Praise for
Empress of the Seven Hills
“Power and betrayal were never so addictive than in this gorgeously wrought tale of star-crossed lovers caught in the turbulent currents of imperial Rome. Kate Quinn deftly contrasts the awesome splendor of torch-lit banquets with the thunder of the battlefield. Empress of the Seven Hills is a riveting plunge into an ancient world that is both utterly foreign and strikingly familiar—where you can feel the silken caress of an empress and the cold steel of a blade at your back.”
—C. W. Gortner, author of The Queen’s Vow
“[An] epic, sexy romp—the long-awaited sequel to Daughters of Rome . . . Readers will delight in the depictions of historical figures like Hadrian and Trajan, as well as the engrossing and dramatic relationships that drive this entertaining story.”
—Publishers Weekly (starred review)
“Kate Quinn outdoes herself with a story so compelling that the only complaint readers will have is that it ends. From the moment Vix and Sabina appear on the page, readers are taken on an epic adventure through Emperor Trajan’s Rome. No other author brings the ancient world alive like Quinn—if there’s one book you read this year, let it be this one!”
—Michelle Moran, national bestselling author of The Second Empress
“Quinn handles imperial Rome with panache.”
—Kirkus Reviews
Praise for
Daughters of Rome
“A soap opera of biblical proportions . . . [Quinn] juggles protagonists with ease and nicely traces the evolution of Marcella—her most compelling character—from innocuous historian to manipulator. Readers will become thoroughly immersed in this chaotic period of Roman history.”
—Publishers Weekly
“A fascinating view of four women during the year of the four emperors . . . Regardless of whether you already have an interest in Roman history, Daughters of Rome will fascinate you from beginning to end.”
—Book Loons
“The two sisters are fascinating protagonists . . . Ancient historical fiction fans will enjoy this intriguing look at the disorderly first year after Nero’s death.”
—Midwest Book Review
Praise for
Mistress of Rome
“Ancient Rome is wonderfully portrayed in this book, with awesome details of first-century Roman political culture . . . I love a complex plot, however, and this one is layered with great characters, engrossing historical facts, and a little romance.”
—PrincetonBookReview.com
“[Quinn] skillfully intertwines the private lives of her characters with huge and shocking events. A deeply passionate love story, tender and touching, in the heat and danger of the brutal arena that was ancient Rome . . . Quinn is a remarkable new talent.”
—Kate Furnivall, author of Shadows on the Nile
“Equal parts intrigue and drama, action and good old-fashioned storytelling. Featuring a cast of characters as diverse as the champions of the Colosseum, Mistress of Rome is destined to please.”
—John Shors, bestselling author of Beneath a Marble Sky
“Stunning . . . a masterful storyteller . . . It is no mean feat to write a novel that is both literary and a page-turner.”
—Margaret George, author of Elizabeth I: The Novel
“Full of great characters . . . So gripping, your hands are glued to the book, and so vivid it burns itself into your mind’s eye and stays with you long after you turn the final page.”
—Diana Gabaldon, #1 New York Times bestselling author of the Outlander series
“[A] solid debut . . . Quinn’s command of first-century Rome is matched only by her involvement with her characters; all of them, historical and invented, are compelling . . . Should make a splash among devotees of ancient Rome.”
—Publishers Weekly
“For sheer entertainment, drama, and page-turning storytelling, this tumultuous debut novel is well worth reading.”
—Library Journal
BOOKS BY KATE QUINN
Mistress of Rome
Daughters of Rome
Empress of the Seven Hills
The Serpent and the Pearl
The Lion and the Rose
Lady of the Eternal City
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) LLC
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penguin.com
A Penguin Random House Company
This book is an original publication of The Berkley Publishing Group.
LADY OF THE ETERNAL CITY
Copyright © 2015 by Kate Quinn.
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
BERKLEY® is a registered trademark of Penguin Group (USA) LLC.
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eBook ISBN: 978-0-698-14033-2
An application to register this book for cataloging has been submitted to the Library of Congress.
PUBLISHING HISTORY
Berkley trade paperback edition / March 2015
Cover art by Alan Ayers.
Cover design by Danielle Abbiate.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
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In memory of my first literary agent, Pamela Dean Strickler, who never lived to read the end of the Empress of Rome saga but who started it all when she picked Mistress of Rome out of a slush pile. Pam, I miss you more than I can say. This book is for you.
CONTENTS
Praise for Kate Quinn
Books by Kate Quinn
Title Page
Copyright
Dedication
HADRIAN’S WALL
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
HADRIAN’S LOVE
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
HADRIAN’S GOD
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
HADRIAN’S VILLA
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
Historical Note
Characters
Acknowledgments
HADRIAN’S WALL
The best revenge is to be unlike him who performed the injury.
