When he came back, he gave her a look of cold dislike, which she knew she had earned.
‘Do you want to leave altogether?’ he asked, sliding himself back into his chair, and slamming in drawers everywhere around him. On his forehead was a red bump in the middle of which was a blackish contusion, oozing blood. He sat dabbing at it.
‘Not unless you want me to,’ she said, remaining where she was, by the curtains.
‘If you think I’m not offering you enough money, then I think you’re being unreasonable.’
Since he was offering her Mrs Buss’s salary, he was more than reasonable.
‘It’s not that—look, it’s like this, I don’t think you quite realize just how marvellous Mrs Buss is—was, I don’t think you’ve got any idea.’
He gave her one of his quick assessing glances, quick from shyness, not from acuity, and concluded that the awkwardness of her manner meant insincerity. He said coldly: ‘My dear Mrs Hesse, you aren’t suggesting I don’t know Mrs Buss’s worth, surely? I’ve never in my life had anyone like that working for me, and I’m sure I never will. But now she’s gone, I can confess in confidence that sometimes it was too much of a good thing. I mean, sometimes I didn’t feel good enough for her—as for being late in the morning, I wouldn’t have dared!…’ He gave a hopeful laugh; she joined him emphatically. ‘I’m not asking you to be Mrs Buss, believe you me!’ Here he began a hasty uncoordinated shoving about of his files and papers all over the big surface of his slippery desk, which meant, as Martha knew (with an increasing exasperation which was compounded strongly, against her will, with affection) look, this is what I want, I want to be looked after as Mrs Buss did, just look at the mess I’m getting into! The papers, pushed too hard, went fluttering off to the floor, and Martha bent to pick them up, feeling ridiculous, because now Mr Robinson got up and bent too, cautious of his head though, and even giving the dangerous drawer humorous glances for Martha’s benefit, just as she had put up her hand backwards to touch her shoulderblade, in a sort of explanation to him. For a few moments, these two bobbed up and down, like a couple of feeding hens, Martha thought, picking up the papers that lay everywhere in the most touching scene of mutual harmony and good will. Luckily the telephone in the outer office rang, and Martha was released to answer it. ‘Robinson, Daniel and Cohen,’ said Martha, into the black tube, and Mrs Quest said dramatically: ‘Matty, is that you? You must come at once!’
Martha sat down, enquired: ‘Is he ill again then?’ and drew towards her a sheet of paper, adding pennies to pennies, shillings to shillings, and—since this was one of the firm’s big accounts—hundreds of pounds to hundreds of pounds. Mrs Quest had already rung twice that day, first to say that Mr Quest was having a bad spell and Martha must be prepared to come at any moment; and again to say that Mr Quest had turned the corner.
Martha was thinking that something had been forgotten in the interview with Mr Robinson: she was being paid an extra ten pounds a month to do the books. But now there would be accountants, and he would be entirely in the right to deduct ten pounds from her salary.
‘Matty, are you there?’
‘Of course I’m here.’
‘I’m waiting for the doctor.’
‘Oh, are you?’
‘Well, if you’ve got things to do, do them quickly, because you did say you’d come, and what with one thing and another I’m run off my feet. And I suppose you haven’t had any lunch again either.’
The sheer lunacy of this conversation went no deeper than the surface of Martha’s sensibilities. ‘I’ll be over on the dot,’ she said soothingly, and would have continued to soothe, if Mr Robinson had not abruptly arrived in the central office exclaiming: ‘Mrs Hesse!’ before he saw she was still on the telephone. Martha covered the mouthpiece and said: ‘Yes, Mr Robinson?’
‘When you’ve finished,’ he said, and went back in.
The sun was burning Martha’s burned shoulder. She drew the curtains right across, as Mrs Quest said: ‘And so he can’t keep anything down at all, so the doctor says it will be a question of rectal feeding soon. Did you enjoy yourself last night at the pictures?’
‘I didn’t go to the pictures. What did you ring me for?’
‘Oh by the way,’ said Mrs Quest, after a confused pause, her breath coming quick, ‘I thought I should tell you Caroline is here for the afternoon and so you should be careful she doesn’t see you.’
