: checking the locks on the doors and windows, maybe, drawing a glass of water, maybe saying a little prayer or indulging in a spot of meditation. He likened these to the passes a hypnotist makes in front of his subject, and to his line of patter--counting back from ten to zero, for instance, or assuring the subject that he or she was "getting very sleepy." Sifkitz seized on this gratefully, deciding on the spot that he was spending his daily two hours on the stationary bike in a state of light to medium hypnosis.
Because, by the third week in front of the wall-projection, he was no longer spending those two hours in the basement alcove. By the third week, he was actually spending them on the road to Herkimer.
He would pedal contentedly enough along the packed dirt track that wound through the forest, smelling the odor of pine, hearing the cries of the crows or the crackle of leaves when he rolled through occasional drifts of them. The stationary bike became the three-speed Raleigh he'd owned as a twelve-year-old in suburban Manchester, New Hampshire. By no means the only bike he'd had before getting his driver's license at seventeen, but inarguably the best bike. The plastic cup-holder became a clumsily made but effective hand-welded ring of metal jutting over the bike-basket, and instead of Red Bull it contained a can of Lipton iced tea. Unsweetened.
On the road to Herkimer, it was always late October and just an hour before sunset. Although he rode two hours (both the alarm clock and the stationary bike's odometer confirmed this each time he finished), the sun never changed its position; it always laid the same long shadows across the dirt road and flickered at him through the trees from the same quadrant of the sky as he traveled along with the manufactured wind of his passage blowing the hair back from his brow.
Sometimes there were signs nailed to trees where other roads crossed the one he was on. CASCADE ROAD, one said. HERKIMER, 120 MI., read another, this one pocked with old bullet-holes. The signs always corresponded to the information on the plat map currently tacked to the alcove wall. He had already decided that, once he reached Herkimer, he'd push on into the Canadian wilderness without even a stop to buy souvenirs. The road stopped there, but that was no problem; he'd already gotten a book titled Plat Maps of Eastern Canada. He would simply draw his own road on the plats, using a fine blue pencil and putting in lots of squiggles. Squiggles added miles.
He could go all the way to the Arctic Circle, if he wanted to.
One evening, after the alarm went off and startled him out of his trance, he approached the projection and looked at it for several long, considering moments, head cocked to one side. Anyone else would have seen very little; up that close the picture's trick of forced perspective ceased working and to the untrained eye the woodland scene collapsed into
nothing but blobs of color--the light brown of the road's surface, the darker brown that was a shallow drift of leaves, the blue-and gray-streaked green of the firs, the bright yellow-white of the westering sun to the far left, perilously close to the door into the furnace-room. Sifkitz, however, still saw the picture perfectly. It was fixed firmly in his mind now and never changed. Unless he was riding, of course, but even then he was aware of an underlying sameness. Which was good. That essential sameness was a kind of touchstone, a way of assuring himself this was still no more than an elaborate mind-game, something plugged into his subconscious that he could unplug whenever he wanted.
He had brought down a box of colors for the occasional touch-up, and now, without thinking too much about it, he added several blobs of brown to the road, mixing them with black to make them darker than the drifted leaves. He stepped back, looked at the new addition, and nodded. It was a small change but in its way, perfect.
The following day, as he rode his three-speed Raleigh through the woods (he was less than sixty miles from Herkimer now and only eighty from the Canadian border), he came around a bend and there was a good-sized buck deer standing in the middle of the road, looking at him with startled dark velvet eyes. It flipped up the white flag of its tail, dropped a pile of scat, and was then off into the woods again. Sifkitz saw another flip of its tail and then the deer was gone. He rode on, giving the deer-shit a miss, not wanting it in the treads of his tires.