JAMES LEE BURKE
“can touch you in ways few writers can.”
—The Washington Post
National acclaim for his New York Times
bestselling fiction
“Burke remains a master of the crime novel.”
—Entertainment Weekly
“Nearly every scene builds to a fine crescendo of tension.”
—Kirkus Reviews
“The violence is gruesome… the energy is bright-hearted.”
—The Oregonian (Portland)
“A meaty, thoughtful exploration of why men do the evil that they do… A hell of a ride.”
—The Miami Herald
“I don’t think there’s a more lyrical writer of crime fiction than James Lee Burke working today.”
—The Philadelphia Inquirer
“Burke’s characterizations and whip-sharp dialogue are incomparable.”
—Rocky Mountain News (Denver)
“Powerful.”
—The New York Times
“Violent, harrowing.”
—The Times-Picayune (New Orleans)
“Extraordinarily satisfying.”
—Los Angeles Times
Lay Down My Sword and Shield is also
available as an eBook.
Also by James Lee Burke
DAVE ROBICHEAUX NOVELS
Swan Peak
The Tin Roof Blowdown
Pegasus Descending
Crusader’s Cross
Last Car to Elysian Fields
Jolie Blon’s Bounce
Purple Cane Road
Sunset Limited
Cadillac Jukebox
Burning Angel
Dixie City Jam
In the Electric Mist with Confederate Dead
A Stained White Radiance
A Morning for Flamingos
Black Cherry Blues
Heaven’s Prisoners
The Neon Rain
BILLY BOB HOLLAND NOVELS
In the Moon of Red Ponies
Bitterroot
Heartwood
Cimarron Rose
HACKBERRY HOLLAND NOVELS
Rain Gods
OTHER FICTION
Jesus Out to Sea
White Doves at Morning
The Lost Get-Back Boogie
The Convict and Other Stories
Two for Texas
To the Bright and Shining Sun
Half of Paradise
Lay Down My
SWORD
and
SHIELD
JAMES LEE BURKE
Gallery Books
A Division of Simon & Schuster, Inc.
1230 Avenue of the Americas
New York, NY 10020
www.SimonandSchuster.com
This book is a work of fiction. Names, characters, places, and incidents either are
products of the author’s imagination or are used fictitiously. Any resemblance to
actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 1971 by James Lee Burke
Copyright renewed © 1999 by James Lee Burke
Originally published by The Countryman Press, Inc.
All rights reserved, including the right to reproduce this book or portions thereof
in any form whatsoever. For information, address Gallery Books Subsidiary Rights
Department, 1230 Avenue of the Americas, New York, NY 10020
First Gallery Books trade paperback edition February 2010
GALLERY BOOKS and colophon are trademarks of Simon & Schuster, Inc.
For information about special discounts for bulk purchases,
please contact Simon & Schuster Special Sales at
1-866-506-1949 or
[email protected].
The Simon & Schuster Speakers Bureau can bring authors
to your live event. For more information or to book an event,
contact the Simon & Schuster Speakers Bureau at
1-866-248-3049 or visit our website at www.simonspeakers.com.
Designed by Renata Di Biase
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
The Library of Congress has cataloged the original edition as follows:
Burke, James Lee.
Lay down my sword and shield / James Lee Burke.
p. cm.
1. Politicians—Fiction. 2. Texas—Fiction. I. Title.
PS3552.U723
813/.54 20 94033421
ISBN 978-1-4391-6545-4
ISBN 978-1-4391-6766-3 (ebook)
This book is for my father, James L. Burke, Sr.,
who taught me most of the good things I know about
Lay Down My
SWORD
and
SHIELD
CHAPTER 1
ALMOST NINETY YEARS ago during the Sutton-Taylor feud, John Wesley Hardin drilled a half-dozen .44 pistol balls into one of the wood columns on my front porch. My grandfather, Old Hack, lived in the house then, and he used to describe how Wes Hardin had ridden drunk all night from San Antonio when he had heard that Hack had promised to lock him in jail if he ever came back into DeWitt County again. The sun had just risen, and it was raining slightly when Hardin rode into the yard, his black suit streaked with mud, horse sweat, and whiskey; he had a shotgun tied across his saddle horn with a strip of leather and his navy Colt was already cocked in his hand.
“You, Hack! Get out here. And don’t bring none of your Lincoln niggers with you or I’ll kill them, too.”
(My grandfather was sheriff and justice of the peace, and the Reconstruction government had forced him to take on two Negro federal soldiers as deputies. Of the forty-two men that Hardin eventually killed, many were Negroes, whom he hated as much as he did carpetbaggers and law officers.)
Hardin began shooting at the front porch, cocking and firing while the horse reared and pitched sideways with each explosion in its ears. Wes’s face was red with whiskey, his eyes were dilated, and when the horse whirled in a circle he whipped the pistol down between its ears. He emptied the rest of the chambers, the fire and black powder smoke roaring from the barrel, and all six shots hit the wood column in a neat vertical line.
