"Ah Lord!" said Oliver, shaking his head sadly. "You bit the nail on the head that time. A truer word was never spoken."
Merciful God! he thought, with an anguished inner grin. How long is this to keep up? But she's a pippin as sure as you're born. He looked appreciatively at her trim erect figure, noting her milky white skin, her black-brown eyes, with their quaint child's stare, and her jet black hair drawn back tightly from her high white forehead. She had a curious trick of pursing her lips reflectively before she spoke; she liked to take her time, and came to the point after interminable divagations down all the lane-ends of memory and overtone, feasting upon the golden pageant of all she had ever said, done, felt, thought, seen, or replied, with egocentric delight. Then, while he looked, she ceased speaking abruptly, put her neat gloved hand to her chin, and stared off with a thoughtful pursed mouth.
"Well," she said after a moment, "if you're getting your health back and spend a good part of your time lying around you ought to have something to occupy your mind." She opened a leather portmanteau she was carrying and produced a visiting card and two fat volumes. "My name," she said portentously, with slow emphasis, "is Eliza Pentland, and I represent the Larkin Publishing Company."
She spoke the words proudly, with dignified gusto. Merciful God! A book agent! thought Gant.
"We are offering," said Eliza, opening a huge yellow book with a fancy design of spears and flags and laurel wreaths, "a book of poems called Gems of Verse for Hearth and Fireside as well as Larkin's Domestic Doctor and Book of Household Remedies, giving directions for the cure and prevention of over five hundred diseases."
"Well," said Gant, with a faint grin, wetting his big thumb briefly, "I ought to find one that I've got out of that."
"Why, yes," said Eliza, nodding smartly, "as the fellow says, youcan read poetry for the good of your soul and Larkin for the good of your body."
"I like poetry," said Gant, thumbing over the pages, and pausing with interest at the section marked Songs of the Spur and Sabre. "In my boyhood I could recite it by the hour."
He bought the books. Eliza packed her samples, and stood up looking sharply and curiously about the dusty little shop.
"Doing any business?" she said.
"Very little," said Oliver sadly. "Hardly enough to keep body and soul together. I'm a stranger in a strange land."
"Pshaw!" said Eliza cheerfully. "You ought to get out and meet more people. You need something to take your mind off yourself. If I were you, I'd pitch right in and take an interest in the town's progress. We've got everything here it takes to make a big town--scenery, climate, and natural resources, and we all ought to work together. If I had a few thousand dollars I know what I'd do,"--she winked smartly at him, and began to speak with a curiously masculine gesture of the hand--forefinger extended, fist loosely clenched. "Do you see this corner here--the one you're on? It'll double in value in the next few years. Now, here!" she gestured before her with the loose masculine gesture. "They're going to run a street through there some day as sure as you live. And when they do--" she pursed her lips reflectively, "that property is going to be worth money."
She continued to talk about property with a strange meditative hunger. The town seemed to be an enormous blueprint to her: her head was stuffed uncannily with figures and estimates--who owned a lot, who sold it, the sale-price, the real value, the future value, first and second mortgages, and so on. When she had finished, Oliver said with the emphasis of strong aversion, thinking of Sydney:
"I hope I never own another piece of property as long as I live--save a house to live in. It is nothing but a curse and a care, and the tax-collector gets it all in the end."
Eliza looked at him with a startled expression, as if he had uttered a damnable heresy.
"Why, say! That's no way to talk!" she said. "You want to lay something by for a rainy day, don't you?"
"I'm having my rainy day now," he said gloomily. "All the property I need is eight feet of earth to be buried in."
Then, talking more cheerfully, he walked with her to the door of the shop, and watched her as she marched primly away across the square, holding her skirts at the curbs with ladylike nicety. Then he turned back among his marbles again with a stirring in him of a joy he thought he had lost forever.