Of course! thought Martha. That’s it. I should have guessed. ‘Since I told you earlier I couldn’t get to you until eight, and since Caroline will have gone home long before that, I don’t see the point.’
‘Well, you might have come now, you bad girl, if you weren’t so busy.’ Mrs Quest now sounded playful, even coy, and to forestall anger, Martha said quickly: ‘Tell my father I’ll be there at eight, goodbye, mother.’ She put down the receiver, trembling with rage.
This situation had arisen: Mrs Quest had taken to appropriating her granddaughter several times a week for the day, or for the afternoon. The little girl played in the big garden with her nurse while Mrs Quest supervised from the windows of the room where Mr Quest lay ill. And why not? Martha considered it reasonable that the Quests should have their grandchild, while she, the child’s mother, who had forfeited all right to her, should be excluded. It was quite right she should never be seen by the child; it would upset Caroline, who was now ‘used to’, as everyone said, Elaine Talbot, now Elaine Knowell, the new mother. All this Martha agreed to, accepted, saw the justice of. But on the afternoons Caroline was with her grandmother, Mrs Quest invariably telephoned Martha to say: Caroline’s here, I can see her playing near the fish-pond, she does look pretty today. Or: Be careful not to drop in, Matty, Caroline’s here.
And Martha said, Yes mother. No mother. And never once had she said what her appalled, offended heart repeated over and over again, while she continued to say politely: ‘Yes,’ and ‘Of course’: You’re enjoying this—you love punishing me. This is a victory for you, being free to see the child when I am not—sadistic woman, cruel sadistic woman…So Martha muttered to herself, consumed with hatred for her mother, but consumed ridiculously, since the essence of Martha’s relationship with her mother must be, must, apparently, for ever be, that Mrs Quest ‘couldn’t help it’. Well, she couldn’t.
Now Martha sat, rigid, trembling, seething with thoughts she was ashamed of, knew were unfair and ridiculous, but could not prevent: ‘And now my father’s ill, really ill at last, and so I have to go to that house, and she’s got me just where she wants me, I’m helpless.’
Mr Robinson came out of his office.
‘Mr Robinson?’
‘I was going to say: advertise for a new secretary, you know the sort of thing we want.’
‘I’ll put it in the paper tomorrow. And about that ten pounds?’
‘What ten pounds?’
‘If we’re going to have proper accountants, then…’
For the hundredth time that day (it seemed) he went red and so did she.
‘Forget it,’ he muttered. Then, afraid he had sounded abrupt, he smiled hastily. She smiled brightly back. ‘Thanks,’ she said. He rushed out of the office, slamming the door. Doors slammed all down the centre of the building and then a car roared into movement.
Martha now shut drawers, doors; opened curtains again, exposing yards of heated glass; threw balls of paper into the baskets. The telephone began ringing. It was five minutes after time, so she left the instrument ringing in the hot, glowing room, and walked down the stairs, round and round the core of the building after her employer—probably now several miles away, at the speed he drove. The washroom was empty. Six basins and six square mirrors and a lavatory bowl stood gleamingly clean. The old man who was the building’s ‘boy’ had just finished cleaning. He went out as Martha came in, saying, ‘Good night, missus.’ Martha stood in front of a mirror, and lifted brown arms to her hair, then held them there, looking with a smile at the smooth, perfect flesh, at the small p
erfect crease in her shoulder.
The smile, however, was dry: she wiped it off her face. It was there too often, and too often did she have to push it away, and make harmless the attitude of mind it came from. She had to survive, she knew that; this phase of her life was sticking it out, waiting, keeping herself ready for when ‘life’ would begin. But that smile…there was a grimness in it that reminded her of the set of her mother’s face when she sat sewing, or was unaware she was being observed.