Hack had been up early that morning with one of his mares that was in foal, and when he saw Wes Hardin through the barn window he took the Winchester from the leather saddle scabbard nailed against the wall and waited for Wes to empty his pistol. Then he stepped out into the lot, his cotton nightshirt tucked inside his trousers, blood and membrane on his hands and forearms, and pumped a shell into the chamber. Wes jerked around backward in the saddle when he heard the action work behind him.
“You goddamn sonofabitch,” Hack said. “Start to untie that shotgun and I’ll put a new asshole in the middle of your face.”
Hardin laid his pistol against his thigh and turned his horse in a half circle.
“You come up behind me, do you?” he said. “Get your pistol and let me reload and I’ll pay them nigger deputies for burying you.”
“I told you not to come back to DeWitt. Now you shot up my house and probably run off half my Mexicans. I’m going to put you in jail and wrap chains all over you, then I’m taking you into my court for attempted assault on a law officer. Move off that horse.”
Wes looked steadily at Hack, his killer’s eyes intent and frozen as though he were staring into a flame. Then he brought his boots out of the stirrups, slashed his spurs into the horse’s sides, and bent low over the neck with his fingers in the mane as the horse charged toward the front gate. But Hack leaped forward at the same time and swung the Winchester barrel down with both hands on Hardin’s head an
d knocked him sideways out of the saddle into the mud. There was a three-inch split in his scalp at the base of the hairline, and when he tried to raise himself to his feet, Hack kicked him squarely in the face twice with his boot heel. Then he put him in the back of a vegetable wagon, locked his wrists in manacles, tied trace chains around his body, and nailed the end links to the floorboards.
And that’s how John Wesley Hardin went to jail in DeWitt County, Texas. He never came back to fight Hack again, and no other law officer ever got the better of him, except John Selman, who drove a pistol ball through his eye in an El Paso saloon in 1895.
As I stood there on my front porch that hot, breathless July day, leaning against the column with the six bullet holes, now worn and smooth, I could see Hack’s whitewashed marker under the pin oaks in the Holland family cemetery. The trees were still in the heat, the leaves filmed with dust, and the shade was dappled on the headstones. Four generations of my family were buried there: Son Holland, a Tennessee mountain man from the Cumberlands who came to Texas in 1835 and fought at the battle of San Jacinto for Texas’s independence, was a friend of Sam Houston, later received twelve hundred acres from the Texas Republic, and died of old age while impressing horses for the Confederacy; Hack’s two older brothers, who rode with the Texas cavalry under General Hood at the battle of Atlanta; Great Uncle Tip, who made the first drive up the Chisholm Trail and married an Indian squaw; Sidney, a Baptist preacher and alcoholic, who always carried two revolvers and a derringer and killed six men; Winfro, murdered in a brothel during the Sutton-Taylor feud, his body dragged on a rope back and forth in front of the house by drunken cowboys; Jefferson, who had two years’ business college in Austin and decided to compete with the King and XIT ranches in the cattle market and lost six hundred acres of Holland land as a result; and Sam, my father—Hackberry’s son—a genteel man with a rheumatic heart, a onetime southern historian at the University of Texas and later a United States congressman during the New Deal, and finally a suicide.
Out beyond the cemetery the green hills sloped down toward the river, which was now low and brown, and the crests were covered with blackjack, live oak, and mesquite. The cotton in the fields was in bloom, the rows evenly spaced and stretched out straight as a rifle shot, and the tomatoes had come out big and red in the early summer showers. The sun flashed brilliantly on the windmill blades, now idle in the still air, and in the distance the clapboard and shingle homes of the Mexican farmworkers looked like flattened matchboxes in the heat. My three natural-gas wells pumped monotonously up and down, the pipes on the well heads dripping moisture from the intense cold inside, and occasionally I could smell the slightly nauseating odor of crude gas. The wells were located in the middle of the cotton acreage, the derricks long since torn down, and the cotton rows were cut back from the well heads in surgically perfect squares, which always suggested to me a pastoral reverence toward the Texas oil industry.
The front lane was spread with white gravel, the adjoining fields planted with Bermuda grass, and white wood fences ran both the length of the lane and the main road where my property ended. The lawn was mowed and clipped, watered each day by a Negro man whom my wife hired to take care of the rose gardens, and there were magnolia and orange trees on each side of the porch. The main portion of the house had been built by Hackberry in 1876, although the logs of Son Holland’s original cabin were in our kitchen walls, and it had changed little since. My wife had added a latticework verandah on the second story, with large ferns in earthen pots, and a screened-in side porch where we used to eat iced-tea dinners on summer evenings. After we began to take our meals separately, the porch was used as a cocktail bar for her lawn parties, complete with a professional bartender in a white jacket who shaved ice into mint julep glasses for the Daughters of the Confederacy, the Junior League, and the Texas Democratic Women’s Club.
But regardless of the Sunday afternoon lawn parties, the political women with their hard eyes and cool drinks, the white boxes filled with roses, the air-conditioning units in the windows, it was still Old Hack’s place, and sometimes at night when I was alone in the library the house seemed to creak with his angry presence.