The Pentland family, of which Eliza was a member, was one of the strangest tribes that ever came out of the hills. It had no clear title to the name of Pentland: a Scotch-Englishman of that name, who was a mining engineer, the grandfather of the present head of the family, had come into the hills after the Revolution, looking for copper, and lived there for several years, begetting several children by one of the pioneer women. When he disappeared the woman took for herself and her children the name of Pentland.
The present chieftain of the tribe was Eliza's father, the brother of the prophet Bacchus, Major Thomas Pentland. Another brother had been killed during the Seven Days. Major Pentland's military title was honestly if inconspicuously earned. While Bacchus, who never rose above the rank of Corporal, was blistering his hard hands at Shiloh, the Major, as commander of two companies of Home Volunteers, was guarding the stronghold of the native hills. This stronghold was never threatened until the closing days of the war, when the Volunteers, ambuscaded behind convenient trees and rocks, fired three volleys into a detachment of Sherman's stragglers, and quietly dispersed to the defense of their attendant wives and children.
The Pentland family was as old as any in the community, but it had always been poor, and had made few pretenses to gentility. By marriage, and by intermarriage among its own kinsmen, it could boast of some connection with the great, of some insanity, and a modicum of idiocy. But because of its obvious superiority, in intelligence and fibre, to most of the mountain people it held a position of solid respect among them.
The Pentlands bore a strong clan-marking. Like most rich personalities in strange families their powerful group-stamp became more impressive because of their differences. They had broad powerful noses, with fleshy deeply scalloped wings, sensual mouths, extraordinarily mixed of delicacy and coarseness, which in the process of thinking they convolved with astonishing flexibility, broad intelligent foreheads, and deep flat cheeks, a trifle hollowed. The men were generally ruddy of face, and their typical stature was meaty, strong, and of middling height, although it varied into gangling cadaverousness.
Major Thomas Pentland was the father of a numerous family of which Eliza was the only surviving girl. A younger sister had died a few years before of a disease which the family identified sorrowfully as "poor Jane's scrofula." There were six boys: Henry, the oldest, was now thirty, Will was twenty-six, Jim was twenty-two, and Thaddeus, Elmer and Greeley were, in the order named, eighteen, fifteen, and eleven. Eliza was twenty-four.
The four oldest children, Henry, Will, Eliza, and Jim, had passed their childhood in the years following the war. The poverty and privation of these years had been so terrible that none of them ever spoke of it now, but the bitter steel had sheared into their hearts, leaving scars that would not heal.
The effect of these years upon the oldest children was to develop in them an insane niggardliness, an insatiate love of property, and a desire to escape from the Major's household as quickly as possible.
"Father," Eliza had said with ladylike dignity, as she led Oliver for the first time into the sitting-room of the cottage, "I want you to meet Mr. Gant."
Major Pentland rose slowly from his rocker by the fire, folded a large knife, and put the apple he had been peeling on the mantel. Bacchus looked up benevolently from a whittled stick, and Will, glancing up from his stubby nails which he was paring as usual, greeted the visitor with a birdlike nod and wink. The men amused themselves constantly with pocket knives.
Major Pentland advanced slowly toward Gant. He was a stocky fleshyman in the middle fifties, with a ruddy face, a patriarchal beard, and the thick complacent features of his tribe.
"It's W. O. Gant, isn't it?" he asked in a drawling
unctuous voice.
"Yes," said Oliver, "that's right."
"From what Eliza's been telling me about you," said the Major, giving the signal to his audience, "I was going to say it ought to be L. E. Gant."
The room sounded with the fat pleased laughter of the Pentlands.
"Whew!" cried Eliza, putting her hand to the wing of her broad nose. "I'll vow, father! You ought to be ashamed of yourself."
Gant grinned with a thin false painting of mirth.
The miserable old scoundrel, he thought. He's had that one bottled up for a week.
"You've met Will before," said Eliza.
"Both before and aft," said Will with a smart wink.
When their laughter had died down, Eliza said: "And this--as the fellow says--is Uncle Bacchus."
"Yes, sir," said Bacchus beaming, "as large as life an' twice as sassy."