Martha made up her face, smoothed down pink cotton over hips and thighs, combed her hair. She could not prevent, this time, as she leaned forward into the mirror, a pang of real pain. She was twenty-four years old. She had never been, probably never would be again, as attractive as she was now. And what for?—that was the point. From now, four-thirty on a brilliant March afternoon until midnight, when she would receive Anton’s kiss on her cheek, she would be running from one place to another, seeing one set of people after another, all of them greeting her in a certain way, which was a tribute to—not only her looks at this time—but a quality which she could not define except as it was expressed in reverse, so to speak, by their attitude. Yet she remained locked in herself, and…what a damned waste, she ended these bitter thoughts, as she turned to examine her back view. To the waist only, the mirror was set too high. Because of all the ‘running around’—Anton’s phrase for it; because her life at this time was nothing but seeing people, coping with things, dealing with situations and people, one after another, she was thin, she was ‘in a thin phase’, she was again ‘a slim blonde’. Well, almost: being blonde is probably more a quality of texture than of colour: Martha was not sleek enough to earn the word blonde.
And besides, what was real in her, underneath these metamorphoses of style or shape or—even, apparently—personality, remained and intensified. The continuity of Martha now was in a determination to survive—like everyone else in the world, these days, as she told herself; it was in a watchfulness, a tension of the will that was like a small flickering of light, like the perpetual tiny dance of lightning on the horizon from a storm so far over the earth’s curve it could only show reflected on the sky. Martha was holding herself together—like everybody else. She was a lighthouse of watchfulness; she was a being totally on the defensive. This was her reality, not the ‘pretty’ or ‘attractive’ Martha Hesse, a blondish, dark-eyed young woman who smiled back at her from the mirror where she was becomingly set off in pink cotton that showed a dark shadow in the angle of her hips. Yet it was the ‘attractive’ Matty Hesse she would take now to see Maisie; and it was necessary to strengthen, to polish, to set off the attractive Matty, the shell, because above all Maisie always understood by instinct what was going on underneath everybody’s false shells, and this was why Martha loved being with Maisie, but knew at the same time she must protect herself…there were fifteen minutes before Maisie expected her. Martha lit a cigarette, propped herself on the edge of a washbasin, shut her eyes, and let bitter smoke drift up through her teeth. She felt the smoke’s touch on the down of her cheek, felt it touch and cling to her lashes, her brows.
She must keep things separate, she told herself.
Last Saturday morning she had spent with Maisie, relaxed in a good-humoured grumbling gossip, a female compliance in a pretence at accepting resignation. And what had been the result of that pleasure, the delight of being off guard? Why, the situation she was now in with Maisie, a false situation. She had not kept things separate, that was why.
Martha’s dreams, always a faithful watchdog, or record, of what was going on, obligingly provided her with an image of her position. Her dream at this time, the one which recurred, like a thermometer, or gauge, from which she could check herself, was of a large house, a bungalow, with half a dozen different rooms in it, and she, Martha (the person who held herself together, who watched, who must preserve wholeness through a time of dryness and disintegration), moved from one room to the next, on guard. These rooms, each furnished differently, had to be kept separate—had to be, it was Martha’s task for this time. For if she did not—well, her dreams told her what she might expect. The house crumbled dryly under her eyes into a pile of dust, broken brick, a jut of ant-eaten rafter, a slant of rusting iron. And then, while she watched, the ruin changed: it was the house of the kopje, collapsed into a mess of ant-tunneled mud, ant-consumed grass, where red ant-made tunnels wove a net, like red veins, over the burial mound of Martha’s soul, over the rotting wood, rotting grass, subsiding mud; and bushes and trees, held at bay so long (but only just, only very precariously) by the Quests’ tenancy, came striding in, marching over the fragments of substance originally snatched from the bush, to destroy the small shelter for the English family that they had built between teeming earth and brazen African sky.
Yes, she knew that—Martha knew that, if she could not trust her judgement, or rather, if her judgement of outside things, people, was like a light that grew brighter, harsher, as the area it covered grew smaller, she could trust with her life (and with her death, these dreams said) the monitor, the guardian, who stood somewhere, was somewhere in this shell of substance, smooth brown flesh so pleasantly curved into the shape of a young woman with smooth browny-gold hair, alert dark eyes. The guardian was to be trusted in messages of life and death; and to be trusted too when the dream (the Dream, she was beginning to think of it, it came in so many shapes and guises, and so often) moved back in time, or perhaps forward—she did not know; and was no longer the shallow town house of thin brick, and cement and tin, no longer the farm house of grass and mud; but was tall rather than wide, reached up, stretched down, was built layer on layer, but shadowy above and below the shallow mid-area comprising (as they say in the house agents’ catalogues) ‘comprising six or so rooms’ for which this present Martha was responsible, and which she must keep separate.