I suppose that’s why I always felt that I was a guest in the house rather than its owner. Even though I was named for Hack, I never had the gunfighter blood that ran in the Holland family. I was a Navy hospital corpsman during the Korean War and spent three months in Seoul passing out penicillin tablets for clap until I was finally sent up to the firing line, and I was there only six days before I was shot through both calves and captured by the Chinese. So my one attempt at Hack’s gunfighter ethic was aborted, and I spent thirty-two months in three P.O.W. camps. However, I’ll tell you more later about my war record, my wound and Purple Heart, and my testimony at a turncoat’s court-martial, since they all became part of my credentials as a Democratic candidate for Congress.
I lit a cigar and walked down the glaring white lane to where my car was parked in the shade of an oak tree. I had showered and changed clothes a half hour before, but already my shirt and coat were damp, and the sun broke against my dark glasses like a hot green scorch. I sat back in the leather seat of the Cadillac and turned on the ignition and the air conditioner, and for just a moment, as the stale warm air blew through the vents, I could smell the concentrated odor of the gas wells, that scent of four thousand dollars a month guaranteed income from Texaco, Inc. I dropped the car into low, pushed slowly down on the accelerator, and I felt all three hundred fifty horses throb up smoothly through the bottom of my boot. The gravel pinged under the fenders, and I rumbled over the cattle guard onto the main road, then pushed the accelerator to the floor and listened to the tires whine over the soft tar surfacing. My white fences whipped by the windows, clicking like broken sticks against the corner of my eye, and I steered with three fingers at ninety miles an hour around the chuckholes and depressions, biting gently down on my cigar and watching the shadows on the fields race with me toward San Antonio and Houston. Several times when drunk I had driven one hundred and twenty miles an hour at night over the same road, hillbilly and gospel music from Del Rio thundering out of the radio, and the next morning I would sweat through my whiskey hangovers and see yellow flashes of light in my mind, the Cadillac rolling over in the field, the white fence gaping among the shattered boards, and I would be inside, bleeding blackly between the steering wheel and the crushed roof.
But sober I drove with magic in my hands, an air-cooled omnipotence encircling me as the road sucked under the long frame of my automobile.
As I neared Yoakum I unscrewed the cap of my flask and took a drink. The white ranch houses and the barns, the cattle and horses in the fields, the acres of cotton, and the solitary oak trees rolled by me. The sun reflected in a white flash off the hood of the car, and ahead the road seemed to swim in the heat. A thin breeze had started to blow, and dust devils spun along the dry edge of the cornfields. On the top of a slope the blades of a windmill turned into the breeze and began spinning rapidly; then the water sluiced out in a long white spray into the trough. At the edge of town I passed the rows of Negro and Mexican shacks, all alike even though some of them were built decades apart, all weathered gray, the porches collapsing, tar paper nailed in uneven shapes on the roofs, the dirt yards littered with broken toys, tangled wire, dirty children, plastic Clorox bottles, and garbage set out to rot in boxes. In the back, old cars with rusted engines and spiderwebbed windows sat among the weeds, faded overalls and denim shirts hung on the wash lines, and the scrub brush that grew in the gravel along the railroad bed was streaked black by passing locomotives.
I sipped again from the flask and put it in the glove compartment. It was Saturday, and Yoakum was crowded with ranchers and farmers, women in cotton-print dresses, Mexican and Negro field workers, pickup trucks and battered cars, and young boys on the corner in lacquered straw hats and starched blue jeans that were as stiff as cardboard. On Main Street the old high sidewalks had iron tethering rings se
t in them, and the wood colonnade, built in 1900, extended over the walk from the brick storefronts. Old men in white shirts with clip-on bow ties sat in the shade, spitting tobacco juice on the concrete and looking out at the traffic with their narrow, sunburned faces. At the end of the street was the stucco-and-log jail where my grandfather had locked up Wes Hardin. It was set back in a lot filled with weeds, and the roof and one of the walls had caved in. The broken timbers and powdered stone lay in a heap on the floor, and kids had smashed beer bottles against the bars and had left used contraceptives in the corners. But on one wall you could still read the worn inscription that an inmate had scratched there with a nail in 1880: J. W. Hardin says he will kill Hack Holland for nigger meat.
I had always wondered if Hack ever worried about Hardin breaking out of prison, or about Hardin’s relatives catching him in the back with a shotgun. But evidently he was never afraid of anything, because when Hardin was released from prison after fourteen years Hack sent him a telegram that read: Your cousins say you still want to gun me. If this is true I will send you a train ticket to San Antonio and we can meet briefly at the depot.
Through law school at Baylor I used one of Hack’s .44 Colts as a paperweight. The bluing had worn off the metal, and the mahogany grips were cracked, but the spring and hammer still worked and the heavy cylinder would rotate properly in place when I cocked it. After I started law practice with my brother in Austin, I hung the pistol on my office wall next to a 1925 picture of Hack as an old man, with my father in a white straw hat. I had my law degree and Phi Beta Kappa certificate framed in glass on the wall also; but the gun and Hack’s creased face and long white bobbed hair dominated the office.