"They call him Back-us everywhere else," said Will, including them all in a brisk wink, "but here in the family we call him Behind-us."
"I suppose," said Major Pentland deliberately, "that you've served on a great many juries?"
"No," said Oliver, determined to endure the worst now with a frozen grin. "Why?"
"Because," said the Major looking around again, "I thought you were a fellow who'd done a lot of COURTIN'."
Then, amid their laughter, the door opened, and several of the others came in--Eliza's mother, a plain worn Scotchwoman, and Jim, a ruddy porcine young fellow, his father's beardless twin, and Thaddeus, mild, ruddy, brown of hair and eye, bovine, and finally Greeley, the youngest, a boy with lapping idiot grins, full of strange squealing noises at which they laughed. He was eleven, degenerate, weak, scrofulous, but his white moist hands could draw from a violin music that had in it something unearthly and untaught.
And as they sat there in the hot little room with its warm odor of mellowing apples, the vast winds howled down from the hills, there was a roaring in the pines, remote and demented, the bare boughs clashed. And as they peeled, or pared, or whittled, their talk slid from its rude jocularity to death and burial: they drawled monotonously, with evil hunger, their gossip of destiny, and of men but newly lain in the earth. And as their talk wore on, and Gant heard the spectre moan of the wind, he was entombed in loss and darkness, and his soul plunged downward in the pit of night, for he saw that he must die a stranger--that all, all but these triumphant Pentlands, who banqueted on death--must die.
And like a man who is perishing in the polar night, he thought of the rich meadows of his youth: the corn, the plum tree, and ripe grain. Why here? O lost!
2
Oliver married Eliza in May. After their wedding trip to Philadelphia, they returned to the house he had built for her on Woodson Street. With his great hands he had laid the foundations, burrowed out deep musty cellars in the earth, and sheeted the tall sides over with smooth trowellings of warm brown plaster. He had very little money, but his strange house grew to the rich modelling of his fantasy: when he had finished he had something which leaned to the slope of his narrow uphill yard, something with a high embracing porch in front, and warm rooms where one stepped up and down to the tackings of his whim. He built his house close to the quiet hilly street; he bedded the loamy soil with flowers; he laid the short walk to the high veranda steps with great square sheets of colored marble; he put a fence of spiked iron between his house and the world.
Then, in the cool long glade of yard that stretched four hundred feet behind the house he planted trees and grape vines. And whatever he touched in that rich fortress of his soul sprang into golden life: as the years passed, the fruit trees--the peach, the plum, the cherry, the apple--grew great and bent beneath their clusters. His grape vines thickened into brawny ropes of brown and coiled down the high wire fences of his lot, and hung in a dense fabric, upon his trellises, roping his domain twice around. They climbed the porch end of the house and framed the upper windows in thick bowers. And the flowers grew in rioting glory in his yard--the velvet-leaved nasturtium, slashed with a hundred tawny dyes, the rose, the snowball, the redcupped tulip, and the lily. The honeysuckle drooped its heavy mass upon the fence; wherever his great hands touched the earth it grew fruitful for him.
For him the house was the picture of his soul, the garment of his will. But for Eliza it was a piece of property, whose value she shrewdly appraised, a beginning for her hoard. Like all the older children of Major Pentland she had, since her twentieth year, begun the slow accretion of land: from the savings of her small wage as teacher and book-agent, she had already purchased one or two pieces of earth. On one of these, a small lot at the edge of the public square, she persuaded him to build a shop. This he did with his own hands, and the labor of two negro men: it was a two-story shack of brick, with wide wooden steps, leading down to the square from a marble porch. Upon this porch, flanking the wooden doors, he placed some marbles; by the door, he put the heavy simpering figure of an angel.