Keeping separate meant defeating, or at least holding at bay, what was best in her. The warm response to ‘the biggest legal firm in the city’ the need to put her arms around Mr Robinson when he hurt himself so cruelly on the drawer; the need to say Yes, to comply, to melt into situations; the pleasant relationship with Maisie—well, all this wouldn’t do, she must put an end to it. She had simply to accept, finally, that her role in life, for this period, was to walk like a housekeeper in and out of different rooms, but the people in the rooms could not meet each other or understand each other, and Martha must not expect them to. She must not try and explain, or build bridges.
Between now and twelve tonight, she would have moved from the office and Mr Robinson, up-and-coming lawyer, future Member of Parliament, with his wife, his two children, and his house in the suburbs, to Maisie; from Maisie to Joss and Solly Cohen; from them, the Cohen boys, to old Johnny Lindsay; from the old miner’s sick-bed to her father’s, nursed by her mother; from the Quests’ house to Anton. None of these people knew each other, or could meet with understanding. Improbably (almost impossibly, she thought) Martha was the link between them. And, a more violently discordant association than any of these, there was Mr Maynard. Mr Maynard was after Maisie, he was on the scent after Maisie, through her, Martha—which brought her back to her immediate preoccupation.
It was her duty to explain to Maisie, to warn Maisie…the cigarette was finished, and she must leave. She left the washroom door swinging softly behind her, and ran down the wide bare steps, and into the clanging, shouting, sunglittering street. Her bicycle was in the rack on the pavement. She dropped it into the river of traffic, slid up on to it, and was off down the street, but turned sideways to detour past the parking lot whose edges were now loaded with great mounds of jade-green frothing grass, like waves with white foam on them, past the gum trees whose trunks shed loose coils of scented bark; past the Indian stores and then back in a great curve into Founders’ Street. It was, in fact, as the crow flew (or as a young woman might choose to bicycle straight along the street, instead of detouring past grass verges where midges danced in a swoon of grass-scent and eucaly
ptus) only a few hundred yards from Robinson, Daniel and Cohen’s new offices to where Maisie lived. Founders’ Street had not changed. On the very edge of the new glittering modern centre, it remained low and shabby, full of odorous stores, cheap cafés, wholesale warehouses, small grass lots with bits of rusted iron and dark-skinned children playing, full of the explosive vitality of the unrespectable. There was a bar called Webster’s on a corner, which Martha had never been in, since women did not go into the bars of the city, and besides it was ugly, and besides it usually had groups of men standing about outside it, with the violent look of men waiting for bars to open, or hanging about in frustration because a bar has closed. But Maisie now lived over this place, in two rooms directly above the bar, and she worked in Webster’s as a barmaid.
Martha came to rest at the kerb, lifted the bicycle up on to the pavement, then left it leaning, locked with a chain like a tethered dog, while she squeezed back against the wall past a dark glass window that had Webster’s on it in scratched white paint. Half a dozen Africans lifted crates of beer from a lorry, which had the name of the city’s brewery on its side, to the pavement, and from the pavement to the open door of the bar. It was nearly opening time, and a couple of youths in khaki, farm assistants, from the look of them, hung smoking by the open door, watching the crates being shouldered in past a red-sweaty-faced, paunchy man in shirt sleeves who frowned his concentration that the beer-handlers should not crash or damage the great bottle-jammed crates. As Martha went past him to the small side door that led to Maisie’s rooms, a violent crash, a splintering of glass, angry shouts from the red-faced man, who was presumably Mr Webster? and complaints, expostulations, even a laugh from the watching farm assistants. A sudden sour reek of beer across the sun-baked street. Martha ascended dark wooden stairs fast, away from the beer stench. She knocked on Maisie’s door and heard: ‘Is that you, Matty? Come in then.’ She entered on a scene of a small child being put to bed for the night.