—MARCUS AURELIUS
CHAPTER 1
VIX
Women. Hell’s gates, but they ruin everything!
I’m called Vercingetorix the Red
, and not for my reddish hair. I’ve traveled the length and breadth of the Empire, and I’ve traveled much of it gloved in blood: the men I killed as a desperate boy fighting for his life in the Colosseum, and the men I killed as a steel-clad legionary standing shield-to-shield against the Empire’s enemies. My story should be all blood and battle, swords clashing and shields creaking, full of warrior splendor like I’d dreamed as a foolish youth.
So how in the name of all the gods did my gore-and-glory tale get so thoroughly taken over by women?
Perhaps all men’s stories are overtaken by women. I’m a man of Rome, with all that entails—a citizen, a soldier, a paterfamilias—and all men of Rome think they stride the earth and make it tremble. We make the laws and then punish the lawless; we make the borders and then punish the border-breakers; we record our own glory and then demand our names be remembered—all over the Empire we stride and we bellow, we make and we break. But if men are the makers and breakers of empires, then women are the makers and breakers of men.
This tale of mine isn’t the story of Vercingetorix the Red anymore, or even of the Emperor who hated me. That sounds like a good story, I know, but it’s not this story. This story belongs to the women—the women in blue, as I like to think of them. So many: the blue-veiled girl who broke my heart and married my enemy, the blue-scarfed girl whose heart I broke and who became my enemy, the blue-jeweled girl who married my dearest friend and harbored more than enough reasons to fear me . . .
And the girl who stood before me now in the blue tunic, wide-eyed and bloody-kneed and so young, whom I was sending to her death. Her, most of all.
“Annia,” I roared, and her eyes flickered over the blood on my hands, the body lying limp at my feet. “Annia, run!”
And Annia runs. So fast, just a streak of blue fading away from me, and I wonder, Can she outrun death? Because if she can’t, an empire falls. You’d think the fate of the Eternal City would depend on someone like me, a warrior with bloody hands and a bloody sword. But it will rise or fall on a woman—and maybe it always does.
But I’m getting ahead of myself. I’m Vercingetorix: “Vix” to my friends, “the Red” to my men, and “that pleb bastard” to my enemies. I’ve been a slave and a guard, a gladiator and a legionary, a centurion and a legion commander. I’ve served (in various ways) three emperors, and I’ve loved (in even more various ways) three blue-eyed women. I’m Vercingetorix the Red, and this is their story.
A.D. 118, Summer
As I came striding out of the Imperial palace at dawn, I had three causes to be furious and one to be sick and scared. I hated admitting I was scared, so I focused on the rage instead, and all the reasons for it. For one thing, I was wearing the full, ridiculous parade armor of my rank as tribune in the Praetorian Guard, from the absurd plumed helmet to the ridiculous muscled cuirass, and I hated that armor with every drop of blood in me. Give me a plain legionary breastplate any day. For a second reason, the day was already sweltering hot although the sun had barely risen over the rooftops, and sweat collected where the battered lion skin lapped my neck—the lion skin I’d won when I was promoted for courageous action in Dacia a long time ago, a lion skin I wasn’t supposed to wear as a Praetorian, but wore anyway because it meant I was more than a pretty palace guard.
The third reason I was furious? Because on this summer day, I’d have to watch my greatest enemy march through the Eternal City’s gates for the first time as Emperor of Rome.
As for why I felt cold and scared, well, I refused to think about that.
I came out into the full glare of sunlight and stopped. My guardsmen were lined up in immaculate red-and-gold rows—Praetorians were good at looking immaculate—and below was the bustle of the Imperial court, chamberlains trying to organize us all for the Emperor’s arrival. One of them leeched onto my elbow droning, but I didn’t hear a word because I was looking down the marble steps at a woman in Imperial purple who stared past me as though I were not there. I immediately added her to the list of reasons why this was a black, black day. Empress Vibia Sabina had spent the last year ignoring me, and I didn’t like being ignored.
“Lady,” I greeted her.
“Tribune,” she returned coolly.
I felt my jaw jut. People assumed the Empress and I didn’t like each other, and that was a reasonable assumption. I didn’t get along at all with the old Empress, a rancid Imperial bitch who couldn’t lay eyes on me without sniffing like she smelled a drain. But Empress Sabina was a different matter. I’d known her since she was a senator’s barefoot daughter and I’d been a lanky young guard in her father’s pay. We’d been friends, we’d been enemies, we’d been too many things to count. Now we were an empress and a guard, and if it was my job to keep her alive, I’d be damned if I’d be looked through like I was a window.