But Eliza was not content with his trade: there was no money in death. People, she thought, died too slowly. And she foresaw that her brother Will, who had begun at fifteen as helper in a lumber yard, and was now the owner of a tiny business, was destined to become a rich man. So she persuaded Gant to go into partnership with Will Pentland: at the end of a year, however, his patience broke, his tortured egotism leaped from its restraint, he howled that Will, whose business hours were spent chiefly in figuring upon a dirty envelope with a stub of a pencil, paring reflectively his stubby nails, or punning endlessly with a birdlike wink and nod, would ruin them all. Will therefore quietly bought out his partner's interest, and moved on toward the accumulation of a fortune, while Oliver returned to isolation and his grimy angels.
The strange figure of Oliver Gant cast its famous shadow through the town. Men heard at night and morning the great formula of his curse to Eliza. They saw him plunge to house and shop, they saw him bent above his marbles, they saw him mould in his great hands--with curse, and howl, with passionate devotion--the rich texture of his home. They laughed at his wild excess of speech, of feeling, and of gesture. They were silent before the maniac fury of his sprees, which occurred almost punctually every two months, and lasted two or three days. They picked him foul and witless from the cobbles, and brought him home--the banker, the policeman, and a burly devoted Swiss named Jannadeau, a grimy jeweller who rented a small fenced space among Gant's tombstones. And always they handled him with tender care, feeling something strange and proud and glorious lost in that drunken ruin of Babel. He was a stranger to them: no one--not even Eliza--ever called him by his first name. He was--and remained thereafter--"Mister" Gant.
And what Eliza endured in pain and fear and glory no one knew. He breathed over them all his hot lion-breath of desire and fury: when he was drunk, her white pursed face, and all the slow octopal movements of her temper, stirred him to red madness. She was at such times in real danger from his assault: she had to lock herself away from him. For from the first, deeper than love, deeper than hate, as deep as the unfleshed bones of life, an obscure and final warfare was being waged between them. Eliza wept or was silent to his curse, nagged briefly in retort to his rhetoric, gave like a punched pillow to his lunging drive--and slowly, implacably had her way. Year by year, above his howl of protest, he did not know how, they gathered in small bits of earth, paid the hated taxes, and put the money that remained into more land. Over the wife, over the mother, the woman of property, who was like a man, walked slowly forth.
In eleven years she bore him nine children of whom six lived. The first, a girl, died in her twentieth month, of infant cholera; two more died at birth. The others outlived the grim and casual littering. The oldest, a boy, was born in 1885. He was given the name of Steve. The second, born fifteen months later, was a girl--Daisy. The next, likewise a girl--Helen--came three years later. Then, in 1892, came twins--boys--to whom Gant, always with a zest for politics, gave the names of Grover Cleveland and Benjamin Harrison. And the last, Luke, was born two years later, in 1894.
Twice, during this period, at intervals of five years, Gant's periodic spree lengthened into an unbroken drunkenness that lasted for weeks. He was caught, drowning in the tides of his thirst. Each time Eliza sent him away to take a cure for alcoholism at Richmond. Once, Eliza and four of her children were sick at the same time with typhoid fever. But during a weary convalescence she pursed her lips grimly and took them off to Florida.
Eliza came through stolidly to victory. As she marched down these enormous years of love and loss, stained with the rich dyes of pain and pride and death, and with the great wild flare of his alien and passionate life, her limbs faltered in the grip of ruin, but she came on, through sickness and emaciation, to victorious strength. She knew there had been glory in it: insensate and cruel as he had often been, she remembered the enormous beating color of his life, and the lost and stricken thing in him which he would never find. And fear and a speechless pity rose in her when at times she saw the small uneasy eyes grow still and darken with the foiled and groping hunger of old frustration. O lost!
3
In the great processional of the years through which the history of the Gants was evolving, few years had borne a heavier weight of pain, terror, and wretchedness, and none was destined to bring with it more conclusive events than that year which marked the beginning of the twentieth century. For Gant and his wife, the year 1900, in which one day they found themselves, after growing to maturity in another century--a transition which must have given, wherever it has happened, a brief but poignant loneliness to thousands of imaginative people--had coincidences, too striking to be unnoticed, with other boundaries in their lives.