Sabina extended a hand to the chamberlain for assistance into her curtained litter. Maybe it was petty, but I brushed the man aside and offered my hand instead, not letting her dismiss me like a slave. Her fingers were narrow and smooth in my big rough paw, and her blue eyes flicked over me once as she settled among the cushions. A supple, sinuous woman maybe a year younger than my thirty-five: a little three-cornered face like a shield, a draped stola of Imperial purple, and wide beaten-silver cuffs adorning her wrists and ankles. She looked regal and shackled, and I saw she had her statue face on. When she wore that face you’d never in a thousand years know what she was thinking. Empress Sabina had Imperial purple in her veins as well as on her back: oceans of patrician-cool self-possession all the way down to the deep and hidden center of her.
But maybe it was a good thing. Of the two of us, Sabina would at least have the self-control to look the Emperor of Rome in the eye and lie like a Greek. I wasn’t sure I had the self-control to keep myself from hitting the bastard the moment I saw his smug, bearded face.
We were to greet him at the gates of the city, and the moment was almost here. The air hung like a warm wet cloak as the Imperial procession creaked off into the twisting streets. Rome: that old whore of a city with her overflowing gutters and feral dogs; the plump, brisk housewives with baskets over their arms and vendors crying wares on corners. My city. I hadn’t been born here; I hadn’t even loved my time here—I’d started out as a slave and a gladiator, and Rome would’ve been happy to chew me up and spit out my bones on the sand of the arena. But I’d gotten out at the expense of some blood and a few deaths, and then this fickle bitch of a city kissed me instead, sent me vaulting up the ladder in the legions under Emperor Trajan. Trajan came before Hadrian, and Trajan I had loved—but there was no Trajan anymore. Just Rome, and she owned me. Everyone in the city from the idle drunks to the idle rich was pressing along the streets for a look at their new Emperor.
Well, not quite new. Hadrian had put on the purple a full year ago, but he’d learned his lesson from Emperors who celebrated their glory before solidifying it—no one ever said the bastard was stupid. He spent his first year making the rounds of the eastern legions, promising, cajoling, bribing. It wasn’t till he was sure of his position that he returned to Rome itself, and he’d sent me instructions for his triumphal entry:
Pomp, Hadrian had written in his terse script. Sacrifices. Gladiatorial games. Rose petals. Cheering crowds. Oh, and let’s take care of the executions on that list I gave you.
That’s why people weren’t inclined to cheer. From the back of my ill-tempered gelding I had a fine view over the procession of senators in their snowy rows, and they were a grim, unsmiling lot. A frightened lot, too. They knew the names on that list; Hadrian had had those names rammed down the Senate’s collective throat in open session. Men of note; men who should have been safe; senators and former consuls and war heroes who considered themselves untouchable. But no one was safe when Hadrian looked at you—and he made sure we all knew it.
The chamberlains fussed again at the city gates, babbling protocols, but I just swung off my horse and
ignored them. So did Empress Sabina; she sat reading a scroll and ignoring the Imperial steward flapping at her. “Lady, the Empress must be first to greet her husband upon his return to hearth and home; if you will array yourself here—”
“I will be first,” a woman’s deep, loud voice intoned. It was that rancid old bitch Plotina, widow to the previous Emperor. “If anyone is to welcome Dear Publius home to the Eternal City, it will be his mother.”
Empress Sabina spoke, still reading. “His mother is dead, Plotina.”
The old empress in her dark purple silks gave a patronizing smile. “Mother in all but name, Vibia Sabina.”
God, but she was insufferable. How a man like the late Emperor Trajan—straightforward, vigorous, with a love of common soldiers and dirty jokes—had ended up with that straitlaced cow of a wife, I had no idea. Politics, I suppose. I was a gutter-born bastard free to marry the girl I loved, and I had, but those of the senatorial class married for power. I’m not sure if any power would’ve been worth wedding Plotina, with her graying wings of hair and the way she mouthed her words like pronouncements carried down from the gods. She was mouthing more pronouncements at Sabina—the unsatisfactory daughter-in-law who’d taken her place as Empress of Rome.
“You may be Empress, my girl.” Plotina lowered her voice, but guards like me always have an excuse to hover. “But only because I made Dear Publius Emperor. Remember that. He certainly will.”
“Of course, because we all know he’s just aching to see you again.” Sabina tossed her scroll aside, swinging out of the curtained litter. “How many letters did my husband write you while he was away, for all those long screeds of advice you sent him every other day?”
A sniff from the old Empress, and then we all took our places. I held my post at Sabina’s elbow, watching a drop of sweat ease down the long ribbon of her neck from under her plaited wig. She’d never been a woman to fuss with her hair; she’d shorn it clean off at some point so it covered her head in a silky cap of light brown. But she was Empress now, so someone had jammed a wig over that shocking shorn head. Probably Empress Plotina, who waited with her whole body quivering like a horse at the starting line of the Circus Maximus. Her eyes gleamed fever-bright as she remarked to the air, “Dear Publius keeps us waiting, but that is a god’s prerogative. He is a god incarnate, you know.”